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Cambridge Companion Shakespeare on Film
This page intentionally left blank Film adaptations of Shakespeare’s plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare’s plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives:as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare’s women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong cov- erage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. Russell Jackson is Reader in Shakespeare Studies and Deputy Director of the Shakespeare Institute, University of Birmingham. He has worked as a textual adviser on several feature films including Shakespeare in Love and Kenneth Branagh’s Henry V, Much Ado About Nothing, Hamlet and Love’s Labour’s Lost. He is co-editor of Shakespeare: An Illustrated Stage History (1996) and two volumes in the Players of Shakespeare series. He has also edited Oscar Wilde’s plays. THE CAMBRIDGE COMPANION TO SHAKESPEARE ON FILM CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Old English The Cambridge Companion to William Literature Faulkner edited by Malcolm Godden and Michael edited by Philip M. -
The Modern Hardboiled Detective in the Novella Form
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2015 "We want to get down to the nitty-gritty": The Modern Hardboiled Detective in the Novella Form Kendall G. Pack Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the English Language and Literature Commons Recommended Citation Pack, Kendall G., ""We want to get down to the nitty-gritty": The Modern Hardboiled Detective in the Novella Form" (2015). All Graduate Theses and Dissertations. 4247. https://digitalcommons.usu.edu/etd/4247 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. “WE WANT TO GET DOWN TO THE NITTY-GRITTY”: THE MODERN HARDBOILED DETECTIVE IN THE NOVELLA FORM by Kendall G. Pack A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in English (Literature and Writing) Approved: ____________________________ ____________________________ Charles Waugh Brian McCuskey Major Professor Committee Member ____________________________ ____________________________ Benjamin Gunsberg Mark McLellan Committee Member Vice President for Research and Dean of the School of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2015 ii Copyright © Kendall Pack 2015 All Rights Reserved iii ABSTRACT “We want to get down to the nitty-gritty”: The Modern Hardboiled Detective in the Novella Form by Kendall G. Pack, Master of Science Utah State University, 2015 Major Professor: Dr. Charles Waugh Department: English This thesis approaches the issue of the detective in the 21st century through the parodic novella form. -
Programmagasin 2005
15. oslO INTERNASJONALE FILMFESTIVal 17.-27. november 2005 VELKOMMEN TIL 15. OSLO INTERNASJONALE FILMFESTIVAL 17.-27 NOVEMBER 2005 Velkommen til ny runde med filmfestdager i Oslo. På nytt kan vi tilby et fantastisk program med aktuelle og spennende filmer. Som tidligere vil vi underholde, forarge, skremme og utfordre. Sjekk det beste vi har funnet via godt samarbeid med norske filmimportører. Opplev også filmer som du kanskje aldri seinere får se i Norge. En haug med internasjonale prisvinnere fra Sundance, Berlin, Cannes, Venezia med flere. Vi åpner med en nordisk premiere av George Clooneys filmregi nr. 2: Good Night, and Good Luck. Om legendariske nyhetsjournalister på 50-tallet som ikke vek unna for fokus på rasisme og maktmisbruk. Og hvordan misbruk av frykt som våpen da som nå er en trussel for ethvert demokrati. Kritikerpris, pluss beste manus og skuespiller i Venezia. Åpningsfilm i New York, avslutning i London. Japansk film er på sitt beste i Canary med et gripende portrett av barns verden. Støymusikk lanseres som effektivt middel mot virustrusler i Eli, Eli,..Ny fantasiferd innen japapansk animé med Mind Game. Nordisk festivalpremiere i spesialvisning: Walk the Line, sterkt og vakkert. Suverent tolker Joaquin Phoenix og Reese Witherspoon våre helter Johnny Cash og June Carter. Mer musikk blir det i dypt personlige og inspirerende portretter av unike musikere og kulthelter som Townes Van Zandt, Roky Erickson (regibesøk) og Billy Childish. Og all slags metal får sitt kart og sin fanbegeistrede hyllest i Metal: A Headbanger’s Journey. Fantasifullt, absurd og/eller sprøtt blir møtet med Mirrormask, Bangkok Loco, The District! og Night Watch. -
