New Nordic Films Catalogue 2010
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A Film by PETER GRÖNLUND
B-REEL FILMS AB present GOLIATH A film by PETER GRÖNLUND 2018 / Sweden / Colour / 88 minutes INTERNATIONAL SALES Eva Diederix [email protected] Silvia Simonnutti [email protected] Fanny Beauville [email protected] Olpha Ben Salah [email protected] Download press kit and stills: https://www.wildbunch.biz/movie/goliath/ SYNOPSIS Goliath is set in a forgotten industrial town somewhere in Sweden. When Roland is sentenced to prison, his seventeen years old son Kimmie, is expected to take over the criminal business and provide for the family, a task he is not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare system is declining and Sweden is at change. DIRECTOR’S STATEMENT “... Small Swedish industrial communities such as Hofors, Avesta and Lesjöfors face a number of problems, one of which is drugs and the attendant criminality among the young people. According to several studies it is possible to see how drugs are filtering down through the age- groups. The customary weekend binge drinking is always with us, but we must never forget that drugs and criminality are only a symptom of a much more deep-rooted disease. In whatever direction one cares to look, apathy and uniformity cast their shadow over a society that spins ever faster, and it is easy in this day and age for people to lose their grip. It can be difficult to keep one’s faith in a better world. People cling to their monthly wage as a final outpost of happiness. -
Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More
Issue 1 • 2017 SHOOTING STAR Karin Franz Körlof + The Nile Hilton Incident, A Hustler’s Diary, Up in the Sky and much more A magazine from the Swedish Film Institute • sfi.se 25 years Welcome 1 000 co-productions Head of International Pia Lundberg Film i Väst 1992–2017 www.fi lmivast.com Phone: +46 70 692 79 80 [email protected] Festivals, features Petter Mattsson Phone +46 70 607 11 34 Film i Väst congratulates [email protected] its co-productions in Berlin! Festivals, documentaries Sara Rüster A fresh start Phone: +46 76 117 26 78 [email protected] Panta rhei. All things are in flux. They A Hustler’s Diary, a dramedy where a certainly are, and Sweden and the Swedish suburban small-time criminal clashes film industry is no exception. At the time with his past and the very elite of Stock- Festivals, shorts Theo Tsappos of writing we are only weeks into a new holm’s cultural life. We have Sami Blood Phone: +46 76 779 11 33 national film policy. We see it as a chance in Berlin and the TV series Midnight Sun [email protected] to go through the old film funding that’s in Rotterdam – and they both, in com- been around for decades, modernize it – pletely different ways, tell a story about and start afresh. We’re going cherry-pick- the Sami minority. Those are just a few Special projects ing, taking what’s worked for us and other examples of Swedish films that are Josefina Mothander countries before, and putting the pieces selected for various festivals in the first Phone +46 70 972 93 52 together to build something new. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
Femininity and Gender in Lars Von Trier's Depression Trilogy
