Discours Puritain Et Voix Indienne Dans Les Récits De Captivité Nord-Américains Des Dix-Septième Et Dix-Huitième Siècles Dahia Messara

Total Page:16

File Type:pdf, Size:1020Kb

Discours Puritain Et Voix Indienne Dans Les Récits De Captivité Nord-Américains Des Dix-Septième Et Dix-Huitième Siècles Dahia Messara Discours puritain et voix indienne dans les récits de captivité nord-américains des dix-septième et dix-huitième siècles Dahia Messara To cite this version: Dahia Messara. Discours puritain et voix indienne dans les récits de captivité nord-américains des dix- septième et dix-huitième siècles. Littératures. Université de Haute Alsace - Mulhouse, 2013. Français. NNT : 2013MULH4475. tel-01491005 HAL Id: tel-01491005 https://tel.archives-ouvertes.fr/tel-01491005 Submitted on 16 Mar 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ DE HAUTE-ALSACE Faculté des Lettres, Langues et Sciences Humaines Ecole doctorale des Humanités (ED 520) Institut de Recherche en Langues et Littératures Européennes (ILLE – EA 4363) Thèse de Doctorat en Langue et Littérature Anglaises Puritan Discourse and Indian Voice in Seventeenth- and Eighteenth-Century North American Captivity Narratives Thèse présentée et soutenue en public le 12 avril 2013 par Dahia MESSARA Sous la direction du Professeur Sämi LUDWIG MEMBRES DU JURY M. Sämi Ludwig, Professeur à l’ Université de Haute Alsace, Mulhouse Mme Ada Savin, Professeur à l’Université de Versailles Saint-Quentin-en- Yvelines Mme Paule Levy, Professeur à l’Université de Versailles Saint-Quentin-en- Yvelines M. Walter Hoelbling, Professeur à Karl-Franzens-Universität, Graz M. Michel Faure, Professeur à l’Université de Haute Alsace, Mulhouse Contents CONTENTS ..................................................................................................................................2 ILLUSTRATIONS...........................................................................................................................4 ACKNOWLEDGEMENTS ...............................................................................................................5 COMMENT ON TERMINOLOGY ...................................................................................................7 ABSTRACT ...................................................................................................................................9 FRENCH SUMMARY ..................................................................................................................10 INTRODUCTION ........................................................................................................................32 1. CONTEXTUALIZATION OF 17TH AND 18TH CENTURY CAPTIVITY NARRATIVES ....................49 1.1. 17TH AND 18TH CENTURY COLONIAL AMERICA .............................................. 50 1.1.1. William Bradford’s Of Plymouth Plantation ................................................ 55 1.1.2. Bradford’s Of Plymouth Plantation Versus Winthrop’s Journal ................ 67 1.2. COLONIAL LITERATURE EXCLUSIVELY DEVOTED TO THE INDIANS ................ 69 1.2.1. John Eliot’s New England’s First Fruits ........................................................ 69 1.2.2. Williams’s Key into the Language of America ...............................................75 1.2.3. Puritan Dissenters and Their Portrayal of the Indians ............................... 85 1.2.3.1. Roger Williams versus Thomas Morton ............................................................. 87 1.2.3.2. Anne Hutchinson: Female Dissenter, on Friendly Terms with the Narragansett Indians, a Victim of the Siwanon Indians ......................................................94 1.3. LATER GENERATION PURITAN INTELLECTUALS .......................................... 105 1.3.1. The Mathers.................................................................................................... 105 1.3.1.1. Cotton Mather’s View of the Indians .................................................................... 108 1.3.1.2. Increase and Cotton Mather’s Contribution to the Captivity Narrative Genre 112 1.4. THE 17TH AND 18TH CENTURY LITERARY AUDIENCE..................................... 