Chronology of Film and Video Exhibitions at the Long Beach Museum of Art, 1974-1999 Compiled by Kathy Rae Huffman

Following is a chronology of film and video exhibitions at the Long Beach Museum of Art from 1974 to 1999. Many of the exhibition videotapes are included in the Long Beach Museum of Art Video Archive, held by the Getty Research Institute in Los Angeles (accession number 2006.M.7). The exhibition videos are currently being cataloged. Some have been reformatted and are available for on-site viewing at the Getty Research Institute. For more information, contact library Reference.

*All works have sound unless otherwise noted.

Year Date Exhibition Title Curated By Artists / Description

1974 April 7 – Jay D McCafferty: Jan Ernst Adelmann First exhibition of video art at LBMA, black and white tapes May 19 Videotapes and Apartment Art, 1974, b/w, 8:25; including: “Time, Shoe Boat, Books Plug, 2-2=1, Crayonex, A Snap is a Slap, Sugar Light, Sink, Water Teapot Ice Box, Tabasco vs Catsup, Test 1974 April 13 – The Lightning Michael Sherlock, An exhibition from a TV Movie-Production workshop, for June 15 Factory Long Beach Recreation young people between the ages of 8-13, held on 10 Saturdays Department, Project Equipment included Super 8 movie cameras, ½” video porta Director paks, film, lighting, graphic supplies 1974 September Studio Mindscapes Organized by the Two animated films constructed by the technique of 29 – Sottsass and Walker Art Center, photomontage, purchased on Videotape from October 27 Superstudio: Minneapolis Environmental Communications (LA) Supersurface: An alternative Model for Life on Earth, 1972, color, 9:44 Cerimonia, 1973, color, 14:14 1974 -1975 December 4, Nam June Paik: TV David A Ross Early Tapes, 1966-68 including CV-AV transfers of: - January 5 and Paper TV Dieter Roth on Canal Street, 1966 Variations on Johnny Carson vs Charlotte Moorman, 1966 Variations on George Ball on Meet the Press, 1967 Paik-Moorman Experiment (with Jackie Cassen), 1968 (last segment in color), 30:00 total Chronology of Film and Video Exhibitions at the Long Beach Museum of Art, 1974-1999 Long Beach Museum of Art Video Archive, circa 1964-2003, The Getty Research Institute, Los Angeles, Accession no. 2006.M.7

Electronic Opera No 2, 1972, color, 7:30 (part of Video Variations, 1972, produced by WGBH Boston, with the Boston Symphony Orchestra, hosted by Russell Connor) color, 60:00 total Waiting for Commercial, 1972, color, 12:00 Experiments at WNET, 1972, color, 52:00 The Selling of New York, 1972, color, 7:30 Paik/Abe Vidosynthesizer with Charlotte Moorman, 1971, color, 30:00 A Tribute to John Cage, 1973, color, 60:00 Global Groove, 1973, color, 28:30 (the first museum purchase of video art) 1975 January 12 – Americans in David A Ross Vito Acconci, Theme Song, 1974, b/w 32:45 February 16 Florence: John Baldessari, The Italian Tape, 1975 b/w 8:35 Europeans in Joseph Beuys, Vitex Agnus Castus, 1972 color 9:05, silent Florence Daniel Buren, Video Souvenir: “covering/effacing,” Düsseldorf, September 1971, b/ w 45:10; Video Souvenir: overing/effacing,” Venice, June 1973, b/w 13:10; Video Souvenir: covering/effacing, Florence, November 1974, b/w, 12:10 Pierpaolo Calzolari, Untitled, 1973, b/w, silent, 10:53 Giussepe Chiari, II Suono (The Sound), 1974, b/w, 6:49 Terry Fox, Lunedi, 1975, b/w, 20:00 Frank Gillette, Three Tuscan Fields and the Birds of Madagascar (Parts I & II), 1974, Sunflowers and the Birds of Southern Madagascar, b/w, 10:15, Vineyard and the Birds of Western Madagascar, b/w, 10:30 Joan Jonas, Merlo, 1974, b/w, 10:51 Allan Kaprow, Then, 1974, b/w, 23:33 Janis Kounellis, Untitled, 1973 b/w 22:07 silent Alvin Lucier, The Queen of the South, 1972 - 1974, b/w, 30:52 Urs Lüthi, Morir d’Amore, (featuring Eike), 1974, b/w, 8:35, 2

Chronology of Film and Video Exhibitions at the Long Beach Museum of Art, 1974-1999 Long Beach Museum of Art Video Archive, circa 1964-2003, The Getty Research Institute, Los Angeles, Accession no. 2006.M.7

silent; No Title, 1974, b/w, 7:29 Jean Otth, Limite E 1973, b/w 11:04; Limite B, 1973, b/w, 10:24 Charlemagne Palestine, Body Music, 1973, b/w, 12:50; Body Music II, 1974, b/w, 8:15 Giulio Paolini, Unisono, 1974, b/w, silent, 1:57 Alberto Pirelli, Stay Tuned, 1974, b/w, silent, 14:32 Bill Viola, “A Series,” including: Instant Breakfast, 1974, color, 5:05; Olfaction, 1974, color, 2:34; Recycle, 1974, color, 3:00; Cycles, 1973, b/w, 7:07

1975 February 23 Dewain Valentine: Catalogue at LBMA This was a camera obscura in the bay window room, a live look – September Documentation of outside 7 Spectrum Installation 1975 February 23 Terry Fox: The David A Ross Clutch, 1971, b/w, 50:00 – Children’s Tapes Turgescent Sex, 1971-72, b/w, 15:16 March 23 and Other Works Incision, 1971-72, b/w, 15:16 The Children’s Tapes, 1974, b/w, 30:46 Two Turns, 1975, b/w, 28:28 1975 March 30 – Joel Glassman: David A Ross Rattling outside, Banging Inside, 1973-74, b/w, 16:00 April 27 Videotapes and Dreams, 1974-75, b/w, 30:00 Photographs (Including The Room, Mother, Ant, and Me, and Soaring) The Assassin, 1974-75, b/w, 30:00 1975 May 4 – Frank Gillette: David A Ross Frank Gillette, Quidditas, 3-channel installation, Bough: June 1 Quidditas Snow/Broook; Field/Dusk; Lake; Wood’s, Floor, color, silent, 54:00, Tidal Flats; Dunes; Sea, color, ambient sound, 58:45; Pond: Groove; Salt Marsh; Scrub Pines, color, silent, 44:00 1975 June 8 - Southland Video David A Ross Alan Ackoff, Newhall Greyhound Depot Lost and Found, 1974,

September 7 Anthology I b/w, 4:00 Billy Adler, Color: Still Life with Fruit; Focus; Two Aquariums; Disappearing Pen; Alka Seltzer in Three Shades, Banana Peel; Door One; Shvartzer, 1974-75, (30:00 total) David Anderson, Compilation of works, 1974-75: Free Standing Wall Art, b/w, 5:16; Nezbis Eats Wall Art, b/w, 2:25; Felt- tipped Drawing, b/w, 3:51, Punch, b/w, 5:35, This is My Voice, b/w, 1:51, Family Portrait, b/w, 6:31, Stamp Machine, b/w, 0:40 Eleanor Antin, The Little Match Girl Ballet, 1975, color, 27:00 John Baldessari, Ed Henderson Suggests Soundtracks for Photographs, 1975, b/w, 25:00 Dede Bazyk, Compilations of works, 1975, b/w, 20:00 Lynda Benglis, Female Sensibility, 1974, color, 14:00 Chris Burden, Selections ’71-’74, 1975, color & b/w, 36:00 Thomas Burton, Video Tom at the Ant Farm, 1974, b/w, 13:30 Shelly Chamberlain Three untitled works: Untitled, 1975, b/w, 6:00; Untitled, 1975, b/w, 0:58; Untitled, 1975, b/w, :32 Brian Connell, Petro-Theatre, 1975, b/w, 37:00 Lowell Darling, Yesterday’s TV News/Today’s Video Art, 1975, color & b/w, 19:14 David Dashiell, Excerpts from the Past Presented, 1974, b/w, 5:30; Poses, 1974, b/w, 3:00; Untitled, 1974, b/w, 10:30; Another Solution, 1975, b/w, 8:18 Susan Davis, The Stalin Tape, 1974, b/w, 4:00; The Blank Tape, 1974, b/w, 4:00 Ken Feingold, Jumps, 1975, b/w, 3:00; Literal Illustration, 1975, b/w, 6:30; In a Vacuum, 1975, b/w, 4:30 Charles Frazier, Happy Birthday, April 26, 1975, 1975, b/w, 7:00 Roberta Friedman, The Making of Americans, 1974, b/w, 6:00 John S Gordon, This, 1975, b/w, 15:00 4

Eileen Griffin, Sugar ‘n Spice and Everything Nice, 1974, b/w, 60:00 Thomas Jancar, A-Z/Z-A (Black-board), 1975, color, silent, 3:57; Clockwise/Counterclockwise, 1975, color, 1:13; 2 Pennies/2 Bowls, 1975, color, 2:16 Bryan Jones, Six of One, A Half-Dozen of Another, c1974- 1975, b/w, 6:43 Allan Kaprow, Rates of Exchange; Second Routine, 1974-75, b/w, 60:00 Donald Karwellis, Untitled, 1974, total color, 60:00 Stanton Kaye, Pat’s Loft Shadows (nos 1-5), 1974, b/w, 11:12 Rodger Klein My Name is Curtis, 1975, b/w, 17:00; Times Jokes, 1975, b/w, 6:30 Rodger and Thomas Klein, A Portrait: 54 Years, 1976, b/w, 60:00 John Knight, For Every Action There Exists an Equal and Opposite Reaction…Not Taking into Account That Extra Object, 1970, b/w, 19:40 Lisa Koper, UC Irvine, 1979, b/w, 13:30 Shigeko Kubota, A Day at the California Institute of the Arts (with Shuya Abe), 1971, color, 20:00 Suzanne Lacy, Three Works from the Teeth Series, 1974, b/w, 7:22 William Leavitt, The Good, The Tape, Honest, Theater, Silk, The Farm, 1973, b/w, 21:00 Joan Logermann, Eye Contact, 1975, b/w, 16:41 Joan Logue Ocean/Ocean, 1973, color, 10:55; Reflection, 1974, b/w, 2:29; Shadow On/Off, 1974, b/w, 3:37; Ocean/Door, 1975, color, 3:19; Sheet/Sheet, 1975, color, 4:30 Fred Lonidier Confessions of the Peace Corps, 1974, color & b/w, 61:24 Bruce Lyon Pick-up Stix, Running, then Slowly, 1974- 75, b/w, 15:00 5

Jay McCafferty, Ocean Tape, 1975, b/w, 32:30 Paul McCarthy, Glass, 1974, color, 14:11, Sauce, 1974, color,17:24 Cynthia Maughan, Compilation of Works, 1974-75: Two Sticks Mourning at another Stick’s Funeral, b/w, 2:12; Suicide, b/w, 1:10; Arteries and Veins, b/w, 1:32; A Violent Death b/w 3:12; Shooting at White Balloons, b/w, 2:27; Scar/Scarf, b/w, 2:46; Scar/Make-up, b/w, 2:04; This Is a Message of Infinite Patience from the Mind of the Universe, b/w, 1:08; Coffin from Toothpicks, b/w, 1:07; The Causes of Unconsciousness Tabulated for Ready Reference, b/w, 1:28; Shelly’s Remains, b/w, 1:59; The Haunted Mausoleum, b/w, 1:56; Hand Reaching for Medicine, b/w, 1:37 Susan Mogul, Mogul is Mobil, Vol III, 1975, b/w, 10:38 Bruce Nauman, Violin Tuned DEAD, 1968, b/w, 60:00 Tim Owens, Compilation of Works, 1972-75, b/w, 23:00: Bird on the White Part, Clothespin Rocket, Floating Vile, Heavy Air, My First Reverie, Nancy and Arline, Robert Jameson, Snow White, Sufi, Take What Is in My Hand, The Nature of Earthquakes Nam June Paik, Ginsberg/Audrich (excerpt) (with Paul Challacombe), 1971, color, 15:00 Michael Portis, Untitled, 1973, b/w, 20:00 Tom Radloff, Untitled, 1973, b/w, 30:00 Raindance (Frank Gillette, Alan Rucker, Paul Ryan, Ira Schneider, Michael Shamberg), The California Tapes, 1971, b/w, 60:00 Anthony Ramos, Balloon Nose Blow-Up, 1972-74, b/w, 27:30 Martha Rosler, A Budding gourmet; Semiotics of the Kitchen, 1974, b/w, 16:57 Allen Ruppersberg, A Lecture on Houdini (for Terry Allen), 6

1973, b/w, 30:00 David Salle, What’s Cooking, 1974, b/w, 11:28, Reading Room, 1975, b/w, 6:42; Hair Cut, 1975, b/w, 11:48 Van Schley, Fiji Puzzle, 1975, color, 5:15; Banana Peel, 1975, color, 1:57; Green Nose, 1975, color, 1:35 Michael Scroggins, Δ, 1972, b/w, 5:25; Spiral, 1973, b/w, 19:40; Exchange, 1974, b/w, 2:45; Sangsaric, 1975, color, 1:30 Ilene Segalove, The Professional Retirement Home, and other works, 1974, color & b/w, 50:00 Allan Sekula, Talk Given by Mr Fred Lux at the Lux Clock Mfg Company Plant in Lebanon, Tennessee on Wednesday, September 15, 1954, 1974, b/w, 24:16, Performance Under Working Conditions, 1973, b/w, 21:22 Barry Singer, Along the Trail with Mr Burner, 1974, b/w, 10:08 Barbara Smith, Color Transformations (a,b,c), 1974, color, 8:00, silent, Moving Monuments (Excerpts from Heizenburg’s “Uncertainty Principles”), 1974, b/w, 2:00; Recreation, 1974, color, 5:00, silent Nina Sobel, Interactive Electroencephalographic Video Drawings, 1975, b/w, 30:00 Philip Steinmetz, Art in Life: Photography - The “Natural” and “Decisive” Truth, 1975, b/w, 31:25 Marc Stern, Eat; Test; Marbles #1, 1974-75, b/w, 3:30 Wolfgang Stoerchle, Compilation of Works, 1970-72, b/w, 41:27 John Sturgeon, NOR MAL/CON VERSE, 1974, b/w, 4:18; Shirt, 1974, b/w, 6:06; Waterpiece, 1974, b/w, 7:11; Hands Up, 1974, b/w, 10:00 Telethon (Billy Adler, John Margolies), Television Collage, 1973, color & b/w, 60:00 Bart Thrall, Imitation of Life, 1975, b/w, 15:53 Michael Tucker, The Accident, 1974, b/w, 9:28; A Story of 7

Stories, 1975, b/w, 10:40 Peter Van Riper, Rainbow Window, 1973, color, 30:00 William Wegman, Reel #1, Reel #2, 1971, b/w, 40:00 VJames Welling, Embers, 1974, b/w, 16:52 1975 September Landscape Studies David A Ross Donald Burgy, April 21, 1973, b/w, 30:00 27 -October in Video Juan Downey, Moving, 1974, b/w, 30:00 26 Frank Gillette, Quidditas (tape 1), 1975, color, 54:00 Paul Kos, Pilot Butte/Pilot Light, 1974, b/w, 15:00; Riley, Roily River, 1975, b/w, 2:00 Joel Wm Hermann, While I Was Waiting, 1975, b/w, 14:00 Jay McCafferty, Clouds, 1975, b/w, 31:55 Andy Mann, Stream, 1972, b/w, 20:00 Ira Schneider, Manhattan Is an Island (composite edit), 1974, b/w, 60:00 1975 November 6 Bill Viola: David A Ross “In Drag”(from Passage Series), 1973, b/w, 5:20 - 30 Videotapes Cycles, 1973, b/w, 7:07 Level, 1973, b/w, 8:28 Polaroid Video Stills (excerpts), 1973, color, 2:38 In Version, 1973, color, 6:40 Composition D, 1973, b/w, 9:50 Vidicon Burns, 1973, color, 8:15 “August ’74,” 1974, color, 11:00 total: Instant Breakfast, 5:05 Olfaction, 2:34 Recycle, 3:00 “Red Tape,” 1975, color, 29:40 total: Playing Soul Music to My Freckles So They Won’t Get Lonely, 2:46 A Non-Dairy Creamer, 5:19 The Semi Circular Canals, 8:51 A Million Other Things, 4:35 8

Return, 7:15 1975-1976 December 6- Alexis Smith: David A Ross A Thousand Nights in One Night, 1975, color, 20:00 January 4 Classics Illustrated 1976 February 21- Juan Downey: David A Ross Yukatan/ Guatamala (two-channels), 1973, b/w, 27:40 March 21 Video Trans Lima/ Machu-Picchu (two-channels), 1974, b/w, 27:30 Americas Chile, June 1971, 1974, color, 17:00 Las Meninas (The Maidens of Honor), 1975, color, 20:00 Cusco(two-channels), 1976: Cusco One 1974, monochrome color, 20:45 Cusco Two 1974, monochrome color, 19:30 La Frontera (The Frontier) (two-channels), 1976, b/w, 16:00 Inca (two-channels), 1976: Inca One, b/w, 21:30 Inca Two, b/w, 23:00 1976 March 27 – Fred Lonidier: The David A Ross Fred Lonidier, The Health and Safety Game, 1976, b/w, 21:22 May 2 Health and Safety Game Philip Stenmetz: Somebody’s Exhibition with photographs and documents Making A Mistake 1976 May 19- Artists at WGBH Curator: David A Ross; Mark Allen, Past Fantasies, 1976, color July 11 Boston: Videotapes Produced by WGBH Donald Burgy, Contexts, 1976, color & b/w, 1:30; Everything From The New New Television Nothing, 1976, b/w, 2:00; Optimizing, 1976, color, 2:30; Television Workshop, Co- One Many, 1976, color, 5:30; Communication, 1976, color Workshop Director: Fred Barzyk, & b/w, 6:30 Coordinator: Dorothy Peter Campus, Set of Coincidence, 1974, color, 14:00, silent, Chiesa Four Sided Tape, 1976, color, 3:08 Frank Gillette, Quidditas (single channel version), 1975, color, 27:47 Robert Goldman, Untitled, 1976, b/w, 16:31 Ron Hays, A Visualization of an Experience Within Music: The 9

Prelude and Liebestod from “Tristan and Isolde” by Richard Wagner, 1975, color, 22:00 Jeffery Hudson, An Heroic Saga, 1976, color, 24:00 Andy Mann, Summer Snapshots, 1975, b/w, 24:16 Jo Sandman, A Color Piece for Television, 1976, color, 3:43, silent Tava, Partnerships, 1976, color, 27:58 William Wegman, Semi Buffet (with the Two or Three Variations which Could be Very Possible): A Televised Dinner; Selected Works, Reel 6, 1975, b/w, 16:30 WGBH New Television Workshop/Fred Barzyk (producer), New Television Showcase, 1976, color, 60:00 Boston Symphony Orchestra and Artists, WGBH, “Video Variations,” 1972, color, 60:00: Tsai Wen-Ying, Cybernetic Sculpture Stan Venderbeek, Dancework Series Constantine Manos, Still Photography Douglas Davis, Numbers: A Videotape Event Jackie Cassen, Video Art; Wake Up America Russell Connor, Untitled James Seawright/Mimi Garrand, Two Schoenberg Pieces Nam June Paik, Electronic Opera No 2 WGBH/Fred Barzyk (producer), The Medium is the Medium, 1968: Aldo Tambellini, Black, color & b/w, 4:09 Allan Kaprow, Hello, color & b/w, 4:44 James Seawright, Capriccio for TV, color, 6:15 Otto Piene, Electronic Light Ballet, color, 4:54 Nam June Paik, Electronic Opera No 1, color, 4:23 1976 July 31- Interactive Video/ Curator: David A Ross; Interactive Video/Irvine, 1976, b/w, 14:06, (interactive video August 29 Irvine Prepared by Greg system documentation, 1975-76) Lynch, Designer, and 10

Melodee Williams, The Long Beach Museum of Art and the UCLA Dickson Art Center Video Coordinator for Video Laboratory in cooperation with the Irvine Unified School the Irvine Unified District – put on two public participation video interactive School District performances on Saturday and Sunday August 14 and 15, 1976 Saturday program: Artists, Designers and interested Video Appreciators are invited to see, participate and enjoy 2-way television, color and colorization of images in the installation at the Long BeCH Museu of Art Mits Kataoka and Greg Lynch, will work with you Sunday: ‘Inside Out; Interactive Video Dance Performance – involving 2 different locations within the museum will be staged with melody-percussion accompaniment on a Tibetan Bowl and other instruments The performers wil be interacting with each other via video monitors throughout the museum, Video Mits Kataoka, Greg Lynch – Video Environment 1976 September 4 Southland Video David A Ross Billy Adler, Color as Sculpture, 1976, color, 20:00 – Anthology II, Part 1 Eleanor Antin, The Adventures of A Nurse, 1976, color, 1:07:00 October 17 Peter Barton, Silver Star, 1976, b/w, 8:50; Catalogues Tranformations/Diamond Red, 1976, color, 31:15 available Robert Cumming, Outdated Autobiography, 1976, color, 5:30; Lacks Parallax, 1976, color, 2:30 Charles Frazier, Hail to the Chief, 1976, b/w, 5:06; Variations on Manifest Destiny, 1976, b/w, 24:00; Mimbres Digs, 1976, b/w, 40:00 Alexis Smith, A Tale of Two Dreamers, 1976, b/w, 5:00 John Sturgeon, Shapes from the Bone Change, 1975, b/w, 4:20; The Two of Triangles, 1975, b/w, 2:38; ConJunct, 1976, b/w, 5:00; 2 Aspects, 1976, b/w, 4:08 1976-1977 October 23 – Southland Video David A Ross (dedicated to Wolfgang Stoerchle) January 9 Anthology II, Part 2 Nancy Angelo/Candace Compton, Nun and Deviant, 1976, b/w, 11

20:25 Kathy, comes in as John Baldessari, Folding Hat, 1970, b/w, 10:55 catalogue Intern Lynda Benglis/Stanton Kaye, How’s Tricks, 1976, color, 34:00 Robert Biggs, What You Look At, 1976, color, 0:10 Chris Burden, TV Tapes, 1973-1976, color, 4:10 Antoinette Dejong, Erasers, 1976, b/w, 19:00; Jelousy, 1976, b/w, 8:00 John Duncan, Right, 1976, color, 14:00; Free, 1976, color, 9:38 Neil Goldstein, Dreaming of Encinada, 1976, b/w, 5:34; Outreach: Telephone, Whistles, Kong, 1976, b/w, 15:00 Harry Kipper, Up Yer Burn with a Bengal Lancer, 1976, b/w, 25:32 Suzanne Lacy, Learn Where the Meat Comes From, 1976, color, 14:24 Gary Lloyd, Voyages: A Duet, 1976, b/w, 13:00 Jay McCafferty, Unfinished Autobiography, 1971-1976, b/w, 25:00 Paul McCarthy, Sailor’s Meat, 1975, color, 30:00 Cynthia Lee Maughan, (Compilation of Works), 1975-76: Razor Necklace, b/w, :51; Hat with a Veil b/w 3:08; An Illustrated Story, b/w, 3:47; The Way Underpants Really Are, b/w, 1:12; The Toast of Alabama, b/w, 2:00; Smokey Joe and the Devil b/w, 1:55; Smokey Joe and the Devil (Tracks of My Tears), b/w, :47; If the Sun Landed in My Corral, b/w, 1:29; Dear (Abby), b/w, 3:06 Susan Mogul, Big Tip, 1976, b/w, 3:21; Back Up, b/w, 1:51; Shut Out, 1976, b/w, 5:01 Michael Portis, 3D Human Instrument, 1976, b/w, 17:45; Ultimate Future, 1976, b/w, 15:47 Barbara Smith, I Am Not Lost but Hidden, 1976, color & b/w, 15:00 12

1976 November Ant Farm and TR David A Ross, Curator; Ant Farm: Chip Lord, Doug Michels, Curtis Schreier, TR 20 – Uthco: The Eternal Kathy Rae Huffman, Uthco: Doug Hall, Diane Andrews Hall, Jody Proctor, The December 5 Frame Intern Eternal Frame, 1976, color & b/w, 24:00 1976-1977 December East is Red Hildegarde Duane, Written and directed by Hildegarde Duane, East is Red, 18 - Curator; Kathy Rae 1976, color, 26:00 February 6 Huffman, Intern (Accompanied an exhibition of Chinese sculpture) A videotape catalogue was produced by the Long Beach Museum of Art 1977 January 29 – Southland Video David A Ross Lowell Darling/Ilene Segalove, The Cauliflower Alley Tapes, March 13 Anthology II, Part 3 1976, color, 60:00, (including: Cauliflower Alley Club Theme Lowell Song: Part II, The Motion Pictures) Darling/Ilene Segalove: The Cauliflower Alley Tapes

catalogue 1977 March 5 Nam June Paik, David A Ross Nam June Paik, Guadalcanal Requiem (John Kaldor, Project Guadalcanal: A A screening event in No 5), version 1, 1977, color, 47:20, featuring Charlotte Requiem collaboration with Moorman Some Serious Business, Inc. in Venice, CA 1977 March 25 – Filmex Artist Video Curator: David A Ross, Vito Acconci, The Red Tapes, 1976, b/w, 26:00 March 27 and Film Program In collaboration with John Baldessari, Ed Henderson Suggests Soundtracks for (shown in Los Castelli-Sonnabend Photographs, 1975, b/w, 25:00 Angeles) Videotapes and Films, Lynda Benglis/Stanton Kaye, How’s Tricks, 1976, color, 34:00 Director: Joyce Peter Campus, East Ended Tape, 1976, color, 6:00; Four Sided Neraux, NY Tape, 1976, color, 3:08; Third Tape, 1976, color, 5:00 Juan Downey, Inca Split, 1976, b/w, 20:00 Simone Forti, Three Grizzlies, 1974, b/w, 15:00 13

Frank Gillette, Rituals for a Still Life, 1976, b/w, 25:00 Joan Jonas, Disturbances, 1974, b/w, 15:00; Good Night Good Morning, 1976, b/w, 20:00 Paul and Marlene Kos, Battle Mountain, 1973, b/w, 24:00 Richard Landry, Divided Alto, 1974, color, 15:00 Andy Mann, One Eyed Bum, 1974, b/w, 6:00 Charlemagne Palestine, Island Song, 1976, b/w, 15:00; Island Monologue, 1976, b/w, 15:00 Richard Serra, Television Delivers People, 1973, color, 6:00 Richard Serra/ Robert Bell, Prisoner’s Dilemma, 1974, b/w, 60:00 Keith Sonnier, Animation II, 1974, color, 25:00 William Wegman, Selected Works, Reels, 1, 3, 4, 6, 1970-76, b/w, 1:30:00 total Lawrence Weiner, A Bit of Matter and a Little Bit More, 1976, b/w, 20:00 1977 April 15 William Wegman: Presented by Some William Wegman, Selected Works, Reel 4, 1972, b/w, 20:00; Talk & TV (shown Serious Buisness, Inc Selected Works, Reel 6, 1975, b/w, 20:00; Semi Buffet (with in Venice as part of and Long Beach the Two or Three Variations which Could Be Very Possible): A SSB Videonight Museum of Art Televised Dinner, 1975, color, 20:17 Series) 1977 May 4 – Martha Rosler: David A Ross Martha Rosler, Semiotics of the Kitchen, 1975, b/w, 6:05; The June 5 Foul Play in the East is Red, the West is Bending, 1977, color, 20:00; Chicken House Losing…A conversation with the Parents, 1977, color, 18:45; From the PTA, the High School, and the City of Del Mar… Catalogue exists Charity, 1977, color, 7:00; Vital Statistics of a Citizen, Simply Obtained, 1977, color, 39:19

1977 May 5 – Bruce Kurtz: David A Ross Presented at the Long Beach Public Library: Bruce Kurtz, May 31 Spots: The Popular Spots: The Popular Art of American Television Commercials, Art of American 1977, color, 62:00 Television Commercials 1977 May 14 – Southland Video David A Ross Alan Ackoff, Art Bar Blues, 1976, single-channel video, b/w, July 3 Anthology II, Part 4 3:25; Cornceptual Art, 1976, single-channel video, b/w, 2:25 David Askevold, Very Soon You Will, 1977, color, 28:00 (assisted by UC Irvine) Ronald Benom, The Room (part 1), 1977, color, 24:00 Rabyn Blake, Pease Porridge, 1976, b/w, 6:15; Mudpool, 1976, b/w, 7:48 Colin Campbell, The Woman From Malibu, 1976-77, b/w, 10:00; The Temperature in Lima, 1976, b/w, 10:00; Culver City Limits, 1976, b/w, 10:00 Guy de Cointet/ Bob Wilhite, Ethiopia, 1977, b/w, 40:00 Joel Wm Hermann, Water Log II, 1976, b/w, 2:13; TAT a family portrait, 1977, b/w, 6:06; China White, 1977, color, 2:00 Allan Kaprow, Private Parts, 1977, color, 17:00 Peter Kirby, Walnut Street, Newhall CA, 1976, b/w, 19:08; Blue and Yellow, 1977, color, 4:48; Caution: Men Working, 1976-1977, b/w, 3:02 Rodger Klein, Untitled Image Poem, 1976, color, 6:30; Fantasies of Revlon Boys, 1976, color, 6:00; Bag Breaths, 1976, b/w, 6:00 David Lamelas, The Hand, 1976, color, 35:00 William Leavitt, Rain or Shine, 1977, color, 22:00 Joan Logue, Valentine Portraits, 1977, color, 16:00 Linda Montano, Jane Gooding, R N in “Learning to Talk,”1977, b/w, 10:53

