President's Message

Total Page:16

File Type:pdf, Size:1020Kb

President's Message 2013 — Issue 06 The Gazette of the FEBRUARY President’s Message Dear Fellow Members, This winter is turning out to be a super busy time for us. We recently had an interesting talk from Nicholas Thaete about chair caning. Many members have told me that they love the class he is now offering. Maybe we can ask for another class for those who were unable to attend this time. On February 7th we’ll have a presentation on IKAT weaving, by Marcia Weiss, at our meeting, with a workshop on the following day, February 8th. This is an interesting technique and I’m looking forward to attending the workshop. There’s still room for more members if you’re interested. Susan Davis will bring additional examples of IKAT pieces to the meeting. Among our goals for the new year, upgrading of the web site is very important. Nancy Shiffrin created our web site over ten years ago, and we appreciate her making it functional as long as it has been in place. With the acceleration of technology we now see that there is more that we need to add to make our site consistent with the latest expectations of cyber-technology. Our aim will be a system that is easier to use and still interesting for the readers. This may necessitate our getting a different server. We’re getting some cyber-ideas for the web site from Julia Wilson, our member with considerable com- puter savvy. A small committee will be working on the transition, chaired jointly by Tiffany Robbins and Amoi Goldman. As Tiffany and Amoi are also in charge of scheduling next year’s programs and workshops, starting in September, please free to e-mail Amoi your ideas. They also need more assistance, so don’t be bashful about volunteering. Additional Guild news: For several years Faith Varrone has put great effort into overseeing the Guild calendar, but needs to step down for personal reasons. We thank her for her dedication. We’re fortu- nate that Maryanne McDevitt has offered to take on the responsibility. There’s no doubt that demands on the use of the Guild House require a lot of coordination. You’ll soon see a difference in the environment around the Guild House; we’re in a project to clear out trees, shrubs, and debris. We take pride in our work and it will now be reflected in our setting. Kathy Selbst A Hands-On View of Moroccan Textiles By Susan Schaefer Davis Another side trip was to the small town of Many of you know that I lead trips to Morocco, and I Sefrou, where thought you might like to hear some details of the adven- we visited a tures of travelers on last year’s premiere textile tour. cooperative In early June, people flew into Casablanca and traveled by that produces bus to the fascinating city of Fes, the oldest intact Islamic the needle woven satin cord buttons that trim Moroccan city in the world. It is the religious, intellectual, handcraft robes, and which they make into jewelry. They also make – and culinary - capital of the country, and we spent 3 days wool rugs using plant-dyed yarn, and rayon fabrics woven exploring its intricate web of streets and shops, many pro- on a floor loom. The president showed us the different ducing textiles. These included that of the last man mak- plants and the yarn color they produced, and illustrated ing his living using a drawloom, the predecessor to the with two colors, one madder from local roots. People Jacquard loom, to make brocade fabric. Because it was tried both types of loom weaving plus needle weaving. founded in 808 AD, streets are narrow and hilly, and there Then we is no wheeled traffic; everything goes in and out by donkey headed south and mule, including to Marrakesh, cases of Coke. One the other “must friend said she felt see” city in Mo- like Alice falling rocco. There down the rabbit hole we found a when she first en- cooperative of tered old Fes. disabled While based in Fes women who crochet trim on clothing, and another group we took day trips to doing the intricate Fes embroidery which is the same on two nearby sites to see different lifestyles – and textiles. both sides. And we saw many examples of fine textiles, as We walked through fields of wild lavender and daisies to a rugs or trim or clothing, and also fine jewelry, in shops and farmhouse near Ben Smim where the women weave in museums. One of the favorites was the Berber museum their spare time. (You can see the setting, weavers, and with clothing, textiles and jewelry in the tranquil Majorelle their products at http:// Gardens. And of course we visited the famous Jma el d2ssd.com/www- F’naa Square, which is like stepping back 2000 years, with source/ storytellers, snake charmers, acrobats, musicians, henna me_nov02bensmim/ artists ….and