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Cambridge Companion Shakespeare on Film
This page intentionally left blank Film adaptations of Shakespeare’s plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare’s plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives:as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare’s women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong cov- erage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. Russell Jackson is Reader in Shakespeare Studies and Deputy Director of the Shakespeare Institute, University of Birmingham. He has worked as a textual adviser on several feature films including Shakespeare in Love and Kenneth Branagh’s Henry V, Much Ado About Nothing, Hamlet and Love’s Labour’s Lost. He is co-editor of Shakespeare: An Illustrated Stage History (1996) and two volumes in the Players of Shakespeare series. He has also edited Oscar Wilde’s plays. THE CAMBRIDGE COMPANION TO SHAKESPEARE ON FILM CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Old English The Cambridge Companion to William Literature Faulkner edited by Malcolm Godden and Michael edited by Philip M. -
The Modern Hardboiled Detective in the Novella Form
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2015 "We want to get down to the nitty-gritty": The Modern Hardboiled Detective in the Novella Form Kendall G. Pack Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the English Language and Literature Commons Recommended Citation Pack, Kendall G., ""We want to get down to the nitty-gritty": The Modern Hardboiled Detective in the Novella Form" (2015). All Graduate Theses and Dissertations. 4247. https://digitalcommons.usu.edu/etd/4247 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. “WE WANT TO GET DOWN TO THE NITTY-GRITTY”: THE MODERN HARDBOILED DETECTIVE IN THE NOVELLA FORM by Kendall G. Pack A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in English (Literature and Writing) Approved: ____________________________ ____________________________ Charles Waugh Brian McCuskey Major Professor Committee Member ____________________________ ____________________________ Benjamin Gunsberg Mark McLellan Committee Member Vice President for Research and Dean of the School of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2015 ii Copyright © Kendall Pack 2015 All Rights Reserved iii ABSTRACT “We want to get down to the nitty-gritty”: The Modern Hardboiled Detective in the Novella Form by Kendall G. Pack, Master of Science Utah State University, 2015 Major Professor: Dr. Charles Waugh Department: English This thesis approaches the issue of the detective in the 21st century through the parodic novella form. -
Spy Films, American Foreign Policy, and the New Frontier of the 1960S
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses Spring 2019 Bondmania: Spy Films, American Foreign Policy, and the New Frontier of the 1960s Luke Pearsons Central Washington University, [email protected] Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Cultural History Commons, History of Gender Commons, Political History Commons, and the United States History Commons Recommended Citation Pearsons, Luke, "Bondmania: Spy Films, American Foreign Policy, and the New Frontier of the 1960s" (2019). All Master's Theses. 1202. https://digitalcommons.cwu.edu/etd/1202 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. BONDMANIA: SPY FILMS, AMERICAN FOREIGN POLICY, AND THE NEW FRONTIER OF THE 1960s __________________________________ A Thesis Presented to The Graduate Faculty Central Washington University ___________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts History ___________________________________ by Luke Thomas Pearsons May 2019 CENTRAL WASHINGTON UNIVERSITY Graduate Studies We hereby approve the thesis of Luke Thomas Pearsons Candidate for the degree of Master of Arts APPROVED FOR THE GRADUATE FACULTY ______________ _________________________________________ Dr. Stephen Moore, Committee Chair ______________ _________________________________________ Dr. Daniel Herman ______________ _________________________________________ Dr. Chong Eun Ahn ______________ _________________________________________ Dean of Graduate Studies ii ABSTRACT BONDMANIA: SPY FILMS, AMERICAN FOREIGN POLICY, AND THE NEW FRONTIER OF THE 1960s by Luke Thomas Pearsons May 2019 The topic of this thesis are spy films that were produced during the Cold War, with a specific focus on the James Bond films and their numerous imitators. -