Ira Schneider, More or Less Related Incidents in Recent History, 1976, color, 41:00 Lisa Steele, Atlanta Georgia / Cold Springs Harbor, Long Island, 1977, b/w, 35:00 William Wegman, Gray Hairs, 1976, color, 5:10; Selected Works, Reel 7, 1976-77, color, 17:54 1977 May 19 Douglas Davis: Two David A Ross; Douglas Davis, Two Cities, A Text, Flesh, and the Devil, 1977, Cities, A Text, Flesh, Produced in performance, 2:30:00 and the Devil cooperation with the The live event took place at Theta Cable TV, Santa Monica and Long Beach Museum Viacom Cable (Channels 65 & 7) in San Francisco of Art, California State University, Long Beach, Art Department, and the Floating Museum, San Francisco 1977 September Raúl Guerrero: The David Ross Nude 1977 color 3:44 18 – October Disturbing Object Vuelo Mundial 1977 b/w 5:07 23

1977 September Video Art David A Ross Billy Adler, Color Works, 1975-77, color, 20:00 13 – (3 Months/3 Cities) Ant Farm/TR Uthco, The Eternal Frame, 1976, color & b/w, 24:00 December Eleanor Antin, The Little Match Girl Ballet, 1975, color, 27:00 27 Lynda Benglis / Stanton Kaye, How’s Tricks, 1976, color, 34:00 Allan Kaprow, Private Parts, 1977, color, 17:29 Peter Kirby, Walnut Street, Newhall, CA, 1976, b/w, 19:08; Blue and Yellow, 1977, color, 4:48; Dog, 1976, b/w, 2:47, silent;Caution: Men Working, 1976-1977, b/w, 3:02 David Lamelas, The Hand, 1976, color, 35:00 Joan Logue, Valentine Portraits, 1977, color 16:00; Ocean/Ocean, 1973, color, 10:55; Dear LA, Love NY, 1974, 5:00; Ocean/Door, 1975, color, 3:19; Plastic Poetry; Another Snow, 1972, 5:00; African Water Piece; Portraits; (Total: 24:00) Michael Portis, Ultimate Future, 1976, b/w, 15:47 Martha Rosler, Losing …A Conversation with the Parents, 1977, color, 18:45 William Wegman, Gray Hairs, 1976, color, 5:29, silent; Selected Works, Reel 7, 1977, color, 16:30 WGBH Boston/ Fred Barzyk, Video: The New Wave, 1974, color, 60:00 1977 September Shigeko Kubota: David A Ross Shigeko Kubota, Duchampiana: Marcel Duchamp’s Grave, 18 – Duchampiana: 1972-75 (from the video sculpture), color, 19:03; October 21 3 Video Sculpture Duchampiana: Nude Descending A Staircase, 1975-76 (from the video sculpture), color, 8:00, silent; Meta-Marcel: Window, 1976 (from the video sculpture) 1977 October 29 – Paul and Marlene David A Ross Paul Kos, St Elmo’s Fire, installation November Kos: Videotapes In the adjacent gallery, two videotapes by further examined 27 the nature of electricity: Marlene and Paul Kos, Lightning, 1976, b/w, 1:30; Sirens, 1977, color, 4:31 17

1977-1978 November Southland Video David A. Ross November 15: 15 – Anthology II, Part 5 Robert Biggs, What You Look At, 1976, color, 0:10; Robert January 17 Biggs is Robert Biggs, 1977, color, 1:30; 51%, 1977, color, Catalogue 0:30; 2 Minute Broadcast, 1977, color, 2:00

November 22: Kevin Boyle, True / False: A Collection of Works, 1976-1977: True Tales: A True / False Test, color, 6:57; Rear End, color, 2:05; Making Claims, color, 9:20; TV Types, color, 2:25; My Friend Bill, color, 5:00; The Truth about the Matter Is, color, 4:15; Busy, color, 2:25; The Lie I Tell Myself, color, 3:22; Media Coverage, color, 4:00

November 29: Elon Soltes, Nixon in Exile, 1975-1976, color, 16:20 Ronald D Clark, Doubt, 1975, b/w, 21:00 Hildegarde Duane/ David Lamelas, The Dictator, 1977, color, 15:06 David Lamelas, The Hand, 1977, color, 36:54

December 6: Douglas Huebler/Stephanie Weinschel, “In the Pool at Night,” including: Stephanie Weinschel, Female, 1974, b/w, 17:14; Douglas Heubler, East Squantum Street Puddle, 1975, b/w, 14:44; Second Generation Conceptual Artist, 1974, b/w, 10:30; Huebler/ Weinschel, Airplanes (music, Steve Reich), 1977, b/w, 19:15

December 13: Billy Adler, “New Work,” 1977, color, 17:05, silent, including: 18

Color, Roy G Biv, Alka Slezer in Three Shades, Caroline, Waterpainting with Flower Petals, No X’s

December 20: Celia (Sally) Shapiro, Water Paintings C, 1977 (from the video installation), color, 60:00

January 3: Judith I Corona, Half-Forgotten and Not Yet Known, 1977, color, 12:28, silent; Michael, 1977, color, 6:16, silent; Rock Piece, 1977, color, 1:42, silent; Space Rythms, 1977, color, 8:22, silent

January 10: Nancy Buchanan / Barbara Smith, With Love from A to B, 1977, color, 8:42 1977-1978 December Studio Z Individual Kathy Huffman Duval Lewis, Tribute to Sun Ra, 1977, color, 60:00 11-January Collective (Video tape is part of a larger exhibition of mixed-media) 15 Catalogue 1978 January 21 – John Sturgeon: Two Curator: John Sturgeon, I Will Take You, 1977, b/w, 13:42, with Aysha February 19 Video Installations David A Ross Quinn; As Above/As Below, 1978, two-channel, color, 13:51 Assistant Curator: catalogue Linda Van Akin 1978 February 9 – Video Art Curator: Billy Adler, “New Work,” 1977, color, 17:05, silent, May 16 David A Ross including: Color, Roy G Biv, Alka Slezer in Three Shades, Cable TV Series Coordinated by: Caroline, Waterpainting with Flower Petals, No X’s Poster for the Jeffery Roy, Kevin Boyle, True / False: A Collection of Works, 1976-1977: series produced Assistant Curator, True Tales: A True / False Test, color, 6:57; Rear End, color, Long Beach Museum 2:05; Making Claims, color, 9:20; TV Types, color, 2:25; My of Art, and Kathy Friend Bill, color, 5:00; The Truth about the Matter Is, color, 19

Huffman, Video 4:15; Busy, color, 2:25; The Lie I Tell Myself, color, 3:22; Coordinator, Some Media Coverage, color, 4:00 Serious Business, Inc Nancy Buchanan/Barbara Smith, With Love from A to B, 1977, color, 8:42 Ronald D Clark, Doubt, 1975, b/w, 21:00 Judith I Corona, Half-Forgotten and Not Yet Known, 1977, color, 12:28, silent; Michael, 1977, color, 6:16, silent; Rock Piece, 1977, color, 1:42, silent; Space Rythms, 1977, color, 8:22, silent Hildegarde Duane/David Lamelas, The Dictator, 1977, color, 15:06 Joel Wm Hermann, New Works, 1977-78, b/w, 30:00 Paul Kos, New Works, 1976-77, color & b/w, 30:00 Cynthia Lee Maughan, Current Works, 1977, b/w, 30:00 Aysha Quinn, Why Would I Throw Eggs at You Liz?, 1977, b/w,3:35 Celia (Sally) Shapiro, Water Paintings C, 1977 (from the video installation), color, 60:00 Elon Soltes, Nixon in Exile, 1975-1976, color, 16:20

1978 March 19 – William Leavitt: Do David A Ross, William Leavitt, Do Lizards Spit?, 1978, color, 13:24 April 2 Lizards Spit? Assistant Curator: Sue Ellen Waller Brochure avail. 1978 April 23 – Joel WM Hermann, Sue Ellen Waller, Joel Wm Hermann, Openers, 1971, b/w, 7:00; Wartcake, July 13 Sally Shapiro: Assistant Curator 1971, b/w, 6:40; Rewind, 1972, b/w, 5:00; Teleological Videoworks Survey #1172, 1972, b/w, 10:00; Corner Rondo, 1973, b/w, 9:00; Bits and Pieces, 1973, b/w, 9:30; Water Log 1, 1974, b/w, 9:10; Another Boolian Ring, 1974, b/w, 9:40; While I was Waiting, 1975, b/w, 14:00; Water Log II, 1976, b/w, 2:13; Recurring Fractions, 1976, b/w, 8:00; TAT a family 20

portrait, 1977, b/w, 6:06; China White, 1977, color, 2:00; It’s OK though, 1977, color & b/w, 6:35; Testseries, 1972, color, 2:40 Sally Shapiro, Water Paintings C, 1977, color, 60:00; Water Paintings Z, 1977, color, 30:00 1978 June 25 – 1978 Summer Nancy Drew, Alan Ackoff, Newhall Greyhound Depot Lost and Found, 1974, September Video Archives and Assistant Curator: b/w, 4:00; Conceptual Art, 1976, b/w, 2:30; Art Bar Blues, 17 Sue Ellen Waller 1977, b/w, 3:00 Billy Adler, Collected Works, 1976, color, 10:46, silent; New Color Works, 1977, color, 17:05, silent, including: Color, Roy G Biv, Alka Slezer in Three Shades, Caroline, Waterpainting with Flower Petals, No X’s “Americans in Florence: Europeans in Florence,” including: Vito Acconci, Theme Song, 1974, b/w, 32:45 John Baldessari, The Italian Tape, 1975, b/w, 8:35 Joseph Beuys, Vitex Agnus Castus, 1972, color, 9:05, silent Daniel Buren, Video Souvenir: “covering/effacing,” Düssledorf, September 1971, b/w, 45:10; Video Souvenir: “covering/effacing,” Venice, June 1973, b/w, 13:10; Video Souvenir:”covering/effacing,” Florence, November 1974, b/w, 12:10 Pierpaolo Calzolari, Untitled, 1973, b/w, 10:53, silent Giuseppe Chiari, Il Suono (The Sound), 1974, b/w, 6:49 Terry Fox, Lunedi, 1975, b/w, 20:00 Frank Gillette, Three Tuscan Fields and the Birds of Madagascar (Parts I & II), 1974: Sunflowers and the Birds of Southern Madagascar, b/w, 10:15; Vineyard and the Birds of Western Madagascar, b/w, 10:30 Joan Jonas, Merlo, 1974, b/w, 10:51 21

Allan Kaprow, Then, 1974, b/w, 23:33 Jannis Kounellis, Untitled, 1973, b/w, 22:07, silent Alvin Lucier, The Queen of the South, 1972-1974, b/w, 30:52 Urs Lüthi, Morir d’Amore, 1974 (featuring Elke), b/w, 8:35, silent; No Title, 1974, b/w, 7:29 Jean Otth, Limite E, 1973, b/w, 11:04; Limite B, 1973, b/w, 10:24 Charlemagne Palestine, Body Music, 1973, b/w, 12:50; Body Music II, 1974, b/w, 8:15 Giulio Paolini, Unisono, 1974, b/w, 1:57, silent Alberto Pirelli, Stay Tuned, 1974, b/w, 14:32 Bill Viola, “A Series,” including: Instant Breakfast, color, 5:05; Olfaction, color, 2:34; Recycle, color, 3:00; Cycles, 1973, b/w, 7:07 Ant Farm/TR Uthco, The Eternal Frame, 1976, color & b/w, 24:00 Eleanor Antin, The Little Match Girl Ballet, 1975, color, 27:00; The Adventures of a Nurse, 1976, color, 1:07:00 David Askevold, Very Soon You Will (two of seven studies), 1979 (featuring James Gorman, Carol Williams), color, 44:20 John Baldessari, Folding Hat, 1970, b/w, 10:55; Ed Henderson Suggests Soundtracks for Photographs, 1975, b/w, 25:00; The Italian Tape, 1975, b/w, 8:35; Baldessari Sings LeWitt, 1972, b/w, 13:00; I Am Making Art, 1971, b/w, 19:00 Lynda Benglis/Stanton Kaye, How’s Tricks, 1976, color, 34:00; The Amazing Bow-Wow, 1977, color, 30:00 Gary Beydler, Mirror, 1974, color, 4:00; Hand Held Day, 1974, color, 5:00, silent; Pasadena Freeway Stills, 1974, color, 6:00, silent; Los Ojos, 1974, color, 2:00 Robert Biggs, What You Look At, 1976, color, 0:10; Robert Biggs is Robert Biggs I, II, III, 1977, color, 1:30; 51%, 1977, color, 0:30; 2 Minute Broadcast, 1977, color, 2:00 22

Rabyn Blake, Pease Porridge, 1976, b/w, 6:15; Mudpool, 1976, b/w, 7:48 Kevin Boyle, “True/False: A Collection of Works,” 1976-1977: True Tales: A True / False Test, color, 6:57; Rear End, color, 2:05; Making Claims, color, 9:20; TV Types, color, 2:25; My Friend Bill, color, 5:00; The Truth about the Matter Is, color, 4:15; Busy, color, 2:25; The Lie I Tell Myself, color, 3:22; Media Coverage, color, 4:00 Nancy Buchanan/Barbara Smith, With Love from A to B, 1977, 12:00 Chris Burden, Selections ’71-’74, 1975, color & b/w, 36:00; TV Tapes, 1973 - 1976, color, 4:10 Donald Burgy, Everything Nothing, 1976, b/w, 2:00; Contexts, 1976, color & b/w, 1:30; Optimizing, 1976, color, 2:30; One Many, 1976, color, 5:30; Communication, 1976, color & b/w, 6:30 Peter Campus, Set of Coincidences, 1974, color, 14:00, silent; Four Sided Tape, 1976, color, 3:08 Ronald D Clark, Doubt, 1975, b/w, 21:00 Guy de Cointet/Bob Wihite, Ethiopia, 1977, b/w, 40:00 Guy de Cointet, An Interview with Dr Hun, 1974, b/w, 6:00 “Collectors of the 1970s,” interviews, Clark/Vogel/ Davidson/Herrick-Bruten/Grand Rapids/Wright/ Asher/ Weisman/Marsh: James Clark with Paul Schimmel, 1977, color, 12:07; Herbert and Dorothy Vogel with Douglas Davis, 1977, color, 13:06; Roger Davidson with Peggy Gale, 1977, color, 9:13; Helen Herrick and Milton Brutton with Hermine Freed, 1977, color, 17:27; Grapnd Rapids: Public Collectors with David A Ross, 1977, color, 18:15; Virginia Wright with Alanna Heiss and David A Ross, 1977, color, 21:30; Betty Asher with Virginia Dwan, Alanna Heiss and David A Ross, 23

1977, b/w, 18:07; Fred and Marcia Weisman with Hildegarde Duane and David A Ross, 1977, color, 22:08; Stanley Marsh 3 with Hildegarde Duane, James Harithas, Chip Lord and Marilyn Lubetkin, 1977, color, 20:29 Judith I Corona, Half-Forgotten and Not Yet Known, 1977, color, 12:28, silent; Michael, 1977, color, 6:16, silent; Rock Piece, 1977, color, 1:42, silent; Space Rythms, 1977, color, 8:22, silent Dorit Cypis, They Keep on Living, 1976, b/w, 5:38 Lowell Darling / Ilene Segalove, The Cauliflower Alley Tapes, 1976, color, 60:00 Juan Downey, Chile, June 1971, 1974, color, 17:00; Machu- Picchu, 1974, b/w, 27:00; Happy 1974, Lima, Peru; Las Maninas, (The Maidens of Honor), 1975, color, 20:00 Hildegarde Duane, East is Red, 1976, color, 26:00; Haircut, 1978, color, 14:00 Terry Fox, Clutch, 1971, b/w, 50:00; Turgescent Sex, 1971-72, b/w, 15:16; Incision, 1971-72, b/w, 15:16; The Children’s Tapes, 1974, b/w, 30:46; Two Turns, 1975, b/w, 28:28 Charles Frazier, Hail to the Chief, 1976, b/w, 5:06; Happy Birthday April 26, 1975, 1975, b/w, 7:00; Illumination, 1976, color, 24:00; Variations on Manifest Destiny, 1976, b/w, 24:00; Gas, 1976, b/w, 12:00 Roberta Friedman, The Making of Americans, 1974, b/w, 6:00 Frank Gillette, Quidditas, Tapes I, II, III, (edited from the three-channel work) 1975, color, 27:47 John S Gordon, This, 1975, b/w, 15:00 Raul Guerrero, Vuelo Mundial, 1977, b/w, 5:07; Nude, 1977, color, 3:44, silent Ron Hays, The Prelude and Liebestod, 1975, color, 22:00 Joel Wm Hermann, While I Was Waiting, 1975, b/w, 14:00; 24

China White, 1977, color, 2:00; it’s OK though, 1977, color & b/w, 6:35; Water Log II, 1976, b/w, 2:13; Testseries, 1977, color, 2:40; TAT a family portrait, 1977, b/w, 6:06 Allan Kaprow, Private Parts, 1977, color, 17:29 Harry Kipper, Up Yer Bum with a Bengal Lancer, 1976, b/w, 25:32 Peter Kirby, Walnut Street, Newhall, CA, 1976, b/w, 19:08; Dog, 1976, b/w, 2:47, silent; Caution: Men Working, 1976- 1977, b/w, 3:02; Blue and Yellow, 1977, color, 4:48 Rodger Klein, Times Jokes, 1975, b/w, 6:30; My Name is Curtis, 1975, b/w, 17:00 Roger Klein/Thomas Klein, A Portrait: 54 Years, 1976, b/w, 60:00 Suzanne Lacy, Three Works from the Teeth Series, 1974, b/w, 7:22; Learn Where the Meat Comes From, 1976, color, 14:24 David Lamelas, The Hand, 1977, color, 36:54; The Dictator, 1977, color, 15:06 Joan Logue, Valentine Portraits, 1979, color, 7:03 Fred Lonidier, Confessions of the Peace Corps, 1974, color & b/w, 61:24; The Health and Safety Game, 1976, b/w, 21:22 Jay McCafferty, Unfinished Autobiography, 1971-1976, b/w, 25:00; Ocean Tape, 1975, b/w, 32:30; Clouds, 1975, b/w, 31:55 Andy Mann, Assorted Works/ Pussycats, nd, b/w, 4:40; Stream, 1972, b/w, 20:00; Summer Snapshots, 1975, b/w, 24:16 Cynthia Maughan, Current Works, 1989: Poison Tamale Pie, color, 1:52; Dramatic Devices, color, 15:55; Sex Symbol, color, 0:27; Stains, color, 1:08; Calcium Pills, color, 0:53; Browning Auto, color, 3:16 Susan Mogul, Vibrator Tape, 1975, b/w, 9:45; Dressing Up, 1975, b/w, 7:06; Mogul is Mobil (part III), 1975, b/w, 10:38 ; Big Tip, 1976, b/w, 3:21; Back Up, 1976, b/w, 1:51; Shut Out, 1976, b/w, 5:01 25

Linda Montano, Jane Gooding, RN in “Learning to Talk,” 1977, b/w, 10:53 Tim Owens, Compilation of Works, 1972-75, b/w, 23:00: Bird on the White Part, Clothespin Rocket, Floating Vile, Heavy Air, My First Reverie, Nancy and Arline, Robert Jameson, Snow White, Sufi, Take What Is in My Hand, The Nature of Earthquakes Nam June Paik, Global Groove, 1973, color, 28:30; Guadalcanal Requiem (John Kaldor, Project No 5)(version 1), 1977 (featuring Charlotte Moorman), color, 47:20 Nam June Paik/Merce Cunningham, Merce by Merce by Paik, 1978, color, 13:05 Michael Portis, Compilation of Works, 1974, b/w, 30:00; Ultimate Future, 1976, b/w, 15:47; Italian Art, 1976, b/w; 3-D Human Instrument, 1976, b/w, 17:45 Judson Rosebush, Space, 1974, color, 2:50, silent Martha Rosler, A Budding Gourmet, 1974, b/w, 16:57; Semiotics of the Kitchen,1975, b/w, 6:05; Losing…A Conversation with the Parents, 1977, color, 18:45 Allen Ruppersberg, A Lecture on Houdini (for Terry Allen), 1973, b/w, 30:00 Jo Sandman, A Color Piece for Television, WGBH, Boston, 1976, color, 3:43, silent Van Schley, Fiji Puzzle, 1975, color, 5:15; Green Nose, 1975, color, 1:35; Banana Peel, 1975, color, 1:57; Freeway Tape Ira Schneider, Some Scenes in Southern California, 1977, color, 15:00; More or Less Related Incidents in Recent History, 1976, color & b/w, 39:30 Ilene Segalove, Compilation of Works, 1973-1975, color & b/w, 47:00 Allen Sekula, Talk Given by Mr Fred Lux at the Lux Clock Mfg 26

Co Plant in Lebanon, Tennessee, on Wednesday, September 15, 1954, 1974, b/w, 24:16 Celia (Sally) Shapiro, Water Paintings, 1977 (from the video installation), color, 60:00 Barbara Smith, Color Transformations (a,b,c), 1974, color, 8:00, silent; Recreation, 1974, color, 5:00, silent; Moving Monuments (excerpts from Heizenburgs “Uncertainty Principals”), 1974, b/w, 2:00 Elon Soltes, Nixon in Exile, 1975-1976, color, 16:20 Lisa Steele, Atlanta, Georgia/Cold Springs Harbor, Long Island, 1977, b/w, 16:31 Philip Steinmetz, Art in Life: Photography - The “Natural” and “Decisive” Truth, 1975, b/w, 31:25 John Sturgeon, Shapes from the Bone Change, 1975, b/w, 4:20; the Two of Triangles, 1975, b/w, 2:38; ConJunct, 1976, b/w, 5:00; 2 Aspects, 1976, b/w, 4:08 Bart Thrall, Imitation of Life, 1975, b/w, 15:53 Vincent Trasov, Mr Peanut’s Mayoral Campaign, 1974, color, 22:24 Bill Viola, Passage Series, 1973, b/w, 7:50; Cycles, 1973, b/w, 7:07; Level, 1973, b/w, 8:28; Polaroid Video Stills, 1973, color, 2:38; In Version, 1973, color, 6:40; Instant Breakfast, 1974, color, 5:05; Olfaction, 1974, color, 2:34; Recycle, 1974, color, 3:00; Migration, 1976, color, 7:00; Information, 1973, color, 30:00 William Wegman, Gray Hairs, 1976, color, 5:29, silent; Selected Works (1974-76), 1976, color & b/w, 11:23, sound & silent 1978 August 6 – Ancient Roots/New Organized by Fondo Irene del Rosario Buck/Don Roman, Nueva Cancion de las August 20 Visions – Raices Del Sol, Washington D Americas, 1975-76, color, 11:00 Antiguas/Visiones C; Coordinator, Kathy Rebecca Crumlish, Lost Cities, 1975, b/w, 10:00; Biography of 27

Neuvas Rae Huffman an Artist, 1972, b/w, 8:00 Loni Ding, Diego Rivera’s “Portrait of America,” 1975, b/w, 10:00 Touring exhibition… Juan Downey, Las Meninas (The Maidens of Honor), 1975, catalogue color, 20:00; Guahibos, 1976, color, 28:00; Bi-Deo, 1976, color, 25:00; La Frontera (The Frontier), 1976, b/w, 16:00 Bart Friedman, Viaje a Caballo (By Horse & Cart from El Paso to Santa Fe), 1974, b/w, 31:50 Linka Harper, Errata, 1975, b/w, 40:00 Louise Lo, Victory at Caratan, 1975, color, 28:00 Mirea Sentis, Manuel, 1976 b/w, 10:00 Daniel del Solar, Community Murals, 1976, color, 27:00 1978 Date tbc The Handphone Nancy Drew Laurie Anderson - Sound sculpture, on loan from MOMA, NYC Table 1978-1979 November 3 Video Art: Made RoseLee Goldberg, Weekly Cable TV Series: – for TV? The Kitchen Center, Vito Acconi, The Red Tapes, 1976, b/w, 2:26:00 March 3 New York, Southern Robert Ashley, Title Withdrawn, 1976, color, 50:00 California cable series Lynda Benglis/Stanton Kaye, The Amazing Bow-Wow, 1977, organized by Kathy color, 30:00 Rae Huffman, Video Ed Bowes, Romance, 1976, b/w, 2:14:00 Coordinator, Long Ronald D Clark, Doubt, 1975, b/w, 21:00 Beach Museum of Art; Jamie Dalglish, Angle /el of Repose, 1978, b/w, 45:00 Cable TV series in Long Richard Foreman, City Archives, 1978, color, 29:00 Beach, Santa Monica Out of Body Travel, 1976, b/w, 42:00 and Santa Barbara Ralph Hilton/Robert Wilson, Spaceman, 1976, color, 30:00 coordinated with Nancy Holt, Revolve, 1977, b/w, 1:15:00 Some Serious Business John Keeler/Ruth Rotko, The Last Space Voyage of Wallace Ramsel, 1977, color, 45:00 Tony Ramos, Nor Was This All by Any Means, 1978, color, 24:00 Bill Viola, Palm Trees on the Moon (version 1), 1977-78, color, 26:06; Memories of Ancient Power, 1977-78, color, 35:19 Bob and Ingrid Weingand, Snapshots for an Indian Day, 1977, 28

color, 30:00 William Wegman, Selected Works, Reel 7, 1977, color, 16:30 1979 January 14 – Eleanor Antin: The Nancy Drew Eleanor Antin, The Nurse and the Hijackers, 1977, installation February 18 Nurse and the with video tape, color, 1:19:00 Hijackers 1979 February 4 – Videthos: Cross- Eric Michaels Juan Downey, The Singing Mute, 1978, color, 10:16; Laughing March 11 Cultural Video by Exhibition and Alligator,1978, color, 8:30 Artists catalogue organized Joan Logue, Liberian Women Real Time, 1973, b/w by Kathy Rae Huffman, Tony Ramos, Nor Was This All By Any Means, 1978, color, 24:00 Catalogue avail. Video Coordinator Ira Schneider, Timezones Interview, 1978, color Edin Velez, Tule, the Cuna Indians of San Blas, 1978, color, 15:00 Bill Viola, Palm Trees on the Moon (version 1), 1977-78, color, 26:06; Memories of Ancestral Power, 1977-78, color, 35:19 1979 March 9 Nam June Paik: Organized by Nam June Paik, Picturephone Performance, 1979, color, 30:00 (event) Picturephone University of March 25 – Performance California, Los Particpants: May 6 Angeles, Department LA: (exhibition) of Design/Dickson Nam June Paik, Gary Lloyd & Renegade, Shirley Clarke, Sally Video Lab, in Shapiro, Peter Ivers, Nancy Drew, Eric Johnsen, Mrs Robbins, association with Long Students, UCLA videolab Beach Museum of Art NY: Shigeko Kubota, Joan Logue, Bill Wegman & Man Ray, Wendy Clarke Earl Howard, Al Robbins, Debora Jelin, and others

Coordinator Kathy Huffman

Thank you, Mitsuru Kataoka, and Picturephone LA Victor Montobon / NY Barbara Schneider

Documentation and editing, John Jebb, LBMA 29

Picturephone Performance took place LA at the AT&T corporate offices, Wilshire Blvd – in NY at the AT&T corporate offices March 9, 1979