122 1.4.1. Literacy and the Book Market in Colonial America ...................................122 1.4.2. Captivity Narratives in New England Book Market ................................. 126 1.4.2.1. Captivity Narratives and the Young Audience ........................................... 144 1.4.2.2. The Indoctrination of Children ......................................................................... 146 1.4.2.3. Children’s Initiation to Captivity Narratives .................................................... 149 1.4.2.4. The Didactic Role of Captivity Narratives ........................................................ 153 2. AUTHORITY, AUTHORSHIP, AND AUTHENTICITY IN CAPTIVITY NARRATIVES .................. 162 2.1. CAPTIVITY NARRATIVE AS AUTO/BIOGRAPHICAL GENRE ............................ 163 2.2. THE GENDER ISSUE IN CAPTIVITY NARRATIVES ......................................... 168 2 2.2.1. Puritan Patriarchal Conceptions ................................................................. 168 2.2.2. The Male Authority Behind the Narrative Voice ......................................... 175 2.3. POLITICAL AND RELIGIOUS CONFLICTS—THE RISE OF ANTI-CATHOLIC SENTIMENT ....................................................................................................... 184 2.3.1. Female Narrative Subject to Anti-Catholic Propaganda .......................... 184 2.3.2. Men’s Captivity Narratives—The Rise of Secular Issues ........................... 192 2.4. AUTHENTICITY AND THE LANGUAGE OF SUBJECTIVITY .............................. 206 2.4.1. Presupposition and Propaganda ................................................................. 207 2.4.2. Pathological Issues in Captivity Narrative—Trauma and Memory .........212 2.4.3. Trauma Survival............................................................................................ 224 3. INDIAN AGENCY IN CAPTIVITY NARRATIVES ................................................................... 241 3.1. DIRECT DESCRIPTIONS OF THE INDIANS IN PURITAN CAPTIVITY NARRATIVES 244 3.1.1. John Gyles’s Captivity Narrative ................................................................. 244 3.1.2. Rowlandson’s Captivity Narrative ............................................................. 248 3.2. NARRATIVE INCONSISTENCIES IN CAPTIVITY NARRATIVE............................ 251 3.2.1. Reported Speech in Rowlandson’s Narrative ............................................. 254 3.2.2. Omissions in Rowlandson’s Narrative ........................................................ 258 3.3. THE TABOO: SEXUALITY IN EARLY NEW ENGLAND .................................... 262 3.3.1. Early Representation of Sexuality in Colonial Writings ........................... 262 3.3.2. The New England Puritans’ Conception of Sexuality ................................. 271 3.3.3. Sexuality in Puritan Captivity Narratives .................................................. 274 3.4. MORE SILENCED ISSUES IN CAPTIVITY NARRATIVES ...................................279 3.4.1. Going Native .................................................................................................. 279 3.4.2. Historical Reality of White Indians in America ......................................... 284 3.4.3. The Embarrassing Story of Eunice Williams ............................................. 292 3.4.4. The Indian Praising of Silence and the Language Barrier ....................... 301 3.5. INDIAN VOICE AND REPORTED SPEECH ...................................................... 307 CONCLUSION .......................................................................................................................... 317 BIBLIOGRAPHY ....................................................................................................................... 326 3 Illustrations Illustration 1. Captain John Smith’s map of New England……………………………………59 Illustration 2. The First Massachusetts seal………………………………………………………..64 Illustration 3. Title page of the London edition of Mary Rowlandson’s captivity narrative…………………………………………………………………………………….133 Illustration 4. Title page of the 1770 edition of Rowlandson’s captivity narrative…..136 Illustration 5. Title page of the 1173 edition of Rowlandson’s narrative………………..137 Illustration 6. The New England Primer…………………………………………………………. 