Exposed: Labour's Year-Old Lie Over Fees
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Redling Fine Art 6757 Santa Monica Blvd. Los Angeles, CA 90038 T.323.460.2046 E
Who Will Give Answer to the Call of My Voice? Sound in the Work of Tony Oursler By Tony Conrad Published in Ediciones Poligrafa Aug. 1, 2001 I am not a talking head. (Tony Oursler's image as devil, projected on a horned-head maquette; Machine, 2000) Pictures are more civil than noise. Only exceptionally is the clangor of clashing audio tracks less than hellish in museum efforts to exhibit multiple works with sound. Whether the pieces are films, 1recorded performances, sound works, or video installations, their simultaneous audio emanations compete and quarrel among one another in the resonant "white cube" in ways that pictures never would. The smooth clear rectilinear walls and hardwood floors of the modern museum gallery are the antithesis of a recording studio, with its soundproofing and wall-to-wall carpeting. When you step into a Tony Oursler show, though, the overlapping sound tracks somehow garble together, cohering as they weave an infernal sonic tapestry. Here sighs and cries and wails coiled and recoiled on the starless air, spilling my soul to tears. A confusion of tongues and monstrous accents toiled in pain and anger. Voices hoarse and shrill and sounds of blows, all intermingled, raised tumult and pandemonium that still whirls on the air forever dirty with it as if a whirlwind sucked at sand. Dante, Inferno, III:22-29 Almost any of Tony Oursler's shows has confronted the visitor with a cacophony of voice tracks, mingling among a melange of projected images, each voicing its own complaints, introspective remarks, or censorious social commentary. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
“Etre Fédérateur Sans Dénaturer L'identité Du Festival”
Depuis deux ans, deux aux festivaliers évidem- nouvelles scènes ont été ment qui nous permettent The Beta Band, ajoutées. Cette année, nous de sauver le festival à 75%. “Etre fédérateur sans avons une grande première Nous avons énormément de Quelques chiffres groupe lambda ? avec un premier live sur la passionnés, beaucoup sont dénaturer l’identité du plage. Au Palais, on voulait conscients de ça, on les présenter des artistes qui remercie, c’est gràce à eux “ La pomme de The Beta Band festival” ont leur place à 100% à la qu’on continuera. - 550 bénévoles a suffisamment mûri et est Route du Rock mais pour qui De notre côté, on essaie de - 300 journalistes remplie de larves, elle doit tomber de l’arbre et Entretien avec François ce n’est pas forcément un maximiser les services, avec cadeau de faire jouer sur une la navette gratuite, le camp- - 52 poubelles laisser ses graines retourner à Floret, directeur du fes- la terre. “. tival : grande scène.Ils sont plus à ing, la plage gratuite, le pass l’aise au Palais, dans un cadre collection. On essaie de faire - 50 kW de son Sa huitième bougie à peine beaucoup plus convivial et un maximum pour remercier soufflée, le groupe pop Comment envisages-tu cette - 30 groupes britannique vient d’annoncer nouvelle édition ? intimiste. notre public car on lui est Enfin, un des attraits du fes- énormément reconnaissant. - 14 runners sa séparation. Richard Greentree et ses acolytes On peut raisonnablement tival est sûrement son cadre particulier, à la mi-aout. Il y a Nous remercions d’avance - 13 containers raccrochent, en laissant espérer entre 19000 et 22000 derrière eux trois albums dont spectateurs ce qui serait un la mer, la plage, et des sites les 550 bénévoles qui sont - 9 pays extraordinaires comme le fort sur le site, qui ont pour chefs “ Heroes to Zeros “ beau succès par rapport à dernier effort somptueux l’année précédente (13000 de St-Père, le Palais du Grand d’équipe Francis et Morgan. -
August 27, 2001 TABLE of CONTENTS DUKE DAYS EVENTS CALENDAR
