Pop 2 a Second Packet for Popheads Written by Kevin Kodama Tossups 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
USF Takes Steps Toward Going Green Extreme Weather Impacts Campus ALLISON MCCANN Lives in a Room Neighboring 654, Believed Staffwriter Otherwise
HUHH>.\. cV 1 -AIKM-.SS Thirteen USF Students Travel to Belize to Educate Elementary School Students CHELSEA STERLING school starts, the USF students run a camp News Editor for about seventy five kids that combines sports and academics. Fr.John Savart nstead of parking themselves on the pointed out that the purpose is to "create couch and consuming an unhealthy a learning environment that is fun and Iamount of television, thirteen USF engaging." During the next ten days, the students traveled to Belize with Univer students'responsibilities are to prepare les sity Ministry during winter break to work sons and assist the teachers. The children at a local school. Kique Bazan, associate speak English, so the USF students have director of University Ministry, said that no trouble communicating with them. the students traveled with two leaders to The differences between education in assist teachers at Sacred Heart, which is a America and education in Central Ameri Catholic school in Belize with about seven can countries, like Belize, are reflected by hundred and forty students. the contributions of USF students. Savart In addition to teaching classes and remarked that "USF students have a differ leading a camp before school begins, the ent kind of education that is more hands- USF students brought donated comput on and they bring that to Belize." Students ers from the university to establish a com from USF also improve their education puter lab. Bazan explained that "we always by learning about the culture. Kate Bo- bring something with us. It has to be an han, a junior dual majoring in psychology exchange where we learn something". -
Kavinsky Albums Download Zio Kavinsky
kavinsky albums download zio Kavinsky. Kavinsky is an action game in third person starring the artist of the same name. In it you have to clear the streets of corrupt policemen and thugs using your fists, then get in your car and drive at top speed down the highway. The game is divided into several stages that are completely different from each other. In the first ones you control Kavinsky directly, and can move him around the city streets, punching enemies that come your way. You can regain health by picking up tobacco and beer cans from the ground. Once you finish the street-fighting missions (where you'll even face a final boss armed with two axes), you have to drive the famous Kavinsky Ferrari. That's when you start the car-chasing missions, where you have to escape at top speed from the enemies coming after you while you break police barriers. Kavinsky is fast and entertaining action game. It's main strong point is the quality of the graphics, which are spectacular, with characters and car models that stand out from everything else. The soundtrack is also brilliant, and it couldn't be any other way. 1986 - EP. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £5.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. -
Umphrey's Mcgee
Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. -
FINAL YHIS Newspaper September 2018
S E P T E M B E R 2 0 1 8 | P A G E 1 THE SHARK TIMES YHIS Student Newspaper The School is Growing! Written by Neo K. (G11) The new school year (2018~2019) has started. There are a lot of new developments that are happening, and I’m excited to My Bachelor's Degree is in Political Science and see the school have grown to 170 students. In this article, I’m History; I also hold a Postgraduate Diploma in going to introduce our school’s new principal, Mr. Samuel Education. As an educator, learning is essential to Goh. He spent the last three years as a high school teacher me, and I went on to pursue my Masters in and Secondary principal at Wuhan Yangtze International Management. School. I am Singaporean by passport but spent a good Questions & Answers with Mr. Goh part of my childhood growing up in New Zealand. Like many of you, I am a third culture kid, and I 1. Please introduce yourself. grew up in a culture which was very different from Mr. Goh: Before introducing myself, I would like to share with my passport country. The various experiences you and our readers that I'm honored and blessed to be here have given me a very global perspective and have at YHIS and to share with you my story. also allowed me to experience education across a variety of settings. My name is Mr. Samuel Goh, and I am the Head Principal for YHIS. I have been an educator for over ten years, and I started More on this on page 5.. -