1979 June 24 – Video from Tokyo Barbara J London, The Mako Idemitsu, Another Day of A Housewife, 1977-78, August 5 to Fukui and Kyoto Museum of Modern color,18:00 Art, New York, touring Nobuhiro Kawanaka, Kick the World, 1976, b/w, 20:00 show Hakudo Kobayashi, Part 4, 1978, color, 17:00 Akira Kurosaki, Summer Dream, 1978, color, 7:00; Syncopation, 1979, color, 9:00 Toshio Matsumoto, Mona Lisa, 1973, color, 3:00 Kyoko Michishita, Being Women in Japan: Liberation within My Family, 1973-74, b/w, 30:00 Tsuneo Nakai, Tune, 1978, color, 30:00 (music by Hideki Yoshida) Kou Nakajima, My Life (part 1) 2-channels, 1974-78, b/w, 30:00 Fujiko Nakaya, Friends of Minamata Victims, 1972, b/w, 20:00 (videotaped by Fujiko Nakaya and Hakudo Kobayashi Hitoshi Monura, Age:M-F, 1978, color, 31:00 Video Information Center (Yusuki Ito, Yasuhiko Suga, Noyama Takeshi, Ichiro Tezuka), Hitogata,1976, color, 60:00 (Choreography by Tatsumi Hijikata, performance by Yoko Ashikawa June 20, 1976, at the Asbest Theatre, Tokyo); Dance No 7, 1976, color, 40:00 (Performance by Min Tanaka, July 3, 1976 at the Goethe Institute, Tokyo) Katsuhiro Yamaguchi, Ooi and Environs, 1977, b/w, 10:00 Keigo Yamamoto, Foot No3, 1977, b/w, 10:00; Foot No4, 1978, color, 10:00 1979 September 9 New Video: John Kathy Huffman John Caldwell, Flame Jumper Series, 1979, color, 42:00 (a – Caldwell, Peter work in four parts, featuring the Varrio Cheergirls): November D’Agostino, Population Progress, and the Golden Rule, 1st quarter, 9:42 30

11 Charlemagne Happy Families Are All Alike, 2nd Quarter, 13:33 Palestine Schizophrenia Gives Me the Bends, 3rd Quarter, 8:30 Petrochemic Hari-Kari, or The Disembowelment of Organic Fertilization Methods, 4th Quarter, 7:30 Peter D’Agostino, Proposal for QUBE, 1978, color & b/w, 11:30 Charlemagne Palestine, Dark to Dark, 1979, color, 19:27 1979 October 1 & Mitchell Syrop: Aired on KCOP TV, (A Television Broadcast) 12 Watch It Think It Channel 13, Mitchell Syrop, Watch It Think It, 16mm film, 1979, color, Supported by the Long 0:30 seconds Beach Museum of Art 1979-1980 December 1 The Fifth Annual Jurors: John Hanhardt, Judith Azur, Kinesphere, color, 10:50 – Ithaca Video Whitney Museum, Skip Blumberg, For A Moment You Fly: The Big Apple Circus, January 6 Festival New York; Richard 1978, color, 29:00 Simmons, Everson Peter D’Agostino, Coming and Going: Paris (Metro), 1977, Museum, Syracuse, color & b/w, 5:00 New York; Gunilla Kit Fitzgerald/ John Sanborn, Interpolation, 1979, color 28:30 Mallory Jones and Ernest Gusella, Facial Treatments, 1979, color, 3:55; Iris, Philip Mallory Jones, 1979, color, 3:20 Ithaca Video Projects, Gary Hill, Windows, 1978, color, 8:00; Objects with Ithica, New York Destinations, 1979, color, 3:45 Steve Koplan, Untitled Morning Ritual, 1978, color, 9:00 Mitchell Kriegman, Always Late, 1979, color, 10:10 Path Lehman, Square Dance, color, 7:00 Henry Coshey Linhart, Bog Rushes, color, 4:10 Bill and Esti Marpet, Pyrenees Portrait, color, 15:42 Ann McIntosh, Incidents at Revere High, color, 13:10 James Morris, The Stag Hotel, color, 28:58 John Orentlicher, Sometimes in September, 1979, b/w, 13:00 Dan Reeves with Jon Hilton, Thousands Watch, 1979, color, 7:00 Susan Russell, TV Hot, TV Cold, color, 9:00 31

Celia (Sally) Shapiro, Cluck, 1978, color, 17:00 Edin Velez, Tule, the Cuna Indians of San Blas, 1978, color, 28:00 1980 January 20 - Joan Logue: M M Alvarez Bravo Joan Logue, M Alvarez Bravo, January 13, 1980, color, 20:00 March 9 Alvarez Bravo: A exhibition Curated by Video produced on the occasion of the exhibition Portrait Jane Livingston, Corcoran Gallery of Art, Washington, DC; Video produced at LBMA 1980 January 20 – 30/60 TV Art Kathy Huffman, Ante Bozanich, Feel, 1979, color, 0:30 March 9 curator; Works Nancy Buchanan, These Creatures, 1979, color, 1:00 produced at the Alba Cane, Ex-Claim, 1979, color, 0:30 Artist’s Post- Hildegarde Duane, Silk, 1979, color, 1:00 Production Studio John Duncan, Human Choir, 1979, color, 0:30 (APPS); John Jebb, Peter Ivers, The Fan Club, 1979, color, 0:30 Studio Manager Ilene Seaglove, TV is OK, 1979, color, 0:30 Bruce and Norman Yonemoto, Love Lines, 1979, color, 0:30 1980 February 6 – N/A Vision Screening series Screenings presented in three locations in the Los Angeles April 16 organized by Kathy area: The Long Beach Museum of Art’s Artists Post- Huffman; Production Studio (APPS), 8813 West Alcott Street in Selected and Culver City, and USC’s Annenberg School of organized Communications Small Auditorium collaboratively by the February 6, 13, 20: Foundation for Art Ante Bozanich, Selected Works, 1975-79, color & b/w, 50:00 Resoures (FAR), Pier Marton, Tapes, Tapes, 1978-79 (original version), 28:00 Highland Art Agents (HAA), and the Long March 5, 12, 19: Beach Museum of Art Lawerence Weiner, There But For, 1980, color, 20:00; Do You Believe in Water, 1976, color, 39:13

April 2, 9, 16: 32

Nancy Buchanan, Tar Baby, 1977, b/w, 10:00; Primary and Secondary Spectures, 1979, color, 6:00; Parallel Fantasies, 1980, color, 6:00; These Creatures, 1979, color, 1:00; Work in Progress, 1980, color Bruce and Norman Yonemoto, Love Lines, 1979, color, 0:30; An Impotant Metaphor, 1979, color, 57:35 1980 March 12 – Bill Viola: Chott El- Kathy Huffman Bill Viola, Chott el-Djerid (A Portrait In Light and Heat), 1979, April 13 Djerid (A Portrait In color, 28:00 Light and Heat) 1980 April 16 – Joan Jonas: Kathy Huffman Joan Joans, Duet, 1972, b/w, 4:00; Left Side Right Side, 1972, May 18 Videotapes b/w, 7:00; Organic Honey’s Visual Telepathy, 1972, b/w, 23:00; Vertical Roll, 1972, b/w, 20:00; Two Women, 1973, b/w, 20:00; Barking, 1973, b/w, 3:00; Three Returns, 1973, b/w, 12:00; Disturbances, 1974, b/w, 15:00; Glass Puzzle, 1974, b/w, 26:00; I Want To Live in the Country, 1976, color, 24:31 1980 May 21 – Northwest Video Kathy Huffman Edward Geis, Yo-Yo,1978, color, 6:55 June 22 Alan Lande, Fe-nom-nol o-ji (parts I,II,III), 1979, color, 32:12 Edward Mellnick, Sleeper, 1980, color, 7:26; Time Piece, 1980, color, 8:58 Norie Sato, Farwell to Triangel 1, 1977, color, 6:50; On Edge, 1979, color, 3:50; Break and Be Back, 1979, color, 1:10; Imitation/ Limitation, 1979, color, 9:00; Phosphor Read-out, 1979, color, 4:00 1980 June 29 – California Video Kathy Huffman; Max Almy, Modern Times, 1979, color, 17:28 August 24 Official US exhibition Dan Boord, Jean-Luc Goes Sea World, 1980, color, 2:43 for the 11th Biennale Ante Bozanich, Alarm, 1980, color, 11:00 de Paris John Caldwell, Hamburger Harmonics, 1978, color, 18:00 (September 20 - Alba Cane, Whatever Went before…Goodbye, 1980, color, 4:05 November 3, 1980), Helen DeMichiel, Chain Store Age, 1979, color, 24:00 premiered at LBMA Tony Labat, Babalu, 1980, color, 10:10 33

prior to being shown Pier Marton, Breathing, Whistle (from Tapes, 28:00, 1978- in France Traveled to 1979 original version), 1979, color, 2:45 and/or Gallery, Tony Oursler, The Weak Bullet, 1980, color, 12:38 Seattle, WA; Jan Peacock, California Freeze-out, 1980, color, 16:20 Mandeville Art Patti Podesta, Stepping, 1980, color, 5:50 Gallery, University of Joe Rees/Target Video, California New Wave, 1980, color, 29:40 California, San Diego, Nina Salerno, Piece Meal, 1980, color, 4:26 CA; Ilene Segalove, Five True Stories, 1980, color, 6:07 Meadows Mall, Las Starr Steven Sutherland/ “Captain” Bruce E Walker, Hunting Vegas, NV; PS!, the Great White, 1978, color, 13:35 Queens, NY; Bruce and Norman Yonemoto, Romanic, 1980, color, 15:50 Northwest Film Studies Center, Portland, OR; Rocky Mountain Film Center and the Boulder Public Library, Boulder, CO; Utah Media Center, Salt Lake City, UT; and Washington Project for the Arts, Washington, DC

1980 September 7 The Amarillo News Kathy Huffman Premier: – Tape Doug Hall/Chip Lord/Jody Proctor, The Amarillo News Tape, October 12 1980, color, 28:00

Tape Program: Ant Farm, The Cadillac Ranch Show, 1974, color, 12:00; Media Burn, 1975, color & b/w, 25:00 34

Ant Farm / TR Uthco, Eternal Frame, 1976, color & b/w, 25:00 Doug Hall, Game of the Week, 1977, color, 16:23 Doug Hall/Dianne Andrews Hall, I Like Super Markets, 1974, b/w, 12:10 1980 October 19 – Hildegarde Duane Kathy Huffman Hildegarde Duane and David Lamelas, Scheherade, 1980, 22:00 November and David Lamelas: A premier (work produced at LBMA) 23 Scheherade 1980 November 6 Muntadas Kathy Huffman Screening at LBMA Video Annex: Antoni Muntadas, Liege 12, 9, 77, 1977, color, 18:00 (produced for Belgium TV); Between the Lines, 1979, color & b/w, 25:00; On Subjectivity: About TV, 1978, color & b/w, 50:00 1980 November Taka Iimura Kathy Huffman Taka Iimura, Self Identity, 1972-74 (color version 1978), 19 19:00; Camera, Monitor, Frame, 1976, b/w, 20:00; Talking to Myself: Phemomenological Operation, 1978, color, 17:00; Double Identities (on Turning the Double Negatives to the Positive), 1980, color, 8:00 1980-1981 November Sixth Annual Ithaca Jurors: Peter Bradley, Peer Bode, Apple(s), Counting and Remapping, 1978, color, 4:00 30 – Video Festival Producer, KCTA-TV, ST Bill Charette, Mixed Bag, color, 8:27 January 11 Paul, MN; Pat Faust, Doris Chase, Jazz Dance, 1979, color, 4:00 Head of Programming, Connie Coleman/Alan Powell, Advanced Riding Bowl, 1980, WXXI-TV, Rochester, color, 3:00 NY; Gunilla Mallory Collectivision, As a Public Service, 1979, color, 18:00 Jones and Philip Gordon Craig / Lewis MacAdams / Martha Olsen / Barbara Mallory Jones, Ithaca Wright, California I, color, 28:30 Video Projects Tom DeFanti / Barabara Sykes, By the Crimson Bands of Cyttorak, 1978, color, 7:00 Juan Downey, Laughing Alligator, 1978, color, 8:30 Tom Freebain/Winston Tong, BoundFeet: A Performance by Winston Tong, color, 14:00 Ernest Gusella, The Exquisite Corpse, 1979, color, 8:00 35

Ellen Kahn/Lynda Kahn, Instant This-Instant That, color, 4:00 Kathryn Kanehiro, Shutters: Morning I, 1979, color, 2:05; Shutters: Morning II, 1979, color, 1:42 Mimi Martin, At the Dump, color, 2:00 Pier Marton, Tapes, 1979, color, 16:00 Laurie McDonald, Water, Wind, and the Record of Rocks, 1979, color, 9:30 Dave Pentecost/ Lyn Tiefenbacher, Biker’s Wedding, color, 6:57 Barabara Sykes, Electronic Masks, 1978, color, 4:18 Steina, Bad, 1979, color, 3:19 Anita Thacher, The Breakfast Table, 1979, color, 14:00 Bill Viola, Chott-el-Djerid (A Portrait in Light and Heat), 1979, color, 28:00 1980-1981 November Kit Galloway and Kathy Huffman; Kit Galloway and Sherrie Rabinowitz, Hole in Space: A Public 11, 13 & 14 Sherrie Rabinowitz: A 3 Day Public Event Communication Sculpture (version 1), 1980, b/w, 31:26 (event) Hole in Space: A between NYC (Lincoln Videotape produced at APPS, LBMA Public Center) and Los December 6 Communication Angeles (Broadway Produced by: Kit Galloway & Sherrie Rabinowitz/Mobile – Sculpture Department Store, Image, Technical Director: Charlie Brouyette, Technical January 11 Century City) Director: NY: Mark Schubin, Associate Producer: Karl (exhibition) Event and Hartig, Audio NY: Bob Aldridge, Documentation LA: exhibition Lynn Adler & Jules Backus, Documentation NY: Bill & documentation Este Marpet, Consultant: Richard Byrne with video Following the public communication sculpture between NYC and Los Angeles 1981 January 18 – Neo-Realist Video: Kathy Huffman John Arvanites, Echo Park, 1980, color, 26:00 February 15 John Arvanites, Vera Frenkel, “…And Now, The Truth”(A Parenthesis), 1980, Vera Frenkel, color, 30:00 Cynthia Rush Cynthia Rush, William Rush by Cynthia Rush, 1979, color, 15:59 1981 February 9 – Videonight A weekly screening February 9: April 27 series, presented in Dan Ake, Coming and Going, 1981, color, 9:00 36

collaboration with the Karen Finley, Sauerkraut and Suicide, 1980, color, 19:00 Foundation for Art Phillip Huser / Tony Labat / Bruce Pollack (“The Puds”), Resources (FAR), the Vege-nam, 1981, color, 2:00 Long Beach Museum Stefaan Janssen, Disaster Video, 1980, color, 3:00 of Art, and Otis Tony Labat, Room Service, 1978, b/w, 3:38 Parsons School of Kevin Martin/ Carol Szymansky, The New Rich, 1981, color, 4:00 Design; Mike Osterhout, Seulement Pour Dames (For Women Only), Screenings at the Long 1981, color, 3:00 Beach Museum’s Mark Pauline, Performance at Keezer Palace, 1980, color, 15:00 Artists’ Post- Magdalen Peirrakos, You Can Never Get As Much Control as Production Studio You Want, 1980, color, 16:00 (APPS and Otis Carol Swanson, Phenomenon, 1980, color, 5:30 Parsons School of Design, Main Gallery) February 23 (APPS): Klaus vom Bruch, Moderne Zeiten-eine autobigrafische Analyse (Modern Times- An Autobiographical Analysis), 1979, color, 15:00; Das Propellerband (The Propeller Tape), 1979, color, 30:00; Speak & Spell, 1979, color, 8:00; Das Softyband, (The Softy Tape), 1979-80, color, 20:00; Das Duracellband (The Duracell Tape), 1980, color, 10:00; Mounted Popaganda-Das Propagandaband (Mounted Propaganda- The Propaganda Tape), 1981, color, 18:00

March 2 (OTIS): Jaime Davidovich, The Gap, 1981, color, 14:57; Soho Wants to Know, 1980, color, 61:42

March 9(APPS): John Arvanites, Echo Park, 1980, color, 26:00 Ilene Segalove, I Remember Beverly Hills, 1980, color, 28:00

March 16 (Otis): Noel Harding, Birth’s Child, 1973, b/w, 3:00

March 23 (APPS): James Byrne, Of Water, OF Place, 1980, color, 8:00 Gary Hill, Around and About, 1980, color, 4:56 Bob Snyder, Icron, 1978, color, 10:00; Lines of Force, 1979, color, 10:00 Phil Morton/ Jane Veeder, Program #7: Revised for TV, 1979, color & b/w, 25:00; Selections from Work in Progress, 1981, color & b/w, 20:00 Steina and Woody Vasulka, Selected Artifacts from the Digital Image Articulator, 1978-80, color & b/w, 15:00

March 30 (OTIS): “Open Screening”

April 6 (APPS): Willy Walker and Dana Atchley live interaction of video and humor

April 13 (OTIS): Susan Britton, Me$$age to China, 1979, color, 23:00; Standard Format No 1 (Da Da Go Go) 1980, color, 45:00

April 20 (APPS): Alan Sondheim recent videotapes and work in progress from 1979 - 1981

April 27 (OTIS): Nina Salerno, “Man Created Man as Man, Not as a Blob”, 1978, 38

color, 7:49; Model-x, 1980, color, 3:17; Piece Meal, 1980, color, 4:26; The Italian Way to Alleviate Obnoxiating Things, 1979, color, 3:42; Darwin Was Right-Survival of the Fittest, 1979, color, 7:51 1981 February 21 SOHO TV Presents Jaime Davidovich Edit deAk/ Paul Dougherty/ Mike Robinson, Frankie Teardrop, – 1978, color 11:46 March 27 Gregory Battcock, Outreach: The Changing Role of the Art Museum, 1978, color, 28:00 Jamie Davidovich, Conversations, 1979, color, 27:25 Robert Kushner, One Size Fits All, 1978, color, 27:40 Michael Smith, Secret Horror, 1980, color, 13:41 1981 March 28 – French Video Art/ Don Foresta, Director, Roland Baladi, Tele-Pathy (Non Verbal Communication April 25 Art Video Francais Center for Media Art, Experiment No 182), 1975, b/w, 15:41, silent The American Center, Dominique Belloir, Memory, 1979, color, 17:04 Paris Robert Cahen, Trompe L’Oeil, 1979, color, 5:58; L’Eclipse, 1979, color, 2:56; Horizontales Couleurs, 1979, color, 10:06 Roman Cieslewicz, Chandement de Climat, 1979, color, 24:05 Nicole Croiset / Nil Yalter, Rahime, Femme Kurde de Turquie, 1979, color, 22:21 Colette Deblé, La Fée des Croisées, 1980, color, 22:53 Olivier Debré, L’Alphabet du Sourire, 1979, color, 13:55 Francois Helt / Chris Marker, Guerre et Révolution, 1977, color, 15:27 Catherine Ikam, Quadra; Niagara Falls I, II, III, 1979, color & b/w, 11:45 Thierry Kuntzel, Still, 1980, color, 24:10, silent Suzanne Nessim / Teresa Wennberg, Swimmer, 1978, color, 21:45 Hervé Nisic, Feeling, 1979, color, 4:23; A Treat, 1979, color, 11:42; Métro, 1979, color, 3:36 François Pain, Métro Couronne, 1977, color, 12:32 Slobodan Pajic, Sans Titre, 1977, color, 9:45 39

Patrick Prado, Périphérique, 1979, color, 11:34 Pierre Rovère, Surfaces, Surfaces, 1979, color, 12:00 Claude Torey, Le Multiple Roi, 1979, color, 14:08 1981 April 5 Video Now Kathy Huffman Barbara Buckner, Hearts, 1980, color, 12:00 Dieter Froese, The Art Trip, 1980, color, 6:30 Julia Heyward, 360, 1980 color, 42:00 Tony Oursler, The Loner, 1980, color, 30:00 1981 June 3 - 7 AFI National Video National Viedo John Arvanites, Echo Park, 1980, color, 26:00 Festival Festival/American Film Peter D’Agostino, Quarks, 1979-80, color, 8:00 Institute Jaime Davidovich, The Gap, 1981, color, 14:57 At the John F Kennedy Doug Hall/ Chip Lord/ Jody Proctor, The Amarillo News Tapes, Center for the 1980, color, 28:00 Performing Arts, Long Beach Museum of Art, 30/60 TV Art, 1980, color, 5:00 Washington DC Ilene Segalove, TV is OK, 30 sec Hildegarde Duane, Silk, 60 sec sponsored by Sony Alba Cane, Ex-Claim, 30 sec Corporation of Bruce and Norman Yonemoto, Love-Lines, 30 sec America; Kathy John Duncan, Human Choir, 30 sec Huffman, curator of Ante Bozanich, Feel, 30 sec selections for the Long Nancy Buchanan, These Creatures, 60 sec Beach Museum of Art Peter Ivers/Howard Smith, The Fan Club, 30 sec “The Motel Tapes(compilation)”: Jose Maria Bustos, Cum’in Attractions, 1978, color, 5:18 Peggy Ingalls, Tea for Two, 1978, color, 3:30 Tony Labat, Black n’ Blue, 1978, color, 4:27 Mike Osterhout, Missionary (13 Articles of Mass), 1978, color, 7:11 1981 June 10 – Klaus vom Bruch Artist in Residence, Klaus vom Bruch, Luftgeister (Airspirits), 1981, color, 8:00 July 20 Rockefeller Video work produced at the APPS along with workshops and Foundation Grant tutorials using the new Apple II plus computer program 40

1981 July 1 – AFI Student Video Long Beach Museum Peter Bull/ Alex Gibney, The Ruling Classroom, 1980, b/w, 58:25 August 2 Competition: of Art, host institution Colorado State University, Technical Journalism Department, Southwest for the southwast class project, DUI (Driving Under the Influence), 1980, color, 12:00 Regional Winners regional Judging of the Jonathan Dayton / Chris Ridder, Make Me a Movie, 1980, color, AFI Student Video 46:00 Competition Gregory Eichman / Mitchell Merback, Playing for Keeps, 1981, color, 18:22 Artur Matuck, Incandescence- Circuit, 1980, color & b/w, 18:00 Russel Merril, A Commitment to Excellence, 1980, color, 16:45 Thomas G Musca, Highlights From the New Directors’ Film Festival, 1980, color, 1:17:00 Jan Peacock, California Freeze-Out, 1980, color, 16:20 1981 August 5 – Seventh Annual Jurors: Barbara Tom Adair/Kenneth Robins, Live from Lundis, 1980, color, 8:30 September 6 Ithaca Video London, The Museum Dana Atchley/Eric Metcalfe, Crime Time Comix Presents Steel and Festival of Modern Art, New Flesh, 1980, color, 12:00 York; Arthur Tsuchiya, Ros Barron, Flowers, 1978, b/w, 14:00 Visual Studies Shirley Clarke/Blondell Cummings, A Visual Diary, 1980, color, Workshop, Rochester, 3:30 NY; Carvin Eison, Christopher Coughlan/Denise Milan/Nana Vasconcelos, Um Laco Artists Workshop at de Inspiracao e Morte WXXI-TV, Rochester, Peter D’Agostino QUARKS, 1979-80, color, 8:00 NY; Philip Mallory Ed Emshwiller, Sunstone, 1979, color, 3:00 Jones, Ithaca Video Kit Fitzgerald/John Sanborn, Similar Nature, 1980-81, color Projects Shalom Gorewitz, El Corandero, 1979, color, 5:30; Measures of Volatility, 1979, color, 6:00 Gary Hill, Around and About, 1980, color, 4:56 Taka Iimura, Double Identities (on Turning the Double Negatives to the Positive), 1980, color, 8:00 Eva Maier, Blue Squawk, 1980, color, 3:00 Dan Reeves with Jon Hilton, Body Count, 1980, color, 9:00 Steina, Selected Treecuts, 1980, color, 5:35; Urban Episodes, 41

1980, color, 9:00 John Sturgeon, 2 Aspects, 1976, b/w, 4:08 Neecy Twinem, Best Friend, 1980, color, 6:50 Woody Vasulka, Artifacts II, 1980, color, 9:00 1981 September Noel Harding: Curated by Lorne Falk, Noel Harding, Four Chapters, 1979-81, color, 57:03; 20 – Enclosure for Director, Walter October 18 Conventional Habit Phillips Gallery, Videotape programe during the exhibition: Coordinated by The Enclosure for Conventional Habit, 1981, Banff Centre School of Documentation video, color, 9:28, produced by LBMA Video Catalogue – sue Fine Arts, Banff, ann Alberta, Canada

1981 September Eric Crystal/ Art Shown concurrently Eric Crystal and Art Nomura, Refugees From Laos: A Hill Tribe in 27 – Nomura: Refugees with Treasures of the West Oakland, 1981, color, 30:00 October 25 From Laos: A Hill Hmong People, Tribe in West curated by Barbara Oakland Hendrick 1981 November 3- LBMA Videonight Kathy Huffman November 3 24 Dan Boord: An Evening with the Diderot Society/West: The Last Days of Immanual Kant, 1979, color, 23:56; Wit & Its Relationship to the Unconscious, 1980, 25:00; Jean-Luc Goes Sea World (Version I),1978, color, 3:00; George IV, 1979, color, 17:00 (with Paul Buscemi)

November 10 Advanced Television Inc: Nightclubbing: Produced by Pat Ivers and Emily Armstrong, Nightclubbing, 1975-80, color, 90:00

November 17 Janice Tanaka: Video Works: Janice Tanaka, Duality Duplicity, 1980, color & b/w, 6:08; 42

Manpower, 1980, color & b/w, 5:22; Beaver Valley, 1980, color & b/w, 6:45; Mute, 1981, color & b/w, 2:35; Ontogensus, 1981, color & b/w, 5:35

November 24 Robert Wilson, Video 50: Robert Wilson, Video 50, 1978, color, 50:00 1981-1982 December 5 Kit Fitzgerald / Kathy Huffman Kit Fitzgerald / John Sanborn, Wraparound, 1981, video – John Sanborn: installation January 3 Wraparound 1982 January 14 – Lately in LA: Video Kathy Huffman, John Arvanites, Echo Park,1980, color, 26:00 February 27 presented at the Nancy Buchanan, See I A…, 1980, color, 43:00 (version 1) Washington Project Ben Chase, Here and There, 1981, color, 42:25 for the Arts, Hildegarde Duanne/David Lamelas, Schehrazade, 1980, color, Washington DC 22:00 Ilene Segalove, I Remember Beverly Hills, 1980, color, 28:00 1982 January 18 – LA Video: Paris Kathy Huffman and John Arvanites, Echo Park, 1980, color, 26:00 22 Patti Podesta (co- Ante Bozanich, Scratch, 1980, color, 6:17 curators), presented Nancy Buchanan, See I A (version II), 1981-1982, color, 28:00 at the Center for John Caldwell, Pax Americanus, 1981, color, 24:00 Media Art, The Ben Chase, Here and There, 1981, color, 42:25 American Center, Paris Jaime Davidovich, The Gap, 1981, color, 14:57 Hildegarde Duanne/ David Lamellas, Scheherazade, 1980, color, 22:00 Saloman Emquies, Very, 1981, color, 11:30 Kit Galloway/Sherrie Rabinowitz, Hole in Space, 1981, b/w, 31:26 Jeffery Isaak/Branda Miller, Gary Cowvein, 1981, color, 14:30 LBMA/Video, 30/60 TV Art, 1979, color, 5:00 Joseph Leonardi, Extremes, 1980, color, 7:00 Pier Marton, Tapes, 1979, color, 16:00 Paul McCarthy, Contemporary Cure-all, 1979, color, 28:58 43

Jac Mote, Skin/Roll/Eye, 1981, color, 2:33 Patti Podesta, Ricochet, 1980, color, 1:29 Scott Rankin, Scherzo, 1980, color, 1:26; Magic, 1980, color, 2:35; French Performance, 1980, color, 6:05 Nina Salerno, “God Created man as Man, Not as a Blob, 1978, color, 7:49 Ilene Segalove, I Remember Beverly Hills, 1980, color, 28:00 Bruce and Norman Yonemoto, An Impotent Metaphor, 1980, color, 57:35 Zipcut Video, Food and Flags Forever, 1981, color, 4:31 1982 January 19 – LBMA Videonight Coordinated by Kathy January 19: March 9 Huffman, Joseph General Idea, General Idea’s Pilot, 1977, color, 28:00; General Leonardi, and Art Idea’s Test Tube, 1979, color, 30:00; Cornucopia, 1982, color, Nomura 10:00

January 26: Dara Birnbaum, Technology Transformation: Wonder Woman, 1978-79, color, 7:00; “Kiss the girls: Make Them Cry,” 1979, color, 7:00; Pop-pop-video: General Hospital/ Olympic Women Spread Skating, 1980, color, 6:00; Kojak/Wang, 1980, color, 4:00; Remy/Grand Central: Trains and Boats and Planes, 1980, color, 4:00; “New Music Shorts”: Radio Fire Fight; Glenn Branca Symphony No 1, 1981, 1981, color, 6:00

February 2, 9: Community cable televison and independent video artist

February 16: Leslie McDonald and Don Wenif, 81 LBM 15446/Findings- Award/FILED/ 2-16-82, live performance

February 23: Tapes by Hildegarde Duane, Branda Miller, Zipcut Video, and others

March 2: Barabara Buckner, Pictures of the Lost, 1978, color, 22:00; Hearts, 1979, color, 12:00; Heads, 1980, color, 6:00; Millenia, 1981, color, 5:30