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Sekans Sinema Kültürü Dergisi Aralık 2018, Sayı e9, Ankara © Sekans Sinema Grubu Tüm Hakları Saklıdır. Sekans Sinema Kültürü Dergisi ve sekans.org içeriği, Sekans Sinema Grubu ve yazarlardan izin alınmaksızın kullanılamaz. [email protected] http://www.sekans.org Yayın Yönetmeni Ender Bazen Dosya Editörü A. Kadir Güneytepe Kapak Düzenleme ve Tasarım Cem Kayalıgil [email protected] Tansu Ayşe Fıçıcılar [email protected] Web Uygulama Ayhan Yılmaz [email protected] Kapak Fotoğrafı Güz Sonatı (Höstsonaten, Ingmar Bergman, 1978) Katkıda Bulunanlar Natig Ahmedli, Ahmet Akalın, Nurten Bayraktar, Gülizar Çelik, Gizem Çınar, M. Baki Demirtaş, Ekin Eren, Aleksey Fedorchenko, Ulaş Başar Gezgin, Erman Görgü, Dilan İlhan, Erdem İlic, Süheyla Tolunay İşlek, Erbolot Kasymov, Sertaç Koyuncu, Dila Naz Madenoğlu, İlker Mutlu, Yalçın Savuran, Mine Tezgiden, Seda Usubütün, Rukhsora Yusupova Bu elektronik dergi, bir Sekans Sinema Grubu ürünüdür. ÖNSÖZ Bir derginin en iyi yanı bir sayı içerisindeki birçok farklı başlığın sinemanın zengin dünyası içinde sinemanın bambaşka alanlarına sıçramayı sağlayabiliyor olması galiba. Her yeni sayıda yazarlarımızın ilgi alanlarının katkısıyla bu zengin dünyadaki her araştırma, her keşif bir diğer okumayı da besliyor çoğu zaman. Her sayıda olduğu gibi Sekans Sinema Kültürü Dergisi e-9’da da bu amaçla çalışmalara başlanmış, içeriğin ana hatları belirlenmişti. Sinemamızdan ve dünya sinemasından incelemeler, bir yönetmen söyleşisi, belgesel, akım, tür, anısına gibi bölümler, 50 yaşında bir film, bir ülke sinemasını ele alan dosya ile bu sayıda da farklı coğrafyalara, tarihlere, yönetmenlere, ülkelere ve düşüncelere yolculuk etmek için yola çıkılmıştı. Tüm bu çalışmaları okuyucuya ulaştırmanın yoğun çabası içindeyken sinema dünyasından kötü bir haber geldi. İtalyan yönetmen Bernardo Bertolucci, çokça tartışılmış, üzerine defalarca yazılmış, çizilmiş filmlerini ardında bırakarak bu dünyaya gözlerini kapamıştı. -
University Microfilms, Inc., Ann Arbor, Michigan SOCIAL CRITICISM in the ENGLISH NOVEL
This dissertation has been microfilmed exactly as received 68-8810 CLEMENTS, Frances Marion, 1927- SOCIAL CRITICISM IN THE ENGLISH NOVEL: 1740-1754. The Ohio State University, Ph.D., 1967 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan SOCIAL CRITICISM IN THE ENGLISH NOVEL 1740- 175^ DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Frances Marion Clements, B.A., M.A. * # * * # * The Ohio State University 1967 Approved by (L_Lji.b A< i W L _ Adviser Department of English ACKNOWLEDGMENTS I wish to thank the Library of Congress and the Folger Shakespeare Library for allowing me to use their resources. I also owe a large debt to the Newberry Library, the State Library of Ohio and the university libraries of Yale, Miami of Ohio, Ohio Wesleyan, Chicago, Illinois, Indiana, Iowa and Wisconsin for their generosity in lending books. Their willingness to entrust precious eighteenth-century volumes to the postal service greatly facilitated my research. My largest debt, however, is to my adviser, Professor Richard D. Altick, who placed his extensive knowledge of British social history and of the British novel at my disposal, and who patiently read my manuscript more times than either of us likes to remember. Both his criticism and his praise were indispensable. VITA October 17, 1927 Born - Lynchburg, Virginia 1950 .......... A. B., Randolph-Macon Women's College, Lynchburg, Virginia 1950-1959• • • • United States Foreign Service 1962-1967. • • • Teaching Assistant, Department of English, The Ohio State University, Columbus, Ohio 1962 ..... -