g Pages 3. 9.19 Page 19 m Page 15 The D-hall decision Partying with Pat •Slicing up the college movie pie What's changed' What are people say- Weekend parliers converged at the Recent college movies are a hot ticket m ing • Hows the food? Convo lo rock with Pat McGee. Hollywood, hut do they mirror real V campus life? James Madison University Today: Isolated T-Storms High: 83 Low: 63 ol. 79. Issue 1 Moitdaii. Auemt 2/, All quiet on the homefront Forest Hills: nothing to riot home about Crowds opt for Convo carnival vs. JACOI GUYNNfomrihaiiiw phmnraphc. t'ARKir KI.INKrR/vnwrpftnftixnpfe-r Students gathered In Forest Hills to celebrate the start of a new "The New Years Event 2001" featured carnival activities and year though events remained tame compared to last August. more in attempts to keep students on campus this weekend. Police, JMU efforts What is the Forest Hills riot? Successful festival August 25, 2000: Responding to com- avert riotous replay plaints of a loud party, Harrisonburg marks 'New Year' police arrive at the Forest Hills block party in riot gear, use tear gas, rubber BY RYI.A NA\W I D dents, with many coming and BY RICHARD SAKSHAUG three charges of obstructing jus- bullets and arrest 20. Approximately news editor contributing writer going throughout [the night].' tice and one warrant served. 2.000 to 2.500 In attendance. Party-goers and Harrisonburg Police handled 86 calls, both Rather than run astray bo After last year's Forest Hills possibly notous oil-campus block part)' not involving JMU police experienced only a few officer and public generated, September 2000: Community Coalition arrests during this years annual between 8 p.m. -
Yasmina Chavez Electronic Integrated Arts MFA 2016 Thesis School of Art and Design - NYSCC at Alfred University Thesis Exhibit: April 9, 2016
“Sensing Time” Yasmina Chavez Electronic Integrated Arts MFA 2016 Thesis School of Art and Design - NYSCC at Alfred University Thesis Exhibit: April 9, 2016 Committee Members: Peer Bode (Chair), Barbara Lattanzi, Joseph Scheer Introduction In Las Vegas, Nevada, where I’m from, there are three different coexisting strata of time: casinos or casino environments, the regular 24-hour clock calendar day society, and the desert. The casino environment consists of any place with gambling facilities. This includes any place with a gambling license from the major touristic casinos like the MGM to your neighborhood grocery stores or even, on your way out of the city, the airport. The casino environment furnishes the experience of timelessness, which is activated through an infinitely looping hand action. Pushing buttons or pulling levers (slot machine), holding, flicking or arranging cards (table games), and rolling or throwing dice (roulette table) are some examples of this looping hand action. The action holds the gambler in place until they run out of money, win, or something from 24-hour calendar day society pulls them away. Both the casino environment and the 24-hour calendar day society weave in and out of each other like soap bubbles in the wind. These two bubbles of time exist inside a larger bubble – the desert, which visibly surrounds the city a full 360 degrees. It is not only visible everywhere, but it is also felt through the tremendous heat and dry air that it breathes. On some of the hottest days everything seems to pause, even the air. Time in the desert is experienced on a massive scale, as if the land, which exudes a sense of finality, an end of calendar-time and eternality of both, had swallowed time. -
Pete Townshend White City (A Novel) Mp3, Flac, Wma