March 9: Rene Cho, Toshio Akiyoshi: The Woman and Her Music, 1981, color, 10:00 Eric Crystal/Art Nomura, Refugees from Laos:A Hill Tribe in West Oakland, 1981, color, 30:00 Walt Louie, Superkids Sampler, 1981, color, 10:00 Bruce and Norman Yonemoto, Based on Romance, 1979, color,26:32 1982 March 13 AFI National Judges: Dan Baker, Errol Mortland, Piano Man, 1982, color, 7:55 Student Video Nancy Buchanan, Tony Gayton/Jay Gilman, The Explosion Artist, 1982, color, 23:00 Competition: Peter Kirby, and Claire Julie and Jean-Claude Dercie, Rights of Passage, 1981, color, Southwest McCance 58:30 Regional Judging Todd Darling, Ano Nuevo, color, 55:00 Mark Bement (Concept Image), Art Decade, 1981, color, 10:00 Cynthia Zimmerman, Lahoma Speaks, Okla Spears, 1982, color, 15:00 1982 March 28 – Gary Hill: Equal Kathy Huffman Gary Hill, Equal Time, 1982, a commissioned installation; May 2 Time Video tapes: Processual Video, 1980, b/w, 11:10; Around and About, 1980, color, 4:56; Videograms, 1980-81, b/w, 13:26; Primarily Speaking (work in progress), 1981, color, 10:00; Black/White/Text, 1980, b/w, 7:00; Picture Story, 1979, color, 6:14; Elements, 1978, b/w, 2:10 45

1982 April 17-18, When Words Fail: Produced by LBMA Sources of the Avant-Gard: The German Visual Imagination April 24-25 Video Video; sponsored by Part 1: The Camera as Weapon, 1982, color, 61:52 documentation of Goethe Institute; Part 2: The Mass Age Image, 1982, color, 23:27 New York project coordinator, symposium on Kathy Huffman, with German Joe Leonardi; Photography, Exhibition at the 1840-1940 International Center of Photography, NY, William Ewing

1982 May 4 Ko Nakajima: Video Kathy Huffman Kou Nakajima, Biological Cycle Part 4, 1971-78, color, 8:00; Screening Biological Cycle Part 5, 1981, color, 8:00; My Life (part II) 2 channels, 1976-82, b/w, 20:00; Bamboo Shoot Generation (from Talking Heads Demonstration Tape), 1980, color, 18:00; Horizon, 1971-80, color, 8:00; Bunraku, 1980, color, 30:00 1982 May 16 – New TV New York Nancy Drew Ed Bowes/ Karen Achenbach/ Tom Bowes, How to Fly, 1980, June 20 color, 29:20 Kathy has Matthew Geller, Windfalls: or, New Thoughts on Thinking, 1982, catalogue color, 20:00 Deans Keppel, Quit Kicking Sand in Our Faces, 1982, color, 21:36 Mitchell Kriegman, Likely Stories, 1981, color, 28:54 Tony Oursler, Grand Mai, 1981, color, 23:00 Michael Smith, It Starts At Home, 1980-82, color, 25:00 1982 May 16 – John Baldessari: Art Robert Pincus-Witten, John Baldessari, Police Drawing, 1971, b/w, 30:00, Conte crayon June 29 As Riddle coordinated by the drawing on paper (34 x 19”), black and white photograph (8 x University Art 10”); (video part of a larger exhibition Galleries, Wright State 1ncluded video: University, Dayton, Police Drawing 1971 b/w 30 mins Ohio 1982 July 7 – Bruce & Norman Kathy Huffman Bruce & Norman Yonemoto, Green Card: An American Romance, 46

August 1 Yonemoto: Green 1980, color, 1:13:25, 1981, edited version, 58:00 Card: An American Romance 1982 September Dreams and Kathy Huffman John Arvanites, American Male, 1982, color, 28:55 12 – Nightmares Program toured to ICA Dan Reeves with Jon Hilton, Smothering Dreams, 1981, color, October 31 Boston 23:00 Bill Viola, Hatsu-Yume (First Dream), 1981, color, 56:00

1982 October 22 The Artist and Participants: The Artist and Television, live teleconference/interactive Television (A live The University of performance event carried over the Applachian Community satellite Iowa, School of Art Service Network, and The Learning Channel teleconference) and Art History; University of A three hour LIVE Television ‘extravaganza’ hosted by Jaimie California, Los Davidovich and Estera Pollock in Iowa Angeles, College of Fine Arts; NYU, LBMA Participants: John Hanhardt, Kathy Huffman, Barbara London, Jaimie Davidovich, Bruce Yonemoto, Kit Fitzgerald, James Hugunin, Ann Seargent-Wooster, Robin White, Carl Loeffler, Donald Kuspit, A Greene, Nicholas Johnson, Peter Bradley, John Reilly, John Giancola, Lewis MacAdams, Peter Ivers and Co Interactive live events (Los Angeles coordinated by Patti Podesta): Nancy Buchanan/Pier Marton/Shalom Gorewitz; Gary Lloyd/John Sturgeon/ Aysha Quinn; Mike Kelly/Michael Smith/ Bernd Kracke; Dieter Froese and Hans Braeder, Chris Burden (epilog) 1982 November 2, LBMA Videonight: Kathy Huffman November 2: 9 & 16, 30 Pal Video Nan Hoover: Impressions, 1978, color, 10:00 Color Pieces, 1980, color, 11:52 47

Primary Colors, 1980, color, 6:36 Intercept the Rays, 1982, color, 11:00 Light and Object, 1982, color, 20:21

November 9 & 16: “Video Art in the Federal Repulic of Germany,” selected by Dr Wulf Herzogenrath and organized by the Goethe Institute, San Francisco, works from 1968-1980 Joseph Beuys, Eurasienstab, 1968, b/w, 20:00 Hanna Frenzel, Aquamoving, 1979, color, 10:00; Bewegung in Plastik, 1979, b/w, 15:00; Gunmoving, 1980, b/w, 12:00; Luftbild I, 1980, color, 12:00 Barbara Hammann, Eating Jaffa TV, 1979, color, 12:00; Electronic Rose Birth, 1981, color, 0:08; Feld (Field), 1981, color, 8:00; Prostitution is Power, 1981, b/w, 18:00 Rebecca Horn, Berlin-Übungen in neun Stücken (Berlin-Exercises in Nine Pieces), 1974-75, color, 40:00 Wolf Knoebel, Projektion X, 1972, b/w, 40:00 Nam June Paik, Mein Kölner Dom (My Cologne Cathedral), 1980, color, 4:30 Friederike Pezold, Die neue leibhaftige Zeichensprache (The New Symbolic Body Language), 1973, b/w, 60:00 Ulrike Rosenbach, Reflectionen über die Beburt der Venus (Reflections on the Birth of Venus), 1976-78, color, 15:00 Reiner Ruthenbeck, Object zur teilweisen Verdeckung einer Video-Szene (Object devised to Partly Conceal a Scene on Video), 1972-74, b/w, 10:00 Walter Schröder-Limmer, Debatte (Debate), 1980, color, 7:00

November 30: 48

The work of ten artists was shown in “New British Video,” selected by Jez Welsh, London Video Arts (LVA) John Adams, Stories, 1982, color, 17:00 Chris Andrews, The Room with a View, 1982, color, 10:00 Tom Castle, Youth Culture, nd, color, 16:00 Catherine Elwes, Kensington Gore, 1982, color, 14:00 Steve Hawley, The Undistributed Middle and Other Fallacies in the Home, 1981, color, 5:00 Steve Littman, You make Me Shout, 1980, color, 3:00 John Scarlett-Davis, Non Stop Cut Up, nd, color, 5:00 Marion Urch, An Introduction to Womanhood in the Modern World, 1979, color, 8:00 Margaret Warwick, Still Lives (A Drama in Three Parts), nd color, 18:00 Jeremy Welsh, These Days Everybody is a Conceptualist, 1982, color, 9:30 1982-1983 November Eighth Annual Jurors: Gary Hill, video Max Almy, Deadline, 1981, color, 4:00; Leaving the 20th Century 21 – Ithaca Video artist, Barrytown, NY; (part I), Premere, 1982, color, 3:09 January 2 Festival Kathy Huffman, John Arvanites, American Male, 1982, color, 28:55 curator, Long Beach Eugenia Balcells/ Peter Van Riper, Indian Circle, 1981, color, 30:00 Museum of Art; John William A Brown, Slowly Sounding, color, 9:00 Minkowsky, curator, Barbara Buckner, Millenia, 1981, color, 5:30 Media Study/ Buffalo, Ardele Lister, Split, 1981, color, 21:30 NY; Philip Mallory Jan Peacock, California Freeze-Out, 1980, color, 16:20 Joens, Ithaca Video Karen Peterson/ Peter Trivelas, The Vineyard Tape, color, 8:00 Projects Scott Rankin, Simultaneous, 1981, color, 3:50 Dan Reeves with Jon Hilton, Smothering Dreams, 1981, color, 23:00 Norie Sato, After Image: TTLS, c 1981, color, 5:02 Steina, Somersault, 1982, color, 5:20 Edin Velez and Ethel Velez, Meta Mayan II, 1981, color, 20:00 49

Bill Viola, Ancient of Days, 1979-81, color, 12:21 Jim Whiteaker, Emergence Delirium, 1981, color, 14:00 1982 -1983 November Max Almy: Leaving Kathy Huffman Max Almy, Leaving the 20th Century Trilogy, 1982, color, 10:40 24 – The 20th Century January 2 1983 January 16 – The Artist and the Kathy Huffman; February 2: March 13 Computer Museum exhibition David Em and Dr James Blinn of Jet Propulsion Laboratories, with Video Artist/Scientist: Collaboration in the Lab

February 23: The Philosophy and Origins of Computer Art (panel discussion) featuring: Gene Youngblood, Professor, California Institute of the Arts Steina and Woody Vasulka, artists, John Whitney, Sr , filmmaker and Professor, department of Television and Motion Pictures, UCLA

March 12 - 13: Brainwave Drawing: An Interactive Installation by Los Angeles Artist Nina Sobel in collaboration with Michael Trivich

January 16 - March 13: Four 1-hour video programs

Program 1: Charles Barnett, Chrysalis, 1983, color, 23:00 WGBH Boston, Artists in the Lab, 1981 (from “Nova” 817), color, 18:00 John Caldwell, See Video: You Too Can Have a Successful Marrriage, 1982, color, 20:00

Program II: Information International, Digital Scene Simulation, 1981, color, 10:00 Evans & Sutherland Co, The Tactical Edge (excerpt), 1981, color, 10:00 Bernd Kracke, Data Network, 1981, color, 12:00 Nina Sobel, Electroencephalographic Video Drawings, 1979-1981, color, 10:28 Evans & Southerland Co, Technical Demo, nd, color, 10:00

Program III: Ed Emshwiller, Sunstone, 1979, color, 3:00 Jane Veeder, Montana, 1982, color, 3:38 John Whitney, Sr, Arabesque, 1975, color, 6:00 Jo Ann Gillerman, Aurora Systems, 1982, color, 2:48 Steina and Woody Vasulka with Bradford Smith, Progeny, 1981, color, 17:00 Frank Dietrich/John Goss/Debbie Gorchos, Digital Reflections, 1982, b/w, 5:00 Dan Sandin/Tom DeFanti/Mimi Shevitz, Spiral 5, PTL (Perhaps the Last), 1981, color, 6:30 Frank Dietrich/Zsusza Molnar, Snake, Rattle and Roll, 1982 (music by Eugene X, Rator, Joe Penzarrone), color, 2:00 Dean Winkler/Tom DeWitt/Vibeke Sorensen (WTV), Tempest, 1980-1982, color, 4:00 Stephen Beck, Voodoo Child, 1982 (from “The Jimi Hendrix Videogram”; Electronic Arts Intermix, producer), color, 6:55

Program IV: 51

Nelson Max, Carla’s Island, 1981, color, 4:26 Howard Gutstadt, Herbie Hancock, 1982, color, 4:06 Saul Bernstein, Apple Graphics Demo Reel, 1981-1982, color, 5:39 Bill and Louise Etra/Lou Katz, Ms Muffett, 1976, color, 2:39 Mark Lindquist, Subway, 1981 (from “Digital Effects Volume IV”; Digital Effects, Inc, producer), color, 3:00 Howard Ganz/David Megill, Quick Tour, 1982, color, 7:00 Linda Cossey, War with Russia, 1982, color, 5:00 Kou Nakajima, Aniputer, 1982, color, 7:30 Pat Kelley, Swimmer, 1983, color, 6:17 Sheila Pinkel, Intuition, 1977, color, 5:17

Talks program: February 2: David Em and Dr James Blinn of Jet Propulsion Laboratories, Artist/Scientist: Collaboration in the Lab

February 23: The Philosophy and Origins of Computer Art (panel discussion) featuring: -Gene Youngblood, Professor, California Institute of the Arts -Steina and Woody Vasulka, artists -John Whitney, Sr , filmmaker and Professor, department of Television and Motion Pictures, UCLA

March 12-13: Brainwave Drawing: An Interactive Installation by Los Angeles Artist Nina Sobel in collaboration with Michael Trivich

January 16-March 13: Shared Realities, Cable TV Series, about the exhibition…1984: 52

Charles Barnett, Stephen Beck, Saul Bernstein, John Caldwell, Linda Cossey, Frank Dietrich/ John Goss/ Debbie Gorchos, Frank Dietrich/ Zsusza Molnar, Ed Emshwiller, Bill and Louise Etra/ Lou Katz, Evans & Sutherland Co , Howard Ganz/ David Megill, Jo Ann Gillerman, Howard Gutstadt, Information International, Pat Kelley, Bernd Kracke, Mark Lindquist, Nelson Max, Kou Nakajima, Sheila Pinkel, Dan Sandin/ Tom DeFanti/ Mimi Shevitz, Nina Sobel, Steina and Woody Vasulka, Jane Veeder, WGBH Boston, John Whitney, Sr, Dean Winkler/ Tom DeWitt/ Vibeke Sorensen (WTV) -- LBMA produced tape available at GRI 1983 March 25 – Video Art From Asko Mäkelä, art critic Mevri Deylitz-Kytösalmi, Rot-Weiss, 1978-79, color, 20:00; May 15 Finland and intendent of the Marcel, 1983, color, 15:00 Vanhan Galleria in Tööt-filmi, The Eagle and the Marsh Flame, 1982, color, 10:00 Helsinki, Finland Turppi, Deadline, 1983, color, 17:00 Varasto (Store), Edge of the World, 1982, color, 25:00 What Kind of Children, Based on Heinrich Böll, 1982-83, color, 20:00 1983 April 30 Bruised TV Dinners A program from the Ramzy Telley, Untitled, 1983, color, 5:00 California Institute of John Rauh, Farm, 1983, color, 4:00; Painting Time by Color, 1983, the Arts, films selected color, 4:00 by Bill Viola and Ed David Stout, Event #1, 1983, color, 1:00; Daddy is a Rag Doll, Emshwiller 1983, color, 4:30 Alexis Krasilovsky, Inside Story, 1983, color, 4:50 Mark Holmes, The Indio National Date Festival (excerpt), 1983, color, 4:30 Garth Spruiell, Chroma Canon, 1983, color, 4:00 Raphael Smadja, Reflections, 1983, color, 4:30 George Bayer, The Slush, 1982, color, 3:00; The Third Step from the Left, 1983, color, 8:00 Mark Bement, Untitled, 1982, color, 8:00 Donna Matorin, Selected Work, 1982-1983, color, 9:00 53

Kayt Schneider, One Plus One Equals Three, 1983, color, 5:00 Carlotta Croce-Spinelli, Observation, 1983, color, 4:30 Mark Finkil, Untitled, 1983, color, 5:00 Kirk Forde, Untitled, 1983, color, 7:00 Ye Sook Rhee, Aluminum Dance, 1982, color, 3:30; Plastic Dance, 1982, color, 3:30 1983 May 29 – Comment Connie Fitzsimons; Dara Birnbaum, PM Magazine, 1982, installation including two August14 Museum exhibition videos: PM Magazine, 3-channels, 3:00; PM Magazine/Acid Rock, with video 1-channel, 4:00 Antonio Muntadas, La Television, 1980, installation including eighty 35mm color slides projected onto a television set

1983 September 4 Roles, Kathy Huffman and Lyn September 4 –November 6: – Relationships, and Blumenthal, video; Roles, Relationships, and Sexuality: December Sexuality (video Exhibition curated by Nancy Angelo/Candace Compton, Nun and Deviant, 1976, b/w, 23 program for At Arlene Raven 20:25 Home exhibiton) Eleanor Antin, The Little Match Girl Ballet, 1975, color, 27:00 Lyn Blumenthal/ Kat Horsfield, On Art and Artists: Judy Chicago, 1974, b/w, 28:00; On Art and Artists: Arlene Raven, 1979, color, 28:00; On Art and Artists: Miriam Schapiro, 1979, color, 28:00 Nancy Buchanan / Barbara Smith, With Love from A to B, 1977, color, 8:42 Hildegarde Duane, Pink Slip, 1982, color, 7:00 Maren Hassinger, Diaries, 1978, b/w, 18:22; Lives, 1979, b/w, 8:45; Vanities, 1979, b/w, 9:56 Kathryn Kanehiro, Red, 1979, color, 3:05; Pines, 1980, color, 3:47 Suzanne Lacy, Learn Where the Meat Comes From, 1976, color, 14:24 Joan Logue, Valentine Portraits, 1979, color, 7:03 Susan Mogul, Waiting at the Soda Fountain, 1980, color, 24:00 54

Linda Montano, Mitchell’s Death, 1978, b/w, 29:00 Aysha Quinn, Excerpts, 1983, color, 10:04 Martha Rosler, Vital Statistics of a Citizen, Simply Obtained, 1977, color, 39:19; Semiotics of the Kitchen, b/w, 6:05 Ilene Segalove, The Mom Tapes, 1974-1978, color & b/w, 28:00 Nina Sobel, Hey!Baby, Chickey, 1979, b/w, 6:00

September 10-25: Shegeko Kubota: Video River: 1979-81, installation, 3-channels, color, 30:00 In collaboration with and on view at the Japanese American Center, Los Angeles

September 28: Political Perspectives: Lyn Blumenthal, Social Studies (Part I), 1983, color, 20:00 (dual language) Nancy Buchanan, An End to All Our Dreams, 1982, color, 7:59; Webs, 1983, color, 4:42 Martha Rosler, Secrets from the Street: No Disclosure, 1980, color, 4:42

October 1-29: Joan Jonas: Videotapes: Disturbances, 1974, b/w, 15:00; I Want to Live in the Country, 1976, color, 27:00; Upsidedown and Backwards, 1980, color, 28:00

September13-28: At Home: A Cable Series: Executive Producer: Kathy Huffman, Series Production: Joseph Leonardi and Art Nomura 55

September 13 & 14 At Home: Part 1: LBMA Video, “At Home,” 1983, color, 24:00 (interviews I) Kathryn Kanehiro, Red, 1979, color, 3:05; Pines, 1980, color, 3:47 Nancy Buchanan / Barbara Smith, With Love from A to B, 1977, color, 8:42 Ilene Segalove, The Mom Tapes (excerpts), 1974-1978, color & b/w, 28:00

September 20 & 21 At Home: Part 2: LBMA Video, “At Home,” 1983, color, 30:00 (interviews II) Suzanne Lacy, Learn Where the Meat Comes From, 1976, color, 14:24 Hildegarde Duane, Pink Slip, 1982, color, 7:00

September 27 & 28 At Home: Part 3: LBMA Video, “At Home,” 1983, color, 25:00 (interviews III) Nancy Buchanan, An End to All Our Dreams, 1982, color, 7:59; Webs, 1983, color, 4:42 Martha Rosler, Secrets from the Street: No Disclosure, 1980, color, 4:42 Lyn Blumenthal, Social Studies (Part 1), 1983, color, 20:00

November 5 – December 23 Mako Idemitsu: Through the Looking Glass: (Co-curators: Mark Holmes and Bruce Yonemoto) Mako Idemitsu, Shadows Part I, 1980, color, 28:00; Shadows Part II, 1982, color, 42:00; Animus Part 1(Inner man), 1982, color, 56

15:00 (dual language); Animus Part II, 1982, color, 15:00 (dual language); Great Mother Harumi, 1983, color, 13:00 (English subtitles); Hideo, it’s Me, Mama, 1983, color, 24:00 (English subtitles) 1983 October 18 An Evening with Kathy Huffman, At Los Angeles Contemporary Exhibitions Marcel Odenbach presented at Los Marcel Odenbach, Der Widerspruch der Erinneruungen (The Angeles Contemporary Contradiction of Memories), 1981- 82, color, 15:00; Das im Exhibitions; Sponsored Entwischen Erwischte (Caught While Escaping), 1983, color, by the Goethe Institute 19:00; Als könnte es auch mir an den kragen gehen (As if I also was seized by the collar from behind), 1983, color, 39:00; Die Distanz zwischen mir und meinen Verlusten (The Distance between Myself and My Losses), 1983, color, 9:00 1983 November 1- TV Commentary Kathy Huffman, Max Almy, Perfect leader, 1983, color, 4:00 6 By West Coast Presented at Video/ Doug Hall/ChipLord/Jody Proctor, The Amarillo News Tape, 1980, Video Artists Culture Canada Festival color, 28:00 1983, Harbourfront, Chip Lord/Mickey McGowan, Easy Street, 1983, color, 10:00 Toronto Branda Miller, LAMickel, 1983, color, 10:39 Tony Oursler, Spin Out, 1983, color, 17:00 Scott Rankin, Simultaneous,1981, color, 3:50 Ilene Segalove, How I Got into TV and Other Stories, 1983, color, 10:00 1983-1984 November The Second Link: Organized by Lorne (works listed by curator) 20 – Viewpoints on Falk, Director, Walter January 15 Video in the Phillips Gallery, The Peggy Gale: Eighties Banff Centre School of Dana Atchley/Eric Metcalfe, Crime Time Comix Presents Steel and Fine Arts, Banff, Flesh, 1980, color, 12:00 Alberta, Canada Norman Cohn, In my End is my Beginning, Part Two: Lucy Brown, Peggy Gale, A Space; 1982, color, 39:00 Kathy Huffman, Long Vera Frenkel, “…And Now, The Truth”(A Parenthesis), 1980, color, Beach Museum of Art; 30:00 Barbara London, The General Idea, Cornucopia, 1982, color, 10:00 57

Museum of Modern Lisa Steele, Some Call It Bad Luck, 1982, color, 50:00 Art, New York; Brian MacNevin, Walter Kathy Huffman: Phillips Gallery; Dorine Max Almy, Leaving the 20th Century Trilogy, 1982, color, 10:40 Mignot, Stedilijk James Byrne, Swan Song, 1982, color, 13:00 Museum, Amsterdam; Tony Labat, N (enn-yay), 1982, color, 15:00 and Sandy Nairne, John Sturgeon, SPINE/TIME, 1982, color, 20:55 Institute of Bill Viola, Reasons for Knocking at an Empty House, 1983, b/w, Contemporary Art, 19:00 London; Barbara London: Matthew Geller, Windfalls: or, New Thoughts on Thinking, 1982, color, 20:00 Gary Hill, Primarily Speaking, 1981-83, color, 20:00 Mary Lucier, Ohio to Giverny: Memory of Light, 1983, color, 18:25 Tony Oursler, Grand Mal, 1981, color, 23:00 Jane Veeder, Montana, 1982, color, 3:38

Brian MacNevin: Marion Barling, Wallflower Order, 1982, color, 59:00 Helen Doyle, Les Mots/ Maux du Silence, 1983, color, 60:00 Ian Murray, Come on-Touch it: Study #4 for “Personality Inventory,” 1983, color, 29:00 Ed Slopek, Don’t Look at this Videotape, 1983, color, 20:00 John Watt, Industrial Track, 1981-82, color, 42:00

Dorine Mignot: Marina Abramovic/Ulay, City of Angels, 1983, color, 20:00 Gabor Body, Der Damon in Berlin, 1982, color, 30:00 Klaus vom Bruch, Das Propellerband, 1979, color, 30:00 Joelle de la Casiniere, Grimoire Magnetique, 1982, color, 26:00 58

Peter Struycken, Shift 31, 1982, color, 21:00

Sandy Nairine: Ian Bourn, The End of the World, 1982, color, 7:00 Steve Hawley/Tony Steyger, Drawing Conclusions- The Science Mix, 1982, color, 7:00 Tina Keane, Bedtime Story, 1982, color, 20:00 Memory of Your Nose, My Surprise (from “Golden Moments”), 1982, color, 2:37 John Scarlett-Davis, A-Z, 1982, color, 46:00 1984 January 22 – Jay McCafferty: An Kathy Huffman and Jay McCafferty, Videoworks, 1972-83, color & b/w, 63:48 March 4 Edited Ten Years Vickie Whiting including: Apartment Art, 1974, b/w, 8:25; Late for Work, 1972, b/w, 4:12; Four Ways I Move, 1972, b/w, 6:10; Square, 1972, b/w, 1:00; Autobiography, 1972, b/w, 21:30; Autobiography, 1972-76, b/w, 16:18; Every Year, 1972-83, b/w & color, 6:13 Autobiography, 1976-83, b/w, 60:00 1984 March 25 – California Video: Kathy Huffman Max Almy, Perfect Leader, 1983, color, 4:00 May 13 1984 Nancy Buchanan, Tech-Knowledge, 1984, color, 16:00 Doug Hall, Songs of the ‘80s, 1983, color, 17:40 Tony Labat, Kikiriki, 1983, color, 11:38 Chip Lord/ Mickey McGowan, Easy Street (Episode #1: Unusual Weather), 1983, color, 5:11 Scott Rankin, Synchronicity, 1983-84, color, 10:39 Ilene Segalove, National Crisis Course-256- (excerpt from “The Riot Tapes”) 1984, color, 7:38 Bill Viola, Anthem, 1983, color, 11:30 1984 April 10, 17, Video Art Part of a workshop April 10: 24 Overviews program organized by Kathy Huffman, curator from September 1979-June 1984, gave an (A Ten Year Art Nomura, LBMA overview of events and directions of the past five years Anniversary Video; lectures by 59

Program of talks) LBMA video curators, April 17: David Ross, Nancy Nancy Drew, curator at the LBMA from May 1978- September Drew and Kathy 1979, gave an outline of the exhibition program initiated by her Huffman; Coordinated including the vast “1978 Summer Video Archives” exhibition by Kira Perov April 24: David Ross, Deputy Director of Film and Television (1974-1978), established a widely known video program which included national and international projects 1984 June 3 – Shared Realities, A Produced by LBMA (in twelve programs) August 12 Cultural Arts Cable Video, Executive Program 1: “The Artist and the Computer”: Series Producer: Kathy LBMA Video (Long Beach Museum of Art), The Artist and the Huffman, Series Computer, 1983 (exhibition documentation; Long Beach Museum Production: LBMA of Art: January 16-March 13, 1983), color, 11:40 Video Manager, Joseph Frank Dietrick/Zsuzsa Molnar, Snake, Rattle and Roll, 1982 (music Leonardi, and LBMA by Eugene X Rator, Joe Penzarrone), color, 2:00 Video Program Frank Dietrich with Debbie Gorchos/John Goss, Digital Coordinator, Arthur Reflections, 1982, b/w, 5:00 Nomura LBMA Video (Long Beach Museum of Art), David Em, 1982 (from “Artist Profile Series”; originally excerpted from the documentary Em, by James Seligman; Joseph Leonardi, editor), color, 5:55 Stephanie Arena/Frank Dietrich, Marshall’s Rite, 1982, color, 1:30, silent Pat Kelley, Swimmer, 1983, color, 6:17 Howard Ganz/David Megill, Quick Tour, 1982, color, 7:00 Sheila Pinkel, Intuition, 1977, color, 7:00 Frank Dietrich/Zsuzsa Molnar, Circle Twist, 1981, color, 2:30 Nina Sobel, Electroencephalographic Video Drawings, 1973-1983, color & b/w, 3:30

Program II: “Personal Perspectives”: 60

Branda Miller, LA Nickel, 1983, color, 10:39 Stuart Bender, Jac Rolls, 1981, color, 1:17; My Father’s Gait, 1981, color, 3:30 Art Nomura, Three Wishes, 1982, color, 10:00 Hildegarde Duane, Meltdown, 1982, color, 1:00; The Shape of the Universe, 1983, color, 2:00 Ante Bozanich, Scratch, 1980, color, 6:17 Ulysses Jenkins, Dream City, 1983, color, 5:19 Stan Gilula, TJ Walker, 1982, color, 4:02 Larry Kaufman, A Lift for Larry, 1982, color, 4:00 Joseph Leonardi, Extremes, 1980, color, 7:00

Program III: “The Artist and Television I”: LBMA Video (Long Beach Museum of Art), “The Artist and Television”: A West Coast Perspective, 1983 (event documentation; artists’ live satellite teleconference which linked Iowa City, Los Angeles, New York: October 22, 1982), color, 10:41 LBMA Video (Long Beach Museum of Art), “Artist Profile Series”: Bill Viola, 1982, color, 10:09; Dara Birnbaum, 1982, color, 10:35; Max Almy, 1983, color, 3:30; Gary Hill, 1981, color & b/w, 8:30 Jaime Davidovich, The Gap, 1981, color, 14:57