so much more! bensmim1.html .) They Everyone really enjoyed the trip, including me – it was demonstrated carding great fun traveling with a group so interested in textiles. and spinning wool, and I’m planning a trip for June 1-10, 2013 and it’s filling up had carpets they had (limited to 16); you can see full details on my colleague made from the wool of Joan Noble’s web page at http:// their own sheep – and www.noblejourneys.com/morocco-tours.php . I also lead also made us a delicious a longer trip May 18-June 1, and you can see those details lunch stew or tajine of at http://www.noblejourneys.com/open_doors.php .And chicken with olives and lemons. Afterward we visited a please feel free to email me at [email protected] if you cooperative in town of women who harvest herbs to make have any questions. soaps, oils, and other herbal products. I saw their herbed couscous grain for sale in the Casablanca airport! 2 UPCOMING GUILD MEETING Friday & many talented visual artists. She was Saturday— instrumental in the creation of the Rain- PROGRAMS bow Women’s Arts Association, whose March 8 & 9 mission is to provide a platform for (Thursdays) (Felted Vessels) women’s artistic growth while preserving and Sunday, ♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥ traditional textile arts of Nigeria and March 10th adapting them to remain relevant in February 7, 2013—7 PM (Felted modern times. Ikat Weaving: Marcia Weiss Satchels) ♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥ Recently, the distinctive ikat Saturday, April 6th look has become a popular design motif. BATIK & TIE DYE (ADIRE) INDIGO Find out how that unique look is created. Felted Join us on Thursday, February 7th when Vessels WORKSHOP we learn about the fascinating process of Workshop— Ikat Weaving from Professor Marcia Instructor: Yemisi Ajayi Last year several members Weiss, the Coordinator of the Textile De- Fee: $85 members/$90 non-members sign Program at Philadelphia University. exhibited at our annual “Celebration of Marcia, also an accomplished weaver, Fibers” the projects that they created in a Bring: Art pencil (2b, 4b, 6b or ebony), received the Juror’s Choice Award for her Felted Vessels Worshop taught by Carol Eraser, Ruler, Comfortable, stainable double cloth Ikat art piece “Dialogue II” Ingram. The response was so clothing or apron. Other materials pro- at the Handweavers Guild of America’s overwhelming that we invited her back! vided. Small Expressions 2012 Exhibit. She will be the guest speaker at During this hands-on work- ♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥ our March members meeting as well as shop, participants will learn the history teaching another Felted Vessels and process of Adire, an ancient dye Friday, February 8th Workshop on Friday, March 8th, and process from the Yoruba of southwest Saturday, March 9th, from 9:00 am to 5 Nigeria. Students will have the opportu- IKAT WORKSHOP— pm on each day. The cost of the nity to try both types of Adire: one, by tie Plan to attend Marcia Weiss’ workshop is $130.00. Registrations dyeing or stitching, and the other, by Ikat Workshop on Friday, February 8th should go through Maryann Laverty. painting or stenciling using a starchy from 9:00 am to 3:00 pm to learn the Workshop registration forms can be paste made from cassava or yarns. found on our website (www.pghw.org) ikat process for warp and filling yarns, Students will learn immersion which includes winding yarns, creating under the Education section. Just print it out, fill it in legibly, and forward it on dyeing using melted wax resist tech- and marking a pattern, wrapping and niques, compression dyeing, and low- yarn dying. Students will transform the to Maryann Laverty along with your workshop fee — 519 Dudley Avenue, water dyeing as they apply natural lo- natural yarn of their choice into weave- cally-produced indigo dyes onto natural Narberth, PA 19072-1710. You can ready ikat yarn. The cost of the work- fabrics. In the process, they’ll acquire a reach Maryann via phone at 610-668- shop is $55.00 members/$65.00 non- knowledge of the tools, materials and 2433 or email her at members. Registration forms can be traditional cultural designs of the Yaruba downloaded and printed from the Educa- [email protected] with people. tion page of our website www.pghw.org . questions. A supply list will be forwarded To register, please contact Amoi Goldman once payment is received. Don’t miss Yemisi Ajayi has won a reputa- by email at [email protected] or call out! tion as an innovative textile/fiber artist 610-348-4150. This exciting workshop is ♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥ working within the realm of traditional coming up soon; Yoruba cloth, motifs and dyeing.
