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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age. -
Mensile Di Intrattenimentointelligente
mensile di intelligente n.3 giugno 2004 intrattenimento 2 EDITORIALE bazar 06 2004 [email protected] [email protected] bazar 06 2004 laboratori di serena cama e freestylers 3 MAra Codalli Eugenia ROmanelli Vera RIsi Direttore arTistico Direttore responsabile viceDirettore bazar 06 2004 laboratori di serena cama e freestylers 3 [email protected] s, FRISBEEricerca coordinata da Cama e Caporale VOLO LIBERO L’età dei frisbisti? Dai 5 agli 80 anni. La musica preferita? Dalla classica all’hip-hop. Gli spazi frequentati? Parchi e spiagge. Perché loro sono spiriti liberi. In attesa di spiccare il volo… Marzia Coltellacci & Valeria Ciappa Se riuniamo un bambino, una casalinga, uno studente e un pensionato in uno spazio all’aperto e lasciamo che le loro personalità interagiscano, quale può essere il risultato? Probabilmente un esilarante confronto tra discordanti modi di essere. Se, però, al tutto aggiungiamo un frisbee, assistiamo a un singolare scontro pacifico. Il frisbee è un mix perfetto di movimenti acrobatici e regole di svariate discipline sportive che proprio per questo permette di fondere caratteri così diversi tra loro. Eppure quando si pensa al frisbee si pensa subito al classico scambio del disco tra due persone sulla spiaggia. Considerato da molti solo un passatempo estivo, pochi sanno invece che il frisbee è un variegato mondo di discipline sportive praticate su sabbia e prato. Per capire il mondo del frisbee bisogna paragonarlo a quello della palla. Se infatti la palla è la protagonista di un’infinità di sport, dal calcio al basket, dalla pallavolo al rugby, dalla pallamano alla pallanuoto, anche il frisbee è il protagonista di un’ampia gamma di sport e giochi di squadra o individuali. -
Transizioni E Dissoluzioni Di Fine Anno Electroshitfing
SENTIREASCOLTARE online music magazine GENNAIO N. 27 The Shins 2006: transizioni e dissoluzioni di fine anno Electroshitfing Fabio Orsi Alessandro Raina Coaxial Jessica Bailiff Larkin Grimm The Low Lows Deerhunter Cul De Sac The Long Blondess e n tTerry i r e a s c o lRiley t a r e sommario 4 News 8 The Lights On The Low Lows, Coaxial, Larkin Grimm, Deerhunter 8 2 Speciali The Long Blondes, Alessandro Raina, Jessica Bailiff, Fabio Orsi, Electroshifting, The Shins, Il nostro 2006 9 Recensioni Arbouretum, Of Montreal, Tin Hat, James Holden, Lee Hazlewood, Ronin, The Earlies, Ghost, Field Music, Hella, Giardini Di Mirò, Mira Calix, Deerhoof... 8 Rubriche (Gi)Ant Steps Miles Davis We Are Demo Classic Ultravox!, Cul De Sac Cinema Cult: Angel Heart Visioni: A Scanner Darkly, Marie Antoinette, Flags Of Our Fathers… 2 I cosiddetti contemporanei Igor Stravinskij Direttore Edoardo Bridda Coordinamento Antonio Puglia 9 Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco Hanno collaborato Gianni Avella, Gaspare Caliri, Andrea Erra, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Paola Squizzato, Squp, Edoardo Bridda 94 in copertina The Shins SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Ivano Rebustini Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco E’ morto “Mr. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Fall 2005 of Rifle Magazine
Table of Contents Welcome to the fall edition 3-RiFLe-Fall 2005 of RiFLe Magazine. Blogging 3 Blogging Down the House WRFL 88.1 fm is excited to host another semester of great In the days before the Fox News Channel, Americans Down the House programming to further accommodate the listening needs of were forced to receive their information through non-corpo- Matt Jordan 4 Music Reviews campus and the community. Bringing quality radio to Lexing- rate-sponsored outlets. It was the town crier who broke the and a band interview. Through a little bit of searching through blogs, 7 All Age Venue Round-up ton is a top priority for the WRFL staff and volunteers and we story of England’s invasion, and he did so without taking a one should be able to find a wealth of information on even the tiniest August hope you are satisfied with the experience known as Radio break for live coverage of a celebrity trial. In the music in- of bands. 