Justice E MGMT Live Al Milano Summer Festival All'ippodromo I JUSTICE Sono Un Gruppo Electro Francese Composto Da Gaspard Augé E Snai San Siro Di Milano Il 17 Luglio

Total Page:16

File Type:pdf, Size:1020Kb

Justice E MGMT Live Al Milano Summer Festival All'ippodromo I JUSTICE Sono Un Gruppo Electro Francese Composto Da Gaspard Augé E Snai San Siro Di Milano Il 17 Luglio MERCOLEDì 10 GENNAIO 2018 Una notte d'estate all'insegna della musica elettronica JUSTICE e MGMT, per la prima volta insieme in concerto al Milano Summer Festival all'Ippodromo Snai San Siro di Milano il 17 luglio. Justice e MGMT live al Milano Summer Festival all'Ippodromo I JUSTICE sono un gruppo electro francese composto da Gaspard Augé e Snai San Siro di Milano il 17 luglio. Xavier de Rosnay. Attivi dal 2003, il loro manager è il famoso Pedro Special Guest i Parcels Winter (meglio noto come Busy P), già manager dei Daft Punk e direttore dell'etichetta Ed Banger Records. Il loro stile e la loro immagine sono influenzate da una forte vena rock. Una serata all'insegna del divertimento con gli straordinari ritmi di band di fama Hanno conquistato la fama mondiale con il singolo "We Are Your internazionale! Friends", premiato come miglior video agli MTV Europe Awards nel 2006 a cui è seguito nel 2007 l'album di debutto "Cross "?", che grazie ai singoli D.A.N.C.E. e Phantom li ha consacrati come star. I JUSTICE hanno CRISTIAN PEDRAZZINI calcato i palchi dei festival più importanti al mondo, quali Coachella Festival, al Fuji Rock Festival a Niigata, al Primavera Sound Festival a Barcellona ed all'Hultsfred Festival di Hultsfred, in Svezia. [email protected] SPETTACOLINEWS.IT Nel 2009 vincono il Grammy Award come "Miglior Remix dell'Anno" con il remix di "Electric Feel" di MGMT e nel 2011 pubblicano il secondo album "Audio", Video, Disco" che spiazza per i suoi visionari incroci di stili. A novembre del 2016, dopo cinque anni, pubblicano "Woman", il loro terzo disco dalle sonorità retrò tra funky, disco e psichedelica, ma sempre con un tocco di "french-touch". Gli MGMT - Ben Goldwasser e Andrew VanWyngarden - sono un duo statunitense che raggiunge il successo alla fine del 2000, distinguendosi grazie ad un mix inconfondibile di rock elettronico e pop psichedelico. La loro musica riesce a catturare un pubblico molto vasto, tra cui Paul McCartney, che li sceglie per aprire i concerti nel 2009. Sull'onda del successo di "Time to Pretend" nel 2005, gli MGMT - il cui nome inizialmente era "The Management" - firmano un contratto con la Columbia Records e pubblicano poi nel 2007 l'album di debutto "Oracular Spectacular", che ottiene un grandissimo successo grazie al brano "Time to Pretend", nominata da Rolling Stone terza canzone migliore del 2008. Il duo di Brooklyn viene chiamato ad esibirsi nei migliori festival del mondo: Bonnaroo, Coachella, SXSW, Lollapalooza, Glastonbury, Roskilde, Reading e Leeds. Pag. 1 / 2 La loro musica diviene così conosciuta a livello internazionale tanto da venir nominati per due premi alla 52esima edizione dei Grammy come "Migliore Performance Pop". Recentemente la band ha pubblicato due nuovi singoli "Little Dark Age" e "When You Die" che hanno anticipato l'uscita del disco previsto a febbraio 2018, a cinque anni di distanza dall'ultimo album chiamato col nome della band. Come special guest della serata i PARCELS. Giovane band funk-pop originaria di Byron Bay, Australia, composta da Patrick Hetherington, Louie Swain, Noah Hill, Anatole Serret e Jules Crommeli. I ragazzi crescono insieme, condividono la passione per la musica e nel 2014 decidono di fondare un proprio gruppo per creare una visione innovativa musicale, dando così vita ad un sound inedito, in cui il sound synth e il ritmo elettronico incontrano l'allegria della chitarra e l'armonia vocale a cinque voci. Dopo aver auto-prodotto il loro primo EP, apprezzato sia in Australia che in Europa, i PARCELS decidono di raggiungere la culla europea della musica contemporanea, Berlino, per lasciarsi ispirare da nuove influenze. Nel 2016 escono i due brani "Herefore" e "Anotherclock", singoli che portano Les Inrocks Magazine a paragore i PARCELS a "dei Daft Punk quasi umani, che potrebbero decidere di cantare con Steely Dan e Frank Ocean". Il loro ultimo singolo "Overnight", uscito a giugno 2017, è nato dalla collaborazione con i Daft Punk, i quali hanno contribuito alla produzione del brano. Pag. 2 / 2.