FEMININITY AND GENDER IN LARS VON TRIER’S DEPRESSION TRILOGY by Carles Pérez Gutiérrez B.A. (Universitat de Barcelona) 2018 THESIS/CAPSTONE Submitted in partial satisfaction of the requirements For the degree of MASTER OF ARTS in HUMANITIES in the GRADUATE SCHOOL of HOOD COLLEGE April 2020 Accepted: _______________________ _______________________ Robert Casas, Ph.D. Corey Campion, Ph.D. Committee Member Program Advisor _______________________ Didier Course, Ph.D. Committee Member _______________________ April M. Boulton, Ph.D. Dean of the Graduate School _______________________ Aaron Angello, Ph.D. Capstone Advisor STATEMENT OF USE AND COPYRIGHT WAIVER I do authorize Hood College to lend this Thesis (Capstone), or reproductions of it, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. ii CONTENTS STATEMENT OF USE AND COPYRIGHT WAIVER ...………………………….. ii ABSTRACT ………………………………………………………………………… iv ACKNOWLEDGEMENTS …………………………………………………………. v CHAPTER 1: INTRODUCTION ………………………….………………………... 2 CHAPTER 2: ANTICHRIST ………………………………………………...……… 9 CHAPTER 3: MELANCHOLIA …………………………………….…………….. 36 CHAPTER 4: NYMPHOMANIAC ……………………………………..…………. 57 CHAPTER 5: CONCLUSION ………………………………………...…………… 82 BIBLIOGRAPHY AND FILMOGRAPHY ……………………………………….. 86 iii ABSTRACT Both praised and criticized, Lars von Trier’s Depression Trilogy—a film trilogy that includes Antichrist (2009), Melancholia (2011), and Nymphomaniac (2013)— provides an exploration of femininity and gender roles. This study explores how von -
FILM#63 / CANNES SPECIAL ISSUE L1l FILM#63/ CANNES Issue INSIDE
WW2 rEsistAncE drAmA rEALitY BOrEs mE sEmAinE dE LA critiQUE With more than half a million tickets sold since its Henrik Ruben Genz brings the grotesque tale of his Young Man Falling, an experimental film with a release on March 28, Ole Christian Madsen’s Flame Terribly Happy to life in stark, carefully composed captivating visual style directed by Martin de Thurah, & Citron has proven to be one of Danish cinema’s images, recalling the American provinces of Edward is in the official selection of the 47th International greatest successes in recent years. Hopper’s lonesome tableaux or classic westerns. Critics’ Week. PAGE 3 PAGE 6 PAGE 18 l1l FiLm IS PUBLISHEd# BY tHE dANISH63 FiLm INSTITUtE / may 2008 PAGE 2 / FILM#63 / CANNES SPECIAL ISSUE l1l FILM#63/ CANNES ISSUE INSIDE 77ô2%3)34!.#%ô$2!-!ô 2%!,)49ô"/2%3ô-% 3%-!).%ô$%ô,!ô#2)4)15% 7ITHôMOREôTHANôHALFôAôMILLIONôTICKETSôSOLDôSINCEôITSô (ENRIKô2UBENô'ENZôBRINGSôTHEôGROTESQUEôTALEôOFôHISô 9OUNGô-ANô&ALLING ôANôEXPERIMENTALôkLMôWITHôAô RELEASEôONô-ARCHô ô/LEô#HRISTIANô-ADSENSô&LAMEô 4ERRIBLYô(APPYôTOôLIFEôINôSTARK ôCAREFULLYôCOMPOSEDô CAPTIVATINGôVISUALôSTYLEôDIRECTEDôBYô-ARTINôDEô4HURAH ô ô#ITRONôHASôPROVENôTOôBEôONEôOFô$ANISHôCINEMASô IMAGES ôRECALLINGôTHEô!MERICANôPROVINCESôOFô%DWARDô ISôINôTHEôOFkCIALôSELECTIONôOFôTHEôTHô)NTERNATIONALô GREATESTôSUCCESSESôINôRECENTôYEARSô (OPPERSôLONESOMEôTABLEAUXôORôCLASSICôWESTERNSô #RITICSô7EEKô FICTIOn IN tHE sErVICE OF TRUtH ô 0!'%ô 0!'%ô 0!'%ô Ole Christian Madsen’s Flame & Citron merges history-writing with psychological l1l portraits, adding new facets to the story of the Danish WW2 resistance. PAGE 3 &),-ô)3ô05",)3(%$#ô"9ô4(%ô$!.)3(ô&63),-ô).34)454%ôô-!9ô rEALITY BOrEs mE Henrik Ruben Genz’ new film Terribly Happy is another adaptation of an Erling Jepsen novel, following up last year’s big hit, The Art of Crying directed by Peter Schønau Fog — although Genz’ film is all its own. -