8 Free Lexington. dustry, we find ourselves torn between two similar options Another important factor to consider when becoming 10 We eat small children!!! This issue of RiFLe has an awesome interview with Sufjan Ste- - the corporate and slick, or the amateur, but heartfelt. a frequent blog patron is that you find one that fits your personal taste. 11 Outside the Spotlight vens as well as tons of record reviews, comics, show reviews While magazines such as Rolling Stone and Spin Because most focus on a very specialized area of music, it’s key to find and more. -
En Mötesplats Fylld Av Mening 2014:1
Leena Hagsmo | En mötesplats fylld av mening Hagsmo Leena En mötesplats fylld av mening Avhandlingen handlar om vad som kan ske när människor möts och samarbetar En mötesplats fylld av mot ett gemensamt mål. Den visar på betydelsen för enskilda personer av att ingå i ett socialt sammanhang de själva valt och hur detta i sin tur kan ha betydelse för den plats där detta förekommer. Det som har utgjort grunden för undersökningen 2014:1 mening är den forna Arvikafestivalens organisation, Galaxen. Festivalen är skapad i ett underifrånperspektiv till största delen i ett ideellt sammanhang. Syftet med En studie om gemenskap och samarbete i skapandet av avhandlingen är att förstå hur positiva sociala effekter skapas i de relationer som Arvikafestivalen uppstår i arbetet med en festival och hur det i sin tur blir en del av platsskapandet. Intervjuer har genomförts med personer som har arbetat i festivalorganisationen från Arvikafestivalens start år 1992. Det är deras upplevelser och erfarenheter som i huvudsak utgjort underlaget för analysen. I sammanhanget diskuteras även Leena Hagsmo betydelsen av Arvikas kulturarv för uppkomsten av festivalen. Avhandlingen visar att Arvikafestivalen var av betydelse för många människor och bidrog till att nya processer startade. Det skapades en tillåtande miljö där det fanns utrymme för egna idéer. Genom att planera och skapa något tillsammans med andra uppstod en stark gemenskap. De kontakter och de lärdomar som individerna erhöll ur arbetet med festivalen har gett avtryck på platsen Arvika. Det som från början -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
BC2019-Printproginccovers-High.Pdf
CONTENTS Welcome with Acknowledgements 1 Talk Abstracts (Alphabetically by Presenter) 3 Programme (Friday) 32–36 Programme (Saturday) 37–41 Programme (Sunday) 42–46 Installations 47–52 Film Festival 53–59 Entertainment 67–68 Workshops 69–77 Visionary Art 78 Invited Speaker & Committee Biographies 79–91 University Map 93 Area Map 94 King William Court – Ground Floor Map 95 King William Court – Third Floor Map 96 Dreadnought Building Map (Telesterion, Underworld, Etc.) 97 The Team 99 Safer Spaces Policy 101 General Information 107 BREAK TIMES - ALL DAYS 11:00 – 11:30 Break 13:00 – 14:30 Lunch 16:30 – 17:00 Break WELCOME & ACKNOWLEDGEMENTS WELCOME & ACKNOWLEDGEMENTS for curating the visionary art exhibition, you bring that extra special element to BC. Ashleigh Murphy-Beiner & Ali Beiner for your hard work, in your already busy lives, as our sponsorship team, which gives us more financial freedom to put on such a unique event. Paul Callahan for curating the Psychedelic Cinema, a fantastic line up this year, and thanks to Sam Oliver for stepping in last minute to help with this, great work! Andy Millns for stepping up in programming our installations, thank you! Darren Springer for your contribution to the academic programme, your perspective always brings new light. Andy Roberts for your help with merchandising, and your enlightening presence. Julian Vayne, another enlightening and uplifting presence, thank you for your contribution! To Rob Dickins for producing the 8 circuit booklet for the welcome packs, and organising the book stall, your expertise is always valuable. To Maria Papaspyrou for bringing the sacred feminine and TRIPPth. -
Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW!