Pete Townshend White City (A Novel) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: White City (A Novel) Country: Canada Released: 1985 Style: Art Rock MP3 version RAR size: 1176 mb FLAC version RAR size: 1532 mb WMA version RAR size: 1440 mb Rating: 4.9 Votes: 163 Other Formats: AA DTS TTA WAV AHX MP3 RA Tracklist Hide Credits A1 Give Blood 5:44 A2 Brilliant Blues 3:06 A3 Face The Face 5:51 A4 Hiding Out 3:00 A5 Secondhand Love 4:12 B1 Crashing By Design 3:14 B2 I Am Secure 4:00 White City Fighting B3 4:40 Written-By – Dave Gilmour*, Pete Townshend B4 Come To Mama 4:40 Companies, etc. Manufactured By – WEA Music Of Canada, Ltd. Distributed By – WEA Music Of Canada, Ltd. Credits Arranged By [Kick Horns] – Kick Horns* Backing Vocals – Emma Townshend, Jackie Challenor, Lorenza Johnson, Mae McKenna Design, Art Direction [Direction], Photography By [Inner Sleeve] – Richard Evans Engineer [Assistant] – Chris Ludwinski, Dave Edwards , Jules Bowen Performer – Chucho Merchan, Clem Burke, Dave Gilmour*, John (Rabbit) Bundrick*, Mark Brzezicki, Pete Townshend, Peter Hope-Evans*, Phil Chen, Pino Palladino, Simon Phillips, Steve Barnacle, Tony Butler Performer [Kick Horns] – Dave Sanders, Peter Thoms, Roddy Lorimer, Simon Clarke , Tim Sanders Performer [Recitation] – Ewan Stewart Photography By [Front Cover] – Alex Henderson Photography By [Inner Sleeve] – Malcolm Heywood Producer – Chris Thomas Recorded By – Bill Price Written-By – Pete Townshend Notes Recorded at Eel Pie Studio, Twickenham; Eel Pie Studio, Soho, London; A.I.R. Studios, London. ℗© 1985 Eel Pie Recording Productions Ltd. Released with a printed inner photo/credits/lyrics-sleeve Distinct from release Pete Townshend - White City (A Novel) due to variation in the centre label image. -
At What • Price?
• at what • price? Strike nears end? The Dalhousie Faculty Association reached a tentative agreement with the University's administration on Tuesday. >News pg 3 Beloved basket a I nter & Ron coach cut win appeal > Sports pg 12 Anna Hunter jumped up and cheered when she found out her and slate-mate Dave Ron were reinstated to the DSU presidential race on Thursday. N > ews pg 4 TroubleSum FourSum Sum41 's favourite pastime: snatching all hotel furniture from their guitar tech's and recreating replicas of his room in the hotel lobby (down to the last article of clothing). No piece of furniture is spared. >Arts pg 11 Editorial elections lor TION 2002/2003 Dal Gazette. Student Night Monday TOONIE Wednesdavs! cJ3er April 1st. 5221 Sackville at the corner of Argyle ~25-7673 Rll'avet CUTS eHGIU5iVe Wilh SUSAlJOtJ"f Dalhousie Student Hook any Husabout Consecutive Pass of at least 1month duration or a Union FleHipass of ab least 15 days in 2montihs + tiiiHusabouti London link between Loooon and Paris aoo geb af@IMmrtt11%1tWW41Mii • TWO NtGHTS AT ST. CHRISTOPHER'S INN • BIG BUS PASS • ONE. EVENING MEAL • DAILY BAGGED BREAKFAST • FREt. HOT TJB AND SAUNA USE >! Must; be boohed betirneen March 15 - Mag 91/02 ~ 0 ~ ::1RAVELCUIS Canada's student travel exoerts! WEDNESDAY NIGHTS OPEN MIC NIGHT 100 PRJZE EVER_Y WEEK THORSDAYS ARE The DSU would like to remind everyone that when the strike is over the DSU elections will continue with a shortened campaigning period and 3 days of voting. ENTER TO WIN! c.,.,., to t h< Grawood Lounge and fill out your ballot to WIN TICKETS TO THE SHOWI Tired of doing your taxes? Do them quickly ana easily online with QuickTaxWeb. -
PRESSEMITTEILUNG 27.11.2018 Steve Mason Im Februar Für Eine
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 27.11.2018 Steve Mason im Februar für eine exklusive Show in Berlin Steve Mason gehört zu den innovativen Musikern, die nicht immer den Stellenwert zuerkannt bekommen, den sie verdienen. Um es mal zurückhaltend zu formulieren. Der Schotte war Gründungsmitglied von The Beta Band, die in den Neunzigern einen ganz eigenen Sound entwickelten und wahlweise den Space Pop erfanden, den Folk revolutionierten – im Genre Folktronica dürften sie ziemlich lange die einzigen Vertreter gewesen sein – oder Sample- Techniken ins Singer/Songwriter-Gewerbe brachten. Alles zu dieser Zeit noch so neu und unerhört, wie man es sich heute kaum noch vorstellen kann. Aber wer sowohl Oasis als auch Radiohead zu seinen Fans zählen kann und im Film „High Fidelity“ namentlich und lobend erwähnt und gespielt wird, wird schon ordentlich Einfluss gehabt haben. Nach der Auflösung machte sich Mason unter so schönen Künstlernamen wie King Biscuit Time und Black Affair