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September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Nawang Khechog the Great Arya Tara Tibetan Meditation Music 5:11
Playlists by David Ruekberg Dance to Awaken the Heart, Rochester, NY #27: January 28, 2017 Artist Song Title Album Length Nawang Khechog The Great Arya Tara Tibetan Meditation Music 5:11 Maneesh de Moor Morning Praise Om Deeksha 8:54 Ernst Reijseger Homo Spiritualis Cave Of Forgotten Dreams (Original Motion Picture Soundtrack) 2:21 Hukwe Zawose Nhongolo The Essential Guide To Africa 8:54 Dead Can Dance Nierika Memento 5:46 Deva Premal Guru Rinpoche Mantra Deva Lounge 7:23 Balligomingo Purify Absolute More Relaxed [Disc 2] 4:13 Manu Dibango Bessoka (Version Courte) The Essential Guide To Africa 3:28 Miriam Makeba Pata Pata 2000 Homeland 3:49 Thievery Corporation The Lagos Communique African Groove 3:55 Christina Aguilera featuring Steve Winwood Makes Me Wanna Pray Back To Basics 4:11 The Beatles Tomorrow Never Knows (Remastered) Revolver (Remastered) 2:59 Brian Eno & Rick Holland Glitch Drums Between The Bells 2:58 Sean Dinsmore Mangalam (Chillums at Dawn Remix) Dakini Lounge: Prem Joshua Remixed 6:00 India.Arie Slow Down Voyage To India 3:53 Jai Uttal Guru Bramha Shiva Station (Bonus Edition) 4:24 Bon Iver Lisbon, OH Bon Iver 1:34 Ulrich Schnauss Amaris Passage 5:20 David Ruekberg Silence_5s.mp3 Silence 0:05 Itzhak Perlman Bach: Violin Partita #2 In D Minor, BWV 1004 - 3. Sarabanda Bach: Sonatas & Partitas For Solo Violin [Disc 2] 3:52 Anoushka Shankar Ancient Love Rise 11:08 Ray Lynch Her Knees Deep In Your Mind Conversations With God 6:19 Soloists of the Ensemble Nipponia [Shakuhachi, Shamisen, Biwa, EsashiKoto] Oiwake ("Esashi Pack-horseman's -
Let's All Go out to the Gallatin County Fair
Let’s all go out to the Gallatin County Fair he Nitty Gritty venues such as the Greeley Stampede or the A new program similar to farm-to-fork, Midway for a special happy hour treat. Their About Dirt South Dakota State Fair, the stage will be cen- Dirt Made My Lunch is an agriculture experi- dirty martini has a couple renditions and sells Much like tered in the Anderson Arena, an outdoor ence for children K-2 to raise agricultural liter- for $5 from 5 to 7 p.m. Montana’s famous clay venue featuring bleacher seating and front-of- acy in families. A panoramic exhibit in Haynes Dirty Thirties: “gumbo,” the Gallatin stage viewing right down in the arena. Pavilion will provide an interactive experience Lucky souls turning 30 anytime in 2015 County Fair is full on Country music fans are famous for showing up for kids, complete with taking their “own can get into the Fair free on Sunday, July 19 dirt-related activities to dance to their favorite hits, and the dirt grown lunch” with them. Ryann Shea, a senior by showing their drivers license at A Gate or T this year as they cele- floor won’t obstruct this popular activity. at Montana State University, is conducting the B Gate. brate their roots and Sponsors will have a tailgate section in the program through an internship. “I’m excited Older Than Dirt: look forward to a new arena too, much like you see at football games. to share this fun trip down farming lane with Seniors 62 and over will enjoy the senior future. -
Album Review
Undermind PHISH, 2004 Elektra 62969-2 Phish called it quits in the summer of 2004, disappointing legions of their ‘‘phans’’ with a decision that was ultimately an interesting exercise in artistic integrity. Put succinctly, they were not feeling it any more. Three-quarters of the band felt that they had run their course; that they had had a great ride—one marked by phenomenal successes, most of which were hardly noticed by mainstream media and culture—but knew or felt, somehow, that enough was enough. No acrimonious fights and no bitter rifts. They wanted, quite simply, to go out on top. Chief among their concerns was a fear of becoming a nostalgia act, of turning into caricatures, of rehashing themselves and their songs beyond the point of healthy return. It was a fascinating decision by a fascinating band. The band built up a loyal and dedicated following due, in large part, to the nature of their concerts. Both set lists and song duration were ever changing. The band fashioned a sound that drew from a wide array of influences and musical styles or genres, evident not only in their own songs, but in their choice of cover material (one of a few key elements of the Phish experience). As with 1960s icons the Grateful Dead (a facile and often misguided comparison), no two Phish performances were ever alike. And it was this element of surprise and discovery that kept phans positively hooked. Followers of Phish formed and maintained a bona fide, full-blown (sub)culture and they provide a rich and fascinating case study indeed. -
PRINCETON DAY SCHOOL JOURNAL B O a R D O F T R U S T E E S