148 Illustration 7. Title page to A Token for Children……………………………………………..…150 4 Acknowledgements The completion of this study marks the end of an extraordinary journey full of intellectual, professional and personal experiences, yet not without difficulties and obstacles. I have managed to overcome these challenges thanks to the wonderful support of some most precious and appreciative helpers: fellow academics, friends and family members alike. First of all, I want to most warmly thank my supervisor, Professor Sämi Ludwig, for accepting to supervise this work and for his corrections and advice, from which I have learned a great deal. I am grateful for his support and remarkable patience in accompanying my progress throughout the writing of this thesis and for his help in reaching out to the community of scholars. This has made it possible for me to
Recommended publications
  • The WILLIAMSBURG Brand Takes a “Trend-Meets-Tradition” Approach
    The WILLIAMSBURG brand takes a “Trend-Meets-Tradition” approach to home décor inspired by the extensive design archive of the not-for-profit Colonial Williamsburg Foundation. Fusing the best of American craftsmanship with international influences that accented homes of the era, WILLIAMSBURG offers a fresh take on 18th-century design, reimagining classic elements for today’s lifestyles. GARDEN IMAGES Highlighted by a magnificent watercolor painted by Georg Ehret in 1737, this botanical design captures the natural ambience of gardens in Colonial Williamsburg’s Historic Area. The large magnolia blossoms, flowering dogwood, and occasional butterfly are shown in multiple colors on a lightly textured field which mimics fine linen or, in one instance, cloth of gold. Six variations include cream ground with green, blue, and beige, brown ground with deep pinks and blue-greens, a charcoal ground with purples and ochres. There is also a distinctive metallic gold ground enhanced by plum accents. Dickinson Trellis or Amelia Stripe would make a handsome partner. TAUNTON TEXTURE During the 18th- century, Taunton, England, was a center for the manufacture of woolen broadcloth. This wall paper, named for that city, bears a similarity. The textured background looks like woven cloth, while vertical and horizontal faux slubs mimic the appearance and feel of earlier fabrics made from nubby hand-spun yarns. This pattern, in five palettes including beige with taupe and white, or light and medium grey with cream, offers a subtle complement to many other designs in the WILLIAMSBURG collection. For example, use with Dinwiddie Damask or with John Rocque’s London Map, circa 1740s, Mural.
    [Show full text]
  • Utopian Promise
    Unit 3 UTOPIAN PROMISE Puritan and Quaker Utopian Visions 1620–1750 Authors and Works spiritual decline while at the same time reaffirming the community’s identity and promise? Featured in the Video: I How did the Puritans use typology to under- John Winthrop, “A Model of Christian Charity” (ser- stand and justify their experiences in the world? mon) and The Journal of John Winthrop (journal) I How did the image of America as a “vast and Mary Rowlandson, A Narrative of the Captivity and unpeopled country” shape European immigrants’ Restoration of Mrs. Mary Rowlandson (captivity attitudes and ideals? How did they deal with the fact narrative) that millions of Native Americans already inhabited William Penn, “Letter to the Lenni Lenapi Chiefs” the land that they had come over to claim? (letter) I How did the Puritans’ sense that they were liv- ing in the “end time” impact their culture? Why is Discussed in This Unit: apocalyptic imagery so prevalent in Puritan iconog- William Bradford, Of Plymouth Plantation (history) raphy and literature? Thomas Morton, New English Canaan (satire) I What is plain style? What values and beliefs Anne Bradstreet, poems influenced the development of this mode of expres- Edward Taylor, poems sion? Sarah Kemble Knight, The Private Journal of a I Why has the jeremiad remained a central com- Journey from Boston to New York (travel narra- ponent of the rhetoric of American public life? tive) I How do Puritan and Quaker texts work to form John Woolman, The Journal of John Woolman (jour- enduring myths about America’s