Kraftidioten in Order of Disappearance
WETTBEWERB KRAFTIDIOTEN IN ORDER OF DISAPPEARANCE Hans Petter Moland Der in sich gekehrte und arbeitsame Nils hält mit mächtigen Schnee- Norwegen/Schweden/Dänemark 2013 pflügen die Wege und Bergpässe seiner Gemeinde in der unwirtlichen 105 Min. · DCP · Farbe norwegischen Winterlandschaft frei. Gerade ist er dafür zum Bürger des Jahres gekürt worden, da erreicht ihn die Nachricht, sein Sohn sei Regie Hans Petter Moland an einer Überdosis Heroin gestorben. Nils glaubt nicht an die offizielle Buch Kim Fupz Aakeson Kamera Philip Øgaard Todesursache und beginnt eine heimliche Suche nach den vermeint- Schnitt Jens Christian Fodstad lichen Mördern. Durch einige überraschende Wendungen wird er zu Musik Kaspar Kaae, Kåre Vestrheim einem knallharten, gefürchteten Helden der Unterwelt, dessen Iden- Sound Design Gisle Tveito tität niemand kennt. Blutig-schwarze Komödie voller großer Bilder ei- Ton Morten Solum Geboren 1955 in Oslo. Studierte Film am ner winterlich-weißen, schier endlos wirkenden Landschaft, die Nils für Production Design Jørgen Stangebye Emerson College in Boston und arbeitet seit seine Zwecke zu nutzen versteht. Mit schwarzem Humor schildert der Larsen über 20 Jahren als Regisseur. Er realisierte Film Nils‘ Aktivitäten im Gangstermilieu, das von den fein nuanciert ge- Kostüm Anne Pedersen Werbefilme sowie Spielfilme, in denen zeichneten Mentalitäten schwedischer, norwegischer und serbischer Maske Cecilie Greve internationale Stars wie Stellan Skarsgård Casting Celine Engebrigtsen und Charlotte Rampling agierten. Mit Mafiosi geprägt ist. Mit dabei ist auch Bruno Ganz als serbischer Ma- fiaboss. KRAFTIDIOTEN vereint erneut Regisseur Hans Petter Moland, Regieassistenz Dominique Delany KJÆRLIGHETENS KJǾTERE (1995) gewann Herstellungsleitung Roy Andersson, Drehbuchautor Kim Fupz Aakeson und Schauspieler Stellan Skarsgård. er den Sonderpreis der Jury beim Festival in Jessica Balac San Sebastián, mit ABERDEEN (2000) den Produktionsleitung Tessa Eggesbø Hauptpreis der Nordischen Filmtage Lübeck. -
Programmagasin 2005
15. oslO INTERNASJONALE FILMFESTIVal 17.-27. november 2005 VELKOMMEN TIL 15. OSLO INTERNASJONALE FILMFESTIVAL 17.-27 NOVEMBER 2005 Velkommen til ny runde med filmfestdager i Oslo. På nytt kan vi tilby et fantastisk program med aktuelle og spennende filmer. Som tidligere vil vi underholde, forarge, skremme og utfordre. Sjekk det beste vi har funnet via godt samarbeid med norske filmimportører. Opplev også filmer som du kanskje aldri seinere får se i Norge. En haug med internasjonale prisvinnere fra Sundance, Berlin, Cannes, Venezia med flere. Vi åpner med en nordisk premiere av George Clooneys filmregi nr. 2: Good Night, and Good Luck. Om legendariske nyhetsjournalister på 50-tallet som ikke vek unna for fokus på rasisme og maktmisbruk. Og hvordan misbruk av frykt som våpen da som nå er en trussel for ethvert demokrati. Kritikerpris, pluss beste manus og skuespiller i Venezia. Åpningsfilm i New York, avslutning i London. Japansk film er på sitt beste i Canary med et gripende portrett av barns verden. Støymusikk lanseres som effektivt middel mot virustrusler i Eli, Eli,..Ny fantasiferd