KMP LIST E:\New Songs\New Videos\Eminem\ Eminem
_KMP_LIST E:\New Songs\New videos\Eminem\▶ Eminem - Survival (Explicit) - YouTube.mp4▶ Eminem - Survival (Explicit) - YouTube.mp4 E:\New Songs\New videos\Akon\akon\blame it on me.mpgblame it on me.mpg E:\New Songs\New videos\Akon\akon\I Just had.mp4I Just had.mp4 E:\New Songs\New videos\Akon\akon\Shut It Down.flvShut It Down.flv E:\New Songs\New videos\Akon\03. I Just Had Sex (Ft. Akon) (www.SongsLover.com). mp303. I Just Had Sex (Ft. Akon) (www.SongsLover.com).mp3 E:\New Songs\New videos\Akon\akon - mr lonely(2).mpegakon - mr lonely(2).mpeg E:\New Songs\New videos\Akon\Akon - Music Video - Smack That (feat. eminem) (Ram Videos).mpgAkon - Music Video - Smack That (feat. eminem) (Ram Videos).mpg E:\New Songs\New videos\Akon\Akon - Right Now (Na Na Na) - YouTube.flvAkon - Righ t Now (Na Na Na) - YouTube.flv E:\New Songs\New videos\Akon\Akon Ft Eminem- Smack That-videosmusicalesdvix.blog spot.com.mkvAkon Ft Eminem- Smack That-videosmusicalesdvix.blogspot.com.mkv E:\New Songs\New videos\Akon\Akon ft Snoop Doggs - I wanna luv U.aviAkon ft Snoop Doggs - I wanna luv U.avi E:\New Songs\New videos\Akon\Akon ft. Dave Aude & Luciana - Bad Boy Official Vid eo (New Song 2013) HD.MP4Akon ft. Dave Aude & Luciana - Bad Boy Official Video (N ew Song 2013) HD.MP4 E:\New Songs\New videos\Akon\Akon ft.Kardinal Offishall & Colby O'Donis - Beauti ful ---upload by Manoj say thanx at [email protected] ft.Kardinal Offish all & Colby O'Donis - Beautiful ---upload by Manoj say thanx at [email protected] om.mkv E:\New Songs\New videos\Akon\akon-i wanna love you.aviakon-i wanna love you.avi E:\New Songs\New videos\Akon\David Guetta feat. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Unlock It (Feat. Kim Petras and Jay Park)
Unlock It (feat. Kim Petras and Jay Park) Charli XCX Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it (Beautiful)Rollercoaster ride in the fast lane Got the roof down Kiss me hard in the rain You got the candy colored eyes Pink and gold chain Million dollar babe Whip it out, like I'm propane You're on my mind I'm feeling kinda nervous, but I like it Take my t-shirt off and do it right You're on my mind The feeling, like an astronaut Watchin' the world all alone, just you and I (Beautiful)Rollercoaster ride in the fast lane Got the roof down Kiss me hard in the pourin' rain Yeah, I can see it in your eyes Know you feel the same Million dollar babe Trippin' on it, like propane (Beautiful) Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it Got the key can you unlock it? Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it Got the key can you unlock it?Caught in a liplock when we pitstop Cosmic kiss tastes like cherry maraschino Ride passenger seat, tropical heat Eyes so red, you could be my Valentino, yeah If you want my heart then don't you drop it (Want my heart then don't you drop it) I'm right here, right in your pocket (I'm right here, right in your pocket) Don't you drop it, never stop it (Never stop it) If you want my love (my love), try to unlock itRollercoaster ride in the fast lane Got the roof down Kiss me hard in the pourin' rain Yeah, I can see it in your eyes Know you feel the same Million dollar babe Trippin' on it, like -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Where Is Anne Frank
WHERE IS ANNE FRANK a film by ARI FOLMAN PURPLE WHALE FILMS, WALKING THE DOG, SAMSA FILM, BRIDGIT FOLMAN FILM GANG, SUBMARINE AMSTERDAM, LE PACTE, DOGHOUSE FILMS and MAGELLAN FILMS present WHERE IS ANNE FRANK un film de ARI FOLMAN INTERNATIONAL SALES: U.S. AND INTERNATIONAL PRESS: FRENCH PRESS: [email protected] [email protected] CAA [email protected] [email protected] www.wildbunch.biz [email protected] TAGLINE Kitty, Anne Frank’s imaginary friend to whom Anne devoted her Diary, magically comes to life in present-day Amsterdam. Kitty sets out on a relentless quest to find Anne Frank. It’s the beginning of an adventurous journey. SYNOPSIS WHERE IS ANNE FRANK begins with a miracle: Kitty, the imaginary friend to whom Anne Frank wrote in her famous Diary, comes to life in present-day Amsterdam. Unaware that 75 years have gone by, Kitty is