    [Show full text]
  • A Checklist for Adding Soft Signage to Your Digital Print Business Ebook
    A Checklist for Adding Soft Signage to your Digital Print Business Presented by: What you need to know Customers Requirements & Consumables Printing Equipment Finishing Equipment Integration 2 Questions that must be answered? Do you currently manufacture textile goods? If so, what technology/equipment are you using and is it cost effective? Do you currently outsource textiles? If so, how much, what technology/equipment is used, does it make sense to bring in house? 3 Questions that must be answered? Do you already have the customer base or is it a “if I build it they will come” situation? Is your customer buying textiles from someone else? Would they buy from you? Do you fully understand the required equipment and processes involved in manufacturing textiles yourself? Software, printer, direct/transfer, fixation, cutting/finishing/sewing, consumables, fabric, knowledge? 4 Requirements & consumables Control the variables 5 Requirements: Control the variables RIP/Color management software Controlled print room • Water quality • Humidity, temperature, cleanliness • Waste water/ink Equipment settings/logs Media handling equipment & safety 6 Know your environment is controlled! USB data logger • Temperature • Humidity • Dew point • LCD 7 Media handling Transfer paper 105 - 57gsm • 400 lbs roll weight Uniquely Designed • 10.5’ roll width Specifically for the EFI Soft Signage Printer Line • 14” roll diameter Foster 61577 • 990 lbs roll weight • 16.5’ roll width • 19.6” roll diameter 8 Consumables OEM water-based sublimation inks high transfer
    [Show full text]
  • The Legacies of King Philip's War in the Massachusetts Bay Colony
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1987 The legacies of King Philip's War in the Massachusetts Bay Colony Michael J. Puglisi College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the United States History Commons Recommended Citation Puglisi, Michael J., "The legacies of King Philip's War in the Massachusetts Bay Colony" (1987). Dissertations, Theses, and Masters Projects. Paper 1539623769. https://dx.doi.org/doi:10.21220/s2-f5eh-p644 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print.
    [Show full text]
  • Bailey Aw20 Western
    Western Handbook 2020 Promoting American craftsmanship and Proud Member of ingenuity. This product complies with American Made Matters® American Made Matters® standards for Made in America. Bailey Showroom WESTERN HANDBOOK 411 Fifth Avenue, 2nd Floor, New York, NY 10016 2020 Global Customer Service and Distribution Center ® ® 50 Denver Road, Denver, PA 18517 Bailey Renegade Tel: 800-927-4539 Fax: 717-336-0148 Toll Free Fax: 888-428-7329 Straw 4 Straw 36 20x 4 Felt 37 15x 12 ® 10x 17 Wind River 7x 20 Straw 39 4x 21 Felt 42 Gunmetal Spur Pin Bangora 22 ® Felt 24 Eddy Bros. 100x 24 Straw 46 20x 25 Felt 47 10x 26 Bailey® Hat Box Mini Metal Spur Pin Kids 50 7x, 5x, 27 4x, 3x 28 Hat Size Converstion Chart 2x 30 Swatches 51 Size USA Metric Inches Frontier 34 XS 65/8 53 cm 20 3/4 Kids 35 6 3/4 54 cm 21 1/8 S 6 7/8 55 cm 21 1/2 7 56 cm 21 7/8 M 7 1/8 57 cm 22 1/4 7 1/4 58 cm 22 5/8 L 7 3/8 59 cm 23 7 1/2 60 cm 23 1/2 XL 7 5/8 61 cm 23 7/8 7 3/4 62 cm 24 1/4 7/8 5/8 XXL 7 63 cm 24 Bailey®, Renegade®, Eddy Bros®, Wind River®, LiteStraw®, and LiteFelt® are registered trademarks of the Bollman Hat Company. 3 20x New New 20x S2020A Deuce 20x S2020B Banco 5 3/4” Dallas Crown Brim: 4 1/2” 4” Rodeo Crown Brim: 4 1/2” Natural Sizes: 6 5/8” – 7 5/8” Natural Sizes: 6 5/8” – 7 5/8” 4 20x 20x S1920A Berserk 20x S1920B Taos 4” Rodeo Crown Brim: 4 1/2” 4” Rodeo Crown Brim: 4 1/2” Natural Sizes: 6 3/4” – 7 5/8” Beige Sizes: 6 5/8” – 7 5/8” 5 20x 6 Made in the USA of US and imported components.