Program IV: “Exploring Dance I”: Zipcut Video (Patrick Scott [aka Patrick Marca-Registrada], Gene Wirth), Jazz Tap Ensemble, 1981, color, 15:40; Secret Exposures, 1981, color, 4:28 Sarah Elgart, Marrrying the Hangman, 1982, color, 12:30 Mary Daval/Art Nomura, Travel Sketch: Depot Duet, 1983, color, 4:00; Haute Flash (parts I and III), 1982, color, 15:00 Joseph Leonardi, Little Difference, 1983, color, 9:30 61

Program V: “Long Beach Community Arts”: LBMA Video (Long Beach Museum of Art), The Mercury Arts Center, 1983, color, 4:38; Reflections on Long Beach, 1983, color, 11:15; Impressions #1: The Amphitheatre, 1983, color, 9:30; Impressions #2: Country Music and Dance, 1983, color, 15:00, Long Beach, “Gateway to the World,” 1983, color, 7:24 Stuart Bender, It’s Chili, 1981, color, 5:00

Program VI: “Artists and the Media”: LBMA Video (Long Beach Museum of Art), Antonio Muntadas, 1983 (from “Artist Profile Series”; Kathy Huffman, interviewer), color, 27:07; Enclosure for Conventional Habit, 1981 (Noel Harding exhibition documentation, interview: Long Beach Museum of Art: September 20-October 18, 1981), color, 9:28; 30/60 TV Art, 1979, color, 5:00 Mutadas, Between the Frames (Chapter 5: The Docents), 1983, color, 12:20

Program VII: “Music and Performance”: Peter Ivers, Peter Ivers (1946-1983): A Tribute from His Friends, 1983 (Kathy Huffman, Peter Kirby, Steve Silas, editors), color, 30:20 LBMA Video (Long Beach Museum of Art)/LACE (Los Angeles Contemporary Exhibitions), LA Dialogue, 1984 (performance documentation featuring Eleanor Antin, Joan LaBarbara, Pat O’Neil, Rudy Perez, Sally Roberts at LACE: October-November 1982)

Program VIII: “At Home: Part I”: 62

LBMA Video (Long Beach Museum of Art), “At Home” (re-edited version), 1983 (exhibition documentation; Long Beach Museum of Art: September 5-December 23, 1983), color, 45:00; Haunted Womanhouse,“ 1983 (event documentation; Long Beach Museum of Art: October 29, 1983), color, 10:00

Program IX: “At Home: Part II”: Kathryn Kanehiro, Red, 1979, color, 3:05; Pines, 1980, color, 3:47 Hildegarde Duane, Pink Slip, 1982, color, 7:00 Ilene Segalove, The Mom Tapes (excerpt), 1974-1984, color & b/w, 17:00 LBMA Video (Long Beach Museum of Art), Nancy Buchanan, 1983 (from the “Artist Profile Series”), color, 25:00

Program X: “Exploring Dance II”: Chey Acuña, Arte del Barrio, 1983, color, 28:37 John Helmore, What You Just Did!, 1982, color, 28:50

Program XI: “The Artist and Televsion II”: Bruce and Norman Yonemoto, Green Card: An American Romance (edited version), 1981, color, 58:00

Program XII: “Long Beach Museum of Art: Video”: LBMA Video (Long Beach Museum of Art), Jay McCafferty, 1984 (from “Artist Profile Series” Kathy Huffman, interviewer), color, 28:00; LBMA Video: An Overview, 1984, color, 25:00 1984 July 13 – 15 Video Art: LBMA Kathy Huffman; Nancy Angelo/Candace Compton, Nun and Deviant, 1976, b/w, Retrospective Presented at the 20:25 Selections National Video Festival: Ant Farm/T R Uthco, The Eternal Frame, 1976, color & b/w, 24:00 Olympic Screenings, Ante Bozanich, Alarm, 1980, color, 11:00 American Film Linda Montano, Mitchell’s Death, 1978, b/w, 29:00 63

Institute, Los Angeles Jac Mote, Skin/Roll/Eye, 1981, color, 2:33 Ilene Segalove, Why I Got into TV and Other Stories, 1983, color, 10:00 John Sturgeon, Shapes from the Bone Change, 1975, b/w, 4:20 Bill Viola, Chott el-Djerid (A Portrait in Light and Heat), 1979, color, 28:00 1984 October 11 New German Michael Bock; Marina Abramovic/Ulay, City of Angels, 1983, color, 20:00 (music Video Sponsored by Goethe and text by Rama VI of Thailand) Institute Klaus vom Bruch/Heike-Melba Fendel, Der Western Iebt (The West is Alive), 1984, color, 4:00 Ingo Guenther, Multipolarband, 1984, color, 5:00 Marcel Odenbach, Die Distanz zwischen mir und meinen Verlusten ((The Distance between Myself and My Losses), 1983, color, 9:00 Ulrike Rosenbach, Das Feenband (Visual Gong), 1983, color, 15:00 1984 September 9 Video: A Connie Fitzsimons September 9 – October 7 – Retrospective Long An Edited Review: November 4 Beach Museum of Nam June Paik, Global Groove, 1973, color, 28:30 Art 1974-1984, John Baldessari, Ed Henderson Suggests Soundtracks for Part 1I Photographs, 1974, b/w, 25:00 Terry Fox, The Children’s Tapes, 1974, b/w, 30:46 Frank Gillette, Quidditas, 1975, color, 27:47 John Sturgeon, Shapes from the Bone Change, 1975, b/w, 4:20; the Two of Triangles, 1976, b/w, 2:38 William Wegman, Selected Works 1974-75, 1976, color & b/w, 11:23, sound & silent Lowell Darling/Ilene Segalove, The Cauliflower Alley Tapes, 1976, color, 60:00 Joan Jonas, I Want to Live in the Country, 1976, color, 27:00 Eleanor Antin, The Nurse and the Hijackers, 1977, color, 1:19:00 Martha Rosler, Losing…A Conversation with the Parents, 1977, color, 18:45 64

William Leavitt, Do Lizards Spit?, 1978, color, 13:24 Bill Viola, Chott el-Djerid (A Portrait in Light and Heat), 1979, color, 28:00 Gary Hill, Around and About, 1980, color, 4:56 Max Almy, Leaving the 20th Century Trilogy, 1982, color, 10:40 Bruce and Norman Yonemoto, Green Card: An American Romance, 1982, color, 1:13:25 1984 October 10 – Video: A Connie Fitzimmons Ant Farm, The Cadillac Ranch Show, 1974, color, 12:00; Media November 4 Retrospective Long Burn: Edited for TV, 1975-80, color & b/w, 16:00 Beach Museum of Dara Birnbaum, Technology Transformation: Wonder Woman, Art 1974-1984, 1978-79, color, 7:00 Muntadas, Between the Lines, 1979, color & b/w, 25:00 Media Ed Bowes/Karen Achenbach/Tom Bowes, How to Fly, 1980, color, Consciousness 2 29:20 Hildegarde Duane/David Lamelas, Scheherazade, 1980, color, 22:00 Chip Lord/Doug Hall/Jody Proctor, The Amarillo News Tape, 1980, color, 28:00 Michael Smith, It Starts at Home, 1980-82 (Mike and Mark Productions [Michael Smith, Mark Fischer], producer), color, 25:00 Ken Feingold, 5dim/MIND, 1983, color, 29:00 Mako Idemitsu, Hideo, It’s Me, Mama, 1983, color, 24:00 Ilene Segalove, Why I Got into TV and Other Stories, 1983, color, 10:00 WGBH Boston, The Medium is the Medium, 1968 (Fred Barzyk, producer): Aldo Tambellini, Black, color & b/w, 4:09; Thomas Tadlock, Archetron, color, 2:08; Allan Kaprow, Hello, color & b/w, 4:44; James Seawright, Capriccio for TV, color, 6:15; Otto Piene, Electronic Light Ballet, color, 4:54; Nam June Paik, Electronic 65

Opera No 1, color, 4:23 Chris Burden, TV Tapes, 1973-76, color, 4:10 William Wegman, Semi-Buffet (with the Two or Three Variations which Could Be Very Possible): A Televised Dinner, 1975, color, 20:17 Robert Biggs, What You Look at Looks at You, 1976, b/w, 0:10 Edit deAk/Paul Dougherty/Mike Robinson, Frankie Teardrop, 1978, color, 11:46 LBMA Video, 30/60 TV Art (Ante Bozanich, Nancy Buchanan, Alba Cane, Hildegarde Duane, John Duncan, Peter Ivers, Ilene Segalove, Bruce and Norman Yonemoto), 1979, color, 5:00 Mitchell Syrop, Watch It Think It, 1979, color, 0:30 Jaime Davidovich, The Gap, 1981, color, 14:57 Nam June Paik, Picturephone Performance, 1979, color, 30:00 Peter D’Agostino, Proposal for QUBE, 1979, color & b/w, 11:30 Kit Galloway/Sherrie Rabinowitz, Hole in Space: A Public Communications Sculpture, 1981, 1981, b/w, 31:26 University of Iowa/ATC, The Artist and Television, 1982, color, 3:00:00 LBMA Video, LBMA Video: An Overview, 1984, color, 28:00 1984 November Video: A Kira Perov Wolfgang Stoerchle, Compilation of Works, 1970-72, (excerpt), 25 – Retrospective Long b/w, 41:27 December Beach Museum of Joel Glassman, Ratting Outside, Banging Inside, 1973-74, b/w, 23 Art 1974-84, Part 16:00 II Cynthia Lee Maughan, Two Sticks Mourning at Another Stick’s Funeral, 1974-75, b/w, 2:12; Shooting at White Balloons, 1974- West Coast Focus 75, b/w, 2:27; Razor Necklace, 1975, b/w, 0:51; Hat with a Veil, 1975, b/w, 3:08 Joan Logue, Ocean/Door, 1975, color, 3:19 Nancy Angelo/Candace Compton, Nun and Deviant, 1976, b/w, 20:25 66

Suzanne Lacy, Learn Where the Meat Comes From, 1976, color, 14:24 Joel Wm Hermann, TAT a family portrait, 1977, b/w, 6:06 Allan Kaprow, Private Parts, 1977, color, 17:29 Marlene and Paul Kos, Siren, 1977, color, 4:31 Linda Montano, Mitchell’s Death, 1978, b/w, 29:00 Ed Emshwiller, Sunstone, 1979, color, 3:00 Kathryn Kanehiro, Shutters: Morning II, 1979, color, 1:42 Alan Lande, fe-nom-e-nol o-ji (parts I, II, III), 1979, color, 32:12 Pier Marton, Tapes (edited version), 1979, color, 16:00 Norie Sato, Phosphor Read-Out, 1979, color, 4:00 Ante Bozanich, Alarm, 1980, color, 11:00 Alba Cane, Whatever Went before…Goodbye, 1980, color, 4:05 Nina Salerno, Piece Meal, 1980, color, 4:26 Jac Mote, Skin/Roll/Eye, 1981, color, 2:33 Tony Oursler, Grand Mal, 1981, color, 23:00 John Arvanites, American Male, 1982, color, 28:55 Nancy Buchanan, An End to All Our Dreams, 1982, color, 7:59 John Caldwell, See Video: You Too Can Have a Successful Marrriage, 1982, color, 20:00 Aysha Quinn, Excerpts, 1983, color, 10:04

1984-1985 December Video: A Kira Perov Fujiko Nakaya, Friends of Minamata Victims, 1972, b/w, 20:00 26 - January Retrospective Long Jean Otth, Limite E, 1973, b/w, 11:04 20 Beach Museum of Urs Lüthi, No Title, 1974, b/w, 7:29 Art 1974-84, Part Kou Nakajima, My Life (two channels), 1974-78, b/w, 30:00 II Colin Campbell, The Woman from Malibu, 1976, b/w, 12:30 Juan Downey, Cusco (two-channel work), 1976: International and Cusco One, 1974, monochrome color, 20:45; Cusco Two, 1974, Cross-Cultural monochrome 67

Selections color, 19:30; Inca (two-channel work), 1976: Inca One, b/w, 21:30; Inca Two, b/w, 23:00 Nobuhiro Kawanaka, Kick the World, 1976, b/w, 20:00 Louise Lo, Victory at Caratan, 1975 (Valentine Hertz, producer: written, narrated by Juan Lopez, Victor Wong), color, 28:00 Ulrike Rosenbach, Reflection über die Geburt der Venus (Reflections on the Birth of Venus), 1976-78, color, 15:00 Slobodan Pajic, Sans Titre, 1977, color, 9:45 Patrick Prado, Périphérique, 1977, color, 11:34 Lisa Steele, Atlanta, Georgia/Cold Springs Harbor, Long Island, 1977, b/w, 16:31 Juan Downey, Laughing Alligator, 1978, color, 8:30 Nan Hoover, Impressions, 1978, color, 10:00 Tony Ramos, Nor Was This All by Any Means, 1978, color, 24:00 Edin Velez, Tule, The Cuna Indians os San Blas, 1978, color, 28:00 Marion Urch, An Introduction to Womanhood in the Modern World, 1979, color, 8:00 Nicole Croiset/Nil Yalter, Rahime Femme Kurde de Turquie, 1979, color, 22:21 Vera Frenkel, “…And Now The Truth” (A Parenthesis), 1980 (part II of “The Secret Life of Cornelia Lumsden: A Remarkable Story”), 1980, color, 30:00 Noel Harding, Out of Control, 1981, color, 14:46 Klaus vom Bruch, Luftgeister (Airspirits), 1981, color, 8:00 John Adams, Stories, 1982, color, 17:00 General Idea, Cornucopia, 1982, color, 10:00 Marina Abramovic/Ulay, City of Angels, 1983, color, 20:00 Marcel Odenbach, Die Distanz zwichen mir und meinen Verlusten (The Distance Between Myself and My Losses), 1983, color, 9:00

1985 April 14 – In View Of Connie Fitzsimons Koen Theys (Belgium), Diana, 1983, 25:00 May 19 Marcel Odenbach (Germany), Ich macche de Schmerzprobe (I do the pain test), 1984, 6:30 Marie-Jo Lafontaine (Belgium), A las Cinco de la tarde (5:00 pm), 1984, 10:00 Jo Huybrechts, ILL, 1983, 9:30 Michael Klier (Germany), Der Riese (The Giant), 1983, 82:00 Klaus vom Bruch (Germany), Jeder Schuss ein Treffer (Every Shot a Hit), 1984, 9:30 Dedo (Netherlands), Our Flag is Going Forward Too, 1984, 8:00 Madelon Hooykaas/Elsa Stansfield (Netherlands), The Force Behind its Movement, 1984, 17:30 Ingo Guenther (Germany), Das Multipolarband (The Multipolar tape), installation, 1984-1985 Nan Hoover (Netherlands), Half Sleep, 1984, 12:00 Jacques-Louis Nyst (Belgium), J’ai la tete qui torune (My Head is Spinning), 1984, 15:00 Nicole Widart (Belgium), Paysage Imaginaire (Imaginary landscape), 1982, 32:20

1985 April 17 Screening Goethe Institut LA Introduced by Ingo Guenther Showing documentation of his Video Art from In collaboration with work Deju vu, and Eleven Waiters-Vertical, and a program of Germany the LBMA video work by Marina Abramovic/Ulay; Barbara Hammann, Herbert Wentscher; and Wolf Voestel 1985 April 24 Screening: Nan Hoover Performance with video, LBMA Video Annex: Intercept the Rays Nan Hoover, Intercept Rays, 1982, color, 11:00 1985 May 1 Screening & Ulises Carrion and Raul Ulises Carrion, Twin Butlers, 1984, color, 21:21 Performance Maroquin Raul Maroquin, Selected works, 1978-1983 1985 May 21 – 23 Steina Vasulka: Long Beach Video Multi monitor installation, at LB Arena, as part of Media Art Expo The West Council

catalogue

1985 June 2 – Revising Romance: Linda Podheiser, Asst. Traveling exhibition organized by the American Federation of the August18 New Feminist Professor, Emerson Arts with cooperation of the Institute of Contemporary Art, Video College, Boston and Boston Bob Riley, Curator ICA Boston Program I: Domestic Drama Deans Keppel, Soap, 1982, 13:00 Ann-Sargent Wooster, House, 1982, 13:00 Barbara Broughel, Lesson I: Trouble In Paradise, 1981, 21:00

Program II: Revisionist Romance Barbara Broughel, Lesson II: The Frigid Heiress, 1983, 18:00 Nancy Buchanan and Barbara Smith, With Love From A To B, 1977, color, 12:00 Bruce and Norman Yonemoto, Vault, 1984, color, 12:00 Ilene Segalove, Why I Got Into TV & Other Stories, 1983, color, 10:00

Program III: The Double Bind Cecelia Condit, Beneath The Skin, 1981, color, 12:00; Possibly In Michigan, 1983, color, 11:40 John Knoop and Sharon Hennessey, Mother, 1984, 30:00

Program IV: Video Picaresque Elenor Antin, The Adventures Of A Nurse, 1976, color, 64:00 1985 September A Passage Connie Fitzsimons Judith Barry, In the Shadow of the City…Vamp r y…, 1982, super 8- 18 - Repeated film November 3 Doug Hall, The Victims’ Regret, 1984, four-channel video installation with sculptural components Nan Hoover, Walking in any Direction…, 1984, closed circuit video 70

installation with slide projection Thierry Kuntzel, Nostos II, 1984, Nine-channel, nine-monitor video and audio installation Bill Lundberg, Corner, 1983, site-specific super-8 film and audio installation with scultputral components Paul Sharits, 3rd Degree, 1982, three-screen, 16mm film and audio installation 1985-1986 November Open Channels I, Jury: Jacqueline Kain, Mary Daval, 5 Dances for Small Spaces, 1985, 10:10 24 -January 5 1985 Director, National Ezra Litwak, Stranded, 1985, 21:00 Video Festival, AFI; Joe Sherry Milner, Scenes from the Micro-War, 1985, 23:30 Leonardi, Facility Aron Ranen/Kevin Bender, Television Believers, 1985, 21:00 Manager, LBMA Video; Scott Rankin, Fugue, 1985, 10:00 Alan McGlade, Director of Programming, Falcon Cable 1986 January 22 - Documentary Deidre Boyle Program 1: March 16 Video: Decades of Les Levine, Bum, 1965, b/w, 50:00 Change, 1965- David Cort, Mayday Realtime, 1970, b/w, 60:00 1985 Arthur Ginsberg and Video Free America, The Continuing Story of Carel and Ferd, 1972-75, b/w & color, 60:00 TVTV, Four More Years, 1972, b/w, 60:00

Program 2: Susan Milano, Tattoo, 1972, b/w, 28:00 Optic Nerve (Lynn Adler, Sherrie Rabinowitz, and Bill Bradbury) Fifty Wonderful Years, 1973, b/w, 27:00 Cara DeVito, Ama l’Uomo Tuo (Always Love Your Man), 1974, b/w and color, 20:00 TVTV, The Lord of the Universe, b/w & color, 60:00 Downtown Community Television Center, Cuba, The People, 1974, color, 60:00 71

Ant Farm, Media Burn, 1975, color, 25:00

Program 3: Julie Gustafon and John Reily, Giving Birth: Four Portraits, 1976, b/w and color, 60:00 Alan and Susan Raymond, The Police Tapes, 1976, b/w, 90:00 Downtown Community Television Center, Healthcare: Your Money or Your Life, 1977, b/w, 58:00 Blaine Dunlop and Sol Korine, Hamper McBee: Raw Mash, 1978, color, 30:00

Program 4: Greg Prat and Jim Gambone, In the Midst of Plenty, 1979, color, 58:00 Dennis Darmek, Days of Swine and Roses, color, 29:00 Jane Mancini and Karen Pomer, MOVE: Confrontation in Philadelphia, 1980, b/w, 60:00 Skip Blumberg, Pick Up Your Feet: The Double Dutch Show, color, 29:00 Wendy Clarke, Love Tapes: Series 18, 1981, b/w, 58:00

Program Five: Edin Velez and Ethel Velez, Meta Mayan II, 1981, color, 20:00 Dan Reeves, Smothering Dreams, 1981, color, 23:00 Fred Simon and Vince Canzoneri, Frank: A Vietnam Veteran, 1981, b/w, 52:00 Peter Adair, Some of These Stories Are True, 1981, color, 27:00 Disarmament Video Survey Comitee (Skim Blumberg, Wendy Clarke, DeeDee Halleck, Karen Ranucci, and Sandy Tolan), Disarmament Video Survey, 1982, color, 30:00 72

Julie Gustafson and John Reilly, The Pursuit of Happiness, 1983, color, 60:00

Program Six: Rick Tejada-Flores, Low ‘N Slow, The Art of Lowriding, 1983, color, 29:00 Michelle Parkerson, Gotta Make This Journey: Sweet Honey in the Rock, 1983, color, 58:00 Victor Masayesva, Itam Hakin, Hopitt (We Someone, the Hopi), 1984, color, 60:00 Deanna Kamiel, Nuclear Outpost, 1984, color, 29:00 Jon Alpert, Hard Metals Disease, 1985, color, 30:00

Multi-Channel Performance: John Reilly and Stefan Moore, The Irish Tapes, b/w, 50:00 1986 February 28 Modus Vivendi Marina Modus Vivendi = West Coast Premier, Performance at The House, Abramovic/Ulay 1329 B 5th Street, Santa Monica Co presented by LBMA, Foundation for Art Exhibition at Burnett Miller Gallery on 1 March, talk at UCLA on 3 Resources FAR, LACE March, and a video screening at AFI on 4 March and the UCLA Department of Fine Video screening at AFI: Continental Video Series Arts in cooperation City of Angels, 20 min, 1983 with the Goethe Terra dagli Dea madre 20 min 1984 Institute Terminal Garden 20 min, 1986 1986 April 6 – New Video: Japan Barbara London; Shutaro Tanikawa/Shuji Terayama, Video Letter, 1982-1983, June 1 Traveling exhibition co- 75:00 organized by the Mako Idemitsu, Great Mother Part II: Yumiko, 1982-83, 24:30 American Federation of June Okazaki/Emi Segawa, Faster than the Wind, 1983, 20:00 the Arts and the Shoichiro Azuma, Kuniyama-Shinji, 1985, 27:00 73

Museum of Modern Akira Matsumoto, A Lakeside Event-1981, The Handicapped Art, New York People’s Year, 1981, 30:00 Noriyuki Okuda, Obsolete Theater, 1982, 18:00 Matsaki Fujihata, Maitreya, 1984, 3:00 Catalogue Ko Nakajimi, Mt Fuji, 1985, 20:00 Mao Kawaguchi/Ayumi Shino, 529 Ayumi Shino, 1984, 3:00 Daiaburo Harada/Haruhiko Shono, Hard Scratch, 1983-84, 5:00 Teiji Furuhashi, Conversation Styles: Dumb Talk, Balance, 1984, 6:00 Katsuya Taka, Deno, 1985, 2:00 Kumioko Kushiyama, House in Oikoshi, 1984, 5:00 Naoko Tosa, An Expression, 1985, 9:00 Hironori Terai, Ordinary Life, 1985, 11:41 Tetsuo Mizuno, …!?ET?, 1984, 8:15 Kunio Noda, Scale, 1983, 5:30 Makoto Saitoh, A-R-K, 1984, 5:00 Keige Yamamoto, Human Body Energy No3, 1984, 4:40 Nobuhiro Kawanaka, Spinning Time, 1983, 10:00 Osaumu Nagata, Minamo (Southwind), 1984, 9:00 Morihiro Wada, The Recognition Construction XIII, 1984, 26:00 April 16 Belgium Chris Dercon, Brussels Marie Andre, Un Ange Passe, 1985, 42 min, color, PAL Viewpoints Daniele and Jacques-Louis Nyst, Hyaloide, 1985, 27 min, color, PAL Koen Theys, Lied van mijn land, l918, color, PAL Stefaan Decostere and Chris Dercon, Warum wir Manner die Technik so lieben, 1985, 57 min, PAL April 30 New Video: Viewpoints presented Renate Kocer & Karl Kowanz, 4 Tanze, 1984, 15:49 min Austria by Grita Insam, Vienna Wolfgang Capellari & Christian Sturminger, Stiel nicht, Florance, Movie Star, ABC des Einbruchs, 1985, 8 min; Helmut Rainer, Vendetta, 1985, 6:20 min 74

Inge Graf & Zyx, Museum of private Arts, Vol 7, 1985, 1:56 Rupert Putz, R-S Projekt Nr: 13, 1985, 1:56 min Hans Weigand, Stationen eines Trinkers, 1985, 7:00 min; Zelko Wiener, Sturmbilder, 1986, 5:30 min; Peter Weibel, Casablanca I & II, Johnny I, Intermezzo, 1984-85, 15 min; Gertrude Moser Wagner, Durchlauf, Durchlauf 2, 1985, 15 min Ide Hintze, Akt in A und AH, 1985, 2:30 min Helmut Mark, Snapshot, 1985, 2:45 min; Gudrun Bielz & Ruth Schnell, Die Tanzen und die Toten, 10985, 12 min May 16 New Video Japan Presented by Barbara Talk by Barbara London, in association with the exhibition on London view at the Long Beach Museum of Art May 28 Gerry Schum’s Viepoints by Ursula Gerry Schum, Land Art (film transferred to video) 35 min, b/w, German Television Wevers SFR, 1969 Gallery Marinus Boezem, Sand Fountain, 4:12 min b/w,, no date Jan Dibbets, 12 Hours Tide Object with Correctionn of Perspective, 7:33 min b/w , no date Barry Flanagan, Hole in the Sea, 3:44 min, b/w, no date Richard Long, Walking a Straight Line 10 miles forward and back shooting every half mile, 6:03 min, b/w Robert Smithson, Fossil Quarry Mirror with Four Mirror Displaements, 3:12 min, b/w, no date IDENTIFICATIONS (film transferred to video) 50 min, b/w, broadcast on Suedwestfunk, Baden-Baden, 1970 Includes: Giovanni Anselmo, 11:25, b/w Flitz TV; Alighiero Boetti, 2:05 min, b/w; Piero Calzolari, 2:12, b/w; Gino de Dominicis, 1:55 min, b/w; 75

Gilbert and George, The Nature of our looking, 1:25 min, b/w; Gary Kuehn, 1:25 min, b/w; Mario Merz, 1:20, b/w; Extended Version: Lumaca, 2:27 min, b/w; Klaus Rinke, 0:50, b/w, silent; Ulrich Ruckriem, 0:55, b/w; Reiner Ruetenbeck, 3:40, b/w; Franz Erhardt Walter, 2:05, b/w; Lawrence Weiner, -:50, b/w; Gilberto Zorio, 1:00, b/w 1986 June 22 – Poetic License Connie Fitzsimons Robert Ashley/Kit Fitzgerald/John Sanborn, Music Word Fire and I August 17 Would Do It Again: The Lessons, 1981, color 28:30 Dara Birnbaum, Damnation of Faust: Will-O’-The- Wisp (A Deceitful Goal), 1985, 5:39 Meredith Monk/Bob Rosen, Ellis Island, 1982, 28:00 Tony Labat, La Jungla, 1985, 20:00 Gary Hill, Ura-Aru (The Backside Exists), 1986, 27:00 Dan Reeves, Sabda, 1984, 15:00 Bill Seaman, She, 1983, 11:30 Joan Jonas, Double Lunar Dogs, 1984, 25:00 Woody Vasulka, The Commission, 1983, 45:00 Francois Girard, Le Train, 1985, 5:45 1986 November 2 Newport Harbor Connie Fitzsimons Selectons of video for the NHAM from the Bay Area: Bienniel Tony Labat, La Jungle, 1985, 20 min collaboration with LBMA 1986-1987 November Remembrances of Connie Fitzsimons Marcel Odenbach, As if Memories Could Deceieve Me, 1986, 23 -January Things Past three-channel video installation 18 Dara Birnbaum, Damnation of Faust, 1984, two-channel video installation (exhibition included works in other media) 76

1987 February 11 - The Dictatorship Connie Fitzsimons Francesc Torres, video installation (toy cars and army helmets in April 12 of Swiftness: An glass cases, with video monitors above each case) Installation by Francesc Torres 1987 February 11 - Open Channels II, Connie Fitzsimons, Open Channels II: April 12 1986 Sharon Goldenberg, John Arvanites, Blues for Piggy, 1986, 12:00 Programming Director, Jeanne Finley, Common Mistakes, 1986, 15:00 Valley Cable, Ed Jones, Bemused in Babylon, 1986, 8:45 Chatsworth; Peter Tony Labat, Mayami: Between Cut and Action, 1986, 14:00 Kirby David Stout, Prisoner of Light, 1986, 9:00 1987 March 11- Curator’s Choice: Josine Ianco-Starrels, Nan Hoover, Light and Object, 1982, 20:45; Watching Out, 1982, April 12 Video Patricia Boutelle, 8:19 Marga Bijvoet, Donna Mary Lucier, Ohio to Givery: Memory of Light, 1983, color, 18:25 Sandrock Bill Viola, Chott El-Djerid (A Portrait in Light and Heat), 1979, color, 28:00 1987 April 19 - Juan Downey: JS Connie Fitzsimons Juan Downey, JS Bach, 1986, color, 23:00 May 17 Bach

