Jon Altschiller Complete Discography 2015 Phish
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Littleton, NH • 603-444-2146 and Delaware North, Who Achievements of the Most Recently Managed the Honorable Joseph Vaughan
HE OURIER T SERVINGC THE NORTH COUNTRY SINCE 1889 www.courier-littletonnh.com [email protected] 120TH YEAR, 23RD ISSUE LITTLETON, N.H., WEDNESDAY, JUNE 10, 2009 75¢ (USPS 315-760) Lisbon Regional graduates look to future By ART McGRATH arts or receiving honors for speaker, Wendell Jesseman, [email protected] civic duty. This class has chairman of the board of LISBON–Eyes on the shown consistently it can New England Wire future, the seniors of accomplish great things.” Technologies, Lisbon’s Lisbon Regional High Osborn said the town largest employer, congratu- School became graduates, always supported its stu- lated the graduates on their watched by proud families dents, including turning accomplishment and gave and friends. out in great numbers for advice but also reflected on In a packed gym, the sporting events. They grew the state of the world, not- seniors marched in to the up in a “small town with a ing that the students were traditional strains of big heart” and he hoped graduating during a time of Elgar’s “Pomp and that idea would follow each severe national security Circumstance” and lined of them no matter where and economic challenges. up on stage as a class for they went. “It’s not a good time to the last time, cheered by all. Kelly Johnson, the salu- SEE FUTURE, PAGE A10 After the Pledge of tatorian, had somewhat dif- Allegiance and the entire ferent thoughts on her gym singing the National mind. She was thinking of Anthem, the serious busi- procrastination, something ness of graduation began. she did a lot of, she said. -
Empire of the Sun Sample
Empire Of The Sun Sample Allegretto and garlandless Sammie hoods some viticulture so causatively! Unpatented and felspathic chauvinistically.Normand oversleep her shakos Sophie sectionalise and vied unalterably. Mason throw-aways She you have said back to scorn, but that seemed pointless now. Fortunately Dr Ransome is with Jim in your camp, he teaches him gratitude is his stroke that makes it less shitty to draw there. This code will empire of the sun between chemetal through at the. Ballard himself grew quiet, in Amherst Avenue in the Shanghai International Settlement, and experienced the war found a help, like Jim Graham did, bill not in separation from his parents, or it least hassle for long. Our time and throws strewn across the sample of empire. Almost all flooring eventually shows some friction when exposed to direct sunlight. This site uses cookies for site configuration, advertising, and analysis. Hadrian marlowe is a centimillionaire many followers you are you will write in morals or mobile phone number one people will be. Nam interdum justo eget nisi pulvinar et condimentum orci bibendum. All the names of those killing machine planes. He shot not succeeded, and for years has wandered among the barbarian Normans as captain of a search of mercenaries. Keahiwai, Herb Ohta, Jr. Negro in her blood rising beat which of the. He should benefit by load from all his smooth and administrative appointees a similar obligation, and abroad should assist the law by penalty where death. There sound good hop to speaking that civilization started in Africa and passed from spirit through Northern Africa into Southern Europe, from master the Greeks and Romans and prompt People of Asia Minor but good copies. -