selbstständig, bis er 2010 endlich sein erstes Solo-Album „Boys Outside“ auf den Markt brachte. Jetzt hat der erklärte Mod wieder einmal einen neuen Weg gesucht: Nach zwei weiteren Platten unter eigenem Namen erscheint Anfang 2019 „About The Light“, ein Werk, das er sensationeller Weise einfach so mit einer großen Band mit Backgroundsängerinnen komplett im Studio eingespielt hat. Und doch hört sich schon der erste Schlagzeugschlag, der ersten Single „Stars Around My Head“, gar nicht nach einer Live-Aufnahme an. Aber was zunächst an Grandmaster Flashs Auftakt von „New York New York“ erinnert, entwickelt sich zu einer großen Hymne und gibt den Weg vor zu einem Sound, der so nah wie möglich am Live-Erlebnis eines Steve-Mason-Konzerts ist, wie es nur geht. -
THE Bush Freezes Assets of Suspected Terrorists
SHOWERS Live releases V Tuesday Scene reviews the fifth album, V, of Live, an alternative rock band from HIGH 55° Pennsylvania . SEPTEMBER25, LOW 43° Scene+ page 13 2001 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXV NO. 21 HTTP:! /OBSERVER.ND.EDU BOG discusses Strategic Plan ND alu01na CaDlpaigns for congressional seat congressional seat which U.S. By JASON McFARLEY Rep. Tim Roemer will vacate in News Editor 2003.- The newly expanded district It only took a few days on encompasses 12 counties, Notre Dame's campus in 1972 including St. Joseph, where for Kathleen Cekanski Farrand South Bend and Mishawaka are to realize she was in the right located. place. Cekanski Farrand became the In the fourth Democrat to declare her opening candidacy for the 2002 election. days of the Her campaign will be a grass semester roots effort that focuses on the that year district's constituents, she said. the first "We do not see this campaign t h a t as a sprint which focuses on KATIE LARSEN!The Observer University which candidate can raise the Residence Hall Association president Kathleen Nickson talks to students about plans for officials most amount of money the fastest," she said in her Aug. 18 upcoming Saint Mary's events at the Board of Governance meeting Monday. a d m i t t e d Cekanskl Farrand women as announcement, "But rather, we undergraduates - a large ban see this congressional campaign These areas of improvement "Even though students don't ner at the all-campus picnic as a marathon of meeting peo By SHANNON NELLIGAN have been translated into four see the long range of this plan greeted Cekanski Farrand, a ple and taking time to discuss News Writer major goals for the college to -it will directly effect them." first-year law student in the their concerns." complete within the next five The Board discussed ideas on third class of women to gradu "It's imporiant to meet as Mary-Jo Regan-Kubinski, co years. -
Mapping the Music Industry in Scotland
Mapping the music industry in Scotland: A report John Williamson (Queen Margaret University College/ Sano Management) Martin Cloonan (University of Glasgow) and Simon Frith (University of Stirling) Report commissioned by: Scottish Enterprise February 2003 Contents Page Acknowledgements iii Executive Summary iv Preface vii Introduction 1 Literature Review 4 Chapter One: The Scottish Music Industry 11 (i) Artists and Composers 12 (ii) Live Music 26 (iii) The Recording Industry 37 (iv) The Media 45 (v) Other Creative Industries 51 (vi) Ancillary Services 59 (vii) Education 67 (viii) Retail 70 (ix) Overall Figures 78 Chapter 2: The Stakeholders 80 Chapter 3: Case Studies of Scottish Music Industry Businesses 103 (1) Chemikal Undergrond 104 (2) DF Concerts 106 (3) Fence Records 109 (4) Fopp 111 (5) Lismor Records 113 (6) The Paragon Ensemble 116 (7) Simbiotic 119 i Overview of Case Studies 121 Conclusion and Final Thoughts 125 Appendix A: Schedule for Stakeholder Interviews 128 Appendix B: Schedule for Case Study Interviews 129 Appendix C: Scottish Enterprise Creative Industries Cluster: Music Activities 2002 130 Appendix D: Highlands and Island Enterprise: Support to the Music Industry in 2002 132 Appendix E: Questionnaire results 134 Bibliography 150 ii Acknowledgements This report would not have been possible without the financial support of Scottish Enterprise (SE), Highlands and Islands Enterprise (HIE) and Scottish Development International (SDI). We wish to acknowledge that support as evidence of the commitment of these organisations to developing the music industry within Scotland. During this research we have benefited from the support of staff at SE, HIE and SDI and we would particularly like to thank Sue Jones, Mary Walker, Iain Hamilton and Emma Harcus for their help. -
