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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Sydney Harbour a Systematic Review of the Science 2014
Sydney Harbour A systematic review of the science 2014 Sydney Institute of Marine Science Technical Report The Sydney Harbour Research Program © Sydney Institute of Marine Science, 2014 This publication is copyright. You may download, display, print and reproduce this material provided that the wording is reproduced exactly, the source is acknowledged, and the copyright, update address and disclaimer notice are retained. Disclaimer The authors of this report are members of the Sydney Harbour Research Program at the Sydney Institute of Marine Science and represent various universities, research institutions and government agencies. The views presented in this report do not necessarily reflect the views of The Sydney Institute of Marine Science or the authors other affiliated institutions listed below. This report is a review of other literature written by third parties. Neither the Sydney Institute of Marine Science or the affiliated institutions take responsibility for the accuracy, currency, reliability, and correctness of any information included in this report provided in third party sources. Recommended Citation Hedge L.H., Johnston E.L., Ayoung S.T., Birch G.F., Booth D.J., Creese R.G., Doblin M.A., Figueira W.F., Gribben P.E., Hutchings P.A., Mayer Pinto M, Marzinelli E.M., Pritchard T.R., Roughan M., Steinberg P.D., 2013, Sydney Harbour: A systematic review of the science, Sydney Institute of Marine Science, Sydney, Australia. National Library of Australia Cataloging-in-Publication entry ISBN: 978-0-646-91493-0 Publisher: The Sydney Institute of Marine Science, Sydney, New South Wales, Australia Available on the internet from www.sims.org.au For further information please contact: SIMS, Building 19, Chowder Bay Road, Mosman NSW 2088 Australia T: +61 2 9435 4600 F: +61 2 9969 8664 www.sims.org.au ABN 84117222063 Cover Photo | Mike Banert North Head The light was changing every minute. -
Harbour Bridge to South Head and Clovelly
To NEWCASTLE BARRENJOEY A Harbour and Coastal Walk Personal Care This magnificent walk follows the south-east shoreline of Sydney Harbour The walk requires average fitness. Take care as it includes a variety of before turning southwards along ocean beaches and cliffs. It is part of one pathway conditions and terrain including hills and steps. Use sunscreen, of the great urban coast walks of the world, connecting Broken Bay in carry water and wear a hat and good walking shoes. Please observe official SYDNEY HARBOUR Sydney's north to Port Hacking to its south (see Trunk Route diagram), safety and track signs at all times. traversing the rugged headlands and sweeping beaches, bush, lagoons, bays, and harbours of coastal Sydney. Public Transport The walk covered in this map begins at the Circular Quay connection with Public transport is readily available at regular points along the way Harbour Bridge the Harbour Circle Walk and runs to just past coastal Bronte where it joins (see map). This allows considerable flexibility in entering and exiting the Approximate Walking Times in Hours and Minutes another of the series of maps covering this great coastal and harbour route. routes. Note - not all services operate every day. to South Head e.g. 1 hour 45 minutes = 1hr 45 The main 29 km Harbour Bridge (B3) to South Head (H1) and to Clovelly Bus, train and ferry timetables. G8) walk (marked in red on the map) is mostly easy but fascinating walk- Infoline Tel: 131-500 www.131500.com.au 0 8 ing. Cutting a 7km diagonal across the route between Rushcutters Bay (C5) and Clovelly kilometres and Clovelly, is part of the Federation Track (also marked in red) which, in Short Walks using Public Transport Brochure 1 To Manly NARRABEEN full, runs from Queensland to South Australia. -
Glenn Murcutt 2002 Laureate Biography
Glenn Murcutt 2002 Laureate Biography Glenn Murcutt is either one of Australia’s best kept secrets, or one of the world’s most influential architects. Perhaps, both. On the other hand, we should temper “secret” somewhat since he has been the subject of numerous books and magazine articles throughout the world. One of the first definitive works wasGlenn Murcutt Works and Projects by Françoise Fromonot, first published in 1995. In that book, she describes Murcutt as the “first Australian architect whose work has attracted international attention.” His relatively low profile can best be explained by the fact that he works alone, primarily for clients who want houses that are not only environmentally sensitive, but provide privacy and security in a structure that pleases all the senses. In stark contrast to many of his contemporaries, Murcutt has declared, “I am not interested in designing large scale projects. Doing many smaller works provides me with many more opportunities for experimentation. Our building regulations are supposed to prevent the worst; they in fact fail to stop