convinced that if she is alive, then Anne must be alive too. WHERE IS ANNE FRANK tells the story of Kitty’s quest across contemporary Europe to find her beloved friend. Armed with the precious Diary and with help from her friend Peter, who runs a secret shelter for undocumented refugees, Kitty follows Anne’s traces, from the Annex to her tragic end in the Holocaust. Disoriented by our broken world, and the injustices that child refugees endure, Kitty wants to fulfill Anne’s cause. Through her honesty, she presents a message of hope and generosity addressed to future generations. STATEMENT FROM ANNE FRANK FONDS BASEL Shortly after Otto Frank published the Diary of his daughter Anne Frank in 1947 for the first time, he decided to have it adapted for stage and film. -
MGMT: Little Dark Age
MGMT: Little Dark Age spectrumculture.com/2018/02/11/mgmt-little-dark-age-review/ Daniel Bromfield One imagines a pang of dread shooting through the members of MGMT as their debut album, Oracular Spectacular, turned 10 last month. For better or for worse, Oracular Spectacular is now a classic, and its three titanic hit singles—“Kids,” “Time to Pretend” and “Electric Feel”—show no signs of going away. Most bands would be pleased to have a legacy set in stone, but MGMT have spent the better part of the last decade trying to distance themselves from pop stardom and prove to the world—or to themselves— that they’re a serious experimental band. They’ve succeeded, sort of. Though most of the world will always know MGMT for their hits, we no longer have any safe expectations for the “next MGMT album,” and it makes perfect sense that they’re ditching the psych-poppet affectations to reposition themselves as compadres of Ariel Pink and John Maus. Little Dark Age, the duo’s long-gestating fourth album, casts them as graveyard goths whose madcap sense of humor barely keeps the bad vibes at bay. That it works is a testament to just how unpredictable this band has become in its experimental period. This feels like the logical endpoint of the band’s hermeticism. While Andrew VanWyngarden and Ben Goldwasser once presented themselves as cult leaders, with “the handshake under our tongue,” here they’re more like mad prophets broadcasting their ravings to the world from a dingy basement. The music is mid-fi, shrouded in filters that feel like the musical embodiment of the band’s misanthropy, and the dominant instrument isn’t synth or guitar but Matt Asti’s bass, which burbles nauseously out of the gloom. -
Manual Innovation Diversity – New Approaches of Cultural Encounter
INNOVATION DIVERSITY NEW APPROACHES OF CULTURAL ENCOUNTER IN EUROPE A manual with insights, best practice portraits, ideas, a checklist and links in the inclusive performing arts and culture scene ENRICHING CHANGE NEW INSPIRING INNOVATIVE OPEN-MINDED DIVERSITY MIXED-ABLED ART FREE THINKER IMPULSE VARIETY PARTICIPATION CHANCES REVOLUTION DEVELOPME FUTURE EVERYBODY SOCIETY ACCESS FLEXIBILI- TY RESPECT TOLERANCE ACCEPTANCE POTENTIAL JOY PLEASURE EXPRESSION TRANSITION POLITICAL PASSION UNIQUENESS CURIOSITY AVANTGARDE PROFESSIONFoto: © Yilmaz Ulus QUALITY PIONEERS AESTHETICS ZEITGEIST VISIONARY COMMUNICATION BRAVE ENRICHING CHANGE NEW INSPIRING INNOVATIVE OPEN-MINDED DIVERSITY FOREWORD Inclusion is an issue which intersects and The European project Un-Label has achie- MIXED-ABLED ART FREE affects all areas of life – including public ved this in an exemplary way through as well as social institutions. By its ratifica- cooperation between artists of various tion of the UN Convention on the Rights of disciplines and abilities in opening up and THINKER IMPULSE VARIETY Persons with Disabilities (CRPD) in 2009, exploring aesthetic spaces. This shows Germany is committed to promoting and how important new creative and inclusive protecting the full and equal participation approaches are. PARTICIPATION CHANCES of persons with disabilities. This also applies to the field of culture! The booklet you hold in your hands through the efforts ofUn-Label combines There have been significant changes scientific, political as well as practical REVOLUTION DEVELOPME especially in passive participation within concepts, which illuminate cultural partici- culture and the arts in the last few years. pation in a variety of ways. The presenta- However, there remains a great deal to tion of ten best practice portraits offers FUTURE EVERYBODY do in relation to accessibility.