Recommended publications
  • Care Label Recommendations
    CARE LABEL RECOMMENDATIONS RECOMMENDED CARE FOR APPAREL PRODUCTS Fiber content, fabric construction, color, product construction, finish applications and end use are all considered when determining recommended care. Following are recommended care instructions for Nordstrom Products, however; the product must be tested to confirm that the care label is suitable. GARMENT/ CONSTRUCTION/ FIBER CONTENT FABRICATION CARE LABEL Care ABREVIATION EMBELLISHMENTS Knits and Sweaters Acetate/Acetate Blends Knits / Sweaters K & S Dry Clean Only DCO Acrylic Sweater K & S Machine Wash Cold, Gentle Cycle With Like Colors Only Non-Chlorine Bleach If Needed MWC GC WLC ONCBIN TDL RP CIIN Tumble Dry Low, Remove Promptly Cool Iron If Needed Acrylic Gentle Or Open Construction, Chenille K & S Turn Garment Inside Out Or Loosely Knit Machine Wash Cold, Gentle Cycle With Like Colors TGIO MWC GC WLC ONCBIN R LFTD CIIN Only Non-Chlorine Bleach If Needed Reshape, Lay Flat To Dry Cool Iron If Needed Acrylic / Rayon Blends Sweaters / Gentle Or Open K & S Professionally Dry Clean Construction, Chenille Or Loosely Knit Short Cycle, No Steam PDC SC NS Acrylic / Wool Blends Sweaters with Embelishments K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed, No Wring Or Twist Reshape, Lay Flat To Dry Cool Iron If Needed HWC S ONCBIN NWOT R LFTD CIIN DNID Do Not Iron Decoration Acrylic / Wool Blends Sweaters K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed Roll In Towel To Remove Excess Moisture Reshape, Lay Flat To Dry HWC S ONCBIN RITTREM
    [Show full text]
  • Choosing the Proper Short Cut Fiber for Your Nonwoven Web
    Choosing The Proper Short Cut Fiber for Your Nonwoven Web ABSTRACT You have decided that your web needs a synthetic fiber. There are three important factors that have to be considered: generic type, diameter, and length. In order to make the right choice, it is important to know the chemical and physical characteristics of the numerous man-made fibers, and to understand what is meant by terms such as denier and denier per filament (dpf). PROPERTIES Denier Denier is a property that varies depending on the fiber type. It is defined as the weight in grams of 9,000 meters of fiber. The current standard of denier is 0.05 grams per 450 meters. Yarn is usually made up of numerous filaments. The denier of the yarn divided by its number of filaments is the denier per filament (dpf). Thus, denier per filament is a method of expressing the diameter of a fiber. Obviously, the smaller the denier per filament, the more filaments there are in the yarn. If a fairly closed, tight web is desired, then lower dpf fibers (1.5 or 3.0) are preferred. On the other hand, if high porosity is desired in the web, a larger dpf fiber - perhaps 6.0 or 12.0 - should be chosen. Here are the formulas for converting denier into microns, mils, or decitex: Diameter in microns = 11.89 x (denier / density in grams per milliliter)½ Diameter in mils = diameter in microns x .03937 Decitex = denier x 1.1 The following chart may be helpful. Our stock fibers are listed along with their density and the diameter in denier, micron, mils, and decitex for each: Diameter Generic Type
    [Show full text]
  • Autumn Winter 19 Guide
    DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER I $3,000 - $5,000 ~ Example black tie ensemble ~ Ceremonial 2-piece suit in black wool barathea, self covered buttons, peak lapels faced in black silk satin. - Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !1 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER II $5,000 - $7,000 ~ Example black tie ensemble ~ Ceremonial jacket in black cotton & silk velvet, self covered buttons, self faced peak lapels. - Ceremonial trouser in black wool & silk twill. Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. ~ Evening dress change ~ Evening dress shirt in black cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Evening 6cm hand finished pointed butterfly bow tie in black silk faille. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !2 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER III $7,000 - $9,000 ~ Example black tie ensemble ~ Ceremonial jacket in black wool & silk jacquard, self covered buttons, self faced peak lapels.