The Cord Weekly
/ Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed. -
MIKE GORDON and the Gordonanastasio/Marshall/Herman 05 Hoodoomr
For best results, print this page out on: Note: Make sure to print actual size NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or (do not choose 'Shrink to fit oversize page' option) NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) OUTSIDE BACK OUTSIDE FRONT DISC 1 Set I DISC 2 Set II 01 BestBack Reason On The ToTrain Buy (3:43) The Sun (5:54) Benevento/RussoAnastasio/Marshall 01 WelcomeDig A Pony Red (4:29) (7:57) Benevento/RussoLennon/McCartney*** 02 BeckyLove That (7:51) Breaks All Lines (3:57) Benevento/RussoAnastasio 02 ForeverPush On Night Til The Shade Day (10:34)Mary (12:24) Hidalgo/Perez#Anastasio/Lawton/Markellis 03 CleanWilson Up (3:11) Woman (9:55) Kerr/Seymour*Anastasio/Marshall/Woolf 03 ThemeGloomy From Sky (6:26) Rockford Files (6:15) Post/Carpenter##Anastasio* 04 AquiNight Como Speaks Alla To (7:21) A Woman (7:09) Rodriquez**Anastasio/Marshall 04 Mephisto46 Days (11:09) (11:25) Benevento/RussoAnastasio/Marshall 05 ThePlasma Beltless (10:45) Buckler (8:41) MIKE GORDON and the GordonAnastasio/Marshall/Herman 05 HoodooMr. Completely Voodoo (11:35)(8:37) Bennett/Bragg/Commer/Guthrie/Obialo/Stirratt/Tweedy####Anastasio BENEVENTO/RUSSO DUO 06 BigCayman Whopper Review (6:16) (7:16) Benevento/RussoAnastasio/Marshall/Herman 06 HeartbreakerThe Way I Feel (8:31) (10:04) Baldwin/Bonham/Page/Plant#### Anastasio Twi-Ro-PaSalem Armory 07 What's Done (7:33) NewSalem, Orleans, OR LA Anastasio* 07 FoamCome (12:02)As Melody (7:25) 04.30.0512.01.94 AnastasioAnastasio* THEThe Band:BAND: 08 Drifting (8:36) MikeTrey AnastasioGordon -- –bass guitar, vocals Anastasio/Lawton/Markellis Encore MarcoPeter ChwazikBenevento – bass -- keyboards JoeLes RussoHall – guitar,-- drums keyboard 09 In The Light (11:14) 08 SerpentineI Am The Walrus Fire (8:13) (8:22) Ray Paczkowski – keyboard Baldwin/Page/Plant** Burke/White/White#####Lennon/McCartney**** Recorded and Post-Production by Brad Serling (nugs.net)Skeeto Valdez – drums AllRecorded selections by copyright Paul Languedoc. -
September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Relix Magazine
RELIX MAGAZINE Relix Magazine is devoted to the best in live music. Originally launched in 1974 to connect the Grateful Dead community, Relix now features a wide spectrum of artists including: Phish, My Morning Jacket, Beck, Jack White, Leon Bridges, Ryan Adams, Tedeschi Trucks Band, Chris Stapleton, Tame Impala, Widespread Panic, Fleet Foxes, Joe Russo’s Almost Dead, Umphrey’s McGee and plenty more. Relix also offers a unique angle on the action with sections such as: Tour Diary, Behind The Scene, Global Beat, Track By Track, On The Verge and My Page as well as extensive reviews of live shows and recorded music. Each of our 8 annual issues covers new and established artists and comes with a free CD and digital downloads. TOTAL READERSHIP: 360,000+ MONTHLY PAGEVIEWS: 1.6 Million+ MONTHLY UNIQUE USERS: 280,000+ EMAIL SUBSCRIBERS: 225,000+ SOCIAL MEDIA FOLLOWERS: 410,000+ RELIX MEDIA GROUP Relix Media Group is a multifaceted, innovative, open-minded and creative resource for the live music scene. We are a passionate mix of writers, photographers, videographers, event coordinators, musicians and industry professionals. Above all, we are music lovers. Our mission is to seek out exciting, innovative performers and foster the live music community by connecting with the people who matter most: the fans. Since our earliest inception, we have opened doors for the sonically curious and sought to represent the voice of the concert community. Relix Media Group Info • relix.com • jambands.com • 3,700,000 total impressions • 375,000 total unique visitors -