English and Armenian Languages
FOUNDATION FOR CIVIL AND SOCIAL DEVELOPMENT Authors and Editors Samvel Mkhitaryan Chairman of the Foundation, Project initiator and Guidebook Editor in Chief Working and expert group Mkrtich Anushyan Roman Melikyan Armen Grigoryan Marine Papyan Karine Mkhitaryan Ruben Gasparyan Sonia Hakobyan Sevak Hakobyan Ashot Mirzoyan Tamar Azarbaryan Taguhi Khachatryan Naira Aharonyan POLITICAL PARTIES OF THE REPUBLIC OF ARMENIA PARTICIPATING IN THE NATIONAL ASSASSEEEEMBLYMBLY ELECTIONS 2012 UNDER PROPORTIONAL SYSTEM VOTER’S GUIDEGUIDEBOOKBOOK 2012 YEREVAN “POLITICAL PARTIES OF THE REPUBLIC OF ARMENIA PARTICIPATING IN THE NATIONAL ASSEMBLY ELECTIONS 2012 UNDER PROPORTIONAL SYSTEM” VOTER’S GUIDEBOOK -Yerevan “““FOUNDATION“FOUNDATION FOR CIVIL AND SOCIAL DEVELOPMENTDEVELOPMENT””””,,,, YYYEREVYEREVEREVANANANAN,, 2012 ––– 111321323232 pagespages.... Authors and Editors Samvel Mkhitaryan,, Mkrtich Anushyan,, Roman Melikyan, Armen Grigoryan, Marine Papyan, Karine Mkhitaryan, Ruben Gasparyan, Sonia Hakobyan, Sevak Hakobyan, Ashot Mirzoyan, Tamar Azarbaryan, Taguhi Khachatryan, Naira Aharonyan This Voter’s Guidebook presents brief, unbiased, comparative information on activities, objectives, goals and program fundamentals of political parties participating in RA National Assembly elections 2012 under proportional system. This Guidebook is developed on the basis of responses as provided by political parties in the questionnaire developed within the scope of the grant project ''Political Parties of the Republic of Armenia Directory and Voter's Guidebook'' -
Sharing with Creative Commons
64 • PLATFORM: Journal of Media and Communication SHARING WITH CREATIVE COMMON S : A BU S INE ss MODEL FOR CONTENT CREATOR S CHERYL FOONG QUEEN S LAND UNIVER S ITY OF TE C HNOLOGY , AU S TRALIA Abstract: Creative Commons (CC) is often seen as a social movement, dismissed by critics as a tool for hobbyists or academics who do not sell their creations to make a living. However, this paper argues that the licensing of creative copyright works under a CC licence does not preclude commercial gain. If used wisely, CC licences can be a useful tool for creators in their quest for commercial success. In particular, this paper argues that the sharing of creative works online under a CC licence allows creators to circumvent traditional distribution channels dominated by content intermediaries, whilest maintaining a level of control over their copyright works (i.e. explicitly reserving some rights but not all rights). This will be illustrated by case studies on how CC is being used by content creators and intermediaries respective INTRODU C TION Creative Commons (CC) is often seen as a social movement, dismissed by critics as a tool for hobbyists or academics who do not sell their creations to make a living.1 The application of CC licences by copyright owners to their works permits the public at large to share the work with others, subject to certain conditions. There is concern that CC promotes a “gift culture” which devalues creative works both in society at large and in the minds of creators themselves.2 These concerns stem from doubts as to one’s ability to make money off a work that can legally be shared on the internet or anywhere else.3 These arguments may be valid in certain circumstances, but do not apply absolutely across the board. -
A Quantitative Analysis of the Perceived Quality for Popular Movies by Consumers, Experts and Peers