Recommended publications
  • Mensile Di Intrattenimentointelligente
    mensile di intelligente n.3 giugno 2004 intrattenimento 2 EDITORIALE bazar 06 2004 [email protected] [email protected] bazar 06 2004 laboratori di serena cama e freestylers 3 MAra Codalli Eugenia ROmanelli Vera RIsi Direttore arTistico Direttore responsabile viceDirettore bazar 06 2004 laboratori di serena cama e freestylers 3 [email protected] s, FRISBEEricerca coordinata da Cama e Caporale VOLO LIBERO L’età dei frisbisti? Dai 5 agli 80 anni. La musica preferita? Dalla classica all’hip-hop. Gli spazi frequentati? Parchi e spiagge. Perché loro sono spiriti liberi. In attesa di spiccare il volo… Marzia Coltellacci & Valeria Ciappa Se riuniamo un bambino, una casalinga, uno studente e un pensionato in uno spazio all’aperto e lasciamo che le loro personalità interagiscano, quale può essere il risultato? Probabilmente un esilarante confronto tra discordanti modi di essere. Se, però, al tutto aggiungiamo un frisbee, assistiamo a un singolare scontro pacifico. Il frisbee è un mix perfetto di movimenti acrobatici e regole di svariate discipline sportive che proprio per questo permette di fondere caratteri così diversi tra loro. Eppure quando si pensa al frisbee si pensa subito al classico scambio del disco tra due persone sulla spiaggia. Considerato da molti solo un passatempo estivo, pochi sanno invece che il frisbee è un variegato mondo di discipline sportive praticate su sabbia e prato. Per capire il mondo del frisbee bisogna paragonarlo a quello della palla. Se infatti la palla è la protagonista di un’infinità di sport, dal calcio al basket, dalla pallavolo al rugby, dalla pallamano alla pallanuoto, anche il frisbee è il protagonista di un’ampia gamma di sport e giochi di squadra o individuali.