PRINCETON DAY SCHOOL JOURNAL B o a r d o f T r u s t e e s Marilyn W. Grounds Chairm an ' PRINCETON DAY SCHOOL Richard F. Ober, Jr. Vice Chairman, Parliamentarian JOURNAL Thomas E. Gardner Vice Chairman Vol. 27 No. 1 Fall 1991 Clifford A. Goldman Treasurer Judith E. Feldman Contents Secretary From the Headmaster, Duncan W. Ailing ..................................................................... 1 Duncan W. Ailing H eadm aster Alumni Abroad ....................................................................................................................... 2-6 Mrs. J. Richardson Dilworth International Harmony: Promoting Peace Through M usic ............................... 7 Honorary Trustee Fair Exchange, Daniel J. S k v ir.............................................................................................. 8 Henry P. Bristol II '72 Robert E. Dougherty '43 Exchange Students at Princeton Day School................................................................ 9 Marlene G. Doyle Geographical Awareness, William A. Stoltzfus....................................................... 10 Prabhavathi Fernandes Peter G. Gerry Do You Have Memories of Pretty Brook Farm?...................................................... 10 Betty W. Greenberg Latin Lives On, Todd Gudgel............................................................................................ 11 Peter W. Hegener Cymbals Too .............................................................................................................................. 13 J. Parry Jones -
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr. -
Acoustic Sounds Winter Catalog Update
VOL. 8.8 VOL. 2014 WINTER ACOUSTICSOUNDS.COM ACOUSTIC SOUNDS, INC. VOLUME 8.8 The world’s largest selection of audiophile recordings Published 11/14 THE BEATLES IN MONO BOX SET AAPL 379916 • $336.98 The Beatles get back to mono in a limited edition 14 LP box set! 180-gram LPs pressed in Germany by Optimal Media. Newly remastered for vinyl from the analogue tapes by Sean Magee and Steve Berkowitz. The release includes all nine original mono mixed U.K. albums plus the original American- Cut to lacquer on a VMS80 lathe compiled mono Magical Mystery Tour and the Mono Masters, a three LP collection of Exclusive 12” 108-page hardbound book non-album tracks also compiled and mastered from the original analogue tapes. with rare studio photos! All individual albums available. See acousticsounds.com for details. FOUR MORE FROM THE FAB FOUR New LP Reissues - Including QRP Pressings! The below four Beatles LPs will be pressed in two separate runs. First up are 10,000 European-pressed copies. After those are sold through, the label will then release the Quality Record Pressings-pressed copies. All four albums are 180-gram double LPs! The Beatles 1967-1970 The Beatles 1962-1966 1 Love ACAP 48448 $35.98 ACAP 48455 $35.98 ACAP 60079 $35.98 ACAP 48509 $48.98 (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) ACAP 484480 $35.98 ACAP 484550 $35.98 ACAP 600790 $35.98 ACAP ACAP 485090 $48.98 (European-pressed version; (European-pressed -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Progressive Sounds (These are excerpts from my book "A History of Rock and Dance Music") East Coast 1988-94 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. At the beginning of the 1990s, Phish, more than anyone else, established alternative rock on mainstream radio. Phish were more than just a surrogate of the Grateful Dead for the 1990s. They legitimized a return to the aesthetics of progressive-rock, particularly on the East Coast. In the age of hardcore punk-rock, the aesthetics of Phish (22), a quintet based in Vermont, bordered on the suicidal. Nonetheless, the band became one of the most significant phenomena of the decade. Phish focused on the live concert, a concept that had been anathema during the 1980s, and rediscovered the guitar solo, the ornate keyboard arrangements, prog-rock tempo shifts, group improvisation and the whole vocabulary of intellectual hippie music, as proven with the lengthy tracks on the cassette Junta (aug 1987/? oct 1988 - ? 1989). The encyclopedic tour de force of Lawn Boy (may/dec 1989 - sep 1990) focused on mostly-instrumental melodic fantasies that quoted from an endless list of genres. Guitarist Trey Anastasio inherited Frank Zappa's clownish compositional style, which blended rock, jazz and classical music in pseudo-orchestral fashion, while his cohorts inherited Grateful Dead's dizzy jamming style, and keyboardist Page McConnell added a strong and elegant jazz accent. -
Headline: Guitar Group Phish Nets Scads of New Fan Publish Date: 11/19/1992
Headline: Guitar group Phish nets scads of new fan Publish Date: 11/19/1992 By Jon Hunt The music of Phish can be difficult to understand. The Burlington, Vermont-based group spins complex and convoluted webs of music in wild, tangled patterns. It's hard to play, and hard to get into. And -- like a spider's web -- it's incomprehensibly beautiful. “On the new record, there's a really complex fugue (a musical form based on repetition of a single theme) based on the All Things Considered theme,” explains guitarist Trey Anastasio from a hotel in Nashville, where the band has just completed their newest LP, Rift. “If I was successful -- and I think I was -- listeners should be able to follow the theme in infinite variety and infinite sameness. It should be very glorious.” Rift follows Phish's extremely successful and diverse major-label debut, A Picture of Nectar. Anastasio promises even greater heights and innovation on their latest LP. “The new one is better than Nectar, by a long shot,” Anastasio says. “In terms of how high you can go, if you thought Nectar pushed the boundaries, this new one will go even higher. Because now,” he pauses for dramatic effect, “we have a concept.” The central idea of Rift, said Anastasio, is more firmly grounded in real life than the cornucopia of surrealism in Nectar. “It takes place in one night's worth of dreaming of one guy,” he explains. “It's just a chart of this guy's dreams. Each song is one dream. It's quite unlike anything we've ever done before. -