Spy Films, American Foreign Policy, and the New Frontier of the 1960S
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses Spring 2019 Bondmania: Spy Films, American Foreign Policy, and the New Frontier of the 1960s Luke Pearsons Central Washington University, [email protected] Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Cultural History Commons, History of Gender Commons, Political History Commons, and the United States History Commons Recommended Citation Pearsons, Luke, "Bondmania: Spy Films, American Foreign Policy, and the New Frontier of the 1960s" (2019). All Master's Theses. 1202. https://digitalcommons.cwu.edu/etd/1202 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. BONDMANIA: SPY FILMS, AMERICAN FOREIGN POLICY, AND THE NEW FRONTIER OF THE 1960s __________________________________ A Thesis Presented to The Graduate Faculty Central Washington University ___________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts History ___________________________________ by Luke Thomas Pearsons May 2019 CENTRAL WASHINGTON UNIVERSITY Graduate Studies We hereby approve the thesis of Luke Thomas Pearsons Candidate for the degree of Master of Arts APPROVED FOR THE GRADUATE FACULTY ______________ _________________________________________ Dr. Stephen Moore, Committee Chair ______________ _________________________________________ Dr. Daniel Herman ______________ _________________________________________ Dr. Chong Eun Ahn ______________ _________________________________________ Dean of Graduate Studies ii ABSTRACT BONDMANIA: SPY FILMS, AMERICAN FOREIGN POLICY, AND THE NEW FRONTIER OF THE 1960s by Luke Thomas Pearsons May 2019 The topic of this thesis are spy films that were produced during the Cold War, with a specific focus on the James Bond films and their numerous imitators. -
Sharing with Creative Commons
64 • PLATFORM: Journal of Media and Communication SHARING WITH CREATIVE COMMON S : A BU S INE ss MODEL FOR CONTENT CREATOR S CHERYL FOONG QUEEN S LAND UNIVER S ITY OF TE C HNOLOGY , AU S TRALIA Abstract: Creative Commons (CC) is often seen as a social movement, dismissed by critics as a tool for hobbyists or academics who do not sell their creations to make a living. However, this paper argues that the licensing of creative copyright works under a CC licence does not preclude commercial gain. If used wisely, CC licences can be a useful tool for creators in their quest for commercial success. In particular, this paper argues that the sharing of creative works online under a CC licence allows creators to circumvent traditional distribution channels dominated by content intermediaries, whilest maintaining a level of control over their copyright works (i.e. explicitly reserving some rights but not all rights). This will be illustrated by case studies on how CC is being used by content creators and intermediaries respective INTRODU C TION Creative Commons (CC) is often seen as a social movement, dismissed by critics as a tool for hobbyists or academics who do not sell their creations to make a living.1 The application of CC licences by copyright owners to their works permits the public at large to share the work with others, subject to certain conditions. There is concern that CC promotes a “gift culture” which devalues creative works both in society at large and in the minds of creators themselves.2 These concerns stem from doubts as to one’s ability to make money off a work that can legally be shared on the internet or anywhere else.3 These arguments may be valid in certain circumstances, but do not apply absolutely across the board. -