    [Show full text]
  • Where Is Anne Frank
    WHERE IS ANNE FRANK a film by ARI FOLMAN PURPLE WHALE FILMS, WALKING THE DOG, SAMSA FILM, BRIDGIT FOLMAN FILM GANG, SUBMARINE AMSTERDAM, LE PACTE, DOGHOUSE FILMS and MAGELLAN FILMS present WHERE IS ANNE FRANK un film de ARI FOLMAN INTERNATIONAL SALES: U.S. AND INTERNATIONAL PRESS: FRENCH PRESS: [email protected] [email protected] CAA [email protected] [email protected] www.wildbunch.biz [email protected] TAGLINE Kitty, Anne Frank’s imaginary friend to whom Anne devoted her Diary, magically comes to life in present-day Amsterdam. Kitty sets out on a relentless quest to find Anne Frank. It’s the beginning of an adventurous journey. SYNOPSIS WHERE IS ANNE FRANK begins with a miracle: Kitty, the imaginary friend to whom Anne Frank wrote in her famous Diary, comes to life in present-day Amsterdam. Unaware that 75 years have gone by, Kitty is convinced that if she is alive, then Anne must be alive too. WHERE IS ANNE FRANK tells the story of Kitty’s quest across contemporary Europe to find her beloved friend. Armed with the precious Diary and with help from her friend Peter, who runs a secret shelter for undocumented refugees, Kitty follows Anne’s traces, from the Annex to her tragic end in the Holocaust. Disoriented by our broken world, and the injustices that child refugees endure, Kitty wants to fulfill Anne’s cause. Through her honesty, she presents a message of hope and generosity addressed to future generations. STATEMENT FROM ANNE FRANK FONDS BASEL Shortly after Otto Frank published the Diary of his daughter Anne Frank in 1947 for the first time, he decided to have it adapted for stage and film.
    [Show full text]
  • MGMT: Little Dark Age
    MGMT: Little Dark Age spectrumculture.com/2018/02/11/mgmt-little-dark-age-review/ Daniel Bromfield One imagines a pang of dread shooting through the members of MGMT as their debut album, Oracular Spectacular, turned 10 last month. For better or for worse, Oracular Spectacular is now a classic, and its three titanic hit singles—“Kids,” “Time to Pretend” and “Electric Feel”—show no signs of going away. Most bands would be pleased to have a legacy set in stone, but MGMT have spent the better part of the last decade trying to distance themselves from pop stardom and prove to the world—or to themselves— that they’re a serious experimental band. They’ve succeeded, sort of. Though most of the world will always know MGMT for their hits, we no longer have any safe expectations for the “next MGMT album,” and it makes perfect sense that they’re ditching the psych-poppet affectations to reposition themselves as compadres of Ariel Pink and John Maus. Little Dark Age, the duo’s long-gestating fourth album, casts them as graveyard goths whose madcap sense of humor barely keeps the bad vibes at bay. That it works is a testament to just how unpredictable this band has become in its experimental period. This feels like the logical endpoint of the band’s hermeticism. While Andrew VanWyngarden and Ben Goldwasser once presented themselves as cult leaders, with “the handshake under our tongue,” here they’re more like mad prophets broadcasting their ravings to the world from a dingy basement. The music is mid-fi, shrouded in filters that feel like the musical embodiment of the band’s misanthropy, and the dominant instrument isn’t synth or guitar but Matt Asti’s bass, which burbles nauseously out of the gloom.
    [Show full text]
  • En Mötesplats Fylld Av Mening 2014:1
    Leena Hagsmo | En mötesplats fylld av mening Hagsmo Leena En mötesplats fylld av mening Avhandlingen handlar om vad som kan ske när människor möts och samarbetar En mötesplats fylld av mot ett gemensamt mål. Den visar på betydelsen för enskilda personer av att ingå i ett socialt sammanhang de själva valt och hur detta i sin tur kan ha betydelse för den plats där detta förekommer. Det som har utgjort grunden för undersökningen 2014:1 mening är den forna Arvikafestivalens organisation, Galaxen. Festivalen är skapad i ett underifrånperspektiv till största delen i ett ideellt sammanhang. Syftet med En studie om gemenskap och samarbete i skapandet av avhandlingen är att förstå hur positiva sociala effekter