the worst, and at best frustrate the best—they certainly sponsor mediocrity. I’m trying to produce what I call minimal buildings, but buildings that respond to their environment.” “I have had to fight for my architecture. I have fought for it right from the outset because councils have clearly found the work a threat. For many designs I put to council, we either had to resort to a court for the outcome or better, negotiate a satisfactory result, always trying to avoid a compromise. I have had the greatest trouble with planning, building and health department staff, many of whom have backgrounds unrelated to architecture, but offer very conservative judgments in taste and aesthetics.” What manner of man and architect is this who could so openly state his opposition to the people who exercise so much control over what and how things should be built? A look at his colorful family, as well as how and where he was raised is a partial explanation. -
Phenomenology in Dwelling: Culture and Meaning of Place; a Proposal for a Mountainside Dwelling
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2008 Phenomenology in Dwelling: Culture and Meaning of Place; A Proposal for a Mountainside Dwelling James Robert Maveety University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Architecture Commons Recommended Citation Maveety, James Robert, "Phenomenology in Dwelling: Culture and Meaning of Place; A Proposal for a Mountainside Dwelling. " Master's Thesis, University of Tennessee, 2008. https://trace.tennessee.edu/utk_gradthes/3692 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by James Robert Maveety entitled "Phenomenology in Dwelling: Culture and Meaning of Place; A Proposal for a Mountainside Dwelling." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Architecture, with a major in Architecture. Hansjoerg Goeritz, Major Professor We have read this thesis and recommend its acceptance: Barbara Klinkhammer, Scott Wall Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by James Robert Maveety entitled “Phenomenology in Dwelling: Culture and Meaning of Place; A Proposal for a Mountainside Dwelling.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Architecture, with a major in Architecture. -
Glenn Murcutt 2002 Laureate Biography
Glenn Murcutt 2002 Laureate Biography Glenn Murcutt is either one of Australia’s best kept secrets, or one of the world’s most influential architects. Perhaps, both. On the other hand, we should temper “secret” somewhat since he has been the subject of numerous books and magazine articles throughout the world. One of the first definitive works was Glenn Murcutt Works and Projects by Françoise Fromonot, first published in 1995. In that book, she describes Murcutt as the “first Australian architect whose work has attracted international attention.” His relatively low profile can best be explained by the fact that he works alone, primarily for clients who want houses that are not only environmentally sensitive, but provide privacy and security in a structure that pleases all the senses. In stark contrast to many of his contemporaries, Murcutt has declared, “I am not interested in designing large scale projects. Doing many smaller works provides me with many more opportunities for experimentation. Our building regulations are supposed to prevent the worst; they in fact fail to stop the worst, and at best frustrate the best—they certainly sponsor mediocrity. I’m trying to produce what I call minimal buildings, but buildings that respond to their environment.” “I have had to fight for my architecture. I have fought for it right from the outset because councils have clearly found the work a threat. For many designs I put to council, we either had to resort to a court for the outcome or better, negotiate a satisfactory result, always trying to avoid a compromise. I have had the greatest trouble with planning, building and health department staff, many of whom have backgrounds unrelated to architecture, but offer very conservative judgments in taste and aesthetics.” What manner of man and architect is this who could so openly state his opposition to the people who exercise so much control over what and how things should be built? A look at his colorful family, as well as how and where he was raised is a partial explanation. -
Water Recycling in Australia (Report)
