DOCSLIB.ORG

PREMIERE VISION.Cdr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PREMIERE VISION.Cdr n g i s PREMIÈRE VISION WIOSNA/LATO 2017 1 –PREM IÈRE VISION SPRING/SUMMER– 20PRIN17 T TREND REPORT P REMIÈRE VISION WIOSNA/LATO 2017 IMPULSIVE SKETCHED & ABSTRACT TRIBE COLLECTIONS SCRIBBLED BOTANICAL FLORA MIXED UP FLORALS STRIPE VIBRANCY CARVED BLOOMS OCEANIC WORLD SWEET ROMANCE DARK JEWELS PRIMAL PATTERNS VIVID TROPICS FIBRE TIP FLOWERS SECRET GARDEN WILD AFRICA ABSTRACT TRIBE OVER -SCALED / SIMPLISTIC / HAND PAINTINGS / SPONTANEOUS EXOTICS / AFRICAN PRINTS / STITCHED TRIBAL PATTERNS / HAND PAINTED AND OVER -STITCHED / NAIVE / BLACK & WHITE WITH MUTED BRIGHTS TAPA CLOTH FIGI KIRIKOMADE.TUMBLR DURO OLOWU SPRING 2015 READY -TO -WEAR - COLLECTION - GALLERY - STYLE.COM FEMMES BÂTISSEUSES AYEROU, NIGER PRINT DIRECTION: ABSTRACT TRIBE BORIS NZEBO, “UNE FEMME AVEC UNE FEMME” MANTUA NANGALA ~ UNTITLED DANNY IVAN ETHEREAL CREATIONS WALTER BATTISS ALBERTA FERRETTI SPRING 2016 READY-TO-WEAR FASHION SHOW DESIGNS: ABSTRACT TRIBE ALLISON RUSSELL - DISTRESSED ABSTRACT ETHNIC ANIMAL VIOLET & OLIVIA - ETHNIC_A MIRA1018 JUNYA WATANABE SPRING 2016 READY -TO -WEAR COLLECTION MARIA ISABEL RODRIGUEZ - EXOTIC ETHNIC TRIBE HELENA BROADBRIDGE -TEXTURED WINTER GEO BOTANICAL FLORA MEADOW BLOOMS / FLORAL DRAWINGS / FINE OUTLINED FLORALS / DETAILED DESIGNS / ALL-OVER REPEATS / LAYERED PATTERN DENNIS BASSO PRE -FALL 2016 ANCOLIE -DURER LESLIE SHEWRING PRINT DIRECTION: BOTANICAL FLORA ALBRECHT DÜRER RACHEL PEDDER-SMITH WILLIAM KILBURN - WILD FLOWERS DESIGN FOR SILK MATERIAL, 1790. HERBIER DE FRANCE. BY MICHELE DELSAUTE. ERDEM RESORT 2016 COLLECTION. DESIGNS: BOTANICAL FLORA UNICORN DESIGNS - BOTANICAL FLORAL SVETLANA MAKARENKO - BOTANY PATTERN MARISSA WEBB - NY - SS16 - VOGUE ALYSSA FU - PRAIRIE FLORAL CNRDESIGN - PETITE FLOWERS CARVED BLOOMS WOOD BLOCK PRINTS / INDIGO WORK / INDIAN INSPIRED PRINTS / INDIAN FLORALS / BORDER & PLAC EMENTS / CARVED LEAF PATTERN / BLACK & WHITE WITH COLOUR ACCENTS KATE PROBERT JONES FLORAL WOODBLOCK COLLECTION SEE BY CHLOÉ SS 2016 VOGUE CHINESE ORNAMENT, BY OWEN JONES PRINT DIRECTION: CARVED BLOOMS CHINESE ORNAMENT BY OWEN JONES IVETA ABOLINA ROBYNE JAY RAOUL DUFY SEE BY CHLOÉ A/W1617 VOGUE DESIGNS: CARVED BLOOMS HAND DRAWN ETHNIC FLORAL BY NICOLE VERTINA (BEDBOROUGH) BLUE FLOWER 1660 BY BOZHIDAR SVILENOV ZIMMERMANN A/W1617 VOGUE VK2 BY VICTORIA KRUPP SF25 BY PS LONDON DARK JEWELS NIGHT FLORALS / DARK BACKGROUNDS / ROMANTIC PAINTINGS / SMALL POSIES / WIS PY FOLIAGE / RICH EMERALDS AND VIBRANT REDS / FALLING FLOWERS WALTER CIMBAL HERMEN ANGLADA CAMARASA ERDEM PRE -S/S 2016 VOGUE PRINT DIRECTION: DARK JEWELS 18TH CENTURY ENGLISH FLORAL PATTERNS BECCA STADTLANDER PHOEBE WAHL