skapas i de relationer som Arvikafestivalen uppstår i arbetet med en festival och hur det i sin tur blir en del av platsskapandet. Intervjuer har genomförts med personer som har arbetat i festivalorganisationen från Arvikafestivalens start år 1992. Det är deras upplevelser och erfarenheter som i huvudsak utgjort underlaget för analysen. I sammanhanget diskuteras även Leena Hagsmo betydelsen av Arvikas kulturarv för uppkomsten av festivalen. Avhandlingen visar att Arvikafestivalen var av betydelse för många människor och bidrog till att nya processer startade. Det skapades en tillåtande miljö där det fanns utrymme för egna idéer. Genom att planera och skapa något tillsammans med andra uppstod en stark gemenskap. De kontakter och de lärdomar som individerna erhöll ur arbetet med festivalen har gett avtryck på platsen Arvika. Det som från början
    [Show full text]
  • May 2018 Issue.Pages
    2017-18 May 31, 2018 LION’S ROAR | Giving Seattle Lutheran a Voice since 2013 | Thank You Seniors! Ask Rex! Answers to your burning questions Rex Sears Just a little too late with this one, but hey, what are you gonna do? Let’s hop right into it. How can I manage to get through these last 7 weeks of senior year? ...Well, this is awkward. For future seniors, then: remember that if you slip-up in your studies, then you’re effectively throwing the money your family paid to enroll you into school down the toilet. Use that crippling stress and pressure to not be capable of even doing any work, then have a mental breakdown right before finals week and get a GED instead. It’s not as good as an actual diploma, but if you’re exceptional at underachieving, it’ll do. Or, you know, maintain a healthy balance between your own personal happiness and your studies by working on assignments on a consistent schedule. Also, make sure you get to sleep at a reasonable hour, I guess. Why is Laura a liar, a bully, and an attention-seeker? - anonymous Sometimes, people have underlying issues in their personal lives that they feel powerless to control. They then take these frustrations out on others, regardless of if they’ve even done anything to warrant such a response. In other cases, people may just be desperate for some form of human contact or interaction, even if it comes out of negativity. In Laura’s case, though, it’s likely that she just hates people who are lesser than her from her perspective.
    [Show full text]
  • Steyaert & Hjorth Part 2
    10. Entrepreneurship as boundary work: deviating from and belonging to community Monica Lindgren and Johann Packendorff ENTREPRENEURSHIP AS BOUNDARY WORK: A SOCIAL CONSTRUCTIONIST PERSPECTIVE Entrepreneurship is usually seen as a solution to problems in community development – through new firms, new industries and community mobiliza- tion, stagnating regions and cities are expected to return to growth and pros- perity (Cornwall, 1998). While this solution is almost undisputed, the question of what entrepreneurship is and how it emerges often remains unanswered or neglected (Spinosa et al., 1997). There is also an underpinning positive assumption that all new firms or entrepreneurial acts are good for any local community and that they are well received by the locals (Welsch and Kuhns, 2002). Moreover, it is said that industries should be built on local resources, competencies and culture – the question is how we can develop our town and local area out of our existing traditions, culture and habits. We can find this ideal of the embedded industrial cluster throughout the world. In France there are different wine and food districts, there are US cities where all activities are built around car manufacturing (e.g. Detroit), there are regions inhabited by numerous glass and crystal manufacturers (Småland in Sweden, Bohemia in the Czech Republic). There are the famous local special- izations of northern Italy with their emphasis on civil society, not to mention the notorious US case of Silicon Valley (Saxenian, 2000). We have thus many examples of clusters where traditions and cultures are part of how to and what to produce, and where people have been able to construct affluent communi- ties out from their local culture.