Surrey Students Welcome the Queen
ed981210.qxd 14/12/98 17:56 Page 1 (1,1) Issue 952 - Weekly Thursday 10th December 1998 Surrey Students Welcome The Queen ast Friday The Queen (SSTL), a University com- University of Surrey exper- formally launched pany based in the Centre, imental minisatellite and Lthe Surrey Space with the 1998 Queen's TiungSat, a microsatellite Centre at the University of Award for Technological built for Malaysia through a Surrey, marking the extraor- Achievement for the devel- technology transfer pro- dinary story of a university opment of its low-cost light- gramme. backed initiative trans- weight satellites. formed into a self-funding The Queen was then greeted international space centre. In the Centre's state-of-the- by a large number of staff art clean room, the Queen and students as she made Accompanied by The Duke was able to see three satel- her way from the Space of Edinburgh and The Duke lites which are due to be Centre to the Austin Pearce of Kent, Chancellor of the launched next year. building and then later in University of Surrey, The PICOSat, a 50 kg Senate Square. Queen also honoured Surrey microsatellite for the US Air Satellite Technology Ltd Force, UoSAT-12, a 350 kg Top Left: The Queen meeting Commonwealth medalists : Bottom left: The Royal Party: The Chancellor of the University, The Duke of Kent Ross Brewer 1st year Mathematics student, The Duke of Edinburgh Deborah Kershaw, 3rd year Economics student, The Queen Katherine Allenby, Research Student Language & International Studies, Deborah Catchpole, Research Student Language & International Studies. Above: Vice-Chancellor Dowling and The Queen greeting well wishers outside Senate Square. -
1 Ervin Jarek 2017 PHD.Pdf
ii © Copyright by Jarek Paul Ervin All Rights Reserved May 2017 iii ABSTRACT My dissertation takes a speculative cue from the reception of 1970s New York punk, which is typically treated as both rule – the symbolic site of origin – and exception – a protean moment before the crystallization of punk proper. For this reason, artists such as Velvet Underground, Patti Smith, the Ramones, and Blondie are today afforded the simultaneous status of originators, interlopers, innovators, and successors. This has led both to the genre’s canonicity in the music world and its general neglect within scholarship. I argue that punk ought to be understood less as a set of stylistic precepts (ones that could be originated and then developed), than as a set of philosophical claims about the character of rock music in the 1970s. Punk artists such as Patti Smith, Jayne County, and the Ramones developed an aesthetic theory through sound. This was an act of accounting, which foregrounded the role of historical memory and recast a mode of reflexive imagination as musical practice. At times mournful, at times optimistic about the possibility of reconciliation, punk was a restorative aesthetics, an attempt to forge a new path on memories of rock’s past. My first chapter looks at the relationship between early punk and rock music, its ostensible music parent. Through close readings of writing by important punk critics including Greil Marcus, Lester Bangs, and Ellen Willis – as well as analyses of songs by the Velvet Underground and Suicide – I argue that a historical materialist approach offers a new in-road to old debates about punk’s progressive/regressive musical character.