WILLIAM KILBURN MOTHER OF PEARL AW1617 VOGUE DESIGNS :DARK JEWELS MIDNIGHT BOUQUET BY RUBY VALDERAMA SILK FLOWER BY GYONGYVER TRAPP VALENTINO PRE A/W 15/16 VOGUE SUCCULENT PATTERN BY ELIZAVETA BOYUR SWEET FLORAL BY KERRIE CAUVIN FIBER TIP FLOWERS BOLD DRAWINGS / FELT TIP LINES / ILLUSTRATED FLOWERS / DARKLY OUTLINED FLORALS / VIBRANT COLOUR / HAND PENNED / PAISLEY & INDIENNE MOTIFS FLORENCE BROADHURST ETRO.COM TURQUOISE WATERCOLOR PATTERN ON ETSY PRINT DIRECTION :FIBER TIP FLOWERS KT SMAIL FLOWER PATTERN - TAD CARPENTER MARNI RESORT 2016 MARA HOFFMAN SPRING 2016 READ-TO-YWEAR COLLECTION PHOTOS - VOGUE RUE DU MAIL DESIGNS :FIBER TIP FLOWERS JESSICA GILL - NARCISSUS FLORAL REPEAT JUANA GATTI - NEW CHINA TOME AW1617 VOGUE LETICIA TESCARO - GOLDEN GINGER FLORAL ANTON KARYUK - FLOWERS PATTERN IMPULSIVE COLLECTIONS ARTY PATTERNS / HYPER MIX FLORALS / PRIMITIVE DRAWING STYLE / OVERSTITCHED AREAS / HAND DR AWN PATTERN / FLOWER & GEO MIXES VIVIENNE WESTWOOD RED LABEL AW1617 VOGUE WUNDERKIND DETAILS S/S14 ASHLEY GOLDBERG PRINT DIRECTION: IMPULSIVE COLLECTIONS JUST FABRICS MARIA MONTIEL SUSAN CARON DRISCOLL JO CHAMBERS LIBERTINE A/W1617 VOGUE DESIGNS :IMPULSIVE COLLECTIONS DARING BY BETHANIA LIMA GREEN PARTY BY MILKA RODIC TSUMORI CHISATO PRE A/W1617 VOGUE ROSES COLLAGE PRINT BY BECCY BLAND GEO COLLAGE PB0138 BY PATRICIA BONANI MIXED UP FLORALS 70S PATCHWORKS / MIXED UP PATTERNS / SKEWED MOSAICS / SMALL SCALE FLORALS / LIBERTY PRINTS / JUMB LED VARIATIONS / MULTIPLE MIXES / DOTTED FLORALS JANET DEBOOS L’OFFICIEL 1970, MAXI DRESS FRIDA, SUSAN ELLIOTT PRINT DIRECTION: MIXED UP FLORALS COLLEEN WALLACE NUNGARI BARBARA TAKENAGA JOYCE KOZLFF STAPHORSTER STIPWERK ZAC POSEN PRE- FALL 2016 VOGUE DESIGNS: MIXED UP FLORALS ELISA BY DLKG DESIGN PATCHWORK BY CNR DESIGN CLOVER CANYON PRE SS 2016 VOGUE 2K_DESIGN40 BY KAMIL KURT VK5 BY VICTORIA KRUPP OCEANIC WORLD METALLIC SHIMMER / BUBBLE PRINTS / PATTERN EMBOSSED FOIL / STELLAR PEARLESANCE / CORAL AND S EAWEED PRINTS / AQUATIC LIFE / SHEER LIGHTNESS / PASTEL SHELLS BOZKA RYDLEWSKA ATELIER KIKALA VOGUE RUSSIA SAYURI SASAKI HEMANN PRINT DIRECTION: OCEANIC WORLD BITS OF THE OCEAN PHOTO BY GENINNE ON FLICKR STEPHANIE HOFMANN BOZKA RYDLEWSKA SEAWEED AT NATURAL HISTORY MUSEUM CHINA PHOTO BY AKI MATSUMOTOS TEMPERLEY LONDON AW1617 VOGUE DESIGNS: OCEANIC WORLD SEACRETS BY SHOCK RIDER CREATIVE SHELLS SEA BY VIOLET OLIVIA EMILIO PUCCI S/S 2016 VOGUE SEA PLANTS SEAMLESS PATTERNBY POLINA MOROZ FANTASY OCEAN BY FREYA PRIMAL PATTERNS TRIBAL PRINTS / JUNGLE LEAVES / NAIVE PATTERN / TILED LAYOUTS / ETHNIC PATTERN / PRECISE DIGITAL PATTERN ADIREAFRICANTEXTILES.COM ARTS & CRAFTS BY PETER MAGUBANE LOUIS VUITTON - RESORT 2016 PRINT DIRECTION :PRIMAL PATTERNS ‘THE GRAMMAR OF ORNAMENT’ (1910) BY OWEN JONES. MARA HOFFMAN GRAPHIC AFRICA - HABITAT JESSICA HOGARTH VALENTINO SS16 - VOGUE DESIGNS: PRIMAL PATTERNS ANGELO ARTIMUS - ETHNIC RUBRO ROBERTO GUIDOLIN - 16076 WEAVES SCARF MSGM - VOGUE VICTORIA KRUPP - VK71 JOHN MACAULAY - BLACK AND CREAM BLOCK PATCHWORK SECRET GARDEN BIRDCAGES / BIRD LIFE AND FLORALS / SKETCHY OUTLINES / GLITTERY OUTLINED BLOOMS / PHOTO PRINT FLORALS / SPARKLY HIGHLIGHTS / ORIENTAL FEEL MAKI OHKOJIMA GUCCI SPRING 2016 RON ISAAC-S TROMPE L’OEIL PAINTED CONSTRUCTIONS PRINT DIRECTION: SECRET GARDEN LAURENCE AMÉLIE YUKO SOMEYA YUKO NAGAYAMA YSABEL LEMAY MONIQUE LHUILLIER PRE -FALL 2016 VOGUE DESIGNS :SECRET GARDEN ORIENTAL BIRDS AND SPRAY BLOSSOMS BY FRAN ELLIOTT WATERFLOWERS BY MCBDESIGNS CACHAREL S/S2016 VOGUE BIRDS ON BRANCH BY DAFNI MILIARA ROMANTIC PAINTING BY OTRO FAROL TEXTILES SKETCHED & SCRIBBLED LINEAR PATTERN MIXES / GEOMETRY / ABSTRACT LINE / HAND DRAWN / DOODLES / PENNED GEOMETRY / ARCHITECTURAL DRAWINGS / BOLD & FINE LINES DAVID -ERNST -CRAZY -CROSSHATCHING WOKING-GIRL -DESIGNS MISSONI SS16 - VOGUE PRINT DIRECTION: SKETCHED & SCRIBBLED SPHERES IS BY ROSS LITTELL SOPHIE COLLOM UNTITLED, LYGIA PAPE, 1958. ELOISE RENOUF JENNIFER SANCHEZ DESIGNS: SKETCHED & SCRIBBLED LORRAINE PURCHASE - GEOMETRIC 3 MICHELE TOZZI - BLUE WOOD MARNI SS16 VOGUE MICHELE TOZZI -DOT DOT DOT CACTUS STUDIO - NEW AGE TRIBAL WHITE STRIPE VIBRANCY STRIPE GEO MIXES / GRADIENT / FADE / FLORALS & STRIPES / STRIPE BROKEN PATTERN / DI GITAL STRIPE / SOLID & TRANSPARENT / PRINT ON WOVEN STRIPE MARK GARRY MISSONI SS16 VOGUE TINCTORIAL TEXTILES BY RAW COLOR PRINT DIRECTION: STRIPE VIBRANCY GEORGIANA PARASCHIV HELLE GRÅBÆK AND MARIA KIRK MIKKELSEN JOSEF ALBERS JAMES COUSINS TATA NAKA AW1617 LONDON VOGUE DESIGNS: STRIPE VIBRANCY MILA BY MAN WEN YANG STRIPES 1 BY YORDANKA POLEGANOVA MARY KATRANTZOU RESORT 2016 VOGUE FLOWERS BY MELINA BLAZEVIC LINEAR CANDY ROSE STRIPE BY LITTLE OTTER SWEET ROMANCE FLORAL BORDERS / ROMANTIC TRADITION / EMBROIDERED TABLECLOTH PRINTS / SUGARY SHADES / STRIPED F LORAL PATTERNS / MINUTE DETAIL / BLOSSOM & VI NES ARNIM SCHULZ ERDEM -PRE - FALL- 2016 -VOGUE TUILERIES WALLPAPER, WATTS 1874 PRINT DIRECTION: SWEET ROMANCE SCALAMANDRE JARDIN DE TUILERIES BRUNSCHWIG CLAIRE DE LUNE, SCALAMANDRE PHOTO BY ARNIM SCHULZ ON FLICKR ETRO SPRING 2016 VOGUE DESIGNS: SWEET ROMANCE HAND DRAWN FLORAL BY JO MITCHELL VSND06 BY VALENTINA SEVZA ALBERTA FERRETTI FALL 2016 VOGUE MA_232 BY MERVEARUTA FLORAL REPEAT BY ALEXIS TURNER VIVID TROPICS ORIENTAL KIMONO / VIVID TROPICAL / TRIBAL & FOLIAGE MIX / PAINTERLY LEAVES / EXOTIC PLANTS / STRONG LEAF SILHOUETTE / SIMPLISTIC PAINTINGS KAREN HOFSTETTER KIMONO MAX FLOR DE BANANEIRA RUTH DANIELS INK AND WATERCOLOR PRINT DIRECTION: VIVID TROPICS VINTAGE TROPICAL BOTANICAL FLORAL LEAVES FABRIC BY BY PENSIONE LA ESTAMPA SHELLEY STEER JUNGLE PRINT SILK SCARF, KENZO MONIQUE LHUILLIER RESORT 2016 DESIGNS: VIVID TROPICS CAMILA COELHO - EXOTIC FLOWERS UNIQUE IOANNIS KOSELOGLOU - TROPICAL JUNGLE FOR RESTLESS SLEEPERS SS16 SOFIA PERINA -MILLER - TROPICANA SWIRL J. COCHRAN STUDIO - VINTAGE FLORA WILD AFRICA SAFARI / AFRICAN WILDLIFE / ARTILY PAINTED / CACTI / BUSY & VIBRANT PATTERN / TROPICAL PAINTINGS / WILDLIFE CONVERSATIONAL / MICRO REPEATS VALENTINO SS16 VOGUE SAVANNA BY YOSHIKO MIYAMOTO JEANNE MOORE PRINT DIRECTION: WILD AFRICA WALTER BATTISS LOUISE JONES ADAM LIPPES - AW16/17 NY BU LAGO MILLÁN DENNIS BASSO PRE AW1617 DESIGNS: WILD AFRICA NATALIE RALLS -ABSTRACT ZEBRA JM DESIGNER - ART 2 SPRING 2016 READY -TO - WEAR VALENTINO CHARLOTTE PRINSEN - PD JUNGLE FEVER 02 VARPU KRONHOLM - INDIGO TIGERS 51 –PREM IÈRE VISION SPRING/SUMMER– 20PRIN17 T TREND REPORT.
Load more

Recommended publications
  • The WILLIAMSBURG Brand Takes a “Trend-Meets-Tradition” Approach
    The WILLIAMSBURG brand takes a “Trend-Meets-Tradition” approach to home décor inspired by the extensive design archive of the not-for-profit Colonial Williamsburg Foundation. Fusing the best of American craftsmanship with international influences that accented homes of the era, WILLIAMSBURG offers a fresh take on 18th-century design, reimagining classic elements for today’s lifestyles. GARDEN IMAGES Highlighted by a magnificent watercolor painted by Georg Ehret in 1737, this botanical design captures the natural ambience of gardens in Colonial Williamsburg’s Historic Area. The large magnolia blossoms, flowering dogwood, and occasional butterfly are shown in multiple colors on a lightly textured field which mimics fine linen or, in one instance, cloth of gold. Six variations include cream ground with green, blue, and beige, brown ground with deep pinks and blue-greens, a charcoal ground with purples and ochres. There is also a distinctive metallic gold ground enhanced by plum accents. Dickinson Trellis or Amelia Stripe would make a handsome partner. TAUNTON TEXTURE During the 18th- century, Taunton, England, was a center for the manufacture of woolen broadcloth. This wall paper, named for that city, bears a similarity. The textured background looks like woven cloth, while vertical and horizontal faux slubs mimic the appearance and feel of earlier fabrics made from nubby hand-spun yarns. This pattern, in five palettes including beige with taupe and white, or light and medium grey with cream, offers a subtle complement to many other designs in the WILLIAMSBURG collection. For example, use with Dinwiddie Damask or with John Rocque’s London Map, circa 1740s, Mural.