    [Show full text]
  • A Checklist for Adding Soft Signage to Your Digital Print Business Ebook
    A Checklist for Adding Soft Signage to your Digital Print Business Presented by: What you need to know Customers Requirements & Consumables Printing Equipment Finishing Equipment Integration 2 Questions that must be answered? Do you currently manufacture textile goods? If so, what technology/equipment are you using and is it cost effective? Do you currently outsource textiles? If so, how much, what technology/equipment is used, does it make sense to bring in house? 3 Questions that must be answered? Do you already have the customer base or is it a “if I build it they will come” situation? Is your customer buying textiles from someone else? Would they buy from you? Do you fully understand the required equipment and processes involved in manufacturing textiles yourself? Software, printer, direct/transfer, fixation, cutting/finishing/sewing, consumables, fabric, knowledge? 4 Requirements & consumables Control the variables 5 Requirements: Control the variables RIP/Color management software Controlled print room • Water quality • Humidity, temperature, cleanliness • Waste water/ink Equipment settings/logs Media handling equipment & safety 6 Know your environment is controlled! USB data logger • Temperature • Humidity • Dew point • LCD 7 Media handling Transfer paper 105 - 57gsm • 400 lbs roll weight Uniquely Designed • 10.5’ roll width Specifically for the EFI Soft Signage Printer Line • 14” roll diameter Foster 61577 • 990 lbs roll weight • 16.5’ roll width • 19.6” roll diameter 8 Consumables OEM water-based sublimation inks high transfer
    [Show full text]
  • Bailey Aw20 Western
    Western Handbook 2020 Promoting American craftsmanship and Proud Member of ingenuity. This product complies with American Made Matters® American Made Matters® standards for Made in America. Bailey Showroom WESTERN HANDBOOK 411 Fifth Avenue, 2nd Floor, New York, NY 10016 2020 Global Customer Service and Distribution Center ® ® 50 Denver Road, Denver, PA 18517 Bailey Renegade Tel: 800-927-4539 Fax: 717-336-0148 Toll Free Fax: 888-428-7329 Straw 4 Straw 36 20x 4 Felt 37 15x 12 ® 10x 17 Wind River 7x 20 Straw 39 4x 21 Felt 42 Gunmetal Spur Pin Bangora 22 ® Felt 24 Eddy Bros. 100x 24 Straw 46 20x 25 Felt 47 10x 26 Bailey® Hat Box Mini Metal Spur Pin Kids 50 7x, 5x, 27 4x, 3x 28 Hat Size Converstion Chart 2x 30 Swatches 51 Size USA Metric Inches Frontier 34 XS 65/8 53 cm 20 3/4 Kids 35 6 3/4 54 cm 21 1/8 S 6 7/8 55 cm 21 1/2 7 56 cm 21 7/8 M 7 1/8 57 cm 22 1/4 7 1/4 58 cm 22 5/8 L 7 3/8 59 cm 23 7 1/2 60 cm 23 1/2 XL 7 5/8 61 cm 23 7/8 7 3/4 62 cm 24 1/4 7/8 5/8 XXL 7 63 cm 24 Bailey®, Renegade®, Eddy Bros®, Wind River®, LiteStraw®, and LiteFelt® are registered trademarks of the Bollman Hat Company. 3 20x New New 20x S2020A Deuce 20x S2020B Banco 5 3/4” Dallas Crown Brim: 4 1/2” 4” Rodeo Crown Brim: 4 1/2” Natural Sizes: 6 5/8” – 7 5/8” Natural Sizes: 6 5/8” – 7 5/8” 4 20x 20x S1920A Berserk 20x S1920B Taos 4” Rodeo Crown Brim: 4 1/2” 4” Rodeo Crown Brim: 4 1/2” Natural Sizes: 6 3/4” – 7 5/8” Beige Sizes: 6 5/8” – 7 5/8” 5 20x 6 Made in the USA of US and imported components.