    [Show full text]
  • Music Festivals in Sweden - an Analysis of the Ten Largest Commercial Festivals 2000 - 2013
    Music Festivals in Sweden - An Analysis of the Ten Largest Commercial Festivals 2000 - 2013 Daniel Johansson Linnaeus University, Sweden Department of Computer Science & Department of Economics [email protected] Abstract This study examines the development for commercial music festivals in Sweden during the time period 2000 - 2013. Although it is clear that some legendary Swedish music festivals have disappeared during the latest years, this study indicates that the number of paying visitors of the largest festivals continues to increase. In fact, 2013 was the record year during the studied time frame regarding the number of paying visitors to the ten largest commercial festivals, with official visitor figures validated through STIM data. Nevertheless, the Swedish music festival market has changed considerably. The purpose of the paper is to describe some of these changes as well as provide a quantitative foundation for further research questions to be dealt with in the future. 1. Introduction In 2013, the term "festivaldöden" (festival death) was widely used in Swedish media to describe the development of the Swedish music festival market.1 Both the Siesta! festival in Hässleholm and the Peace & Love festival in Borlänge were forced to cancel their programs during 2013, and Tivolirock in Kristianstad as well as Sundsvalls Gatufest filed for bankruptcy after conducted festivals. In 2011 the legendary Arvika festival went bankrupt. In 2010, the mother of all Swedish music festivals, the Hultsfred festival, had to shut down although the festival reappeared in 2011 by another arranger, just to be declared dead in the end of 2013. During the latest years many other music festivals have witnessed on tough economic situations as a result of the changing market for music festivals in Sweden.
    [Show full text]
  • Music Media Multiculture. Changing Musicscapes. by Dan Lundberg, Krister Malm & Owe Ronström
    Online version of Music Media Multiculture. Changing Musicscapes. by Dan Lundberg, Krister Malm & Owe Ronström Stockholm, Svenskt visarkiv, 2003 Publications issued by Svenskt visarkiv 18 Translated by Kristina Radford & Andrew Coultard Illustrations: Ann Ahlbom Sundqvist For additional material, go to http://old.visarkiv.se/online/online_mmm.html Contents Preface.................................................................................................. 9 AIMS, THEMES AND TERMS Aims, emes and Terms...................................................................... 13 Music as Objective and Means— Expression and Cause, · Assumptions and Questions, e Production of Difference ............................................................... 20 Class and Ethnicity, · From Similarity to Difference, · Expressive Forms and Aesthet- icisation, Visibility .............................................................................................. 27 Cultural Brand-naming, · Representative Symbols, Diversity and Multiculture ................................................................... 33 A Tradition of Liberal ought, · e Anthropological Concept of Culture and Post- modern Politics of Identity, · Confusion, Individuals, Groupings, Institutions ..................................................... 44 Individuals, · Groupings, · Institutions, Doers, Knowers, Makers ...................................................................... 50 Arenas .................................................................................................
    [Show full text]
  • The Bates Student Archives and Special Collections
    Bates College SCARAB The Bates Student Archives and Special Collections 3-21-2018 The Bates Student - volume 148 number 16 - March 21, 2018 Bates College Follow this and additional works at: https://scarab.bates.edu/bates_student The Bates Student THE VOICE OF BATES COLLEGE SINCE 1873 WEDNESDAY March 21, 2018 Vol. 148, Issue. 16 Lewiston, Maine FORUM ARTS & LEISURE SPORTS Mansib Arko Sukiyabashi Jiro dazzles Vanessa Paolella ’21 ’21 talks in Jiro Dreams of Sushi chats with the about recent according to Bria Riggs women’s water polo attacks of free ’18. team. thinkers in Bangladesh. See Page 3 See Page 6 See Page 8 Bates Students Demand Gun Inside Sports: Five Time All-American Control During Walkout Triple Jumper, Sally Ceesay ’18, Opens Up About NCAA Experience Students rally outside of Commons during a winter storm for The Walkout for Gun Control. JAMES MACDONALD/ THE BATES STUDENT Hosted by Bates Student Action Most of the students that gave TRICIA CRIMMINS and Bates Student Government, the speeches highlighted the frequency STAFF WRITER event gave Bates students an oppor- of mass shootings in the United tunity to rally together and share States. According to statistics pro- On Wednesday, March 14, the their thoughts on the school shoot- vided by Everytown for Gun Safety, snow fell quietly onto Alumni Walk, ing epidemic. Students held signs eighteen school shootings have al- quickly melting as it hit the pave- that stated “enough is enough,” ready taken place during this year ment, or adhering together, creating “Black Lives Matter,” and “our alone. frozen mounds. Amidst the storm, movement is intersectional.” “The point is to not constantly precisely at 10:00 a.m., members of As people arrived, Maddy Smith talk about the shootings after they the Bates community headed toward Sally Ceesay ’18 jumps 40 feet, 3.5 inches at the Maine State Open Meet in ’20 shared some opening remarks.