    [Show full text]
  • The Dual and Dueling Narrative Voices in the Sovereignty and Goodness of God and the Narrative of Robert Adams,” Intersections 11, No
    intersections online Volume 11, Number 1 (Summer 2010) Brandon Weaver, ““As he wounded me with one hand, so he healed me with the other”: The Dual and Dueling Narrative Voices in The Sovereignty and Goodness of God and The Narrative of Robert Adams,” intersections 11, no. 1 (2010): 116-125. ABSTRACT While 17th and 18th century captivity narratives depict captivity in the content they describe, several narratives exhibit a kind of narrative captivity as well. In both Mary Rowlandson’s The sovereignty and goodness of God and Robert Adam’s The narrative of Robert Adams the captive’s ability to narrate their story is disrupted by the interests of those sponsoring the narrative - leading to dual and dueling voices throughout the text. This essay is an examination of the relationship between these conflicting voices. I argue that in both cases within the text, the sponsor’s interests take precedent over the experience of the captive, evidencing a complex power relationship grounded on various social, political and economic factors. Through an analysis of the relationship between these conflicting voices, I attempt to explicate the underlying ideologies that that make such a conflict possible. Finally, by comparing the shift in these ideologies across the two texts, I argue there is a corresponding shift in geo-economic policy that demonstrates an increasingly imperialistic disposition. http://depts.washington.edu/chid/intersections_Summer_2010/Brandon_Weaver_The_Dual_and_Dueling_Narrative_Voices.pdf Fair Use Notice: The images within this article are provided for educational and informational purposes. They are being made available in an effort to advance the understanding of scientific, environmental, economic, social justice and human rights issues etc.
    [Show full text]
  • 104 the Trial of Anne Hutchinson, 1637
    104 Historical Journal of Massachusetts • Winter 2013 The Trial of Anne Hutchinson, 1637 105 Sex and Sin: The Historiography of Women, Gender, and Sexuality in Colonial Massachusetts SANDRA SLATER Abstract: Historians have long examined the powerful events that shaped the Massachusetts Bay in the colonial period, in part because the vast array of source material available for study, but more importantly, due to the enigmatic personalities who wrote those materials. Scholars of economics, politics, and theology all present differing explanations and descriptions of colonial Massachusetts, but it has only been in the last forty years that scholars have begun to think of the colonists as individuals. The advent of various civil rights movements of the 1960s and 1970s as well as the social turn in history, an increased focus on the histories of ordinary people and their experiences, questioned traditionally masculine and white-privileged histories by asking about everyone else. Women’s and gender studies and the even more recent studies of sexualities and queer history offer a valuable window through which to view and understand daily life. This article surveys gender histories of colonial Massachusetts, revolutionary works that uncover and discuss the lives of colonial people as gendered beings. Sandra Slater, an assistant professor of history at the College of Charleston, co-edited the collection Gender and Sexuality in Historical Journal of Massachusetts, Vol. 41 (1), Winter 2013 © Institute for Massachusetts Studies, Westfield State University 106 Historical Journal of Massachusetts • Winter 2013 Indigenous North America, 1400-1850 (University of South Carolina Press, 2011).† * * * * * For decades, historians of colonial America focused their attention on the writings of John Cotton, Increase Mather, Cotton Mather, John Winthrop, and other leading male colonial figures, constructing a narrative of colonial Massachusetts that ignored the influences and contributions of women and racial minorities.