    [Show full text]
  • Textiles Under Mughals
    Chapter V Textiles under Mughals- The advent of the Mughal dynasty gave an undeniable boost to production of the up-market textile, as to other craft. Textiles are singled out for mentioned by Abul Fazl, the minister and biographer of Akbar (1556-1605), in his Ain-i-Akbari, compile in the 1590‟s as a subject in which the emperor took particular interest. Akbar favoured woollen garment – the chosen wear of Sufis (Muslim mystics) – „from his indifference to everything that is worldly‟ in preference to the richer stuffs. His penchant for wool is also indicated by the steps he took to improve shawl manufacture; especially in the relation to dyes and width of fabric.1 Ain-i- Akbari goes into fascinating details on the manner of classifying garments in the imperial wardrobe (toshkhana). The textiles were arranged according to the date of entry which was recorded, sometime with other information, on a label tacked on to the piece (practice which survived in provision toshkhana into the 20th century). Price, colour and weight were also taken into account. Within these boundaries, textile took precedence according to the nature of the day, astrologically auspicious or otherwise on which they were received. A further refinement took into account the colours, of which thirty five are listed in the order of precedence. Abul Fazl further records that imperial workshops had been set up in the cities of Lahore, Agra, Fatehpur Sikri and Ahmedabad, where the best of the local craftsmen were requisitioned to supply the needs of the court.2 Persian masters were brought in to teach improved techniques.
    [Show full text]
  • Interfacial Adhesion in Rayon/Nylon Sheath/Core Composite Fibers. Weiying Tao Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 Interfacial Adhesion in Rayon/Nylon Sheath/Core Composite Fibers. Weiying Tao Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Tao, Weiying, "Interfacial Adhesion in Rayon/Nylon Sheath/Core Composite Fibers." (1991). LSU Historical Dissertations and Theses. 5213. https://digitalcommons.lsu.edu/gradschool_disstheses/5213 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Immersion Dyeing Nylon and Acetate Rayon Using Prosperse Disperse Dyes Please Read Directions Carefully Before Starting
    Immersion Dyeing Nylon and Acetate Rayon using PROsperse Disperse Dyes Please read directions carefully before starting. For medium to dark shades, it is recommended that nylon be dyed with acid dyes, because disperse dyes lack acceptable fastness. Acetate rayon can only be dyed with disperse dyes and has acceptable fastness in all depths of shade with the disperse dyes. All Dyeing should be done in a stainless steel or enamelware container only. Never use aluminum pots. Use Pyrex or stainless steel measuring utensils and a large wooden dowel for stirring in the boiling dye bath. Always do test samples before working on a large project. Please Note: These dyes have the potential to stain any sink that is not made of stainless steel or fireclay ceramic. For additional information, visit our web site at www.prochemicalanddye.com. Wear rubber gloves, apron, or old clothes. Utensils used for dyeing should never be used for food preparation. Supplies PROsperse Disperse Dye Citric Acid Crystals or White Distilled Vinegar Synthrapol PRO Dye Activator or Soda Ash Procedure 1. Scour the fabric by machine washing in HOT 140F (60C) water, or by hand in a pot on the stove with 2 tsp (2 gm) PRO Dye Activator or Soda Ash and 2 tsp (2.5 ml) Synthrapol per pound of fabric (454 gm, or 3 to 4 yards of muslin weight fabric). Rinse thoroughly. This step does not add the dye fixative to the fabric; it prepares your fabric for dyeing by removing any dirt, oil or sizing. 2. Dissolve the dye. Thoroughly dissolve the desired amount of dye powder, from the chart below, in 1 cup (250 ml) of boiling water.