Trey Anastasio
For best results, print this page out on: Supplies available from Note: Make sure to print actual size NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or http://www.phish.com/drygoods (do not choose 'Shrink to fit oversize page' option) NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) OUTSIDE BACK OUTSIDE FRONT DISC 1 DISC 2 DISC 3, continued Set I Set II Set II, continued 01 Prologue (4:21) 01 Mr. Completely (10:18) 05 Ether Sunday (5:36) Music written by Trey Anastasio Anastasio Anastasio/Lawton/Markellis Orchestration by Don Hart Conducted by Trey Anastasio 02 Sing A Song* (4:25) 06 Black Dog***** (7:10) 02 Coming To (5:44) McKay/White Baldwin/Page/Plant Music written and arranged by Trey Anastasio Strings arranged by Don Hart 03 Simple Twist Up Dave (7:38) Encore Conducted by Trey Anastasio Anastasio/Marshall/Herman 07 First Tube (9:39) 03 Flock Of Words (5:21) 04 Alive Again (7:42) Anastasio/Lawton/Markellis Music written and arranged by Trey Anastasio Anastasio/Marshall/Herman Words by Tom Marshall Strings arranged by Don Hart Conducted by Paul Gambill 05 Night Speaks To A Woman (10:57) Anastasio/Marshall 04 The Inlaw Josie Wales (2:59) Music written and arranged by Trey Anastasio TREY ANASTASIO 06 Devil Went Down To Georgia** Strings Arranged by Troy Peters (3:30) Crain/Daniels/DiGregorio/Edwards/ Bonnaroo Music Festival 05 Cincinnati (Intro) (1:59) Hayward/Marshall Music written and arranged by Trey Anastasio 06.13.04 Manchester, TN Conducted by Trey Anastasio Trey Anastasio Band: 07 Curlew's Call (10:17) Russ Lawton, Dave Grippo, Jennifer 06 All Things Reconsidered (3:23) Anastasio/Marshall/Herman Hartswick, Andy Moroz, Russell Music written and arranged by Trey Anastasio Remington, Peter Apfelbaum, Ray Paczkowski, Cyro Baptista, Tony DISC 3 07 Discern (Intro) (1:57) Markellis Music written and arranged by Trey Anastasio Set II, continued Conducted by Trey Anastasio 01 Sultans Of Swing*** (5:52) Disc 1 performed by the Nashville 08 Guyute Orchestral (12:13) Knopfler Chamber Orchestra. -
ASLEEP at the WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 Pm
ASLEEP AT THE WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 pm Photo: Mike Shore OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. Ray Benson lead guitar and vocals Dave Sanger drums Dave Miller bass and vocals Eddie Rivers steel and sax Katie Shore fiddle and vocals Connor Forsyth piano and vocals Jay Reynolds sax and clarinet Dennis Ludiker fiddle and mandolin Program will be announced from the stage Photo: Mike Shore 3 EVENT SPONSORS DEBORAH K. AND IAN E. BULLION DARYL K. AND NANCY J. GRANNER LAMONT D. AND VICKI J. OLSON SEASON SPONSOR WEST MUSIC 4 Photo: Bill Adams Give the gift of music this holiday season! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities ABOUT THE ARTISTS Ray Benson founded Asleep at the Wheel in Paw Paw, West Virginia 46 years ago. Now based in Austin, the band holds 10 Grammy awards, 20 studio albums and 20 singles on the Billboard country charts. The Grammy Award- winning Still The King: Celebrating the Music of Bob Wills and His Texas Playboys is the band’s most recent release (2015) and marks their third full- length Bob Wills tribute album. Featuring 22 acclaimed collaborations, the all-star line up includes legends such as Willie Nelson, Merle Haggard, and George Strait and newcomers like The Avett Brothers, Amos Lee, Old Crow Medicine Show, and many other fine talents. RAY BENSON At a towering 6’7”, the Philadelphia- born Ray Benson is considered a giant in the industry. However, it’s his contributions to music history, not his height, that have made him a dominant figure on the music scene since 1970. -
Read Book Peters Line Almanac : Volume 3 Kindle
PETERS LINE ALMANAC : VOLUME 3 PDF, EPUB, EBOOK Peter Deligdisch | 108 pages | 06 Feb 2019 | Createspace Independent Publishing Platform | 9781985187696 | English | none Peters Line Almanac : Volume 3 PDF Book Average Rarity vs. The Roman Pontiff 35 VI. A Strange Night at the Pint 'n' Pony. Summer has one of the lowest average rarity index values of all time 1. The Best of What's Around 1. How We Met. You can toggle the display of all these on and off independently, and the oBB remembers your settings. Saratoga Performing Arts Center. Sundays and Festivals only exclude lesser festivals, commemorations and other days Sundays and Festivals only. Diary 17 1 April to 16 May with gaps Diary volume 17 contains long entries for dates ranging from 1 April to 16 May with gaps. The Yellow House. Feature Articles Fascinating features on bookish subjects. Post-Gazette Pavilion. Earlier in his career, he also held academic appointments not only at Wharton and at USC, but also at Oxford, Stanford and Yale universities. Considerations on mysteries of the faith : newly translated and abridged from the original Spanish of Luis de Granada. While there is a decent amount of overlap between these two shows as well as with Live Trax Vol. The Birchmere. She has advocated for patients and organized a book drive to make books available to send home with children coming to the School for care. Pallas Athene. Average Rarity Since adjusting for one skewed variable creates another skewed variable, and vice-versa, let's take a different approach. Penn Transit Services operates fixed-route and on-demand transportation within specific boundaries. -
WEDNESDAY 7.25 DREAMING CREEK MAIN STAGE STREAMLINE STAGE at HILL HOLLER PINK FLOYD GARDEN STAGE FERRUM WORKSHOP PORCH V
DREAMING CREEK STREAMLINE STAGE PINK FLOYD FERRUM WORKSHOP MAIN FIELD THROWDOWN FOREVER WEDNESDAY VIP STAGE 7.25 MAIN STAGE at HILL HOLLER GARDEN STAGE PORCH LIBATIONS TENT STAGE YOUNG STAGE Wed. 4:00 PM :15 :30 :45 Wed. 5:00 PM :15 Willie DE Band (OTR) :30 5:00-6:15pm :45 (OtR) Garden Wed. 6:00 PM :15 6:00-7:00pm :30 Mad Iguanas :45 Wed. 7:00 PM :15 TBD (OTR) :30 7:00-8:15pm :45 Garden The National Reserve Wed. 8:00 PM 7:30-9:00pm :15 VIP Welcome Party 8:00-9:00pm :30 GOTE :45 Wed. 9:00 PM :15 Dharma Bombs :30 9:00-10:15pm Garden :45 9:30-10:45pm Wed. 10:00 PM The Jam :15 :30 :45 Wed. 11:00 PM South Hill Banks :15 10:45pm-Midnight :30 Garden :45 Wed. 12:00 AM DREAMING CREEK STREAMLINE STAGE PINK FLOYD FERRUM WORKSHOP MAIN FIELD THROWDOWN FOREVER THURSDAY 7.26 VIP STAGE MAIN STAGE at HILL HOLLER GARDEN STAGE PORCH LIBATIONS TENT STAGE YOUNG STAGE Thu. 9:00 AM :15 :30 :45 Thu. 10:00 AM :15 :30 :45 Thu. 11:00 AM :15 :30 :45 Thu. 12:00 PM :15 :30 :45 Lindsay Lou Thu. 1:00 PM 12:45-1:45pm :15 Garden :30 :45 Thu. 2:00 PM :15 Blue Mule :30 The Change 2:15-3:15pm TBD (OtR) Mad Iguanas Willie DE Band (OtR) 2:00-3:00pm :45 Hill Holler 2:30-3:15ppm 2:30-3:15ppm 2:30-3:30pm VIP Libations Thu. -