A Quantitative Analysis of the Perceived Quality for Popular Movies by Consumers, Experts and Peers
A quantitative analysis of the perceived quality for popular movies by consumers, experts and peers Student name: Ruth Bos Student number: 409141 Supervisor: Dr. P. Bhansing Erasmus School of History, Culture and Communication Erasmus University Rotterdam Cultural Economics and Entrepreneurship Master Thesis June 8, 2016 Master Thesis “Quality time at the movies” Ruth Bos - 409141 ABSTRACT Academic research pertained to the marketing of motion pictures has identified the importance of quality on the commercial success of popular movies with indicators as consumer evaluations, expert ratings and peer-recognized awards as the Academy Awards. However, most researchers fail to analyze the quality of a movie as a measurement of performance of a movie. The current study extents previous research by aiming to measure the perceived quality of consumers, experts and peers for popular movies, based on the assumptions made on the success factors for commercial performance in previous marketing literature. Through a quantitative internet content analysis, data was gathered on the motion picture industry. The models were tested with a sample of 320 movies released between 2000-2015. Results show that the perceived quality of consumers overlap with the perceived quality of experts, which contradicts statements about the ‘little taste’ of consumers. Moreover, the data shows that there is a difference between the perceived quality of consumers and the commercial success of a movie, measured in box office revenue. However, for both commercial success and the perceived quality of consumers, popular appeal is still important for the satisfaction of the consumer. Managerial and theoretical implications, as well as limitations and directions for future research are offered. -
Spirited Away Bus174 End of the Century How to Train Your Dragon
Spirited Away Bus174 End of the Century How to Train Your Dragon 2 My Architect The Rocket The Prestige Best Worst Movie Gangs of New York 2 Days in Paris The Blue Room Jay and Silent Bob Strike Back Bruce Almighty Les Parapluises de Cherbourg Bloody Sunday Deep Water High Fidelity MI Rogue Nation The Imposter The man on the train Samson and Deliah The Master Iron Man 3 Shutter Insidious Paper Heart A Separation Argo Call Me Kuchu Finding Vivian Maier March of the Penguins The Descendants The Host Despicable Me Wendy and Lucy The One I Love The Matador Grabbers Bug The Best of Youth Amores Perros The king of Devil's Island Elite Squad Lincoln Precious The Host Chef Fill the Void The Best Exotic Marigold Hotel Ted Dead Snow Anger Management The Two Towers The Man Without a Past West of Memphis Bridge of Spies Hugo Moon Summer Hours The World's End Coherence Secretary Life Aquatic 17 Again The Ladykillers Pans Labyrinth The Crash Reel Volver Birdman Good Night and Good Luck Into the Wild Spy The World's End Rise of the Planets of the Apes Secretary Klown THem Quarantine Fellowship of the ring The Bourne Ultimatum Timbuktu Best of enemies Bowling for Columbine Headhunters Gomorra The Way, Way Back Hachi: A Dog's Tale Room 237 A.I. Passion of the christ Funny Games The Look of Silence The Beaches of Agness Shrek Adaptation Batman Begins Hairspray Enchanted The Skin I live IN Uncle Boonmee Chuck & Buck Taken Evil Dead antiviral Sherpa Selma Shaun of the Dead Saraband A Band called death Girlhood Blue Jasmine The Italian Spider Man American Psycho Old School Suicide Club The Ice Harvest Spotlight Mad Max: Fury Road Oslo. -
Chris & Martin's Movies Seen