    [Show full text]
  • Discours Puritain Et Voix Indienne Dans Les Récits De Captivité Nord-Américains Des Dix-Septième Et Dix-Huitième Siècles Dahia Messara
    Discours puritain et voix indienne dans les récits de captivité nord-américains des dix-septième et dix-huitième siècles Dahia Messara To cite this version: Dahia Messara. Discours puritain et voix indienne dans les récits de captivité nord-américains des dix- septième et dix-huitième siècles. Littératures. Université de Haute Alsace - Mulhouse, 2013. Français. NNT : 2013MULH4475. tel-01491005 HAL Id: tel-01491005 https://tel.archives-ouvertes.fr/tel-01491005 Submitted on 16 Mar 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ DE HAUTE-ALSACE Faculté des Lettres, Langues et Sciences Humaines Ecole doctorale des Humanités (ED 520) Institut de Recherche en Langues et Littératures Européennes (ILLE – EA 4363) Thèse de Doctorat en Langue et Littérature Anglaises Puritan Discourse and Indian Voice in Seventeenth- and Eighteenth-Century North American Captivity Narratives Thèse présentée et soutenue en public le 12 avril 2013 par Dahia MESSARA Sous la direction du Professeur Sämi LUDWIG MEMBRES DU JURY M. Sämi Ludwig, Professeur à l’ Université de Haute Alsace, Mulhouse Mme Ada Savin, Professeur à l’Université de Versailles Saint-Quentin-en- Yvelines Mme Paule Levy, Professeur à l’Université de Versailles Saint-Quentin-en- Yvelines M.
    [Show full text]
  • Palampore Palampore
    Palampore Palampore Named after lustrous Indian painted fabric panels, Palampore combines exotic Indienne-inspired and indigenous designs in two coordinating collections of fabrics and wallcoverings. The love affair with these decorated cloths became a European sensation in the 17th century as the vivid dying techniques were highly sought after and cotton was considered a luxury fabric for bedcovers. Patterns in these collections include tree of life elements – influenced by traditional palampore textiles – Jacobean flowers, unique leaf and paisley motifs, decorative small-scale designs and printed paperweaves, as well as a playful tiger, tribal and batik prints, that naturally complement the fabrics. Palampore Patterns LA PROVENCE Wallpaper–6 colorways Print Type: Screen Print Inherent of its French name, Match: Straight La Provence was inspired by a Vertical Repeat: 25¼" (64 cm) French document–an antique Width: 27" (69 cm) quilt. The large medallion radiates Made in USA with leaves and paisleys adorned with henna dot details. Printed Fabric–6 colorways Content: 100% Cotton Vertical Repeat: 24½" (62 cm) Horizontal Repeat: 26½" (67 cm) Width: 54" (137 cm) Made in UK JULES Wallpaper–7 colorways Print Type: Surface Print A tribal motif with repeating Match: Straight triangles. The matching print is Vertical Repeat: 5" (13 cm) on 100% cotton fabric. Width: 27" (69 cm) Made in UK Printed Fabric–6 colorways Content: 100% Cotton Vertical Repeat: 10¼" (26 cm) Horizontal Repeat: 6¾" (17 cm) Width: 54" (137 cm) Made in India TANSMAN Paperweave–5 colorways Print Type: Digital on Paperweave The color blocks of Tansman Match: Straight are reminiscent of traditional Vertical Repeat: 30½" (77 cm) African cloths.