Digital-Bozone-05011
“Promoting a free press is standing up for our right to truth.” — António Guterres, United Nations Secretary-General t is not usually the place of The Amendment (Congress shall make no law respect- It is an opportunity to: At the same time, the theme addresses the BoZone to interject its opinion into ing an establishment of religion, or prohibiting the free – Celebrate the fundamental principles of role of the media in sustainable development, politics but, as circumstances make us exercise thereof; or abridging the freedom of press freedom; especially during elections – as a watchdog feel less comfortable with certain ele- speech, or of the press; or the right of the – Assess the state of press freedom through- fostering transparency, accountability, and the ments of the current administration, people peaceably to assemble, and to petition the out the world; rule of law. The theme also aims to explore we can no longer keep quiet. With Government for a redress of grievances.), for the – Defend the media from attacks on their legislative gaps with regard to freedom of the recent release of the James Comey President of the United States to say “it may independence (262 jailed world wide in 2017); expression and information online, and the memos,I we have learned that the man in the involve putting reporters in jail” is – and Pay tribute to journalists who have lost risks of regulating online speech. oval office had “floated the idea of jailing unconscionable! their lives in the line of duty (57 since 2017) Journalists are not “the opposition party” journalists to stop leaks from the White World Press Freedom Day was proclaimed The theme of 2018’s 25th celebration or “enemies of the people” (a Stalinesque House.” As more and more non-American, by the UN General Assembly in December highlights the importance of an enabling term used by Trump). -
Jon Altschiller Complete Discography 2015 Phish
Jon Altschiller Complete Discography 2015 Phish – Amsterdam - mix Phish – Reynolds Coliseum 12/16/99 – mix, master Bonnaroo - AT&T U-verse Presents: Superjam 2014 Documentary Series – post mix Railroad Earth – Live At Red Rocks August 02, 2014 – stereo mix, 5.1 surround mix 2014 The Disco Biscuits – The Classical Set – mix, mastering Phish – “Fuego” – recording (title track “Fuego”) Life Is Good Festival – Palladia broadcast – Stereo & 5.1 surround mix -Artists include: Hall & Oates, Jack Johnson, Amos Lee, Dawes Lockn’ Music Festival – audio production for live webcasts -Artists include: Wilco, Grace Potter, Tedeschi Trucks Band, Gary Clark Jr. Trey Anastasio Band – live downloads – mix Conspirator – “Up” – recording American Babies – Stark And Red EP – mastering Mister G – The Bossy E – mastering Phish – live downloads and webcasts – record, mix RAQ – live webcast and download – record, mix 2013 Dave Matthews Band – Live Trax Volume 28 – stereo & 5.1 surround mix Phish – Ventura – mix Phish – live downloads and webcacsts – record, mix American Babies – Knives and Teeth – recording, mix Bonnaroo – Rock And Soul Superjam u-verse episodes – mix -Artists include: Jim James, John Oates, Billy Idol, R. Kelly Trey Anastasio Band – live downloads – mix Trey Anastasio Band – live webcasts – record, mix Mike Gordon – The Egg – mix Dave Matthews – “I Need A Word” – for Sesame Street – recording, mixing Lockn Music Festival – live webcasts – produce, record, mix -Artists include: Further, String Cheese Incident with Zac Brown, Further, Gov’t Mule, -
The Early Compositional Style and Technique of Trey Anastasio and Phish
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-13-2021 Analyzing Non-Strophic Forms through the Facets Model: The Early Compositional Style and Technique of Trey Anastasio and Phish William Mandelbaum [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Music Education Commons, Musicology Commons, Music Performance Commons, and the Music Theory Commons Recommended Citation Mandelbaum, William, "Analyzing Non-Strophic Forms through the Facets Model: The Early Compositional Style and Technique of Trey Anastasio and Phish" (2021). Honors Scholar Theses. 810. https://opencommons.uconn.edu/srhonors_theses/810 Analyzing Non-Strophic Forms through the Facets Model: The Early Compositional Style and Technique of Trey Anastasio and Phish William Mandelbaum Honors Thesis University of Connecticut May 13, 2021 THE EARLY COMPOSITIONAL STYLE AND TECHNIQUE OF TREY ANASTASIO 2 THE EARLY COMPOSITIONAL STYLE AND TECHNIQUE OF TREY ANASTASIO 3 Table of Contents Abstract .................................................................................................................................. 4 Dedication .............................................................................................................................. 5 Acknowledgements ............................................................................................................... 6 Chapter 1: Introduction .........................................................................................................