    [Show full text]
  • Proquest Dissertations
    Library and Archives Bibliotheque et l+M Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-54229-3 Our file Notre reference ISBN: 978-0-494-54229-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission. In compliance with the Canadian Conformement a la loi canadienne sur la Privacy Act some supporting forms protection de la vie privee, quelques may have been removed from this formulaires secondaires ont ete enleves de thesis.
    [Show full text]
  • Samsung Galaxy S21 5G
    User manual Contents Features S Pen | Mobile continuity | Bixby | Biometric security | Dark mode Getting started Device layout: Galaxy S21 5G | Galaxy S21+ 5G | Galaxy S21 Ultra 5G Set up your device: Charge the battery | Wireless power sharing Start using your device: Turn on your device | Use the Setup Wizard | Transfer data from an old device | Lock or unlock your device | Side key settings | Accounts | Set up voicemail | Navigation | Navigation bar | Customize your home screen | S Pen | Bixby | Digital wellbeing and parental controls | Always On Display | Biometric security | Mobile continuity | Multi window | Edge panels | Enter text | Emergency mode Customize your home screen: App icons | Wallpaper | Themes | Icons | Widgets | Home screen settings | Easy mode | Status bar | Notification panel Camera and Gallery Camera: Navigate the camera screen | Configure shooting mode | AR Zone | Scene optimizer | Single take | Space Zoom | Record videos | Director’s view | Zoom-in mic | Camera settings Gallery: View pictures | Edit pictures | Play video | Video enhancer | Edit video | Share pictures and videos | Delete pictures and videos | Group similar images | Take a screenshot | Screen recorder Mobile continuity Link to Windows | Samsung DeX | Continue apps on other devices 2 SAM_G991U_G996U_G998U_EN_UM_TN_TLF_011421_FINAL Contents Samsung apps Galaxy Essentials | AR Zone | Bixby | Galaxy Shop | Galaxy Store | Galaxy Wearable | Game Launcher | PENUP | Samsung Free | Samsung Global Goals | Samsung Members | Samsung TV Plus | SmartThings |
    [Show full text]
  • Tarana Burke Inspires with #Metoo Talk Dining Services by SHWETA KOUL NEWS EDITOR
    / VOLUME 145, ISSUE 3 MONDAY,Campus FEBRUARY 12, 2018 Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Diet Issues Hit Tarana Burke Inspires With #MeToo Talk Dining Services By SHWETA KOUL NEWS EDITOR SA’s joint initiative with Dining Services to accom- modate more students’ dietary preferences has recently re- ceived backlash from some students in the face of issues over allergens. Sophomore Jenna Montague and first-year Serena Matera spoke to Campus Times about their unhappiness with Dining Services when it comes to mislabeling, cross-contamina- tion, and not responding back to their concerns. GABE ISAACSON / PHOTO EDITOR “Whenever I tend to have Tarana Burke speaks to students this past Monday about uniting and organizing against sexual violence. Read our interview with her on Page 3. an allergic reaction, it’s usu- ally not my fault,” Matera By SHWETA KOUL priorities of that school should it said it was to learn, discover, be centered around the students. said. “It’s because someone NEWS EDITOR be to provide that protection and heal, create, and make the world She called for a cultural shift in mislabeled something or safety.” a better place,” Burke said. “It’s which students come together to contaminated something, and Tarana Burke, founder of the Burke said she felt disheartened beautiful, right? My question create solutions that would set a that’s what’s been happening #MeToo movement, told students after learning about the Univer- would be to the administration new standard for sexual violence on this campus.” this past Monday that their voices sity’s handling of sexual miscon- is, ‘How will the students do that on campuses.
    [Show full text]