    [Show full text]
  • Discover Kensington Walk Design Book
    Kensington, West London, an idyllic escape from the intensity of city life. Famed for its town and country existence, museums and cosmopolitan vibe. Home to artists, looking for beauty and elegance, inspired by generations, capturing moments in time. This season Zoffany introduces a snapshot of Kensington life, expressed as three unique stories: Eastern Palace, Paradise Row and Artist’s House. Authentic subjects and experiences are represented in a range of exquisite fabrics and wallcoverings, each produced using the finest materials, artisan techniques and modern processes. With its richly pigmented and diverse palette, Zoffany’s Alchemy of Colour features throughout Kensington Walk and the entire Zoffany portfolio. The launch comprises 8 wallcoverings, 7 prints, 2 weaves and 1 embroidery. Click wallcovering and fabric swatches for links to our website. zoffany.sandersondesigngroup.com EASTERN PALACE Delicate and gentile, Eastern Palace represents the eclecticism of British design. A refined mix of transatlantic styles combine in this cross continental journey, celebrating the glory of global travel and its transition into the luxurious interiors of Kensington’s great homes. Eastern Palace by Sam Wilde The Japanese word fuubutsushi, marks the anticipation we feel for the changing seasons. It’s the understanding that each precious moment in our lives is fleeting, and each of these changes will bring with them, a new season. With a baccalaureate in natural history and a reverence for the cultural heritage of Japan, Sam’s artwork chronologies the country’s four main islands, sequentially represented by the four seasons. Each island houses regional shinto shrines, temples and castles, beside which sits a rich tapestry of endemic seasonal flora and topiary.
    [Show full text]
  • Pre-Orientalism in Costume and Textiles — ISSN 1229-3350(Print) ISSN 2288-1867(Online) — J
    Journal of Fashion Business Vol.22, No.6 Pre-Orientalism in Costume and Textiles — ISSN 1229-3350(Print) ISSN 2288-1867(Online) — J. fash. bus. Vol. 22, No. 6:39-52, December. 2018 Keum Hee Lee† https://doi.org/ 10.12940/jfb.2018.22.6.39 Dept. of Fashion Design & Marketing, Seoul Women’s University, Korea Corresponding author — Keum Hee Lee Tel : +82-2-970-5627 Fax : +82-2-970-5979 E-mail: [email protected] Keywords Abstract Pre-Orientalism, Orientalism, The objective of this study was to enhance understanding and appreciation of oriental fashion, Pre-Orientalism in costumes and textiles by revealing examples of Oriental cultural-exchange, influences in Europe from the 16th century to the mid-18th century through in-depth study. The research method used were the presentation and analysis of previous literature research and visual data. The result were as follows; Pre-Orientalism had been influenced by Morocco, Thailand, and Persia as well as Turkey, India, and China. In this study, Pre-Orientalism refers to oriental influence and oriental taste in Western Europe through cultural exchanges from the 16th century to the mid-18th century. The oriental costume was the most popular subspecies of fancy, luxury dress and was a way to show off wealth and intelligence. Textiles were used for decoration and luxury. The Embassy and the court in Versailles and Vienna led to a frenzy of oriental fashion. It appeared that European in the royal family and aristocracy of Europe had been accommodated without an accurate understanding of the Orient. Although in this study, the characteristics, factors, and impacts of Pre-Orientalism have not — been clarified, further study can be done.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • COLLOQUE SCIENTIFIQUE Et HISTORIQUE OBERKAMPF ET LA TOILE IMPRIMÉE XVIIIE–XIXE SIÈCLES PRODUCTION, CRÉATION, CONSOMMATION
    COLLOQUE SCIENTIFIQUE ET HISTORIQUE OBERKAMPF ET LA TOILE IMPRIMÉE XVIIIE–XIXE SIÈCLES PRODUCTION, CRÉATION, CONSOMMATION L'objectif de cet ouvrage n'est pas de proposer aux lecteurs un « énième » ouvrage sur la toile de Jouy1, sur cette manufacture2, ni même sur son célèbre fondateur3, mais de multiplier les points de vue concernant l'industrie textile de l'impression. Les nombreuses contributions permettent d'envisager l'industrie des toiles imprimées à l'échelle européenne, dans des processus d'échanges et de circulations, depuis la première globalisation à l'époque moderne jusqu'à la révolution industrielle en Europe au XIXe siècle. Oberkampf n'est pas le sujet de ce livre, mais sa personnalité est présente en filigrane dans les contributions rassemblées qui touchent aux questions industrielles et techniques, commerciales et artistiques, jusqu'au phénomène de patrimonialisation des toiles avec la constitution des collections textiles depuis la fin du XIXe siècle ou comment la toile de Jouy est entrée au musée. En faisant le point sur l'histoire de la toile imprimée, cet ouvrage contribue à prolonger les commémorations autour de la figure d'Oberkampf qui ont jalonné l'année 2015 à l'occasion du bicentenaire de sa mort. 1. Voir la publication récente de Gril-Mariotte, Aziza, (2015) Les toiles de Jouy, histoire d'un art décoratif (1760–1821), Rennes : Presses Universitaires de Rennes, publié avec le soutien du Musée de la Toile de Jouy. 2. Voir l'histoire économique retracée par Chassagne, Serge, (1980) Oberkampf, un entrepreneur capitaliste au Siècle des lumières, Paris : Aubier, réédition 2015. 3. Voir le récit proposé par Mallet, Etienne, (2015) Oberkampf, vivre pour entreprendre : Journal de l'inventeur de la Toile de Jouy (1738–1815), Paris : ed.