innen japapansk animé med Mind Game. Nordisk festivalpremiere i spesialvisning: Walk the Line, sterkt og vakkert. Suverent tolker Joaquin Phoenix og Reese Witherspoon våre helter Johnny Cash og June Carter. Mer musikk blir det i dypt personlige og inspirerende portretter av unike musikere og kulthelter som Townes Van Zandt, Roky Erickson (regibesøk) og Billy Childish. Og all slags metal får sitt kart og sin fanbegeistrede hyllest i Metal: A Headbanger’s Journey. Fantasifullt, absurd og/eller sprøtt blir møtet med Mirrormask, Bangkok Loco, The District! og Night Watch. -
Beauty and the Bastard in Helsinki Filmregie
Finnland Finland Kinder- und Jugendfilme Children’s and Youth Films 2005, 102 Min., 35 mm, Farbe colour, englische Un- tertitel English subtitles Ab 14 Jahren 14 years and older Regie Director Dome Karukoski Drehbuch Screenplay Pekko Pesonen Kamera Camera Pini Hellstedt Schnitt Editing Harri Ylönen Musik Music Jukka Immonen Rollen Cast Pamela Tola (Nelli), Samuli Vauramo (Sune), Joonas Saartamo (Kondis), Eero Milonoff (Isukki), Jussi Nikkilä (Mikko), Elena Leeve (Mari), Mikko Kouki (Anssi), Mikko Leppilampi (D.T.) Produktion Production Aleksi Bardy, Riina Hyytiä, Olli Haikka, Helsinki-Filmi OY Adresse Address Vanha Talvitie 11 A, 00580 Helsin- ki, Tel: 9-77 40 30 67, Fax: 9-774 03 00, e-mail [email protected] Tyttö sinä olet tähtii Regisseur Dome Karukoski, geboren 1976 in Nikosia, Zypern, studierte an der Taideteollinen Korkeakoulu Beauty and the Bastard in Helsinki Filmregie. „Beauty and the Bastard“ ist sein Beauty and the Bastard erster langer Spielfilm. Nelli ist eine folgsame Tochter, die den Wünschen und Anfor- Director Dome Karukoski, born in Nicosia in Cyprus derungen der Eltern nicht widersprechen mag. Die sehen sie in 1976, studied film directing at the Taideteollinen als zukünftige Ärztin und wollen, dass Nelli Medizin studiert, Korkeakoulu in Helsinki. “Beauty and the Bastard” is wie der Freund, mit dem sie schon länger zusammen ist. Dabei his first feature-length film. träumt Nelli von einer Karriere als Sängerin. Ärztin oder Sänge- rin? Diese unterschiedlichen Vorstellungen lassen sich kaum Filme Films miteinander vereinbaren. Und dann weiß Nelli noch nicht ein- 2001 Iitasatu; 2002: Veenperintö; 2003: Käytös- mal, wie sie ein Demotape produzieren soll, um Plattenfirmen rangaistus; 2005: Beauty and the Bastard (Tyttö sinä von ihrem Talent zu überzeugen. -
10,1 MB | 252 S
Sekans Sinema Kültürü Dergisi Aralık 2018, Sayı e9, Ankara © Sekans Sinema Grubu Tüm Hakları Saklıdır. Sekans Sinema Kültürü Dergisi ve sekans.org içeriği, Sekans Sinema Grubu ve yazarlardan izin alınmaksızın kullanılamaz. [email protected] http://www.sekans.org Yayın Yönetmeni Ender Bazen Dosya Editörü A. Kadir Güneytepe Kapak Düzenleme ve Tasarım Cem Kayalıgil [email protected] Tansu Ayşe Fıçıcılar [email protected] Web Uygulama Ayhan Yılmaz [email protected] Kapak Fotoğrafı Güz Sonatı (Höstsonaten, Ingmar Bergman, 1978) Katkıda Bulunanlar Natig Ahmedli, Ahmet Akalın, Nurten Bayraktar, Gülizar Çelik, Gizem Çınar, M. Baki Demirtaş, Ekin Eren, Aleksey Fedorchenko, Ulaş Başar Gezgin, Erman Görgü, Dilan İlhan, Erdem İlic, Süheyla Tolunay İşlek, Erbolot Kasymov, Sertaç Koyuncu, Dila Naz Madenoğlu, İlker Mutlu, Yalçın Savuran, Mine Tezgiden, Seda Usubütün, Rukhsora