    [Show full text]
  • Colaris Digital Textile Printing
    ZIMMER AUSTRIA | DIGITAL PRINTING SYSTEMS COLARIS DIGITAL TEXTILE PRINTING HOME TEXTILES APPAREL DECORATION AUTOMOTIVE FLAGS & BANNERS www.zimmer-austria.com 2020.01.15 page 1 CONTENT 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES 3 2. INK CLASSES 2.1. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 4 2.2. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 5 3. PRINT TECHNOLOGY 3.1. PROCESSING DIAGRAM 6 3.2. PROCESS EQUIPMENT 7 4. REACTIVE PRINTING 4.1. GENERAL INFORMATION 8 4.2. EXAMPLE: TERRY TOWEL PRINT PRODUCTION 9 5. ACID PRINTING 5.1. GENERAL INFORMATION 10 5.2. EXAMPLE: UPHOLSTERY PRINT LINE 11 6. DISPERSE / SUBLIMATION PRINTING 6.1. GENERAL INFORMATION 12 6.2. EXAMPLE: PES BLANKET PRINT LINE 13 7. VAT INDANTHRENE® PRINTING 7.1. GENERAL INFORMATION 14 7.2. APPLICATION DIVERSITY 15 8. PIGMENT PRINTING 8.1. GENERAL INFORMATION 16 8.2. APPLICATION DIVERSITY 17 9. CATIONIC PRINTING 9.1. GENERAL INFORMATION 18 10. COLARIS - CHARACTERISTICS AND FEATURES 10.1. COLARIS MODELS 19 11. COLARIS FEATURES AND COMPONENTS 11.1. INTEGRATED MACHINE COMPONENTS 20 11.2. INTEGRATED MACHINE COMPONENTS 21 12. PROCESS EQUIPMENT 12.1. INLINE COMPONENTS 22 12.2. OFFLINE COMPONENTS 23 13. PRINT HEAD 13.1. TECHNOLOGY 24 13.2. RECONDITION CENTER 25 14. ZIMMER TECHNOLOGY & APPLICATION CENTER 14.1. GENERAL INFORMATION 26 14.2. EQUIPMENT & FACILITIES 27 www.zimmer-austria.com 2020.01.15 page 2 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES Vertical Duplex blanket printer from 1951 First commercial rotary screen printer 1958 The broad digital competence of ZIMMER AUSTRIA is based on an innovation introduced more than 4 decades ago.
    [Show full text]
  • Discours Puritain Et Voix Indienne Dans Les Récits De Captivité Nord-Américains Des Dix-Septième Et Dix-Huitième Siècles Dahia Messara
    Discours puritain et voix indienne dans les récits de captivité nord-américains des dix-septième et dix-huitième siècles Dahia Messara To cite this version: Dahia Messara. Discours puritain et voix indienne dans les récits de captivité nord-américains des dix- septième et dix-huitième siècles. Littératures. Université de Haute Alsace - Mulhouse, 2013. Français. NNT : 2013MULH4475. tel-01491005 HAL Id: tel-01491005 https://tel.archives-ouvertes.fr/tel-01491005 Submitted on 16 Mar 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ DE HAUTE-ALSACE Faculté des Lettres, Langues et Sciences Humaines Ecole doctorale des Humanités (ED 520) Institut de Recherche en Langues et Littératures Européennes (ILLE – EA 4363) Thèse de Doctorat en Langue et Littérature Anglaises Puritan Discourse and Indian Voice in Seventeenth- and Eighteenth-Century North American Captivity Narratives Thèse présentée et soutenue en public le 12 avril 2013 par Dahia MESSARA Sous la direction du Professeur Sämi LUDWIG MEMBRES DU JURY M. Sämi Ludwig, Professeur à l’ Université de Haute Alsace, Mulhouse Mme Ada Savin, Professeur à l’Université de Versailles Saint-Quentin-en- Yvelines Mme Paule Levy, Professeur à l’Université de Versailles Saint-Quentin-en- Yvelines M.