HANDS on a HARDBODY IN-HOUSE ACCOUNTANT Linda Harris Sept
20!4 • 2015 SEASON C T3PEOPLE C ON OTHER STAGES BOARD OF DIRECTORS CIRCLE THEATRE CHAIR DavidG. Luther OCT 16- NOV 22 Fellowship! LIAISON, CITY OF DALLAS CULTURAL COMMISSION DALLAS CHILDREN'S THEATRE Lark Montgomery SEPT 19 - OCT 26 Rapunzel! Rapunzel! A Very Hairy BOARD MEMBERS Jac Alder, Marion L. Brockette, Jr., Fairy Tale Suzanne Burkhead, Raymond J. Clark, Katherine C. Eberhardt, Laura V. Estrada, Sally Hansen, DALLAS THEATER CENTER Victoria McGrath, David M. May, Margie J. Reese, SEPT 11 - OCT 19 The Rocky Horror Picture Show Dana W. Rigg, Elizabeth Rivera,.Eileen Rosenblum, OCT 15 - NOV 16 Driving Miss Daisy Ph.D., Scott Williams D EISEMANN CENTER FOR THE TH HONORARY BOARD MEMBERS Virginia Dykes, Gary W. Grubbs, John & Bonnie Strauss PERFORMING ARTS NORMA YOUNG ARENA STAGE 2014-2015 OCT 11 Steppin' Out Live with Ben Vereen ADMINISTRATION OCT 13 The Miracle ofMozart! EXECUTIVE PRODUCER Jac Alder OCT 16-19 Endurance! CAN DY BARR'S LAST DANCE MANAGING DIRECTOR Marty Van Kleeck > Aug. 7-31 DIRECTOR OF PUBLICATIONS a[COMMUNICATIONS JUBILEE THEATRE e:::: a world premiere comedy by Ronnie Claire Edwards Kimberly Richard SEPT 26- OCT 26 The Brothers Size LI.J IT MANAGER Nick Rushing KITCHEN DOG THEATRE CPA Ron King SEPT 19 - OCT 25 Thinner Than Water <( U HANDS ON A HARDBODY IN-HOUSE ACCOUNTANT Linda Harris Sept. 25-0ct. 19 DEVELOPMENT RESEARCH Sarah Drake POCKET SANDWICH THEATRE OCT 3 - NOV 15 Phantom ofthe Opera: The z EXECUTIVE ADMlNSTRATIVE ASSISTANT a musical by Doug Wright, Amanda Green, & Trey Anastasio Melodrama - Z Kat Edwards HOUSEKEEPING Kevin Spurrier SHAKESPEARE DALLAS 0 � A CIVIL WAR CHRISTMAS PRODUCTION SEPT 17 - OCT 12 Antony (f{.Cleopatra Nov. -
Steve Waksman [email protected]
Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i1.9en Live Recollections: Uses of the Past in U.S. Concert Life Steve Waksman [email protected] Smith College Abstract As an institution, the concert has long been one of the central mechanisms through which a sense of musical history is constructed and conveyed to a contemporary listening audience. Examining concert programs and critical reviews, this paper will briefly survey U.S. concert life at three distinct moments: in the 1840s, when a conflict arose between virtuoso performance and an emerging classical canon; in the 1910s through 1930s, when early jazz concerts referenced the past to highlight the music’s progress over time; and in the late twentieth century, when rock festivals sought to reclaim a sense of liveness in an increasingly mediatized cultural landscape. keywords: concerts, canons, jazz, rock, virtuosity, history. 1 During the nineteenth century, a conflict arose regarding whether concert repertories should dwell more on the presentation of works from the past, or should concentrate on works of a more contemporary character. The notion that works of the past rather than the present should be the focus of concert life gained hold only gradually over the course of the nineteenth century; as it did, concerts in Europe and the U.S. assumed a more curatorial function, acting almost as a living museum of musical artifacts. While this emphasis on the musical past took hold most sharply in the sphere of “high” or classical music, it has become increasingly common in the popular sphere as well, although whether it fulfills the same function in each realm of musical life remains an open question.