Yusupova Bu elektronik dergi, bir Sekans Sinema Grubu ürünüdür. ÖNSÖZ Bir derginin en iyi yanı bir sayı içerisindeki birçok farklı başlığın sinemanın zengin dünyası içinde sinemanın bambaşka alanlarına sıçramayı sağlayabiliyor olması galiba. Her yeni sayıda yazarlarımızın ilgi alanlarının katkısıyla bu zengin dünyadaki her araştırma, her keşif bir diğer okumayı da besliyor çoğu zaman. Her sayıda olduğu gibi Sekans Sinema Kültürü Dergisi e-9’da da bu amaçla çalışmalara başlanmış, içeriğin ana hatları belirlenmişti. Sinemamızdan ve dünya sinemasından incelemeler, bir yönetmen söyleşisi, belgesel, akım, tür, anısına gibi bölümler, 50 yaşında bir film, bir ülke sinemasını ele alan dosya ile bu sayıda da farklı coğrafyalara, tarihlere, yönetmenlere, ülkelere ve düşüncelere yolculuk etmek için yola çıkılmıştı. Tüm bu çalışmaları okuyucuya ulaştırmanın yoğun çabası içindeyken sinema dünyasından kötü bir haber geldi. İtalyan yönetmen Bernardo Bertolucci, çokça tartışılmış, üzerine defalarca yazılmış, çizilmiş filmlerini ardında bırakarak bu dünyaya gözlerini kapamıştı. -
University Microfilms, Inc., Ann Arbor, Michigan SOCIAL CRITICISM in the ENGLISH NOVEL
This dissertation has been microfilmed exactly as received 68-8810 CLEMENTS, Frances Marion, 1927- SOCIAL CRITICISM IN THE ENGLISH NOVEL: 1740-1754. The Ohio State University, Ph.D., 1967 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan SOCIAL CRITICISM IN THE ENGLISH NOVEL 1740- 175^ DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Frances Marion Clements, B.A., M.A. * # * * # * The Ohio State University 1967 Approved by (L_Lji.b A< i W L _ Adviser Department of English ACKNOWLEDGMENTS I wish to thank the Library of Congress and the Folger Shakespeare Library for allowing me to use their resources. I also owe a large debt to the Newberry Library, the State Library of Ohio and the university libraries of Yale, Miami of Ohio, Ohio Wesleyan, Chicago, Illinois, Indiana, Iowa and Wisconsin for their generosity in lending books. Their willingness to entrust precious eighteenth-century volumes to the postal service greatly facilitated my research. My largest debt, however, is to my adviser, Professor Richard D. Altick, who placed his extensive knowledge of British social history and of the British novel at my disposal, and who patiently read my manuscript more times than either of us likes to remember. Both his criticism and his praise were indispensable. VITA October 17, 1927 Born - Lynchburg, Virginia 1950 .......... A. B., Randolph-Macon Women's College, Lynchburg, Virginia 1950-1959• • • • United States Foreign Service 1962-1967. • • • Teaching Assistant, Department of English, The Ohio State University, Columbus, Ohio 1962 ..... -
Paradox Presents a Film by Hans Petter Moland
PARADOX PRESENTS STELLAN SKARSGÅRD BRUNO GANZ PÅL SVERRE HAGEN A FILM BY HANS PETTER MOLAND 02 PRESSBOOK IN ORDER OF DISAPPEARANCE PARADOX FILM & TRUSTNORDISK PRESENT (KRAFTIDIOTEN) ACTION COMEDY, NORWAY/SWEDEN/DENMARK 2014 A FILM BY HANS PETTER MOLAND WITH STELLAN SKARSGÅRD, BRUNO GANZ, PÅL SVERRE HAGEN, BIRGITTE HJORT SØRENSEN, JAKOB OFTEBRO, KRISTOFFER HIVJU, ANDERS BAASMO CHRISTIANSEN WORLD PREMIERE IN BERLINALE COMPETITION, FEBRUARY 10TH SOUND 5.1, FORMAT DCP 2K, SCREEN RATIO 1:2,39 04 PRESSBOOK IN ORDER OF DISAPPEARANCE