WATER RECYCLING IN AUSTRALIA A review undertaken by the Australian Academy of Technological Sciences and Engineering 2004 Water Recycling in Australia © Australian Academy of Technological Sciences and Engineering ISBN 1875618 80 5. This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part may be reproduced by any process without written permission from the publisher. Requests and inquiries concerning reproduction rights should be directed to the publisher. Publisher: Australian Academy of Technological Sciences and Engineering Ian McLennan House 197 Royal Parade, Parkville, Victoria 3052 (PO Box 355, Parkville Victoria 3052) ph: +61 3 9347 0622 fax: +61 3 9347 8237 www.atse.org.au This report is also available as a PDF document on the website of ATSE, www.atse.org.au Authorship: The Study Director and author of this report was Dr John C Radcliffe AM FTSE Production: BPA Print Group, 11 Evans Street Burwood, Victoria 3125 Cover: - Integrated water cycle management of water in the home, encompassing reticulated drinking water from local catchment, harvested rainwater from the roof, effluent treated for recycling back to the home for non-drinking water purposes and environmentally sensitive stormwater management. – Illustration courtesy of Gold Coast Water FOREWORD The Australian Academy of Technological Sciences and Engineering is one of the four national learned academies. Membership is by nomination and its Fellows have achieved distinction in their fields. The Academy provides a forum for study and discussion, explores policy issues relating to advancing technologies, formulates comment and advice to government and to the community on technological and engineering matters, and encourages research, education and the pursuit of excellence. -
Regional Pest Management Strategy 2012-2017: Metro North East
Regional Pest Management Strategy 2012–17: Metro North East Region A new approach for reducing impacts on native species and park neighbours © Copyright State of NSW and Office of Environment and Heritage With the exception of photographs, the Office of Environment and Heritage and State of NSW are pleased to allow this material to be reproduced in whole or in part for educational and non-commercial use, provided the meaning is unchanged and its source, publisher and authorship are acknowledged. Specific permission is required for the reproduction of photographs. The New South Wales National Parks and Wildlife Service (NPWS) is part of the Office of Environment and Heritage. Throughout this strategy, references to NPWS should be taken to mean NPWS carrying out functions on behalf of the Director General of the Department of Premier and Cabinet, and the Minister for the Environment. For further information contact: Metro North East Region Metropolitan and Mountains Branch National Parks and Wildlife Service Office of Environment and Heritage PO Box 3031 Asquith NSW 2077 Phone: (02) 9457 8900 Report pollution and environmental incidents Environment Line: 131 555 (NSW only) or [email protected] See also www.environment.nsw.gov.au/pollution Published by: Office of Environment and Heritage 59–61 Goulburn Street, Sydney, NSW 2000 PO Box A290, Sydney South, NSW 1232 Phone: (02) 9995 5000 (switchboard) Phone: 131 555 (environment information and publications requests) Phone: 1300 361 967 (national parks, climate change and energy efficiency information and publications requests) Fax: (02) 9995 5999 TTY: (02) 9211 4723 Email: [email protected] Website: www.environment.nsw.gov.au ISBN 978 1 74293 625 3 OEH 2012/0374 August 2013 This plan may be cited as: OEH 2012, Regional Pest Management Strategy 2012–17, Metro North East Region: a new approach for reducing impacts on native species and park neighbours, Office of Environment and Heritage, Sydney. -
Wentworth-33° 49'
WENTWORTH-33° 49' L O R W Y RD K 151°E 13' 151° 14' 151° 15' 151° 16' 151° 17' R I S R O I AV E T B R I I R C A A K R W N C ELL I U T AR D O CL RI R T H IFF NG T R A OPE A O ST H WILLOUGHBY N A V RD AV L Northbridge Golf Club P A V L Sydney Harbour National Park A V E RD F February 2016 RD AIRF N AX -33° 49' North Harbour ST N N A A Y W I AR RD RD Tunks Park AV RINGA L A H R AV COMMONWEALTH OF AUSTRALIA AV U RD Flat B R BVD J U MANLY Rock E B THE G S I Gully WYONG L R CONGEWOI RD L LD ST E WO E O KIRKOS V H N E V I R T BAPAUME RD N RD ST T O S STANTON O R PT MANLY T R RD D S N B S OLLY T T F RD WENTWORTH EVERVIEW PINE AV AWABA CO AV N ST ST WD ELLALONG ST PIN T E R O E S AS OY S ST T RD N R VALE ST O ST ST V E BRAY ALAN A RD AWABA S ST H ST AV R W A A P ST ING V C A R ST ST C ST E MORUBEN ST R W H A GROVE u M K n N A U WA G DALTON BA t Middle Harbour PA O T LLOYD e LM S R N E COUNTESS R CONGEWOI S r B O A T s L L ST O I ST I O UR R G I A M ARKLAND R B D T A COLIN TE L H P P W R N A L ST A RD CAIRO C Commonwealth Electoral Act 1918 S RD V E a ST O ST r AV k W RD CHURCHILL T RD T T E THE S ST H RD S U CAMMERAYState of New South Wales E MILLER V Primrose Park PL LUMSDEN RD ST E ST L ST A T WAITOVU L S G PU FIFTH BOND N E COUNTESS C HEYDON H STANLEY N Y LAVONI I ST B A ER ROSEBERRY R Green Park Y N AMM Brightmore EARL E AMHERST R C D ECHO ST B A Map of the Reserve A ST U R ST W HORDEN R B RD AV C LIFFO O RD RD M HALE FEDERAL ELECTORAL DIVISION OF L E E RD Hunter V LANG ST L MORDEN T IC HUNTER Park ST K T I ST BELLS ST N ONG L G ERITH RD OL -
The Sydney Harbour Federation Trust 2001-2011