A quantitative analysis of the perceived quality for popular movies by consumers, experts and peers Student name: Ruth Bos Student number: 409141 Supervisor: Dr. P. Bhansing Erasmus School of History, Culture and Communication Erasmus University Rotterdam Cultural Economics and Entrepreneurship Master Thesis June 8, 2016 Master Thesis “Quality time at the movies” Ruth Bos - 409141 ABSTRACT Academic research pertained to the marketing of motion pictures has identified the importance of quality on the commercial success of popular movies with indicators as consumer evaluations, expert ratings and peer-recognized awards as the Academy Awards. However, most researchers fail to analyze the quality of a movie as a measurement of performance of a movie. The current study extents previous research by aiming to measure the perceived quality of consumers, experts and peers for popular movies, based on the assumptions made on the success factors for commercial performance in previous marketing literature. Through a quantitative internet content analysis, data was gathered on the motion picture industry. The models were tested with a sample of 320 movies released between 2000-2015. Results show that the perceived quality of consumers overlap with the perceived quality of experts, which contradicts statements about the ‘little taste’ of consumers. Moreover, the data shows that there is a difference between the perceived quality of consumers and the commercial success of a movie, measured in box office revenue. However, for both commercial success and the perceived quality of consumers, popular appeal is still important for the satisfaction of the consumer. Managerial and theoretical implications, as well as limitations and directions for future research are offered. -
Gary Essert Filmex Files, 1966-1981
http://oac.cdlib.org/findaid/ark:/13030/kt9v19q8dc No online items Finding Aid for the Gary Essert Filmex Files, 1966-1981 Processed by Performing Arts Special Collections staff; machine-readable finding aid created by N. Vega and J. Graham UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2005 The Regents of the University of California. All rights reserved. Finding Aid for the Gary Essert 270 1 Filmex Files, 1966-1981 Descriptive Summary Title: Gary Essert Filmex Files Date (inclusive): 1966-1981 Collection number: 270 Creator: Essert, Gary Extent: 39 boxes (19.25 linear ft.) Abstract: Gary Essert and with the assistance of George Cukor, launched the first Los Angeles International Film Exposition (Filmex) in Hollywood, CA (1971). The collection consists of documents and photographs relating to films shown at the Los Angeles International Film Exposition(Filmex). Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Sexology, Psychoanalysis, Literature
LANG, DAMOUSI & LEWIS BIRGIT LANG, JOY DAMOUSI AND Birgit Lang is Starting with Central Europe and concluding with the AlISON LEWIS Associate Professor United States of America, A history of the case study tells of German at the story of the genre as inseparable from the foundation The University of Melbourne of sexology and psychoanalysis and integral to the history of European literature. It examines the nineteenth- and Joy Damousi is twentieth-century pioneers of the case study who sought ARC Kathleen answers to the mysteries of sexual identity and shaped Fitzpatrick Laureate the way we think about sexual modernity. These pioneers Fellow and Professor of History at include members of professional elites (psychiatrists, A history of study of case the A history A history of The University psychoanalysts and jurists) and creative writers, writing of Melbourne for newly emerging sexual publics. Alison Lewis Where previous accounts of the case study have is Professor of German at approached the history of the genre from a single The University disciplinary perspective, this book stands out for its the case study of Melbourne interdisciplinary approach, well-suited to negotiating the ambivalent contexts of modernity. It focuses on key Sexology, psychoanalysis, literature formative moments and locations in the genre’s past COVER Schad, Christian where the conventions of the case study were contested (1894–1982): Portrait as part of a more profound enquiry into the nature of the literature psychoanalysis, Sexology, of Dr Haustein, 1928. Madrid, Museo human subject. Thyssen-Bornemisza. Oil on canvas, 80.5 x 55 cm. Dimension with frame: Among the figures considered in this volume are 97 x 72 x 5 cm. -