    [Show full text]
  • A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia
    A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia A Thesis submitted in partial fulfillment of the requirements for the Degree of PhD in Religious Studies at the University of Canterbury by Elizabeth Guthrie University of Canterbury, Christchurch, New Zealand 2004 A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia Volume 1 Text Acknowledgements Far-ranging research projects like this inevitably depend on the generosity and assistance of many people. Among those who helped me find the earth deity in image and texts, or helped with translations, were: Ang Choulean, K. Aphaivong. Bandol Samnang, Olivier de Bernon, Didier Bertrand, Fran(,{ois Bizot, Robert L. Brown, Kaye Carter, Chuch Phoeun, Shayne Clarke, John Crocker, Denison University Art Gallery, Robert Didham, Wichai Eungpinichpong, Wilai Eungpinichpong, John Marston, Long Tbol, Des Sothy, Anthony Diller, Jacqueline Filliozat, Rolf Giebel, Hang Chan Sophea, Louis Gabaude, Pam Gutman, Anne Hansen, Huberta Hellendoorn, Hor Lath, Khy Sophal, Khyaw Tha Nyunt, Kuy Lath, Fran(,{ois Lagirarde, Lan Sunnary, Leng Kok An, Lim Yii Hang, Long Tbol, Meng Prang, Metropolitan Museum of Art, Mey Poeun, Museum flir Indische Kunst, Neou Chamrong, Norton Simon Museum, Ouk Ry, Anatole Peltier, Phaitun Dokbukaeo, Phon Sin, Phoung Soueng, Sommai Premchit, Thonevath Pou, Saveros Pou, Craig Reynolds, Waldemar Sailer, Sao Hso Hom, Peter Skilling, Frank Smith, Ven. Suthep Surapong, Donald Swearer, Thein Tun U, Serge Thion, Ashley Thompson, Vijinthanasarn Panya, U Aung Kyaing, U Myint Aung, RE. Vann Molyvann, John Weeks, Hiram W.Woodward, Jr. I received funding from the NZFUW, NZASIA and the University of Canterbury.
    [Show full text]
  • Buddhism in the Shadow of Brahmanism.Pdf
    Buddhism in the Shadow of Brahmanism Handbook of Oriental Studies Section Two South Asia Edited by Johannes Bronkhorst VOLUME 24 Buddhism in the Shadow of Brahmanism By Johannes Bronkhorst LEIDEN • BOSTON 2011 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Bronkhorst, Johannes, 1946– Buddhism in the Shadow of Brahmanism / By Johannes Bronkhorst. pages cm. — (Handbook of Oriental Studies. Section 2, South Asia, ISSN 0169-9377 ; v. 24) Includes bibliographical references and index. ISBN 978-90-04-20140-8 (hardback : alk. paper) 1. Buddhism—Relations— Brahmanism. 2. Brahmanism—Relations—Buddhism. 3. Buddhism—India—History. I. Title. BQ4610.B7B76 2011 294.5’31—dc22 2010052746 ISSN 0169-9377 ISBN 978 90 04 20140 8 Copyright 2011 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. CONTENTS Preface ................................................................................................