Chris & Martin’s Movies Seen Date movie Actors Rating (bad 1 2 3 4 5 good) 10 Items or less 8/17/2015 A Single Man American Beauty 5/23/2020 “10” Ten A Star Is Born Barbra 5/5/2018 American Graffiti 4/19/2014 12 Years A Slave 2/24/2019 A Star Is Born Bradley Gaga 3/24/2014 American Hustle 3/16/2014 20 Feet From Stardom 6/21/2010 A Star Is Born w Judy Garland 5/22/2017 American Mustang 2001 A Space Odessey 2/11/2012 A Summer in Genoa 6/8/2015 American Sniper 2012 12/11/2015 A Very Murray Christmas (:-( 7/8/2015 Amy (Winehouse) 10/5/2014 3 Days to Kill 020521 M exer 5/20/2016 A Walk In the Woods 4/29/2012 An Ideal Husband 3 to Tango 5/20/2016 A Walk In the Woods An Officer and a Gentlman 6/3/2011 30 Seconds Over Tokyo About A Boy 5/19/2015 And So It Goes 1/6/2011 $5 A Day 6/21/2020 Absence of Malice 6/1/2015 And the Oscar Goes To 8/9/2015 5 Flights Up 7/9/2010 Accidental Husband Angel Eyes 50 1st dates 8/4/2021 Acts Of Vengence Banderas Exercise 4/21/2020 Angel Has Fallen 11/15/2010 500 Days of Summer 11/5/2013 Admission 7/15/2011 Angela Landbury bio 11/25/2010 6th Sense 3/25/2020 Aeronuts 11/29/2010 Angelina Jolie 12/26/2020 7500 3/4/2012 Air Force 7/18/2013 Anna Katerina 8 1/2 Air Force One Martin Annie Hall 3/13/2011 9 Months Airplane! Apocalypse Now 12/22/2011 A Christmas Carol (1938) & Alien Apollo 13 7/2/2016 A Country Called Home 9/29/2011 All About Steve Sandra 12/27/2012 Arbitrage Richard 9/1/2019 A Dog’s Journey 5/4/2014 All Is Lost 3/3/2013 Argo 9/2/2019 A Dog’s Purpose 7/21/2016 All Roads Lead to Rome 10/9/2011 Around the Bend -
100% Alfred Film/TV Titles
100% Alfred Film/TV Titles Rocky (1976 Film) – Bill Conti (Excluding Europe) Rocky’s Reward Gonna Fly Now Going the Distance Final Bell Fanfare for Rocky Alone in the Ring Rocky 2 (1979 Film) – Bill Conti (Excluding Europe) Redemption Overture Conquest Rocky 3 (1982 Film) – Bill Conti (Excluding Europe) Mickey Adrian Rocky 4 (1985 Film) – Vince DiCola (Excluding Europe) Living in America ( Dan Hartman & Charlie Midnight) Fanfare for Rocky Training Montage Hearts on Fire (Vincent DiCola, Joe Esposito & Edwin Fruge) Hairspray (2007 Film) – Marc Shaiman & Scott Wittman Come so far (Got so far to go) Ladies Choice The New Girl in Town The Golden Compass (2007 Film) – Alexandre Desplat Battle with the Tartars Epilogue Ice Bear Combat Iorek’s Victory Lee Scoresby’s Airship Adventure Lord Asriel Mother Riding Iorek Samoyed Attack Sky Ferry The Golden Compass The Wizard of Oz (1939 Film) – Herbert Stothart, Harold Arlen & E. Y. Harburg (Excluding Europe) Over the Rainbow If I Only Had a Brain We’re Off to See the Wizard If I Only Had a Heart Follow the Yellowbrick Road Cyclone If I Only Had the Nerve The Merry Old Land of Oz If I Were King of the Forest The Jitterbug Ding! Dong! The Witch is Dead! The Lullaby League The Lollipop Guild Come Out, Come Out 1 (You’re Out of the Woods) Optimistic Voices As Coroner I Must Aver March of the Winkies Munchkinland The Wizard of Oz Twister Happy Feet (2006 Animated Film) – John Powell Adelieland Fun Food Storm The Story of Mumble Happy Feet Happy Feet 2 (2011 Animated Film) – John Powell In the Hole Ramon and the Krill Lovelace Preshow Searching for the Kids The Doomberg Lands I Don’t Back Up.. -
View Full Catalog of Encoded Compatible Content
D-BOX HOME ENTERTAINEMENT IMMERSIVE EXPERIENCES (Hold the Ctrl keyboard key and press the F (Ctrl+F) to search for a specific movie) HaptiCode Release Date RECENTLY ADDED (Year-Month-Day) Star Wars: The Bad Batch - 1st Season EP11 2021-07-09 Black Widow 2021-07-09 Lupin 1st Season EP 6,7 2021-07-07 Loki 1st Season EP 4 2021-07-06 Ace Venture - When Nature Calls 2021-07-06 Ace Ventura - Pet Detective 2021-07-06 Star Wars: The Bad Batch - 1st Season EP10 2021-07-02 Lupin 1st Season EP 4,5 2021-06-30 Loki 1st Season EP 3 2021-06-29 Star Wars: The Bad Batch - 1st Season EP9 2021-06-25 Always 2021-06-23 Lupin 1st Season EP 2,3 2021-06-23 Loki 1st Season EP 2 2021-06-22 Jack Ryan - 2nd Season EP 7,8 2021-06-22 Star Wars: The Bad Batch - 1st Season EP8 2021-06-18 Astérix - The Mansion of the Gods 2021-06-17 Lupin 1st Season EP 1 2021-06-16 Wandavision 1st Season EP 9 2021-06-16 Loki 1st Season EP 1 2021-06-15 Jack Ryan - 2nd Season EP 5,6 2021-06-15 Star Wars: The Bad Batch - 1st Season EP7 2021-06-11 In the Heights 2021-06-11 Wandavision 1st Season EP 7,8 2021-06-09 Jack Ryan - 2nd Season EP 3,4 2021-06-08 Star Wars: The Bad Batch - 1st Season EP6 2021-04-06 Conjuring : The Devil Made Me Do It 2021-06-04 Wandavision 1st Season EP 5,6 2021-06-02 Jack Ryan - 2nd Season EP 1,2 2021-06-01 Star Wars: The Bad Batch - 1st Season EP5 2021-05-28 Cruella 2021-05-28 Star Wars: The Clone Wars S07 EP 9,10,11,12 2021-05-27 Wandavision 1st Season EP 3,4 2021-05-26 Get Him to the Greek 2021-05-25 Jack Ryan 1st Season EP 7,8 2021-05-25 Star Wars: The Bad Batch -