New Nordic Films Catalogue 2010
18-21 AUGUST 201 0 NEW NORDIC FILMS Welcome to Haugesund WE ARE PLEASED to state that the Nordic coun - International Film Festival an important meeting N O I tries have made Haugesund an important meeting place also for Europe’s producers. For this reason T C place for the international film industry. we have established the Nordic Co-Production U D O Forum as a part of New Nordic Films. R T To achieve our objective of becoming one of the N I leading film festivals for Nordic cinema, we still Support from Innovation Norway has also made it work together with the Gothenburg Film Festival, possible to develop a location programme together which each year hosts the Nordic Film with Film Commission Norway. Market in February. We strongly wish to play an important part in the In this connection, we would like to take the oppor - Nordic and European film industry, and I am tunity to thank the Nordic Film & TV Fund and the delight ed that so many professionals from abroad Nordic Council of Ministers for their annual contri - have decided to visit Haugesund. bution to both Gothenburg and Haugesund. We also thank the Film Institutes of the Nordic Countries for their cooperation and advice. This year we have also received important and highly appreciated support from the MEDIA Programme in Brüssels. As a member of FIAPF (the International Fede - ration of Film Producing Associations), the Norwegian International Film Festival thinks it is Gunnar Johan Løvvik natural to make Norway and the Norwegian Festival Director 2 Contents 2 Welcome to Haugesund 4 Day by day 6 City Map Haugesund 7 Welcome to the 2010 New Nordic Films -THE NORWEGIAN INTERNATIONAL 8 Co-produce – or die? FILM FESTIVAL is owned by 9 Case Study: Babycall FILM & KINO, The Municipality of 10 Final Cut / Canadian Landscape Haugesund and Rogaland County. -
Spirited Away Bus174 End of the Century How to Train Your Dragon
Spirited Away Bus174 End of the Century How to Train Your Dragon 2 My Architect The Rocket The Prestige Best Worst Movie Gangs of New York 2 Days in Paris The Blue Room Jay and Silent Bob Strike Back Bruce Almighty Les Parapluises de Cherbourg Bloody Sunday Deep Water High Fidelity MI Rogue Nation The Imposter The man on the train Samson and Deliah The Master Iron Man 3 Shutter Insidious Paper Heart A Separation Argo Call Me Kuchu Finding Vivian Maier March of the Penguins The Descendants The Host Despicable Me Wendy and Lucy The One I Love The Matador Grabbers Bug The Best of Youth Amores Perros The king of Devil's Island Elite Squad Lincoln Precious The Host Chef Fill the Void The Best Exotic Marigold Hotel Ted Dead Snow Anger Management The Two Towers The Man Without a Past West of Memphis Bridge of Spies Hugo Moon Summer Hours The World's End Coherence Secretary Life Aquatic 17 Again The Ladykillers Pans Labyrinth The Crash Reel Volver Birdman Good Night and Good Luck Into the Wild Spy The World's End Rise of the Planets of the Apes Secretary Klown THem Quarantine Fellowship of the ring The Bourne Ultimatum Timbuktu Best of enemies Bowling for Columbine Headhunters Gomorra The Way, Way Back Hachi: A Dog's Tale Room 237 A.I. Passion of the christ Funny Games The Look of Silence The Beaches of Agness Shrek Adaptation Batman Begins Hairspray Enchanted The Skin I live IN Uncle Boonmee Chuck & Buck Taken Evil Dead antiviral Sherpa Selma Shaun of the Dead Saraband A Band called death Girlhood Blue Jasmine The Italian Spider Man American Psycho Old School Suicide Club The Ice Harvest Spotlight Mad Max: Fury Road Oslo.