    [Show full text]
  • WOMEN's WRITING in the BRITISH ATLANTIC WORLD: Memory, Place
    This page intentionally left blank WOMEN’S WRITING IN THE BRITISH ATLANTIC WORLD Kate Chedgzoy explores the ways in which women writers of the early modern British Atlantic world imagined, visited, created and haunted textual sites of memory. Asking how women’s writing from all parts of the British Isles and Britain’s Atlantic colonies employed the resources of memory to make sense of the changes that were refashioning that world, the book suggests that memory is itself the textual site where the domestic echoes of national crisis can most insistently be heard. Offering readings of the work of poets who contributed to the oral traditions of Wales, Scotland and Ireland, alongside analyses of poetry, fiction and life-writings by well-known and less familiar writers such as Hester Pulter, Lucy Hutchinson, Mary Rowlandson and Aphra Behn, the book explores how women’s writing of memory gave expression to the everyday, intimate consequences of the major geopolitical changes that took place in the British Atlantic world in the seventeenth century. Telling a story about women’s textual production which is geographically and linguistically expansive and inclusive, it offers an unprecedently capacious and diverse history of early modern British women’s writing as it began to take its place in a new Atlantic world. kate chedgzoy is Professor of Renaissance Literature at the University of Newcastle. She is the author of Shakespeare’s Queer Children: Sexual Politics and Contemporary Culture (1996), and co-editor with Susanne Greenhalgh of a special issue of the journal Shakespeare on Shakespeare’s incorporation into the cultures of childhood (2006).
    [Show full text]
  • Colaris Digital Textile Printing
    ZIMMER AUSTRIA | DIGITAL PRINTING SYSTEMS COLARIS DIGITAL TEXTILE PRINTING HOME TEXTILES APPAREL DECORATION AUTOMOTIVE FLAGS & BANNERS www.zimmer-austria.com 2020.01.15 page 1 CONTENT 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES 3 2. INK CLASSES 2.1. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 4 2.2. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 5 3. PRINT TECHNOLOGY 3.1. PROCESSING DIAGRAM 6 3.2. PROCESS EQUIPMENT 7 4. REACTIVE PRINTING 4.1. GENERAL INFORMATION 8 4.2. EXAMPLE: TERRY TOWEL PRINT PRODUCTION 9 5. ACID PRINTING 5.1. GENERAL INFORMATION 10 5.2. EXAMPLE: UPHOLSTERY PRINT LINE 11 6. DISPERSE / SUBLIMATION PRINTING 6.1. GENERAL INFORMATION 12 6.2. EXAMPLE: PES BLANKET PRINT LINE 13 7. VAT INDANTHRENE® PRINTING 7.1. GENERAL INFORMATION 14 7.2. APPLICATION DIVERSITY 15 8. PIGMENT PRINTING 8.1. GENERAL INFORMATION 16 8.2. APPLICATION DIVERSITY 17 9. CATIONIC PRINTING 9.1. GENERAL INFORMATION 18 10. COLARIS - CHARACTERISTICS AND FEATURES 10.1. COLARIS MODELS 19 11. COLARIS FEATURES AND COMPONENTS 11.1. INTEGRATED MACHINE COMPONENTS 20 11.2. INTEGRATED MACHINE COMPONENTS 21 12. PROCESS EQUIPMENT 12.1. INLINE COMPONENTS 22 12.2. OFFLINE COMPONENTS 23 13. PRINT HEAD 13.1. TECHNOLOGY 24 13.2. RECONDITION CENTER 25 14. ZIMMER TECHNOLOGY & APPLICATION CENTER 14.1. GENERAL INFORMATION 26 14.2. EQUIPMENT & FACILITIES 27 www.zimmer-austria.com 2020.01.15 page 2 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES Vertical Duplex blanket printer from 1951 First commercial rotary screen printer 1958 The broad digital competence of ZIMMER AUSTRIA is based on an innovation introduced more than 4 decades ago.