1987 July 26 - Foreign Exchange Connie Fitzsimons Eric Crystal and Art Nomura (USA), Refugees From Laos: A Hillside September 6 Tribe in Oakland, 1981, color, 30:00 Louis Hock (USA), The Mexican Tapes: A Chronicle of Life Outside the Law, 1986, color, 3:52:00 Grupo Chaski(Peru), Miss Universe in Peru, 1984, 16mm film on video, color, 27:00 Ohlar Electronico (Brazil), Marley Normal, 1985, color, 6:00 Systema Sandinista de Television (Nicaragua), The Sewating Virgin, 1983, color, 18:00 Radio Venceremos (El Salvador), A Time of Daring, 1983, color, 29:00 Victor Masayesva, Jr in association with ZDF-German National Television (USA), Itam Hakim, Hopiit (We Someone, the Hopi), 77

1984, color, 58:00 Edin and Ethel Velaz in association with the Television Laboratory at WNET/Thirteen, New York (USA), Meta Mayan II, 1981, color, 20:00 Juan Downey (USA), The Laughing Alligator, 1978, color, 8:30 Ohlar Electronico (Brazil), Varela in Xingu, 1985, color, 14:00

1987 September Shirley Clarke in Jacqueline Kain Shirley Clarke, The Connection, 1961, b/w, film on tape, 100:00; 20 - Retrospect: The Cool World, 1963, b/w, film on tape, 100:00; Savage/Love, November 1 Selected Video 1981, color, 26:00; Tongues, 1982, color, 20:00; Trans, (from Four and Film, 1953-85 Journeys Into Mystic Time, 1978-79) 1979, color, 9:00; A Visual Diary, 1980, color, 6:00; The Box, 1983, color, 4:00; Dance in the Sun,1953, b/w, 8:00; Portrait of Jason, 1967, b/w, film on tape, 1967; Early Works, 1953-73, b/w, 30:00; Ornette-Made in America, 1985, color, 80:00; Bridges-Go- Round, 1958, b/w, 4:00; Skyscraper, 1959, b/w, 21:00; TP Videoscape, 1970-73, b/w, excerpts 1987-1988 November Electric Shadows: Jacqueline Kain Albert Lamorisse, The Red Balloon, 1956, film, 34:00 22-January An Exhibition of Carlos Vilardebo, Calder’s Circus, 1961, film, 19:00 10 Film and Video By, Faith Hubley, Moonbird, 1959, film, 10:00 For, and About Skip Blumberg, Pick Up Your Feet: The Double Dutch Show, 1981, Children 28:00 Robert Cahen, Cartes Postales (Selections), 1985, 3:00 Fu-Ding Cheng, Spirit of the Dream House, 1983, 15:00 Kit Fitzgerald, John Sanborn, David Tieghem, Ear to the Ground, 1982, 4:25 Co-produced by the Hopkins, Minnesota Schools, Cable Systems Southwest and the Walker Art Center, A Pool of Hockney, 1983, 14:00 Presented by Kidspace Museum and Pasadena Community Access Corporation, TV Poems, 1986, 3:00 78

Produced under the direction of Severo Perez, Night School, 1987, 7:00 Produced by Wendy Clarke, Love Tapes, 1982, 10:00 A VIDKIDCO Production, LBMA Video, Second Street Journal, 1987, 10:00 Produced by Video3333, directed by Ben Caldwell, I-Fresh Express, 1987, 15:00 1988 January 24 - Planes of Memory Jacqueline Kain Peter Campus, mem, 1975, installation; (video gallery) February 28 Three Transitions, 1973, color, 5:00; Set of Coincidence, 13:00, color, 1974; R-G-B, 1974, color, 11:00; Four Sided Tape, 1976, color, 3:20; East Ended Tape, 1976, color, 6:00; Third Tape, 1976, color, 5:00; ix Fragments, 1976, color, 5:10

Beryl Korot, Dachau 1974, 1975, installation

Bruce Nauman, Live Taped Video Corridor, 1969, installation; (video gallery) Revolving Upside Down, 1968, b/w, 10:00 (excerpt); Bouncing in the Corner, No I, 1968, b/w, 10:00 (excerpt); Bouncing in the Corner, No 2, 1969, b/w, 10:00 (excerpt); Lip Sync, 1969, b/w, 30:00 (excerpt) 1988 January 24 - Open Channels III Producer: Peter Kirby; David Bunn, The Torrid Zone, 1987, 13:16 February 28 Jury: David Bolt, Paul Kos, Tower of Babel, 1987, 14:14 Executive Director, Bay Donna Matorin, Quickening, 1987, 14:52 Area Video Coalition; Paul McCarthy, Cultural Soup, 1987, 6:56; Family Tyranny, 1987, Valerie Faris, 8:09 independent producer Jim Shaw, Billy Goes To A Party #4, 1987, 20:56 and director; Julie Lazar, Curator, Media Arts, Museum of Contemporary Art

1988 March 13 – UK/LA: New Traveling exhibition Series editor John Wyver, Ghosts in the Machine April 17 British Video from the Arts Council Produced/Directed by Keith Griffiths, written by Ian Christie, The of Great Britain and Land of Counterpane Channel Four Graham Young, Accidents in the Home Television Patrick Keiller, Valtos or the Veil Produced by Akiko Hada, The Japanese American Toy Theater of London Presents Jame Bonk in Matt Blackfinger (Greer on Thatcher & Rushdie on Racism) Opinions Rik Lander, Deep Red Instant Love

1988 May 1- June Collected Video Jacqueline Kain Ken Feingold, India Time, 1987, 45:54 5 Essays Martha Rosler, If It’s Too Bad To Be True, It Could Be Disinformation, 1985, 17:15 Gary Hill, Incidence of Catastrophe, 1988, 25:00 1988 June 19 - Degrees of Reality Part I: Guest Curator, I “Degrees of Reality” September (Recorded Peter Kirby; Part II: June 19 - July 24, 1988: 11 Realities: Guest Curator, Erika John Arvanites, Monuments: Queen Mary and Spruce Goose, Reflections from Suderburg 1987, 23:30 the LBMA Video Cecelia Condit, Possibly in Michigan, 1983, 11:40 Collection) Gary Hill, Ura Aru (The Backside Exists), 1986, color, 27:00 Nam June Paik, Guadacanal Requiem, 1979, 29:00 John Sturgeon, Spine/Time, 1982, 20:55 Janice Tanaka, Ontogenesis, 1981, 5:30 Bill Viola, Anthem, 1983, 11:30

II “Quieter Histories” August 7 - September 11, 1988: Dan Reeves, Sabda, 1984, 14:55 Klaus vom Bruch, Luftgeister (Air Spirits), 1981, 8:00 Doug Hall, Storm and Stress, 1986, 50:00 Ken Feingold, 5dim/MIND, 1984, color, 29:00 80

Meredith Monk, Ellis Island, 1982, 28:00 1988 September Articulations I: Jacqueline Kain Cecelia Condit, Not a Jealous Bone, 10:21, 1987 25 -October Picturing Women Lynn Hershman, Confessions of a Chameleon, 10:00, 1986 30 Dara Birnbaum, MTV: Artbreak, 1987, 0:30 Kathleen Forrest/Cheri Gaulke/Sue Maberry, Medusa’s Beauty Secrets, 1988, 10:00 Helen De Michiel, Consider Anything, Only Don’t Cry, 1988, 22:00 1988 Artists Access Jacqueline Kain Erika Suderburg, Displayed Termination: The Interval Awards Program Between Deaths, 1988, 25:00 Morgan Thomas, Twentieth Century Child, 16:00, 1988 Doug Henry, Dead Bulb, 1988, 6:00 Kathleen Forrest/Cheri Gaulke/Sue Maberry, Medusa’s Beauty Secrets, 1988, 10:00 1987 January 12 - Viewpoints on Peter Kirby, curator and Program 1: January 12 - February 18, 1987 - February 18, Video program producer Selections from the exhibit “Rememberances of Things 1989 A Program of Video Art Past”: February 23 Works for Cable Dara Birnbaum, Damnation of Faust: Evocation, 1983, color, – Televesion presented by 11:00; Damnation of Faust: Will-o’-The Wisp, 1985, color, April 6, LBMA 6:00 Marcel Odenbach, As If Memories Could Deceive Me, 1986, April 20 - b/w and color, 17:29; Prejudices (Or Necessity is the June 3, Mother of Invention), 1984, color, 9:00 Marina Abramovic and Ulay, Terra Degli Dea Madre, 1984, June 8 - July color, 15:40 15, Program 2: February 23 - Ap 6, 1987 July 22 - OPEN CHANNELS Television Production Grant August 26, Program II: Tony Labat, Mayami: Between Cut and Action, 1986, 14:00 April 25 - David Stout, A Prisoner of Light, 1986, 14:00 81

May 27, John Arvanites, Blues For Piggy, 1987, color, 12:00 Ed Jones, Bemused in Babylon, 1986, 8:45 June 6 - July Jeanne Finley, Common Mistakes, 1986, 15:00 11, Program 3: Ap 20 - June 3, 1987 July 25 - Portraits of Artists by Three Video Artists: August 22, Juan Downey, JS Bach, 1986, color, 28:25 Mary Lucier, Ohio to Giverny: Memory of Light, 1983, color, September 18:25 12 - October Joan Logue, French 30 Second Spots, 1983, selections, color, 17, 12:30

October 24 - Program 4: June 8 - July 15, 1987 November Doug Hall, Storm and Stress, 1986, 48:00 25 Doug Hall and Jules Baccus, Almost Like A Dance, 1984, color, 4:25

Program 5: July 22 - August 26, 1987 Foreign Exchange: Edin and Ethel Velez, Meta Mayan II, color, 20:00 Ohlar Electronico, Varela in Xingu, color, 14:00 Juan Downey, The Laughing Alligator, 1978, color, 8:30 Zapoteca and Chinanteca Indians of La Sierra (Mexico), Nuestro Tequiou, 1984

Program 6: September 21 - November 18, 1987 Selections from the exhibition Shirley Clarke in Retrospect: Selected Video & Film 1953 - 1985: Dance In The Sun, 1953, b/w, 8:00; Bridges Go Round, 1958, b/w, 4:00; Savage/Love, 1981, color, 26:00; 82

Tongues, 1982, color, 20:00

Program 7: November 25, 1987 - January 20, 1988 Selections from the exhibition Electric Shadows: John Arvanites, The Theo Tapes, 1986, 25:00 John Sanborn, Kit Fitzgerald & David Van Teigham, Ear to the Ground, 1982, 4:25 Skip Blumberg, Pick Up Your Feet: The Double Dutch Show, 1981, 28:00

Program 8: January 25 - March 2, 1988 OPEN CHANNELS Television Production Grant Program III – PART ONE: David Bunn, The Torrid Zone, 1987, 13:16; Thinking of Conception, 1986, 5:00; Chart, 1983, 2:00 Paul Kos, Tower of Babel, 1987, 14:14 Donna Matorin, Quickening, 1987, 14:52; 61/40, 1985

Program 9: March 7 - April 20, 1988 OPEN CHANNELS Television Production Grant Program III – PART TWO: Paul McCarthy, Family Tyranny, 1987, 8:09 Jim Shaw, Billy Goes To a Party #4, 1987, 20:56 Sherry Milner, Scenes from the Micro-War, 1985, 23:00

Program 10: April 25 - May 27, 1988 Mahtha Rosler, Semiotics of the Kitchen, 1975, b/w, 6:05; Losing: A Conversation With The Parents, 1977, color, 18:45; Secrets From The Street: No Disclosure, 1980, color, 4:42; 83

If It’s Too Bad To Be True, It Could Be DISINFORMATION, 1985, 17:15

Program 11: June 6 - July 11, 1988 Selections from the exhibition Degrees of Reality: Selections from the Collection of the Long Beach Museum of Art: Cecelia Condit, Possibly in Michigan, 1983, color, 11:40 Gary Hill, Around and About, 1980, color, 4:56 Janice Tanaka, Ontogenesis, 1981, color & b/w, 5:35 John Sturgeon, SPINE/TIME, 1982, color, 20:55 Bill Viola, Anthem, 1983, color, 11:30

Program 12: July 25 - August 22, 1988 Selections from the exhibition Quieter Histories: Selections from the Collection of the Long Beach Museum of Art: Klaus vom Bruch, Luftgeister (Airspirits), 1981, color, 8:00 Ken Feingold, 5 dim/MIND, 1984, color, 29:00 Dan Reeves, Sabda, 1984, 14:55

Program 13: September 12 - October 17, 1988 Selections from the exhibition Articulations: Cecelia Condit, Not A Jealous Bone, 1987, 10:21 Kathleen Forrest, Cheri Gaulke, & Sue Maberry, Medusa’s Beauty Secrets, 1988, 10:00 Lynn Hershman, Confessions of A Chameleon, 1986, 10:00 Erika Suderburg, Displayed Termination: The Interval Between Deaths, 1988, 25:00

Program 14: October 24 - November 25, 1988 84

Helen De Michiel, Consider Anything, Only Don’t Cry, 1988, 22:00 Aysha Quinn & John Sturgeon, Nomads, 1986, color, 26:00 Burt Barr, With Special Thanks, 1986, color, 5:29

Program 15: Selections from the exhibit Personal Histories: Ilene Segalove, I Remember Beverly Hills, 1980, color, 28:00 Skip Sweeney, My Father Sold Studebakers, 1983, b/w & color, 27:00

Program 16: January 23 - March 10, 1989 OPEN CHANNELS Television Production Grant Program IV: Victoria Beardon, There Is No History In Heaven, 1988, 7:00 Hilja Keading, Let Me (Entertain You), 1988, 9:00 Lynn Kirby & Erika Suderburg, Memory Inversion, 1988, 16:35 Jayce Salloum, Once You’ve Shot The Gun You Can’t Stop The Bullet, 1988, 7:00 Bruce & Norman Yonemoto, Blinky The Friendly Hen 1978 - 88, 1988, 15:00

Program 17, 18, 19: (Dates missing) Music Video as Art: An alternative vision of the art of the ‘80s Videos?

1988- November Personal Peter Kirby Ilene Segalove, I Remember Beverly Hills, 1980, color, 1989 20 -January Histories: Ilene 28:00; My Puberty, 1987, color, 11:00 8 Segalove and Skip Skip Sweeny, My Father Sold Studebakers, 1983, b/w & Sweeney color, 27:00; My Mother Married Wilbur Stump, 1986, b/w & color, 27:34 85

1989 January 22 - Open Channels IV, Series Producer: Peter Bruce & Norman Yonemoto and Jeffery Vallance, Blinky, March 5 1988 Kirby 1988, 15:00 Hilja Keeding, Let Me (Entertain You), 1988, 9:00 Victoria Bearden, There is No History in Heaven, 1988, 7:00 Lynne Kirby/Erika Suderburg, Memory Inversion (Los Angeles), 1988, 16:35 Jayce Salloum, Once You’ve Shot the Gun You Can’t Stop the Bullet, 1988, 7:00 1989 March 19 – Framed: A Video Michael Nash; Curatorial Bruce and Noraman Yonemoto, Framed, interactive multi- April 23 Installation by Consultant: Peter Kirby, media installation, 1989, color & b/w, ca 16:00 Bruce and Commissioned by LBMA Norman Yonemoto 1989 May 7- June Video: New Barbara London, MOMA Traveling Exhibition organized by the Museum of Modern 11 Canadian Art, New York: Narrative Alex Poruchnyk (Winnipeg), To Whom It May Concern, 1988, 97:00 Robert Morin (Montreal), Tristesse Modele Reduit, 1988, 80:00 Tom Sherman (Ottowa), Exclusive Memory 7-11-12, 5-8-16, 4- 9-19, 1987, 179:00 Sara Diamond (Vancouver), Heroics: Definitions, 1984, 37:00 Paulette Phillips/Geofrey Shea (Toronto), Work, 1987, 25:00 Margaret Moores (Toronto), Frankly, Shirley, 1987, 10:00 Jeanette Reinhardt (Vancouver), Mother May I?, 1987, 13:00 Colin Campbell (Toronto), Black and Light, 1987, 53:00 Doug Melnyk (Winnipeg), Auld Lang Syne, 1988, 9:00 Luc Bourdon (Montreal), The Story Of Feniks And Abdullah, 1988, 18:00 86

Marc Paradis (Montreal), L’incident Jones, 1986, 9:00 Vern Hume (Calgary), Lamented Moments/Desired Objects, 1988, 14:00 Dennis Day (Toronto), Oh, Nothing, 1987, 11:00 Bernar Herbert (Montreal), Le Chien De Luis De Salvador, 1984, 5:00 Francois Girard/Bruno Jobin (Montreal), Monsieur Leon, 1986, 13:00 Susan Rynard (Toronto), Within Dialogue (Silence), 1987, 6:00 Anne Ramsden (Vancouver), Manufactured Romance: Beauty, Passion, And Power, 1983, 20:00 Diane Poitras (Quebec), Make A Wish, 1984, 28:00 Rhonda Abrams (Toronto) Lament Of The Sugar Bush Man, 1987, 15:00 Jan Peacock (Halifax), Sirensong, 1987, 8:00 Elizabeth vander Zaag (Vancouver) Hot Chicks On TV, 1986, 7:00 Lisa Steele/Kim Tomczack (Toronto) Private Eyes, 1987, 19:00

1989 June 24 – Icono Negro: The Philip Mallory Jones Tony Cokes, Black Celebration, 1988, 17:00 July 23 Black Aesthetic in Peter Harvey and Mario Thomas, Blue for You, 1988,12:00 Video Art Carlos de Jesus, Christmas with La Volcanita, 1988, 4:00 Doris Chase and Thulani Davis, Thulani, 1983, 8:00 Lawrence Andrews, An I for An I, 1988, 18:00 Johanna Sophia, Freedom, 1988, 15:00 Geraldo Mello, Julia Meirelles, Caio Magri and Lucila Meirelles (Sao Paulo, Brazil), Pivet, 1987, 6:00 Philip Mallory Jones, 87

What Goes Around/Comes Around, 1986, 3:00; Footprints, 3-channel video/audio installation, 1986, 3:00; Dreamkeeper, 3-channel video/audio, 1989,4:30 1989 August 3-24 Art of Music Video Michael Nash 1 Audio Auteurs

Thursday evening Rock Visionaries: programs…catalog David Bowie, Boys Keep Swinging, 1979, 3:18; Fashion, ue and poster 1981, 3:35; Ashes to Ashes, 1981, 3:38, Directed by David Bowie and Davie Mallet, courtesy of Isolar Enterprises David Byrne, Once in a Lifetime, music by Talking Heads, directed by David Byrne and Toni Basel, courtesy of Todo Mundo, 1981, 4:20; Burning Down the House, directed by David Byrne, 1983, 4:10; Road to Nowhere, directed by David Byrne and Stephen Johnson, 1983, 4:04; Love For Sale Peter Gabriel, Games Without Frontiers, directed by David Mallet, 1981, 3:47; Shock the Monkey, directed by Brian Grant, 1982, 4:00; I Don’t Remember, directed by Eric Fellner, 1983, 3:56

Audio/Visual Concept Bands: Devo, In the Beginning was the End (Secret Agent Man and Jocko Homo), direct by Chuck Statler, 1977, 11:00 The Residents, Eloise (From Wahtever Happened to Vileness Fats), 1972, 2:05; Hello Skinny, co-directed by Graeme Whifler, 1980, 4:00; One-Minute Movies, co-directed by Graeme Whifler, 1980, 4:00; This is A Man’s, Man’s, Man’s World, 1984, 3:40, music and direction by the Residents The The, Infected, The Movie (excerpts), including Infected, 88

Heartland, and Twilight of a Champion, directed by Peter Christopherson (co-directed by Tim Pope), concept by Matt Johnson, 1986, 15:30

Performance Crossovers: Laurie Anderson, O Superman, 1981, 8:25; Sharkey’s Day, 1984, 4:25, music and direction by Laurie Anderson David Van Tieghem, Ear to the Ground, directed by John Sanborn and Kit Fitzgerald, 1982, 4:25; Galaxy, directed by John Sanborn and Mary Perillo, 1987, 5:20; Cause and Effect, directed by John Sanborn and Mary Perillo, 1988, 7:12

II Ad Art

Pop Deconstruction: C’est Comme Ca, music by Les Rita Mitsouko, Directed by Jean Baptiste Mondon, courtesy of Virgin Records, 1987, 6:24 ?(Modern Industry), music by Fishbone, directed by David Hogan, 1985, 3:59 Stupid Kids (Version 2), music by Christmas, directed by Jonathan Dayton and Valerie Faris, 1989, 3:00 Hold My Life, music by The Replacements, directed by Bill Pope and Randy Skinner, 1986, 4:36 Blow Wind Blow, music by Tom Waits, directed by Chris Blum, 1987, 3:43

Art Breaks: Sampler 1: Jonathan Borofsky, Barry Yourgrau, Alex Proyas, Max Blagg and Jenny Holzer Sampler 2: Howard Myers, Sha Sha Higby, Hans Neleman, and G Brotmeyer Sampler 3: Dara Birnbaum, Tony Cragg, Jan Svankmajre, Survival Research Laboratories and the Quay Brothers Sampler 4: L Benglis, Eden Diebel, Mark Mothersbaugh, Julia Heyward, and Robert Longo

REM: Remembrances, Feeling Gravity’s Pull, directed by James Herbert, 1985, 4:00; Fall on Me, directed by Michael Stipe, 1986, 3:18; Talk About Passion, directed by Jem Cohen, 1988, 4:00

Media Arts Inroads:

Crossover Girl from Ipanema Goes to Greenland, music by the B-52’s, directed by Paul Tassie, 1986, 3:55 Temptation, music by Tom Waits, directed by Betzy Bromberg, 1987, 4:00 There’s a Light That Never Goes Out, music by The Smiths, directed by Derek Jarman, 1986, 5:47 Rene and Georgette Margritte with Their Dog After the War, music by Paul Simon, directed by Joan Logue, 1984, 3:50 90

Animation Accidents Will Happen, music by Elvis Costello, directed by Annabel Jenkel and Rocky Morton, 1979, 2:58 U Know What Time It Is, music by Grandmaster Flash, directed by Olive Jar Animation, 1987, 3:23 Love is the Drug, music by Grace Jones, directed by Matt Forrest and Bruno Tilley, 1986, 3:30 Money For Nothing, music by Dire Staits, directed by Steve Barron, 1985, 4:38 And She Was, music by Talking Heads, directed by Tom Blashfield, 1985, 4:24

Director’s Showcase Robert Longo Boy (Go), music by Golden Palominos, 1986, 4:00 Bizarre Love Triangle, music by New Order, 1987, 3:50 Peace Sells, But Who’s Buying?, music by Megadeth, 1986, 4:09

Zbigniew Rybczynski Close to the Edit, music by Art of Noise, 1984, 4:10 All That I Wanted, music by Belfegore, 1984, 4:15 Cowbell, music by Takeshi Itoh, 1989, 4:03 Imagine, music by John Lennon, 1987, 4:20

III Unseen Music

Agit Pop I Against I, music by Bad Brains, directed by Paul B Rachman, 1987, 3:51 This Ain’t No Picnic, music by Minutemen, directed by Randall Johnson, courtesy of SST Records, 1985, 2:06 World Destruction, music by Time Zone, directed by Harley and Fontaine, 1985, 4:00 Hear Me, music by Firehose, directed by Tim Mignone, 1988, 2:35 Drinking and Driving, music by Black Flag, directed by Randal Johnson, 1986, 3:49 Tainted Love, music by Coil, directed by Peter Christopherson, 1985, 5:30 Government Figures, music by Steve Fisk, directed by Guy Guillet and Peter Randlette, 1989, 2:15

Spoken Words The Spoken Word, Sampler (from The Cutting Edge), text and Performance by Lydia Lunch, Linda Albertano, Ivan E Roth, and Benjamin Weissman, directed by Jonathan Dayton and Valerie Faris, 1984-86

Rock As Revolution USSR&R: Rock on a Red Horse, excerpts including: A Foreboding of Civil War, music by DDT; Waiting at the Entrance, music by MAT; Hush, music by Antis, directed by Ken Thurlbeck, 1989, 11:00 92

Alternate Routes:

The New Underground Film Songs for Swinging Larvae, music by Renaldo and the Loaf, directed by Graeme Whifler, 1981, 5:40 Christine, music by Glass Eye, directed by Roy Taylor, 1989, 2:47 Death Valley ’69, music by Sonic Youth with Lydia Lunch, directed by Richard Kern and Judith Barry, 1986, 5:21 Katalavox, music and direction by Illusion of Safety, 1987, 3:46

Concept EP Soul Soldier, music by Throwing Muses, directed by Charles Jevremovic and CL Montrose, 1987, 9:00

Reverse Crossover Destruction Site, Florida Flower and Slo Drone Loop, audio and direction by Lee Ranaldo, 1988, 3:05 No Second Chance, music by Steve Fisk, directed by Guy Guillet, 1988, 3:00 Inverse Proportions, music by Elliott Sharp/Carbon, directed by Leah Singer and Mark Nugent, 1989, 6:00

Director’s Showcase: Kurt Kellison (director) Nothing Can Bring Me Down, music by Pussy Galore, 1988, 3:15 Redneck Technical School, music by the Flaming Lips, 1989, 93

2:54 Mortality: Regression (excerpt from Mortality), music by Kurt Kellison, \ 1986, 4:50 Epact (excerpt from Entropy), music by Kurt kellison, 1987, 2:10

Nigel Grierson Lonely Is An Eyesore, excerpts including: Frontier, music by Dead Can Dance; Acid, Bitter and Sad, music by This Mortal Coil; The Protagonist, music by Dead Can Dance; directed by Nigel Grierson, 1987, 14:30 IV Vanguard Re-Visions Experimental Film: Invention and Intervention Bruce Conner (director) Cosmic Ray, music by Ray Charles, 1961, 4:00 Mongoloid, music by DEVO, 1977, 4:00 America Is Waiting, music by David Byrne and Brian Eno, 1982, 3:30

James Herbert (director) Pluto, music by Moby Grape, 1968, 6:00 Carnival, music by Limbo District, 1983, 11:30 Left Of Reckoning (excerpts including Pretty Persuasion and Time After Time), music by REM, 1984, 8:45

Jem Cohen (director) Glueman, in collaboration with Ian Mackaye, music by Fugazi, 1989, 5:00 4:44 (From Her House Home), music by Gabriel Cohen and 94

Jem Cohen, 1989, 2:30 Witness, co-directed by Adam Cohen, music by Butthole Surfers, 1986, 12:40

Video Art: Previsions and Re-Visions

Prototypes Global Groove (excerpt), directed by Nam June Paik, 1973, 5:00 Kojak Wang, directed by Dara Birnbaum, music by Rhys Chatham, 1980, 4:00 Hey Joe, directed by Daniel Reeves, music by Jimi Hendrix, 1982, 5:00

Visual Music Contemporaries Adelic Penguins (excerpts including The Dreaming and A Rain Song), directed by Kit Fitzgerald and Paul Garrin, music by Ryuichi Sakamoto, 1986, 5:35 Power Spot, directed by Michael Scroggins, music by Jon Hassell, 1986, 8:12 Hard And Flexible Music, direction and music by Bob Snyder, 1988, 5:30

Video Music Futurities Cascade: Vertical Landscapes, directed by Carole Ann Klonarides and Michael Owen, music by Christian Marclay, 1988, 6:28 Lucksmith, directed by Gusztav Hamos, music based on 95

Richard Wagner’s Der Ring, 1987, 5:55 The Day Of Judgement (excerpt from Oracle), directed by Stuart Bender and Angelo Funicelli, music by Angelo Funicelli, vocals by Annie Daval, 1989, 7:00 Night’s High Noon: An Anti-Terrain, directed by Peter Callas, music by Graeme Revel and SPK, 1988, 7:26 Free Society, directed by Paul Garrin, music by Elliott Sharp, 1988, 3:22 Black Celebration (an excerpt), directed by Tony Cokes, music by Skinny Puppy, 1988, 6:00 Wassa, directed by Philip Mallory Jones, music by Moustapha Thiombiano, 1989, 3:00 The End Of Television, directed by Shalom Gorewitz, music by Roger Johnson, 1988, 4:00 1989 August 6 – Reconstructed Michael Nash Paul Garrin and Nam June Paik, Two Channel Music Tape: September Realms: Recent Spring/Fall, 1987, 32:20 17 Acquisitions of MICA-TV (Carole Ann Klonarides and Michael Owen), LBMA’s Video Cascade: Vertical Landscapes, 1988, 6:28 Collection Bob Snyder, Hard and Flexible Music, 1988, 5:30 Rea Tajiri, Hitchcock Trilogy: Vertigo, Psycho and Torn catalogue Curtain, 1987, 13:30 Ken Kobland, Berlin: Tourist Journal, 1988, 18:50 Leslie Thorton, Peggy and Fred in Kansas, 1988, 11:00 Woody Vasulka, Art of Memory, 1987, 36:00 1989 October 1- In the Drowning Michal Nash Rita Myers, In the Drowning Pool, mixed-media with video November 5 Pool: A Video installation Installation by Rita Myers 96