SYNOPSIS Nils snow ploughs the wild winter mountains of Norway, and is recently awarded Citizen of the Year. When his son is murdered for something he did not do, Nils wants revenge. And justice. His actions ignites a war between the vegan gangster “The Count“ and the Serbian mafia boss “Papa“. Winning a blood feud isn´t easy. Especially not in a welfare state. But Nils has something going for him: Heavy machinery and beginner‘s luck. PRESSBOOK IN ORDER OF DISAPPEARANCE 05 06 PRESSBOOK IN ORDER OF DISAPPEARANCE DIRECTOR: HANS PETTER MOLAND Hans Petter Moland never repeats himself. His films are eclectic and His adaptation of the famous Norwegian book, COMRADE PEDER- unique, and he explores both tragedy and – this time – comedy. SEN (2006) won him the award for Best Direction at the Montre- al World Film Festival, and his short film UNITED WE STAND won IN ORDER OF DISAPPEARANCE is Hans Petter Molands third Grand Prix in Clairmont Ferrand and an additional 23 awards world- Competition entry in the Berlinale. His last feature, A SOMEWHAT wide. GENTLE MAN won the Berliner Morgenpost Readers‘ Award at the Berlinale in 2010 and numerous prizes, including the Special Jury Moland has also won all major commercial film awards, including Prize at Chicago International Film Festival and a Norwegian Amanda Gold Lions in Cannes and Clio Awards, and he has directed a play for Best Actor. -
Societas Criticus : Revue De Critique Sociale Et Politique, Vol
1 Version archive pour bibliothèques de Societas Criticus et DI Revues Internet en ligne Societas Criticus Revue de critique sociale et politique On n'est pas vache…on est critique! & D.I. revue d’actualité et de culture Où la culture nous émeut! www.homestead.com/societascriticus Vol. 8 no. 5 Été 2005 – Spécial FFM 5 septembre 2006 Cette revue est éditée à compte d'auteurs. Pour nous rejoindre: [email protected] Societas Criticus C.P. 182, Succ. St-Michel Montréal (Québec) Canada H2A 3L9 Les co-éditeurs: Michel Handfield, M.Sc. Sociologie et Délinquant Intellectuel pour penser autrement! Gaétan Chênevert, M.Sc. Adm. et Diogénien Soumission de texte: Les envoyer par courriel. Si votre texte est en fichier attaché, si possible le sauvegarder en format "rtf" (rich text format) sans notes automatiques. Index de ce numéro : Édito 2 Non, mais… Attention, le danger croît avec l’usage! Éloge du doute ou questions sur le conflit au Moyen-Orient Liberté, Fraternité, Égalité! Le Journal/Fil de presse Manifestation pour la justice et la paix au Liban Commentaires livresques : Sous la jaquette! L’aube qui éclaire, Commentaires au sujet de La Fabrication de l'aube La globalisation, pour combien de temps encore? Les Anglos et Québec! Dewiel, Boris, 2005, La démocratie : histoire des idées, Québec : PUL, Collection: Zêtêsis Societas Criticus au 30e Festival des Films du Monde de Montréal (Avec index FFM) Les Films NUIT NOIRE, 17 OCTOBRE 1961 CHANGEMENT D’ADRESSE Comme tout le monde BON COP BAD COP Oublier Cheyenne Le Petit lieutenant SCOOP OSS 117, Le Caire nid d’espions ASTÉRIX ET LES VIKINGS SKETCHES OF FRANK GEHRY Les Enfants ### Index Nos éditos! Non, mais… Montréal, le 13 août 2006 Enfin, Mme Samson craint que Le Taz nuise à la sécurité en mettant en contact des jeunes de familles aisées avec des jeunes 3 de familles pauvres.