    [Show full text]
  • Mary Rowlandson's Journey to Redemption ANN STANFORD Ior
    Mary Rowlandson's Journey to Redemption ANN STANFORD iOR those who adopted the Calvinistic doctrine of salvation and damnation, there was no place in be- x tween. The individual was a saint or a sinner, his redemption or punishment ordained by God for all time. The American Puritans with their penchant for allegory found it easy to transfer the sharp division between the saved and the damned into the world around them. To them, the European settlements and clearings were plainly the places where Saints might live; the dark, uncleared forests were inhabited by those who had not yet had the chance to embrace Christianity, perhaps because they had been chosen for damnation anyhow. As Cotton Mather said: "We know not when or how these Indians first became inhabitants of this mighty continent yet we may guess that probably the Devil decoyed these miserable savages hither, in hope that the gospel of the Lord Jesus Christ would never come to destroy or disturb his absolute empire over them." In the settlements at the edge of the forest a double battle went on — the struggle for salvation within the souls of men and women and the struggle for the conquest of the wilderness, often through conflict between the native tribes and the English settlers. The conflict between Indian and settler did not often break out into open war. Often the two cultures lived side by side for decades with only minor and limited hostilities. The peace be• tween the people of Massasoit and those of William Brad• ford lasted until the deaths of those two leaders.
    [Show full text]
  • Palampore Palampore
    Palampore Palampore Named after lustrous Indian painted fabric panels, Palampore combines exotic Indienne-inspired and indigenous designs in two coordinating collections of fabrics and wallcoverings. The love affair with these decorated cloths became a European sensation in the 17th century as the vivid dying techniques were highly sought after and cotton was considered a luxury fabric for bedcovers. Patterns in these collections include tree of life elements – influenced by traditional palampore textiles – Jacobean flowers, unique leaf and paisley motifs, decorative small-scale designs and printed paperweaves, as well as a playful tiger, tribal and batik prints, that naturally complement the fabrics. Palampore Patterns LA PROVENCE Wallpaper–6 colorways Print Type: Screen Print Inherent of its French name, Match: Straight La Provence was inspired by a Vertical Repeat: 25¼" (64 cm) French document–an antique Width: 27" (69 cm) quilt. The large medallion radiates Made in USA with leaves and paisleys adorned with henna dot details. Printed Fabric–6 colorways Content: 100% Cotton Vertical Repeat: 24½" (62 cm) Horizontal Repeat: 26½" (67 cm) Width: 54" (137 cm) Made in UK JULES Wallpaper–7 colorways Print Type: Surface Print A tribal motif with repeating Match: Straight triangles. The matching print is Vertical Repeat: 5" (13 cm) on 100% cotton fabric. Width: 27" (69 cm) Made in UK Printed Fabric–6 colorways Content: 100% Cotton Vertical Repeat: 10¼" (26 cm) Horizontal Repeat: 6¾" (17 cm) Width: 54" (137 cm) Made in India TANSMAN Paperweave–5 colorways Print Type: Digital on Paperweave The color blocks of Tansman Match: Straight are reminiscent of traditional Vertical Repeat: 30½" (77 cm) African cloths.
    [Show full text]
  • July 1909 : Bulletin of the United States Bureau of Labor, No. 83
    DEPARTMENT OP COMMERCE AND LABOR BULLETIN OF THE BUREAU OF LABOR NO. 8 3 -JULY, 1909 ISSUED EVERY OTHER MONTH WASHINGTON GOVERNMENT PRINTING * OFFICE 1909 Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis CONTENTS. Page. Women’s trade union movement in Great Britain, by Katherine Graves Busbey, A. B.: History of the movement........ ........................................ .............................. 1-5 Obstacles to organization of women................................................................. 5-10 Occupations temporary..................... ...................................................... 6 Low wages and low standard of living.................................................... 6,7 Class distinctions........................................................................................ 8,9 Liability to victimization and apathy...................................................... 9,10 Attitude of male trade unionists to organization of wom en ........................ 11-18 Growth of organization among women workers............................................ 18-22 Results of organization of women workers......................................................22-32 Aid secured through legal proceedings....................................................22,23 Recent legislation.........................................................................................23-25 Crusade against living-in and truck
    [Show full text]