1989- November Kovacs and Michael Nash “A Tribute to Ernie Kovacs,” 60:00 1990 19 – January Kaufman Ernie Kovacs Specials, 7 Special 4, 1961, 30:00 Special 5, 1961, 30:00 Special 6: (“Eugene”) 1961, 30:00 Special 7, 1961, 30:00 Andy’s Fun House, 1977, 67:00 The Andy Kaufman Show, 1983, 59:00 1990 January 21 - New California Michael Nash Open Channels I (1985): March 4 Video: A Survey of (Jury: Jacqueline Kain, Director, National Video Festival, The Open Channels American Film Institution; Joe Leonardi, Facility Manager, LBMA Video; Alan McGlade, Director of Programming, Falcon Cable)

Mary Daval, 5 Dances for Small Spaces, 1985, 10:00 Ezra Litwak, Stranded, 1985, 21:00 Sherry Millner, Scenes from the Micro-War, 1985, 23:30 Aron Ranen/ Kevin Bender, Television Believers, 1985, 26:00 Scott Rankin, Fugue, 1985, 10:00

Open Channels II (1986): (Jury: Connie Fitzsimons, Video Curator, Long Beach Museum of Art; Sharon Goldenberg, Programming Director, Valley Cable, Chatsworth, CA; Peter Kirby, video artist and independent producer)

John Arvanites, Blues for Piggy, 1986, 12:00 Jeanne Finley, Common Mistakes, 1986, 15:00 Ed Jones, Bemused in Babylon, 1986, 8:45 Tony Labat, Mayami: Between Cut and Action, 1986, 14:00 David Stout, Prisoner of Light, 1986, 14:00 97

Open Channels III (1987): (Jury: David Bolt, Executive Director, Bay Area Video Coalition; Valerie Faris, independent producer and director; Julie Lazar, Curator, Media Arts, Museum of Contemporary Art)

David Bunn, The Torrid Zone, 1987, 13:16 Paul Kos, Tower of Babel, 1987, 14:14 Donna Matorin, Quickening, 1987, 14:52 Paul McCarthy, Cultural Soup, 1987, 6:56; Family Tyranny, 1987, 8:09 Jim Shaw, Billy Goes To A Party #4, 1987, 20:56

Open Channels IV (1988): (Jury: Steve Fagin, video artist and Instructor, Visual Arts Department, University of California, San Diego; Laina Long, General Manager, KCTV Channel 19, Santa Barbara, CA; Linda Mabalot, Executive Director, Visual Communications)

Victoria Bearden, There is No History in Heaven, 1988, 7:00 Hilja Keading, Let Me (Entertain You), 1988, 9:00 Lynne Kirby and Erika Suderburg, Memory Inversion (Los Angeles), 1988, 16:35 Jayce Salloum, Once You’ve Shot the Gun You Can’t Stop the Bullet, 1988, 7:00 Bruce and Norman Yonemoto and Jeffrey Vallance, Blinky, 1988, 15:00

Open Channels V (1989): (Jury: Claire Aguilar, Assistant Programmer, UCLA Film & 98

Television Archive, Los Angeles, CA; Anne Bray, Video Coordinator, Los Angeles Contemporary Exhibitions, Los Angeles, CA; Laina Long, General Manager, KCTV Channel 19, Santa Barbara, CA)

Lawrence Andrews, Strategies for the Development of / Redefining the Purpose Served, Art in the Age of…aka The Making of the Towering Inferno, 1989, 23:40 Nancy Buchanan, Mouth(piece), 1989, 10:15 Fu-Ding Cheng, The Winged Cage, 1989, 29:00 Paul Tassie, Remember Flavor, 1989, 10:00 1990 March 18 - Seven Prophecies: A Michael Nash Stuart Bender and Angelo Funicelli, interactive video/music April 29 Video Installation installation, including the following videos: by Stuart Bender The Might of Nations; The Bonds of Kinship; The Eye of the and Angelo Storm; The Day of Judgement, 1989, color, 7:00; The Funicelli Balance of Power; The Ringing of Changes; The Race of Men 1990 May 13 – Video Poetics Michael Nash Contemporary Survey: June 17 Dara Birnbaum, Damnation of Faust: Charming Landscape, catalogue 1987, 6:30 Ante Bozanich, Hole, 1990, 11:00 Jem Cohen, Just Hold Still, 1989, 32:00 Gary Hill, Site Recite (a prologue), 1989, 4:00 Shalom Gorewitz, After the Storm, 1988, 9:53 Daniel Reeves, Sombra a Sombra, 1988, 16:00 Scott Rankin, This and That (Part Two), 1987-90, 45:15 Shelley Silver, Things I Forget to Tell Myself, 1988, 1:52 Steina, Voice Windows, 1986, 8:10

Selections from the Video Collection: 99

Tony Cokes, Black Celebration, 1988, 6:30 (excerpt) Daniel Reeves, Amida, 1982, 7:00 Janice Tanaka, Duality Duplicity, 1980, 5:30 Bill Seaman, She, 1983, 11:30

Jenny Holtzer: Televised Texts: Selected Televsions Spots from Truisms, Living Series and Survival Series, 1989-90

Broadcasts May 13-19, 1990

KCOP (Los Angeles, Channel 13) KTLA (Los Angeles, Channel 5)

Cablecasts May 14-20, 1990

KCTV-Channel 19 (Santa Barbara) Peralta Colleges Television (Oakfield, Berkley and Alameda) Viacom Cablevision (Marin County) Bill Seaman, The Watch Detail, 1990 (An interactive videodisc installation) 1990 July 1 – Waterworks Josine Ianco-Starrels Nam June Paik with Paul Garrin , Two Channel Music Tape: August 12 and Michael Nash Spring/Fall, 1987, 32:00 Doug Hall, Storms & Stress, 1986, 48:00 Bill Viola, The Reflecting Pool, 1977-79, 7:00; Migration, 1976, color, 7:00 The exhibition included mixed-media work in the form of Sculpture, photography and videotapes

100

1990 July 19 – Laughing Matters Michael Nash Program 1: August 23 Michael Smith, Mike’s Big TV Show, 80:00: Thursday night Mike, 1987; Go For It, Mike, 1984; Secret Horror, 1980; It programs Starts at Home, excerpts, 1982; The World of Photography, excerpts, 1986; Mike Builds a Shelter, excerpts, 1985

Program 2: John Paizs, Crime Wave, 1985, 95:00 Mary Hestand, He Was Once, 1989, 15:00

Program 3: Cathode Comedy, Artists and Comics Turn on the Tube: Lenny Bruce and John Magnuson, Thank You Mask Man, 1968, 7:00 Teddy Dibble, Lover of Life/TV, 1989, 7:00 John Goss, “Out” Takes, 1989, 13:00 Ernie Kovacs, Ernie Kovacs Special #7 (excerpt), 1961, 7:30 Ann Magnuson and Tom Rubnitz, Made for TV, 1984, 15:00 Tom Rubnitz, Undercover…Me! , 1988, 1:30 Ilene Segalove, Why I Got Into TV and Other Stories, 1983, 10:00 Paul Tassie, Control Emissions, 1990, 1:00 Paul Tassie, Four Fabletowns, 1987, 7:30 Paul Tassie, Recycle, 1990, 1:00 Comic Relief III (excerpt) featuring Robin Williams, 1989, 5:00

Selected Art Breaks produced for MTV by Lynda Benglis, Robert Longo, Alex Proyas and Jan Svankmajer, 1987 0 1989. Organized with the assistance of Abby Terkuhle, 101

MTV

The Best of Saturday Night Live’s Shorts, 1986-1988, Organized with the assistance of John Head, Broadway Video

John Eskow, The True Life Story of Frankie Toussaint, 6:00 Steve Farrell, Pango, Giant Dog of Tokyo!, 5:00 David Feuer, Camera Shy, 5:00 Lyndall Hobbs with Tracy Ullman, Hollywood Mom, 4:30 Jim Jarmusch, Coffee and Cigarettes, 5:30 Sandy MacLeod, Barbie’s Diary: Doll Day Afternoon, 3:30 Tim Robbins, Profiles: Bob Roberts, 4:30

Program 4: After Laughter, Post-Comedy and the Avant-Garde: Ant Farm, The Cadillac Ranch Show, 1974-75, 13:00 Max Almy and Teri Yarbrow, The Thinker, 1989, 7:00 Skip Arnold, Activities Made for TV (excerpts), 1983-89, 3:30 David Bunn, Thinking of Conception, 1986, 5:00 Cordt Holland and Reverend Ivan Stang, in association with the Church of the SubGenius, Arise! The Subgenius Video 1989, 13:00 Cecelia Condit, Possibly in Michigan, 1983, 11:40 John DiMinico, The Present, 1987, 4:00 George Kuchar, We, The Normal, 1988, 11:00 Heather MacAdams, We Hope You Enjoy This Film, 1988, 4:00 Esther Koohan Paik, Is That All There Is…To The Greenhouse Effect?, 1989, 5:30 Bill Plympton, Tango Shmango, 1990, 4:00 102

William Wegman, Selections from 1970-78 (excerpt), 1970- 78, 8:00 Bruce and Norman Yonemoto and Jeffery Vallance, Blinky, 1988, 15:00

Program 5: Dank You Veddy Much, A Tribute to Andy Kaufman, 100:00 (a compilation of Andy Kaufman’s TV appearances drawn from the artist’s personal archive, hosted by Bob Zmuda, organized with the assistance of George Shapiro)

Program 6: Barry Yourgrau, Barry Yourgrau Stories, 70:00 (presenting stories primarily out of Wearing Dad’s Head, 1987) 1990 August 26 - Traversals: Peter Callas Geoff Weary, Faraway, Part 1, From Occupied Japan, 1990, September Instructions to the 15:00 30 Double This exhibition was an Edin Velez, Meaning of the Interval, 1987, 18:45 official program of the Robert Cahen, Hong Kong Song, 1989, 22:00 catalogue 1990 Los Angeles Ko Nakajima, Rangitoto, 1988, 15:00 Festival Tony Conrad, 1988, That Far Away Look, 1988, 23:00 Naoko Kurotsuka, The Palm, 1985, 5:45 Peter Sellars, Director Steina, In the Land of the Elevator Girls, 1989, 4:15 Judith Luther, Exec Bruace and Norman Yonemoto, Kappa, 1986, 26:00 Director Peter Callas, Neo Geo: An American Purchase, 1989, 9:15; The Fujiyama Pyramid Project, 1990, video installation 1990- October 20, Made in Hollywood Julie Lazar, Curator, Four screenings: MOCA’s Ahmanson Auditorium, October 1991 November 2, MOCA; Michael Nash, 20, 1990; 1990 American Film Institute Video 3, November Media Arts Curator, Festival, Los Angeles, CA, November 2 & 3, 1990; Pacific 29, January Long Beach Museum Film Archive, University Art Museum, Berkeley, 18 - March 3, of Art CA, November 29, 1990; Institute of Contemporary 103

1991 Art, Boston, January 18 - March 3, 1991 Bruce and Norman Yonemoto, Made in Hollywood, videotape, 1990, 58:00 1990- November 4 The Mother and Michal Nash, Ida Applebroog and Beth B, Belladonna, 1990, 12:09 1991 – Child Reunion coordinated by Chris Cecelia Condit, Not A Jealous Bone, 1987, 11:00 January 6 Hoover,Video Data Mindy Faber, Suburban Queen, 1986, 3:30 Bank. A Touring Video Mako Idemitsu, Great Mother (Sachiko), 1984, 18:45 Program supported by Natalie Sternberg, One Banana, Two Bananas, 1990, 32:00 the Multi-Site Janice Tanaka, Memories From the Department of Amnesia, Collaborations 1989, 12:50 Program, Julie Zando, Let’s Play Prisoners, 1988, 20:10 administered by Sara Roberts, Early Programming, An interactive videodisc NAAO. installation, 1988 1991 January 17 - New California Michael Nash Open Channels VI: March 17 Video ’91: Open Kevin Frayser, A Day in the Life…, 1990, 12:00 Channels VI and Danny Ray Leopard, American Feel, 1990, 14:00 Video Access Azian Nurudin, What Do Pop Art, Pop Music, Pornography Program, 1990 and Politics Have to Do with Real Life?, 1990, 18:00 Kathleen Sweeney & Jeffrey Marino, The Lost Notebooks of Amelia Earhart, 1990, 18:00

Video Access Program: Victoria Bearden, He Was a Phone Sex Caller (But He Didn’t Want to Have Sex, 1990, 14:00 Nancy Buchanan, Sightlines, 1988, 8:00 Arthur Doug, Forbidden City, USA, 1989, 56:00 Eric Saks & Pat Tierney, Hide, 1990, 00:60 1991 April 4 - June Tele-visions: Michael Nash Television Experiments: 2 Channels for LBMA installation Changing TV supervision: Martin Robert Altman, Tanner ’88, 1988 (11-part series) Betz Program A: Dark Horse, (pilot) 60:00; 104

Program B: For Real and Night of the Twinkies, 59:41; Program C: Moonwalker and Book Bag and Bagels With Bruce, 57:57; Program D: Child’s Play and The Great Escape, 59:19; Program E: The Girlfriend Factor and Something Borrowed, Something New, 59:47; Program F: The Boiler Room and The Reality Check, written by Gary Trudeau, with Michael Murphy, Pamela Reed, Cynthia Nixon, Daniel Jenkins, Ilana Levine, Matt Malloy, Wendy Crewson, and EG Marshall

John Klein and Mark Pellington, Buzz, 1990 (6 programs from the series) Program A: #1, on the future; #2, on risk; 49:30; Program B: #3, on stereotypes; #4, on commodification; 49:33; Program C: #6, on heroism; #8, on censorship; 49:40 David Lynch and Mark Frost, Twin Peaks pilot, 1989, 94:42

Broadcast Video Art:

Mark Rappaport, Postcards,1990, 27:00 (with Ron Vawter and Dorothy Cantwell) Shelly Silver, The Houses that Are Left (Part One), 1990, 28:50 (with Judy Blazer, Kate Valk, Maggie Low, Quinn Raymond, Sam Coppola and Isa Thomas, produced in association with New Television, WGBH/WNET) 105

Bruce and Norman Yonemoto, Made in Hollywood, 1990, 58:00 (with Patricia Arquett, Ron Vawter, Michael Lerner, Mary Woronov, Rachel Rosenthal and Tim Miller; A ZDF Television and NEA Media Arts Production) Time Code II: Music Transfer, 1990, 52:30: Clause Blume, Kneeplay; Anna-Celia Kendall, Pavane; Matt Mahurin, Hammer; Andreas Wahorn, Living Eastern European Animals; Mercedes Ramirez and Guiliano Di Gaetano, Adios Calypso; Licinio Azevedo, O Pastor; Dalibor Martinis and Sanja Ivekovic, Dhikr; Jan Vromman, Among all Gauls, the Belgians are renowned as the bravest; Adrian Friedli and Mark Parkin, The English Dance; G Martinez-Schmidt, Bullring 360; Nikos Giannopoulos, Prometheus; Muki Pakesch, A Trip to Austria (coordinated by Carl-Ludwig Rettinger, ZDF, courtesy of Alive From Off Center, KTCA TV)

Critical Television:

Program A: John Goss, “Out Takes”, 1989, 13:00 Robert Beck, The Feeling of Power:#6769, 1990, 9:00 Martha Rosler and Paper Tiger Television, Born to be Sold: Mahtha Rosler Reads the Strange Case of Baby SM, 1988, 35:00

Program B: Bob Paris, Behold, I Come Quickly: The Strange Revelations of Reverned Swaggart, 1990, 5:38 106

Connie Coleman and Alan Powell, Stat-ic,1989, 8:00 Elia Suleiman and Jayce Salloum, Introduction to the End of an Argument (Intifada): Speaking for oneself…Speaking for others, 1990, 45:00

Steve Fagin, The Machine That Killed Bad People, 1990, 120:00 (A Mini-Series in 4 episodes: I Hotel Reporting; II Macoses; III The Acquinos; and, IV Tourism, with Constance De Jong and Ron Vawter featuring Ferdinand and Imelda Marcos

Commercials: Alternatives and Analysis:

C-00 Film Corporation, Dircet Effect PSAs, 1990: Jem Cohen, What Does’ Away Mean?; Jane Pratt, Pro-Choice is Pro-Life; Tom Gilroy, Love Knows No Color; James Herbert, Be Caring, Be Careful; Susan Robeson, World Peace; Natalie Merchant and Abigail Simon, They Have Dreams; Jason Kliot, Right to Know; Jane Pratt and Patti Munten, Sexual Harassment; Jim McKay, This is a Condo (Executive Producers: Jim McKay, Michael Stipe and Tom Gilroy)

Antonio Muntadas and Marshal Reese, Political Advertisments (1956-88), 1988, 45:00

Peter d’Agostino, TransmissionS, 1990, An interactive videodisc installation (music: Jon Gibson, computer 107

consultant: Ken Shannon and Steven Estrella LBMA installation construction: Gary Murphy, additional LBMA installation: Andy Belanger,

1991 August 1-29 Art of Music Video: Michael Nash and Kim Program 1: The MTV Decade Ten Years After Harlan Tassie Pre(MTV)visions: Eloise (excerpt from Whatever happened to Vileness Fats), Thursdsay night music and direction by The Residents, 1972, 2:05, program courtesy of Cryptic Corporation Secret Agent Man, music by DEVO, directed by Chuck Statler, 1976, 4:50, courtesy of Chuck Statler Boys Keep Swining, music by David Bowie, directed by David Bowie and David Mallet, 1979, 3:18, courtesy of Isolar Enterprises Telegram Sam, music by Bauhaus, directed by Mick Calvert, 1980, 2:13, courtesy of Beggars Banquet Records

1981: Ashes to Ashes, music by Daivd Bowie, directed by David Bowie and David Mallet, 1981, 3:38, courtesy of Isolar Enterprises Beautiful World, music by DEVO, directed by Gerald V Casale and Chuck Statler, 1981, 3:30, courtesy of Chuck Statler Once in a Lifetime, music by Talking Heads, directed by David Byrne and Toni Basil, 1981, 4:20, courtesy of Todo Mundo O Superman, music and direction by Laurie Anderson, 1981, 8:25, courtesy of The Kitchen

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MTV: The Art of Self-Promotion: Animated Logos Historical Survey, 1981-91 “Words,” 1989; AIDS Spots #1 and #2, 1990; Earth Day PSAs: “Running Water,” “Emissions,” “Paper Towels,” and “Foam Cup,” 1990; Read Campaign: “Delta of Venus,” “Metamorphosis,” and “Forty Stories,” 1991; “Blah, Blah, Blah,” 1990, total running time, 15:30 courtesy of MTV: Music Television

Music Video as Art: A Chronology of Trend-encies: Re-Experimental Film: Hello Skinny, music by The Residents, directed by The Residents and Graeme Whifler, 1980, 4:00, courtesy of Cryptic Corporations Shock the Monkey, music by Peter Gabriel, directed by Brian Grant, 1982, 4:00, courtesy of Geffen Records Acid, Bitter and Sad, music by This Mortal Coli, directed by Nigel Grierson, 1987, 4:45, courtesy of 4AD Records

Ad Auteurs: The Queen is Dead, music by the Smiths, directed by Derek Jarman, 1986, 4:30, courtesy of Sire Records Bizarre Love Triangle, music by New Order, directed by Robert Longo, 1987, 3:50, courtesy of Cascando Studio Imagine, music by John Lennon, directed by Zbigniew Rybcynski, 1987, 4:20, courtesy of Rebo High Definition Studios

Anti-Videos: Hold My Life, music by The Replacements, directed by Bill Pope and Randy Skinner, 1986, 4:36, courtesy of Sire 109

Records The Perfect Kiss, music by New Order, Directed by Johnathan Demme, 1986, 10:15, courtesy of Cascando Studio Stupid Kids (version2), music by Christmas, directed by Johnathan Dayton and Valerie Faris, 1989, 3:00, courtesy of IRS Records

Tele-Visual Performance: C’est Comme Ca, music by Les Rita Mitsouko, directed by Jean Baptiste mondino, 1987, 6:24, courtesy of Virgin Records Change the Style, music by Son of Bazerk, directed by Ben Stokes and Eric Zimmerman, 1990, 3:10, courtesy of Soul/MCA Records This is How It Feels, music by Inspiral Carpets, directed by John Kline, 1991, 3:09, courtesy of Elektra Entertainment

Program 2: Music Video and the Politics of Dancing

This is the News: Riddle of the ‘80s, music by Firehose, directed by Tom Mignone, 1989, 2:01, courtesy of SST Records I Must Not Think Bad Thoughts (from the film The Unheard Music), music by X, directed by WT Morgan, 1985, 4:07, courtesy of Skouras Pictures Talk About the Passion, music by REM, directed by Jem Cohen, 1988, 4:00, courtesy of C-00 Film Corporation Government Figures, music by Steve Fisk, directed by Guy Guillet and Peter Randlette, 1989, 2:15, courtesy of SST Records 110

Free Society, music by Elliot Sharp, directed by Paul Garrin, 1988, 4:09, courtesy of Capitol/EMI Records

Rap: Fashioning Resistance Straight Outta Compton, music by NWA, directed by Rupert Wainwright, 1989, 4:21, courtesy of Ruthless Records Arrest the President, music by Intelligent Hoodlum, directed by Charles S Stone III, 1991, 4:18, courtesy of A&M Records

Music Video and World Order, Old and New: This Ain’t No Picnic, music by Minutemen, directed by Randall Jonson, 1985, 2:06, courtesy of SST Records World Destruction, music by Time Zone, directed by Hartley and Fontaine, 1985, 4:00, courtesy of Celluloid Records Life is Life, music by Laibach directed and Daniel Landin, 1987, 4:30, courtesy of Wax Trax Records Hush, music by Antis, directed by Ken Thurlbeck, 1989, 3:30, courtesy of Thurlbeck Studio 133, music by Borghesia, directed by Neven Korda, 1990, 4:00, courtesy of Caroline Records

Sex Sales and Gender Politics: Daddy’s Little Girl, music by Nikki D, directed by Scott Kennedy, 1991, 4:00, courtesy of Columbia Records Gender Rolls, music by The Roches, directed by Connie Coleman and Alan Powell, 1987, 3:00, courtesy of Coleman/Powell We’re Talking Vulva, music by Shawna Dempsey and Bad 111

Tribe, directed by Tracy Traeger and Shawn Dempsey, 1990, 5:00, courtesy of Zeitgeist Films The Power of Pussy, music by Bongwater, directed by Alan Henderson and Richard Matzger, 1991, 4:10, courtesy of Broadcast Arts and Shimmy Disc Creature from the Black Leather Lagoon, music by The Cramps, directed by Rocky Schenck, 1990, 3:17, courtesy of Rocky Schenck Video Analysis Campaign Spots, featuring Cher, Warrant and the Divinyls, MTV, 1990-91, courtesy of MTV: Music Television

Music Video and AIDS Awareness: Red, Hot + Blue: I Get a Kick Out of You, music by The Jungle Brothers directed by Mark Pellington, 1990, 2:52, courtesy of 6 West Home Video Too Darn Hot, music by Erasure, directed by Adelle Lutz and Sandy McLeod, 1990, 3:40, courtesy of 6 West Home Video So in Love, music by kd lang and directed by Percy Adlon, 1990, 4:41, courtesy of 6 West Home Video Rock the Vote PSAs, Various Artists, 1990-91, courtesy of Rock the Vote and Virgin Records

Program 3: 20th Century Musical Visions

Oskar Fischinger Tribute: Study No5, music by Johnson and Frazier, 1930, 3:00 Circles, music by Richard Wagner, 1933, 1:45 Muratti Marches On, music by Josef Bayer, 1934, 2:35 112

Allegretto, music by Ralph Rainger, 1936, 2:35 Radio Dynamics, silent, 1943, 4:15 Muntz TV, 1953, 1:00

Soundies: The Original Film Jukebox: Shine, music by Louis Armstrong, directed by Josef Berne, 1942, 2:45, courtesy of Petrified Films Brandin’ Time, music by Red River Dave, directed by William F Crouch, 1943, 2:42, courtesy of Petrified Films Sailboat in the Sky, music by Hal Borne and His Orchestra with Johnnie Johnston and Anne Carmichael, directed by George Cunnigham, 1942, 2:49, courtesy of Petrified Films Yankee Doodler, music by William Frawley, directed by Herbert Moulton, 1942, 3:00, courtesy of Streamline Film Archives

Snader TELEscriptions: The First Televised Music Shorts: The Sweetheart of Somebody Else, music by The Ink Spots, 3:55 I Don’t Know Enough About You, music by Peggie Lee, 3:06 Minnie the Moocher, music by Cab Calloway, 2:45

Scopitones: A Stylistic Survey: If I Had a Hammer, music by Debbie Reynolds, 2:20 Boots, music by Nancy Sinatra, 3:00 In the Web of Love, music by Joli Lansing, 2:15 Tell Him, music by The Exciters, 2:45 A Whiter Shade of Pale, music by Procal Harum, 4:00 Title Unknown, music by Clark Terry, 2:45

Scopitones and Sexual Representation: 113

Queen of the House, Jody Miller, 2:30 The Mighty Mississippi, Back Porch Majority, 2:45 The Silencer, Joi Lansing, 2:15 Ebb Tide, Artist Unknown, 2:30 (all directors are uncredited, production dates are 1964-67, courtesy of Private Collection)

Experimental Film Visionaries: Cosmic Ray, music by Ray Charles, directed by Bruce Conner, 1962, 4:00, courtesy of Canyon Cinema All My Life, music by Ella Fitzgerald, directed by Bruce Baillie, 1966, 3:00, courtesy of Canyon Cinema Pluto, music by Moby Grape, directed by James Herbert, 1968, 6:00, courtesy of James Herbert

Program 4: Notes from the Underground: Declarations of Independents: I Against I, music by Bad Brains, directed by Paul BRachman, 1987, 3:51, courtesy of SST Records Knob Off, music by Skunk, directed by Kurt Kellison and Paula Froehle, 1991, 3:48, courtesy of Twin Tone Records and Atavistic Video Katalavox, music and direction by Illusion of Safety, 1987, 3:46, courtesy of RRRecords and Atavistic Video Turning Brown and Torn in Two, music and direction by Tall Dwarfs, 1988, 4:02, courtesy of Flying Nun Records and Atavistic Video What Am I Doing Here? music by Rollins Band, directed by Jim McKay, 1990, 3:16, courtesy of Texas Hotel Records and C-00 Film Corporation

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Sense of Place: Flat Duo Jets Document, music by Flat Duo Jets, directed by Jem Cohen, 1990, 5:55, courtesy of Dog Gone Records and C-00 Film Corporation Look Alive, music by Pylon, directed by Jim McKay, 1990, 4:17, courtesy of C-00 Film Corporation Hurting World, music by the Leaving Train, directed by jim Sikora, 1991, 3:38, courtesy of SST Records Soul Soldier, music by Throwing Muses, directed by Charles Jevremovic and CL Monrose, 1987, 9:00, courtesy of Sire Records Fluffy Little Cloud, music by The Orb, directed by Marion Waldorf, 1991, 4:00, courtesy of Big Life Records

Twisted Toons: The Wagon, music by Dinosaur Jr, directed by Sam Fell, 1991, 3:30, courtesy of Sire Records Jimmy/Lesbians of Russia, music by Bongwater, directed by Jim Spring and Jens Jurgenson, 1988, 6:18, courtesy of Shimmy Disc and Atavistic Video The House of God, music by DHS, directed by Ben Stokes, 1991, 3:00, courtesy of H-Gun Harry the Head, music by The Residents, directed by Jim Ludtke and The Residents, 1991, 3:00, courtesy of Cryptic Corporation

Tales from the Dark Side: Songs for Swinging Larvae, music by Renaldo and the Loaf, directed by Graeme Whifler, 1981, 5:40, courtesy of Cryptic Corporation Death Valley ’69, music by Sonic Youth, directed by Richard 115

Kern and Judith Barry, 1986, 5:21, courtesy of SST Records Framingham, music by Nice Strong Arm, directed by Steve Brown, 1990, 358, courtesy of Homestead Records and Atavistic Video The Rant, music by Helios Creed, music by David Roth, 1990, 1:52, courtesy of Amphetamine Reptile Records and Atavistic Video Top End Killers, music by King Snake Roost, directed by Kurt Kellison, 1990, 2:48, courtesy of Amphetamine Reptile Records and Atavistic Video