Bibliography
Bibliography Literature262 Allen, Robert C. (1999). “Home Alone Together: Hollywood and the ‘Family Film’.” In: Maltby, Richard/Strokes, Melvin (eds.). Identifying Hollywood’s Audiences. Cultural Identity and the Movies. London: BFI. 109-131. Althusser, Louis. (2001 [1970]). “Ideology and Ideological State Apparatuses (Notes Towards an Investigation).” In: Leitch, Vincent (ed.). The Norton Anthology of Theory and Criticism. New York: W.W. Norton & Company. 1483-1509. Altman, Rick (ed.). (1981). Genre: The Musical. London: Routledge. Altman, Rick. (1999 [1984]). “A Semantic/Syntactic Approach to Film Genre.” In: Altman, Rick. Film/Genre. London: BFI. 216-226. Altman, Rick. (1987). The American Film Musical. Bloomington: Indiana University Press. Altman, Rick. (1999). Film/Genre. London: BFI. Ames, Christopher. (1992). “Restoring the Black Man’s Lethal Weapon. Race & Sexuality in Contemporary Cop Films.” In: Journal of Popular Film & Television. Volume 20, Issue 3. 52-60. Ames, Christopher. (1997). Movies about the Movies. Hollywood Reflected. Lexington: The University Press of Kentucky. Appiah, K. Anthony. (1993). ““No Bad Nigger”: Blacks as the Ethical Principle in the Movies.” In: Garber, Marjorie/Matlock, Jann/Walkowitz, Rebecca L. (eds.). Media Spectacles. London/New York: Routledge. 77-90. Arroyo, José. (2000 [1996]). “Mission: Sublime.” In: Arroyo, José (ed.). Action/Spectacle Cinema. A Sight and Sound Reader. London: BFI. 21-25. Arroyo, José (ed.). Action/Spectacle Cinema. A Sight and Sound Reader. London: BFI 262 Whenever possible a text’s original date of publication is given. If the original date could not be found, the date of the publication the text appeared in is given. © Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2018 N. -
Series 30:11) Bryan Singer, the USUAL SUSPECTS (1995, 106 Minutes
14 April 2015 (Series 30:11) Bryan Singer, THE USUAL SUSPECTS (1995, 106 minutes) (The online PDF versions of these handouts have color images with functioning urls. Go to http://csac.buffalo.edu/goldenrodhandouts.html ) Won two 1996 Academy Awards: Best Actor in a Supporting Role for Kevin Spacey and Best Writing, Screenplay Written Directly for the Screen for Christopher McQuarrie. Included in the American Film Institute’s ten best mystery films. Directed by Bryan Singer Written by Christopher McQuarrie Produced by Michael McDonnell and Bryan Singer Music by John Ottman Cinematography by Newton Thomas Sigel Film Editing by John Ottman Casting by Francine Maisler Art Direction by David Lazan Set Decoration by Sara Andrews Costume Design by Louise Mingenbach Visual Effects by David B. Long Stephen Baldwin ... McManus Gabriel Byrne ... Keaton Bryan Singer (director) (b. Bryan Jay Singer, September 17, Benicio Del Toro ... Fenster 1965 in New York City, New York) has been the producer or Kevin Pollak ... Hockney executive producer for 33 films or TV series. In addition, he Kevin Spacey ... Verbal directed 16 films and television shows: 2015 “Battle Creek” (TV Chazz Palminteri ... Dave Kujan Series), 2014 X-Men: Days of Future Past, 2012 “Mockingbird Pete Postlethwaite ... Kobayashi Lane” (TV Movie), 2008 Valkyrie, 2007 “Football Wives” (TV Suzy Amis ... Edie Finneran Movie), 2006 Superman Returns, 2004 House M.D. (TV Series), Giancarlo Esposito ... Jack Baer 2003 X-Men 2, 2000 X-Men, 1998 Apt Pupil, 1995 The Usual Dan Hedaya ... Jeff Rabin Suspects, and 1993 Public Access. Paul Bartel ... Smuggler Carl Bressler ... Saul Berg John Ottman (music and editor) (b.