    [Show full text]
  • Walking the Indigo Walk
    walking the indigo walk “The soul takes the colour of the gaze. The blue soul alone « L’âme a la couleur du regard. L’âme bleue seule porte en is the carrier of dreams; it takes its azure from the waves and elle du rêve, elle a pris son azur aux flots et à l’espace. » from space.” À travers ces mots empreints de poésie et de délicatesse, Guy With these words rich in poetry and delicacy, Guy de de Maupassant avait capturé l’essence du bleu indigo - celle d’une Maupassant captured the essence of indigo blue: an invitation invitation au voyage, dans d’autres temps ou dans d’autres lieux. to embark on a journey to other times and other places. Par sa densité, sa profondeur, sa luminosité intense Indigo; the seventh colour of the rainbow. Through its et chaleureuse, l’indigo, septième couleur de l’arc-en-ciel, density, depth and warm, intense glow, we are immediately nous transporte en effet d’emblée au-delà des nuages, vers transported up, up and away, towards the waters of Greece, les rivages de la Grèce, du Portugal ou de la Tunisie, vers Portugal and Tunisia, to the shores of India and the East. Yet l’Orient et l’Inde ; mais ce voyage intérieur se fait sans hâte, this journey in our imagination is leisurely and tranquil; as we sans impétuosité, tant la contemplation de l’indigo nous invite gaze into indigo, we are absorbed into a world of silence au silence et à la sérénité. and serenity. Fascinant, envoûtant, magique ou magnétique, l’indigo lie Captivating and enchanting, indigo has bound communities les communautés humaines depuis des siècles.
    [Show full text]
  • First Impressions: the Prohibition on Printed Calicoes in France, 1686-1759 Gillian Crosby
    First Impressions: The Prohibition on Printed Calicoes in France, 1686-1759 Gillian Crosby A thesis submitted in partial fulfilment of the requirements of Nottingham Trent University for the degree of Doctor of Philosophy July 2015 Copyright statement This work is the intellectual property of the author. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed to the owner of the Intellectual Property Rights. Abstract This thesis examines the French prohibition on both importing printed cotton from India and printing it in France between 1686 and 1759, an interdiction significantly longer than any other European country, and challenges the portrayal of the ban as a sustained protectionist measure for the anciennes manufactures. Although it was undeniably instigated for this reason, the ban was prolonged due to conflicting government policies, vested interests and an overriding fear for France’s reputation for high-quality products. The study shows that attacking a fledgling, technically incompetent industry conveniently concealed that the textiles trades’ loss of skilled workers and markets were the result of decades of a poor economic situation. The examination of primary sources has revealed how the government unwittingly handicapped the state-controlled French East India Company, whose main cargo was cotton, and the repeated granting of exemptions as appeasement negated the possibility of effective law enforcement and engendered perpetual confusion.
    [Show full text]
  • Asceticism 16 CHAPTER 2: Thaumaturgy 67 CHAPTER 3: Scholarship 112 Final Reflections 139
    I ,I I The Eminent Monk • Kuroda Institute Studies in East Asian Buddhism Studies in Ch'an and Hua-yen Robert M. Gimello and Peter N. Gregory Dagen Studies William R. LaFleur The Northern School and the Formation ofEarly Ch 'an Buddhism John R. McRae Traditions of Meditation in Chinese Buddhism Peter N. Gregory Sudden and Gradual: Approaches to Enlightenment in Chinese Thought Peter N. Gregory Buddhist Hermeneutics Donald S. Lopez, Jr. Paths to Liberation: The Marga and Its Transformations in Buddhist Thought Robert E. Buswell, Jr., and Robert M. Gimello SolO Zen in Medieval Japan William M. Bodiford The Scripture on the Ten Kings and the Making of Purgatory in Medieval Chinese Buddhism Stephen F. Teiser STUDIES IN EAST ASIAN BUDDHISM 10 The Eminent Monk Buddhist Ideals in Medieval Chinese Hagiography John Kieschnick A KURODA INSTITUTE BOOK University of Hawai'i Press Honolulu © 1997 Kuroda Institute All rights reserved Printed in the United States of America 97 98 99 00 01 02 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Kieschnick, John, 1964- The eminent monk: Buddhist ideals in Medieval Chinese hagiography I John Kieschnick. p. em. - (Studies in East Asian Buddhism; 10) "A Kuroda Institute book." Includes bibliographical references and index. ISBN 0-8248-1841-5 (pbk. : alk. paper) 1. Monastic and religious life (Buddhism)-China-History. 2. Buddhist monks-China. 3. Priests, Buddhist-China. 4. Religious biography-China-History and criticism. I. Series: Studies in East Asian Buddhism; no. 10. BQ6160.C6K54 1997 294.3'657'0922-dc21 97-5496 CIP The Kuroda Institute for the Study of Buddhism and Human Values is a nonprofit, educational corporation founded in 1976.
    [Show full text]