PRESENTS RELEASES FROM: ACXDC, ARCHAGATHUS, ASSHOLEPARADE, BACKSLIDER, BEARTRAP, BRIAN WALSBY, CAPITALIST CASUALTIES, CHEST PAIN, CONGA FURY, EDDIE BROCK, GET DESTROYED, LAPSE, MAGRUDERGRIND, MALPRACTICE INSURANCE, MEHKAGO N.T., NASHGUL, NOCOMPLY, OSK, P.L.F., RAPE REVENGE, SEX PRISONER, SIDETRACKED, SHITSTORM, SUFFERING LUNA, TORCH RUNNER, TOTAL FUCKING DESTRUCTION, XBRAINIAX Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles, CA Key Markets: LA & CA, Texas, Arizona, DC, Baltimore MD, New York, Canada, Germany For Fans of: MAGRUDERGRIND, NASUM, NAPALM DEATH, DESPISE YOU ANTI-CHRIST DEMON CORE’s He Had it Coming repress features the original six song EP released in 2005 plus two tracks from the same session off the A Sign Of Impending Doom Compilation. The band formed in 2003, recorded these songs in 2005 and then vanished for awhile on a many- year hiatus, only to resurface and record and release a brilliant new EP and begin touring again in 2011/2012. The original EP is long sought after ARTIST: ACXDC by grindcore and powerviolence fiends around the country and this is your TITLE: He Had It Coming chance to grab the limited repress. LABEL: TO LIVE A LIE CAT#: TLAL64AB Marketing Points: FORMAT: 7˝ GENRE: Grindcore • Hugely Popular Band BOX LOT: NA • Repress of Long Sold Out EP SRLP: $5.48 • Huge Seller UPC: 616983334836 • Two Extra Songs In Additional To Originals EXPORT: NO RESTRICTIONS • Two Bonus Songs Never Before Pressed To Vinyl, In Additional To Originals Tracklist: 1. Dumb N Dumbshit 2. Death Spare Not The Tiger 3. Anti-Christ Demon Core 4. -
Level 42 Live at the Apollo Mp3, Flac, Wma
Level 42 Live At The Apollo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Live At The Apollo Country: Denmark Released: 2008 MP3 version RAR size: 1972 mb FLAC version RAR size: 1428 mb WMA version RAR size: 1899 mb Rating: 4.7 Votes: 143 Other Formats: APE MMF VQF AHX AU WMA AAC Tracklist 1 Physical Presence 6:3 2 Follow Me 4:32 3 Heaven In My Hands 5:21 4 Leaving Me Now 5:55 5 Lessons In Love 4:34 6 Love Meeting Love 6:42 7 Micro Kid 5:00 8 Running In The Family 5:27 9 Something About You 5:21 10 Starchild 2:55 11 The Sun Goes Down 4:57 12 The Sunbed Song 7:34 13 To Be With You Again 5:43 14 World Machine 5:33 Notes Tracks recorded live at Hammersmith Apollo, London, 22nd November 2003. Other versions Category Artist Title (Format) Label Category Country Year Live At The Apollo, none Level 42 Mark King none UK 2004 London (CD, Album) Pegasus PEG CD 621, PEG CD 621, Live At The Apollo Entertainment, GAS 0000621 Level 42 GAS 0000621 Europe 2007 (CD, Comp) Pegasus PEG PEG Entertainment Live At The Apollo, London (DVD, WHEI 10318 Level 42 WHE International WHEI 10318 UK 2006 D/Sided, RE, NTSC, PAL) Live At The Apollo, ICNCD2001 Level 42 London (2xCD, Iceni ICNCD2001 Germany 2005 Album) Live At The Apollo, London (DVD-V, ICNDVD001 Level 42 Iceni ICNDVD001 Germany 2005 PAL, NTSC, Reg + CD) Related Music albums to Live At The Apollo by Level 42 Level 42 - The Collection Alexander O'Neal - Live At The Hammersmith Apollo - London Apollo 18 - Red Level 42 - Gold Level 42 - Live At Wembley Gary Numan - Obsession. -
Gonzo Weekly #155
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Dear Friends, Welcome to another issue of this singular periodical. I know that I say it every week, but it never ceases to amaze me how such a tiny band of brothers and sisters, the vast majority of whom are unpaid, manages to put out a full length magazine of such like to once again publicly thank my editorial quality every single week of the year. Before team particularly Doug, John, Corinna and I continue with this week’s musings I would Jessica, although it really goes against the 4 grain to single anyone out of such a hard who read this magazine. Some of you will, working and productive team. no doubt, be shocked by this revelation. DeMille is a fairly gung ho Republican One of my favourite authors is an American whose ethos would seem to be quite far thriller writer called Nelson DeMille who removed from the anarchist ethos of what I may not be familiar to many of the people write for this magazine, and indeed, how I live my life. But he does write cracking stories! Probably my favourite of his books is one called Word of Honour which tells a very interesting and morally intriguing tale. The main protagonist is a wealthy businessman who, at some time during the late 1980s, is on his way to work.