THE SYDNEY HARBOUR FEDERATION TRUST 2001-2011 ARBOUR H THE SHAPING Copyright © Sydney Harbour Federation Trust 2011 First published 2011 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part may be reproduced by any process without written permission from the Sydney Harbour Federation Trust. Requests and enquiries concerning reproduction should be addressed to the Director Publications, Sydney Harbour Federation Trust, PO Box 607, Mosman, NSW 2088 or email to [email protected] For more information about the Sydney Harbour Federation Trust, visit the website at www.harbourtrust.gov.au Text: Patrick Fletcher Design: Trademark Design Consultants ACKNOWLEDGMENTS Paintings, illustrations, drawings: Nick Hollo, Rod Simpson, Richard Leplastrier Photographs: Sydney Harbour Federation Trust, Ashley Mackevicius, Simon Kenny, Chris Gleisner, Andrew Jacobs, Robert Edwards, Muscle Marketing, The Tea Room, Leading Initiatives Worldwide, Land’s Edge, The Daily Telegraph, State Library of New South Wales, Australian War Memorial. ISBN: 978-0-9757842-8-0 SYdneY HARBOUR and Its FOReshoRes HAVE BEEN CONTESTED GROUND SINCE the ARRIVal OF EUROPeans. We may speculate that the In 2007, the Government, with resources of the harbour and the bipartisan support, extended the shelter provided by its headlands, life of the Trust from 2011 to 2033. beaches and bays were contested At the same time, the Trust has by Aboriginal clans of the Sydney become a self funding agency, region over great expanses of time. dependent for its operational costs on revenue from leasing and When the Sydney Harbour licensing activities. Federation Trust was established as an interim body in 1999 to The future holds many challenges manage former defence and other for the Trust. -
Leplastrier Stutchbury Doshi Iimb Eleventh
the vimal jain foundation & the Indian Institute of Management Bangalore present the bangalore workshop 2015 LEPLASTRIER STUTCHBURY DOSHI IIMB ELEVENTH - SIXTEENTH AUGUST vimaljainfoundation.org offered in cooperation with Architecture Foundation Australia the vimal jain foundation & the Modeled on the Glenn Murcutt Masterclass conducted annually in Indian Institute Sydney, The Bangalore Workshop 2015 focuses on the processes of observation and documentation as the necessary precursors to of Management speculation. Bangalore The workshop is conducted by two of the Masterclass tutors, Richard Leplastrier and Peter Stutchbury, both accomplished teachers, practitioners and Australian Institute of Architects Gold present Medal recipients. Dr. B.V. Doshi will join the Workshop on the last two days for the final reviews and lectures. For the 2015 workshop, participants will be invited to study the the edges of the Indian Institute of Management Bangalore and suggest ways in which to negotiate the chaotic urban environ- bangalore ment on the street with the serene quality of the campus. The aim is to attempt a bridge both physically (through architectural workshop and programmatic ideas) and metaphorically between these two contrasting conditions. Though known internationally as a 2015 premier academic institution, IIMB is isolated from its immediate context and offers no opportunity for a dialogue. It is the hope that through the workshop one begins to find a way to have the Institute engage with the city and vice versa. This also offers a real opportunity to address the challenges posed by rapid urbanization and commercialism - how these edges are treated will hopefully offer clues for how ‘quality’ could find its way back into our street- scapes. -
Arc De La Villette Competition Entry, 1982, Original Image Cropped
OMA, Parc de la Villette competition entry, 1982, original image cropped, http://oma.eu/projects/parcdelavillette ARC 201: Design Studio 3: Process, Process, Process SYLLABUS FALL 2018 CREDITS 6 CLASS HOURS MWF 1:00 pm – 4:20 pm 1 2018 ARC201 Syllabus INSTRUCTORS Mustafa Faruki mustafa@thelablab.com Crosby 120 Julia Jamrozik (coordinator) [email protected] Crosby 101 Virginia Melnyk [email protected] Crosby 110 Nellie Niespodzinski [email protected] Crosby 160 Sasson Rafailov [email protected] Crosby 130 Jon Spielman [email protected] Crosby 150 ELIGIBILITY ARC102: Architectural Design Studio. Architecture majors only. PREREQUISITES/COREQUISITES ARC311: Architectural Media 3 required. ARC 241: Environmental Systems – recommended. These courses will be linked in content and schedule. COURSE DESCRIPTION How do we design? What drives ideas and what generates concepts? How do we productively and critically engage with the vast history and contemporary practice of architecture in the process? How do we design places that are rooted in their location but reflective of the past and aspiring to a better future? How do we meld idealism with practicality? This studio will not offer answers to all of these questions but it will introduce one methodology and prompt a selfconscious and introspective approach to the design process. The studio is guided by ideas of morphology and context. Morphology is understood as formfinding or the deliberate, logical and wellargumented development of a formal strategy. Context is understood as the relation to site at different scales and through different lenses (physical, social, cultural) and includes the history of the discipline of architecture.