    [Show full text]
  • Fabric Fiber Content
    Fabric Types, Count & Fiber Content Zweigart Linen Count Content Belfast 32 100% linen Afghans - 100% Polyacrylic Cashel 28 100% linen Abby 18ct Alba 14ct Almanac 14ct Cork 19 100% linen Anne Cloth 18ct Baby Snuggle 18ct Country Home 18ct Dublin 25 100% linen Diamond 18ct Gloria 14ct Hearthside 14ct Edinborough 36 100% linen Honeycomb 18ct Novara 14ct Patrice 14ct Fine Linen 45 55% linen + 45% cotton Afghans - 100% Cotton Glasgow 28 100% linen Anne Cloth 18ct Augusta 14 ct Novara 14ct Kingston 50 100% linen Teresa 14ct Newcastle 40 100% linen Afghans- Misc Normandie 55% cotton + 45% linen Pastel LinenD 28 52% cotton + 48% linen Gloria 14ct 70% rayon + 30% linen Pearl Linen 20, 25, 28 60% polyester + 40% linen Merino 28ct 100% Wool Mosaik 18ct 52% cotton + 42% rayon Patterned Count Content Tannenbaum 18ct 52% cotton + 42% rayon Cottage Huck 14 100% cotton Aida Weave Count Content Belinda 20 52% cotton + 48% rayon Diana 20 52% cotton + 48% rayon Aida 8, 11, 14, 16, 18 100% cotton Newport 28 100% linen Country AidaD 7 100% polyacrylic Sambuca 28 60% polyester + 40% linen Damask Aida 11,14,18 52% cotton + 48% rayon Saronno 28 52% cotton + 48% rayon GoldauD 7 55% rayon + Shenandoah 28 55% linen + 45% rayon 40% cotton + 5% metallic Hardanger 22 100% cotton Canvas Count Content Hearthstone 14 60% cotton + 40% linen Congress 24 100% cotton Herta 6 100% cotton Congressa 24 100% cotton Huck 14 100% cotton Cordova 22 100% cotton Klostern 7 60% rayon + 40% cotton Double Mesh 5, 6.5, 7.5, 10, 12, Linen Hardanger 22 100% linen 14, 16, 18, 20 100% cotton
    [Show full text]
  • July 1909 : Bulletin of the United States Bureau of Labor, No. 83
    DEPARTMENT OP COMMERCE AND LABOR BULLETIN OF THE BUREAU OF LABOR NO. 8 3 -JULY, 1909 ISSUED EVERY OTHER MONTH WASHINGTON GOVERNMENT PRINTING * OFFICE 1909 Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis CONTENTS. Page. Women’s trade union movement in Great Britain, by Katherine Graves Busbey, A. B.: History of the movement........ ........................................ .............................. 1-5 Obstacles to organization of women................................................................. 5-10 Occupations temporary..................... ...................................................... 6 Low wages and low standard of living.................................................... 6,7 Class distinctions........................................................................................ 8,9 Liability to victimization and apathy...................................................... 9,10 Attitude of male trade unionists to organization of wom en ........................ 11-18 Growth of organization among women workers............................................ 18-22 Results of organization of women workers......................................................22-32 Aid secured through legal proceedings....................................................22,23 Recent legislation.........................................................................................23-25 Crusade against living-in and truck
    [Show full text]