H-Gun Productions: Iceolate, music by Front Line Assembly, directed by Eric Koziel, 1990, 5:20, courtesy of Wax Trax Records Anti-plastik, music by Crunch-O-Matic, directed by Eric Zimmerman, 1991, 4:12, courtesy of H-Gun People Are Still Having Sex, music by Bud La Tour, directed by Eric Zimmerman, 1991, 4:12, courtesy of H-Gun Holophonic Sound (remix), music by DHS, directed by Ben Stokes, 1991, 4:32, courtesy of H-Gun

Direct Effect PSAs: Executive producers: Jim McKay, Michael Stipe and Tom Gilroy, 1990, courtesy of C-00 Film Corporation

Program 5: Artists’ Advertisement Alternatives Video/Music: Cutting-Edge Collaborations: The Word of God, directed by Gary Glassman and Oza Marika Borofsky, music by Johnathan Borofsky and Ed Tomney, 1991, 3:55, courtesy of Gary Glassman Blue Monday, directed by William Wegman and Robert 116

Breer, music by New Order, 1988, 4:06, courtesy of Cascando Studio This Time Around, directed bu Jane Aaron, music by Donald Fagen, 1989, 5:00, courtesy of Jane Aaron Tunic, directed by Tony Oursler, music by Sonic Youth, 1990, 6:17, courtesy of Electronic Arts Intermix Glueman, directed by Jem Cohen and Ian Mackaye, music by Fugazi, 1989, 5:30, courtesy of Video Bank Neo Geo: An American Purchase, directed by Peter Callas, music by john Zorn and Stephen Vitiello, 1989, 9:15, courtesy of Peter Callas

Back to the Future: Tele-Visual Music: One Word, directed by Brian Eno, music by Brian Eno and John Cale, 1991, 3:42, courtesy of Opal Records Voiceprint (version 2), directed by Gustavo Garzon, music by Jon Hassell, 1990, 4:24, courtesy of Opal Records Continuum: 1 Initiation, directed by Dean Winkler and Maureen Nappi, music by Kronos Quartet, 1989, 2:42, courtesy of Electronic Arts Intermix Destruction Site, Florida Flower and Slo Drone Loop, direction and music by Lee Ranaldo, 1988, 3:05, courtesy of SST Records

Guerilla Music Television: Home(less) Is Where the Revolution Is, directed by Paul Garrin, music by Elliot Sharp, 1990, 2:00, courtesy of Video Data Bank The Feeling of Power: #6769, directed by Robert Beck, music by Stephen Vitiello and Shin Shimokawa, 1990, 9:00, 117

courtesy of Robert Beck A Hard Reign’s Gonna Fall, directed by Dean Lance, music by Bob Dylan, 1990, 7:10, courtesy of Dean Lance and Diva TV Kissing Doesn’t Kill, directed by Gran Fury, 1990, 2:00, courtesy of Video Data Bank

Intermedia-ries: Slow Bob in the Lower Dimensions, directed by Henry Selick, music by The Residents, 1991, 5:00, courtesy of MTV:Music Television Tell Your Heart That I’m the One from Industrial Symphony No1, directed by David Lynch, music by Angelo Badalamenti and David Lynch, 1991, 5:00, courtesy of Warner Home Video and Lynch/Frost Productions Time Code: Music transfer (excerpts), 1990, courtesy of Alive From Off Center/KTCA TV and ZDF Television Kneeplay, directed by Claus Blume, performance by Traunwalcher Goasslschnalzer, Germany, 3:05 Living Eastern European Animals, directed by Andreas Wahorn, Hungary, 5:03 A Trip to Austria, direction and music by Muki Pakesch, Austria, 3:25 Hammer, directed by Matt Mahurin, music by James Turner and Daroll “Shamello” Durant, United States, 4:22

MTV Art Breaks, 1987-91, courtesy of MTV: Music Television, free-form television spots by Dara Birnbaum, Church of SubGenius, Eden, Diebel, Julia Heyward, Jenny Holzer, Michelle Mahrer, Hans Neleman, Alex Proyas, The Quay Borthers, Jan Svankmajer, Tarsem and Barry 118

Yourgrau

1991 August 25 Visitations: A Music Michael Nash/Kim Stuart Bender and Angelo Funicelli, Video-choral Video Performance Harlan examination of spiritual ecstasies, performance (part of Art of Music Video: Ten Years After) 1991 September Triply Split: Subject Kenneth Kirby 1 Masquerade 19 - Bound 2 Part Daniel Minhan, Trailer fro the Celectial Child, 1989, 3:14 November Alfonzo Moret, The Dinner Hour, 1989, 4:30 24 Julie Zando/Jo Anstey, The Bus Stope Here (3 Case Histories), 1990, 27:00 Richard Glatzer, Glamazon: The Barbara Lemay Story, 1991, 15:00

2 Language con Structure Jeanne C Finley, Involuntary Conversion, 1991, 9:15 Gang, AIDS Interventions, 1990 8:10 Marlon Riggs, Anthem, 1991, 8:00 Lyn Blumenthal, Social Studies II: The Academy, 1983-84, 18:00 Marjorie Franklin, …Her…Signal…, 1991, 12:00

Installation Darryl Turner/Hilton Als, Life is Beautiful, 1991, installation 1992 February 23 The Call: Personal Carole Ann Klonarides Marie-Helene Cousineau, Women in Black, 1990, 27:00 - April 19 Insights on the Mona Hatoum, Measures of Distance, 1988, 15:00 Middle East and Elia Suleiman/Jayce Salloum, Mugaddimah Li- Nihayat Jidal North Africa (Intifada): Speaking for Oneself…Speaking for Others, 1990, 45:00 Jayce Salloum, Once You’ve Shot the Gun, You Can’t Stop the 119

Bullet, 1988, 7:00 Michael Auder, Chronicles of Morocco (1971-1972), 1991, 27:00 Ulysses Jenkins, The Nomadics, 1991, 12:40 Meena Nanji, Voices of the Morning (A Work in Progress), 1992, 10:00 Haim Bresheeth/Jenny Morgan, A State of Danger, 1989, 28:00 Chris Robbins, ID, 1992, 14:00 1992 May 10 – Relocations and Noriko Gamblin and John DeGraaf for the Constitution Project, Personal Matter: July 5 Revisions: The Carole Ann Klonarides Gordon Hirabayashi vs the United States, 1992, 30:00 Japanese-American Christopher Landis, Pilgrimage: Images from Manzanar, Internment 1991, 5:00 Reconsidered Steven Okazaki, Days of Waiting, 1990, 28:00 Lise Yasui and Ann Tegnell, Family Gathering, 1988, 30:00 Clement Hanami, Always, 1991, 5:00 Robert Nakamura, Manzanar, 1991, 16:00 Rea Tajiri, History and Memory- For Akiko & Takashuge, 1991, 32:00 Janice Tanaka, Memories from the Department Of Amnesia, 1989, 12:50 1992 July 19 – Good Stories Well Robin White A traveling exhibition organized and curated by August 16 Told: Video Art for Independent Curators, Incorporated (ICI), New York Young Audiences Program 1: Dreams and Dances, For Ages 5-10: Joan Logue, 30 Second Spots, 1983, color, 15:00, 3:00 excerpt, Distributed by EAI Teddy Dibble, Three Things, 1991, color, 1:42, Distributed by VDB Kamal Kozah, Ole and the Tree, 1989, color, 7:00 120

Miotchell Kriegman and Bill Irwin, Dancing Man, 1980, color, 4:00 MICA-TV (Carole Ann Klonarides and Michael Owen), Art World Wizard, 1986, color, 4:00, Distributed by EAI Aysha Quinn and John Sturgeon, Why the Bear Clan Know Medicine, 1990, color, 15:00

Program 11: Just Another Day, For Ages 5-10: Huey (James Coleman) and students at the Longfellow School, Portland, ME, Fun Glasses, 1989, color, 2:00 Kit Fitzgerald and John Sanborn with David Van Tieghem, Ear to the Ground, 1982, color, 4:25, Distributed by EAI Kamal Kozah, So Far Away from Ruby Lane, 1988, color, 4:00 Skip Blumberg, Flying Morning Glories, 1985, color, 4:00 Elizabeth Vander Zaag, Kids in China, 1990, color, 15:00, Distributed by V Tape Rise & Shine Productions and students from PS 58, Brooklyn, NY, Outside Inside Wishes, 1990, color, 28:00, 2:00 excerpt William Wegman, Dog Baseball, 1987, color, 4:00, Distributed by EAI

Program III: Modern Life, For Ages 11-14: Ilene Segalove, My Puberty, color, 12:00 Bruce Hucko and students at Montezuma Creek Elementary School, Have You Ever Seen a Rainbow at Night?, 1989, color, 18:00 Ardele Lister, Zoe’s Car, 1986, color, 6:30 Benjamin Gutierrez of VidKidCo, Long Beach Museum of Art (LBMA), Street Art, 1989, color, 5:00 Youth Force 88, Citizen’s Council of New York, with 121

Branda Miller, We Have the Force, 1989, color, 12:00, Distributed by EAI

Program IV: Time Travel/Space Travel, For Ages 11-14: Students at the Creative Learning Community in East Harlem, NY, with Betsy Newman, Bloody Mary Mahem from the Mirror, 1989, color, 12:00 Larry Cesspooch, Mahmakurweep (The Ute Beardance Story), 1989, color, 15:00, Distributed by the Ute Tribe, Audio Visual Department Peter Campus, Three Transitions, 1973, color, 4:00, Distributed by EAI Alien Comic and Co-Directions, Inc, Luna Macaroona, 1989, color, 5:30, Distributed by Tom Murrin Ayoka Chenzira, Zajota and the Boogie Spirit, 1989, color, 18:00, Distributed by Filmakers Library

Program V: Media Messages & Personal Notes, For Ages 15- 18:

Gina Lamb and members of the 12th grade, Humanitas Program, Thomas Jefferson High School, Media Hype Stereotype, 1991, color, 9:00 Jason Simon, Production Notes: Fast Food For Thought, 1987, 28:00, 8:00 excerpt, Distributed by V Tape Lula Triggs and VidKidCo, Long Beach Museum of Art (LBMA), Mr Big and Mr Bad, Parts 1 & 2, 1989, color, 2:00 Shu Lea Cheang, Color Schemes, 1989, color, 28:00, 10:00 excerpt, Distributed by VDB 122

Theresa Jackson, Sonny’s Song, 1990, color, 5:00 Victor Masayesva, Hopiit, 1982, color, 15:00 excerpt, Distributed by EAI Jeanne C Finley, Involuntary Conversion, 1991, color, 9:15, Distributed by VDB Bianca Miller, Sushi Baby, 1983, b/w, 1:20

Program VI: What’s Love Got to Do With It?, For Ages 15-18 Wendy Clarke, Love Tapes Series 18, 1981, 59:00, 15:00 excerpt, Distributed by EAI Rise & Shine Productions and Class 4G, 10th Grade, John Jay High School, Brooklyn, NY, Boys and Girls, 1988, color, 5:00 David Murdoch and New York City high-school students, at the Educational Video Center, AIDS: Facts Over Fear, 1990, color, 23:00 Dan Reeves, Mosaic for the Kali Yuga, 1984, color, 4:00, Distributed by EAI Mindy Faber, Suburban Queen, 1985, color, 3:15, istsributed by VDB Produced and directed by Edward C Simmel, A Date With Your Family, 1950, b/w, 5:30, Distributed by Petrified Films Mark Sawers, The Middle Child: Confessions of a Family’s Home Video Camera, 1989, color, 20:00, Distributed by Video Out 1992 September Virgin Territories Noriko Gamblin and Juan Downey, Rewe, 1991, video installation 27 - Carole Ann Klonarides Clement Shuji Hanami, Westworld, 1991, video installation November Victoria Vesna, Sometimes A Cigar is Only A Cigar, 1989, 22 video/sculpture installation 123

(the exhibition also included other mixed media works)

Video Programs Program 1: Christopher Toussaint, Columbus Go Home: An Indigineous People’s Perspective, 1991, 12:00 Joserh Briganti, Colombus: A Journey of Rediscoveries, Section One: A knight of Columbus, 1991, 37:00 Terese Svoboda, Headhunters, 1992, 15:13

Program 2: Ardele Lister, Behold The Promised Land, 1991, 21:27 Jesse Lerner and Scott Sterling, Natives, 1992, 25:00 Aaron Anish and Ruben Ortiz, How to Read Macho Mouse, 1991, 10:00

Program 3: Graham Dent and Thea Other, Take Five--May Sun, KCET Arts & Culture, 1990, 4:55 Valerie Soe, Picturing Oriental Girls: A (Re) Educational Videotape, 1992, 12:00 Frances Salome Espana, El Espejo, 1990, 6:00 Victoria Vesna, Sometimes A Cigar is Only A Cigar (Freud), 1989, 22:00 Joseph S. Santarromana, The Little House That I Live, 1992, 5:30

Angelo Funicelli, The Demonin the Garden, premiere 124

performance, 20-minute song cycle

Program 4: Trans-Voices (video, a transcultural public art project sponsored by the American Center in Paris in collaboration with the Whitney Museum of America Art and the Public Art Fund, New York City), opening reception, October 2, 1992, Artists included: Charles Amirkhanian, B Love (aka Sandrine Brival), Peggy Berryhill, Chris Burke, Luc Ferrari, Nicholas Frize, Guillermo Gomaz-Pena and Coco Fusco, Gran Fury, Bernard Heidseick, KRS-ONE (aka Kris Parker), Christian Marclay, Massilia Sound System, Michel Musseau, Jimmy Oihid (aka Abderrahmane Balkous), Yoko Ono, Ambrosia Sheperd, Sir Ali (aka Ali Alizadeh), Ghedalia Tazartes, Gregory Whitehead, Zap Mama 1993 February 28 Sugar n’ Spice Noriko Gamblin & Rebecca Allen, The Swimmer, 1981, 0:05; STEPS, (with the - May 23 Carole Ann Klonarides Joffery Ballet), 1982, 2:30; The Catherine Wheel (with Twyla Tharp; excerpts), 1982, 2:05 min; Will Powers/Adventures in Success, 1983, 3:45; SMILE,1983, 3:50; Theme of Secrets (excerpts), 1984, 1:15; Palladium Opening, 1985, 2:15; Musique Non Stop, 1986, 4:10; Steady State, 1989, 4:00; MUGRA, (Rebecca Allen and La Fura dels Baus) 1990, 7:00; Fire and Air/Water and Earth, 1991, 0:30; Openings for the Spanish Pavilion/ World Expo ’92,1992, 0:15; Point of Departure, 1992, 2:30; Laberint, 1992, 2:30; Office Workers, (in collaboration with Nam June Paik) 1992, 2:15 125

Hilja Keading, Bird of Paradise, 1991, 10:30; Amazing Grace Trilogy: “Amazing Grace,” “Walk on Glass,” “Give,” 1986, 7:00; Let Me (Entertain You): “Skin Deep,” “Sizzle Lean,” “Blessed Are Those Who Are Not Offended,” 1989, 9:00 Jean Rasenberger, Little Excesses, Other People’s Diaries, 1992, 16:19; Hot Pants, 1992, 13:00; Beautiful Thing, 1992, 6:42; Teasers, 1992, 10:36 Jennifer Steinkamp, Gag, 1993, video installation Erika Suderburg, Diderot and the Last Luminare: Waiting for the Enlightenment (A Revised Encyclopedia), 1992, 32:00; Displayed Termination: The Interval Between Deaths, 1988, 25:00; Memory Inversion (Los Angeles), 1988, 16:30; Portable Western Life Stories,1983, 14:00 Diana Thater, The Bad Infinite,1993, video installation (the exhibition included other mixed-media artwork) 1993 June 4 – New California Carole Ann Klonarides Program 1: August 8 Video1991/1992: Open Channels VII 1991, Total Running Time 56:00: Open Channels VII Eric Saks, Gun Talk, Part One, 14:40 and VIII, Video Lynn Hershmen, Conspiracy of Silence, 15:00 Access Program Ulysses Jenkins, The Nomadics, 12:40 1991 and 1992 Sue Kornfeld, Was It Only A Dream?, 13:40

Catalogue – Sue Program 2: Ann 2 Video Access Program 1991, Total Running Time 48:00 Chris Robbins, ID, 14:00 Lorie Erikson, The Green Box, 5:00 Carol A Morton, We Come to Dance, 7:51 Eric Hull, Fear of the Human Form, 7:00 Anet Margot Ris, From the Vaults of Memory, 14:00 126

Program 3: Video Access Program 1991, Total Running Time: 56:30: Rachel Rosenthal, Pangaean Dreams, 56:30

Program 4: Open Channels VIII 1992, Total Running Time 53:36: Terry Braunstein, In A Day’s Work, 9:00 Jean Rasenberger, Teasers, 10:36 Eames Demetrios, Carpool August 20, 1992, 18:00 Abdul-Wahid M Salah, dat ol Negro Tradition: de “Hi-Tech Lynch Tree,” 15:00

Program 5: Video Access Program 1992, Total Running Time 53:30: Paul Tassie, Height of Appetite, 12:00 United Cambodian Community, Ratha Hou aka Chum Sambath, 7:30 Art Nomura, Getting Along, 23:54 1993 SIGGRAPH Empty Orchestra Simon Penny Perry Hoberman installed one of his first large screen Anaheim Cafe Deconstructive mash-ups, Empty Orchestra Cafe, in dates: collaboration with the exhibition curated by Simon Penny, 1-6 August MACHINE CULTURE: The Virtual Frontier SIGGRAPH '93, 1993 Anaheim, CA (also shown at the Mill Valley Film Festival California, and the Whitney Museum in New York in 1983)

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1993 August 29 - Diaries Carole Ann Klonarides Michael Auder, Chronicles/Family Diaries, 1970-75, 60:00; November Chronicles/Morocco, 1971-72, 27:00; Chronicles/Family 14 Diaries, 1973-74, 60:00; Stories, Myths, Ironies and Songs, 1983, 27:00; Chronicles/Magnetic Notes, 1986-88, 60:00; Brooding Angels: Made for RL, 1988, 6:00; Chronicles/Magnetic Notes, 1989-93, 60:00; The Roman Variations, 1991, 45:00; Magnetic Notes/Voyage to the Center of the Phone Line, 1991-92 (video), 1985-86 (audio), 60:00 Sadie Benning, It Wasn’t Love, 1992, 20:00; A Place Called Lovely, 1991, 14:00; Jollies, 1991, 11:00; If Every Girl Had A Diary, 1990, 9:00; Me and Rubyfruit, 1989, 5:30; Living Inside, 1989, 5:00; A New Year, 1989, 6:00 Lynn Hershman, Confessions of a Chameleon, 1985-86, 10:00; Binge, 1987, 30:00; First Person Plural, 1988-89, 26:00; Shadow’s Song, 1990-91, 33:00 City, 60:00; Cult of the Cubicles, 1987, 45:44; Rainy Season, 1987, 28:37; Weather Diary 3, 1988, 24:08; Low Light Life, 1988, 15:00; Precious Products, 1989, 15:00; Pilgrimage, 1992, 29:00; Going Nowhere, 1992, 10:00; Graffiti Junction, 1993, 28:00 1993 17 Moondrum John Whitney Concert A collaboration with MOCA’s exhibition John Cage: September Rolywholover, LBMA presents Whitney, who merged music composition, with mages live. 1993- December 3 Gary Hill: Sites Carole Ann Klonarides Single-channel Works: 1994 – Recited Gary Hill, Full Circle (formerly Ring of Modulation) 1978, February 20 With video catalogue color, 3:38; Mouthpiece, 1978, color, 1:07; Elements, 1978, 128

b/w, 2:13; Primary Speaking, 1978, color, 1:19; Picture Story, 1979, 6:26; Soundings, 1979, color, 18:03; Meditations, 1979- 86, color, 4:17; Around and About, color, 1980; Processual Video, color, 1980; Videograms, 1980-81, b/w, 13:27; Primarily Speaking, 1981-83, 19:23; Happenstance (part one of many parts), 1982-83, b/w, 6:47; Why do Things Get in a Muddle? (Come on Petunia), (with Kathy Anastasia and Charles Stein) 1984, color, 33:00; Tale Enclosure, (with George Quasha and Charles Stein) 1985, color, 5:50; Incidence of Catastrophe, 1987-88, color, 43:51; Site/Recite (A Prologue) 1989, color, 4:00; Solstice d’Hiver, 1990, color, 60:00 Installations: Gary Hill, War Zone, 1980, mixed-media installation; Primarily Speaking, 1981 & 1983, eight-channel audio/video installation; Cut Pipe, 1992, single-channel audio/video installation; Learning Curve (Still Point), 1993, single- channel video installation, silent 1994 March 4 – Love in the Ruins: Noriko Gamblin Max Almy and Teri Yarbrow, Utopia, 1994, May 22 Art and the interactive video and painting installation, 5:00 Inspiration of LA Eileen Cowin, A From of Ecstasy, 1994, installation (This exhibition included other mixed-media artworks)

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1994 June 3 – First Generation: JoAnn Hanley Program 1: August 21 Women and Video, Curator Shirley Clarke, The TeePee Video Space Troupe: The First 1970-75 (Travel Exhibition Years, 1970-73, 1970-73, b/w, 31:35 organized and Hermine Freed, Art Herstory, 1974, color, 20:15; Water circulated by Glasses, 1972, b/w, 4:14 Independent Curators Eleanor Antin, The Bellerina and the Bum, 1974, b/w, 52:00 Incorporated (ICI), New York) Program 2: Beryl Korot, Lost Lascaux Bull, 1973, b/w, 5:41; Invision, 1973, b/w, 8:20 Martha Rosler, A Budding Gourmet, 1974, b/w, 6:00; Semiotics of the Kitchen, 1975, b/w, 6:05 Ilene Segalove, TV is OK, 1976, b/w, 1:07; Advice from Mom, 1973, b/w, 2:34; Professional Retirement Home, 1975, b/w, 8:00; Coal Confessions, 1973, b/w, 2:40; The Red Shoes, 1975, color, 00:30 Julie Gustafson, The Politics of Intimacy, 1974, b/w, 52:23

Program 3: Valie Export, Raumsehen und Raumhoren, 1974, b/w, 19:12 Lynda Benglis, Mumble, 1972, b/w, 19:30 Anna Bella Geiger, Statement in Portrait, 1974, b/w, 7:10; Passages, 1974, b/w, 9:53 Mary Lucier, “The Trial of Anne Opie Wehrer” by Robert Ashley, 1974, b/w, 52:00

Program 4: Doris Chase, Dance Nine, 1973-74, color, 8:00; Dance 130

Eleven, 1975, color, 11:00 Shigeko Kubota, Video Girls and Video Songs for Navajo Skies, 1973, color, 27:00 Barabara Buckner, Geography, 1973; Moebius, 1974, b/w, 4:14; Duo Sangue, 1975, b/w, 3:00 Lisa Steele, A Very Personal Story, 1974, b/w, 20:00; Facing South, 1975, b/w, 22:00 Mako Idemitsu, What a Woman Made, 1973, b/w, 10:30

Program 5: Steina, Violin Power, 1969-78, b/w, 10:00; Orbital Obsessions, b/w, 24:00 Joan Jonas, Vertical Roll, 1972, b/w, 19:38 Nancy Holt, Underscan, 1974, b/w, 8:00 Kyoko Michishita, Being a Woman in Japan: Liberation Within My Family, 1973-74, b/w, 30:00 Ulrike Rosenbach, Madonnas of the Flowers, 1975, b/w, 8:00; Don’t Believe I Am an Amazon, 1975, b/w, 15:00 1994 September 3 Lost and Found: 20 Juan Guardiola; Post- Prologue: -November Years of Video Art production editors: Oskar Fischinger, Muntz TV, 1953, 1:00 20 at the Long Beach Joe Leonardi & Joseph Eisenhower’s Campaign Ad, 1956, 00:25 Museum of Art Semense at the LBMA Video Annex; Theme Interspersed throught the program: Music: Thomas Antonio Muntadas and Marshall Reese, Political Dougherty Advertisement 1956-92, excerpt Jenny Holzer, Televised Texts, 1990 131

Alberto Pirelli, Stay Tuned, 1974

Program I: “Let the Show Begin” JF Kennedy’s Campaign Ad, 1960, 1:00 Ant Farm & TR Uthco, The Eternal Frame, 1:23 Vito Acooni, Theme Song, 1974, 0:17 Nam June Paik, NY to LA Picture Phone, 1979, 1:08 Urs Luthi, Morir D’Amore, 1974, 1:11 Jay McCaffery, Apartment Art, 1974, 0:15 Susan Mogul, Dressing Up, 1975, 1:17 Bruce Nauman, Lipsync, 0:17 Wolfgang Stoerchle, Untitled, 1970-72, 2:22 John Sturgeon, Shapes From the Bone Change, 1975, 1:06 William Wegman, Selected Works 1974-75, 0:38 Martha Rosler, Semiotics of the Kitchen, 1975, b/w, 6:05

Program II: “And Now a Word From Our Sponsors” Nixon’s Campaign Ad, 1972, 1:00 Mitchell Syrop, Watch It, Think It, 1979, 00:30 WGBH Boston, The Medium is the Medium, 1968, excerpt Ilene Segalove, The TV is Ok, 1979, 00:30 Jaime Davidovich & Joe Leonardi, The Gap, 1981 Ante Bozanich, Feel, 1979, 00:30 Chris Burden, TV Tapes, 1975, 4:10 Alba Cane, Ex-claim, 1979, 1:00 Kit Galloway & Sherrie Rabinowitz, Hole in Space: A Public Communication Sculpture, 1980, excerpt Robert Biggs, What you looking at!, 1976, 00:10 Doug Hall, Chip Lord, Jody Proctor: The Amarillo News Tapes, 1980, excerpt Nancy Buchanan, These Creatures, 1979, 1:00 132

Bruce & Norman Yonemoto, Vault, 1984, 11:45 Hildegarde Duane, Silk, 1979, 00:30

Program III: “Let Us Now Praise Famous Men” Ronald Reagan’s Campaign Ad, 1980, 1:00 Max Almy, Perfect Leader, 1983, 4:10 Bill Viola, Anthem, 1983, 11:35 Ronald Reagan’s Campaign Ad, 1984, 1:00 Carole Ann Klonarides, Relocations and Revisions: The Japanese-American Interment Reconsidered, 1992, excerpt Janice Tanaka, Memories from the Department of Amnesia, 1989, 12:50 Stuart Bender & Angelo Funiccelli, Seven Prophecies, 1990, excerpt George Bush’s Campaign Ad, 1988, 1:00 Tony Cokes, Black Celebration, 1988, excerpt C-00 Film Corporation (Direct Effect PSA Series 1), Pro- Choice is Pro-Life, 1990, 00:30 Eric Sacks & Pat Tierney, Hide, 1991, 1:00 Lula Triggs, Walking in the House, 1991, 00:30

Epilogue: “And the Band Played On” Rock the Vote: Madonna, 1992, 1:00 Bill Clinton’s Campaign Ad, 1992, 1:00 Tom Kalin, Nation, 1992, 1:00 MTV Logo, 1991, 00:30 GANG, AIDS Interventions, 1992, 00:10 1994 September 3 Video Stills: Kira Perov Nam June Paik, Electronic Opera No1, 1968, color, 4:16 -November Photographs by (from The Medium is the Medium produced by WGBH 20 Kira Perov Boston) 133

Aldo Tambellini, Black, 1968, color, 6:00, James Seawright, Capriccio for TV, 1968, color, 6:00 (from The Medium is the Medium produced by WGBH Boston) Otto Piene, Electric Light Ballet, 1968, color, 4:36 (from The Medium is the Medium produced by WGBH Boston) Peter Campus, Three Transitions, 1973, color, 5:00 Nam June Paik, Global Groove, 1973, color, 30:00 Vitto Acconci, Theme Song, 1974, b/w, 32:45 William Wegman, Selected Works 1974-75, 1974-75, b/w & color, 11:23 Terry Fox, The Children’s Tapes, 1974, b/w 30:46 John Sturgeon, Shapes from the Bone Change, 1975, b/w 4:22 John Downey, The Laughing Alligator, 1978, color, 8:30 Linda Montano, Mitchell’s Death, 1978, b/w 22:00 Shalom Gorewitz, Measures of Volatility, 1979, color, 6:00 Ed Emshwiller, Sunstone, 1979, color, 12:00 Barbara Buckner, Hearts, 1979, color, 12:00 Dara Birnbaum, Pop-pop-video: General Hospital/Olympic Women Speed Skating, 1980, color, 7:00 Ante Bozanich, Alarm, 1980, color, 11:00 Tom Dewitt/Vibeke Sorensen, Dean Winkler, Tempest, 1980-82, color, 4:00 Robert Wilson, Video 50, 1980, color, 50:00 Kit Fitzgerald/John Sanburn, Olympic Fragments, 1980, color, 10:00 Laurie Anderson, O Superman, 1981, color, 8:25 Ken Feingold, Region of Extreme Examples, 1981, color, 8:25 Dan Reeves, Smothering Dreams, 1981, color, 23:00 Pier Marton, Unity Through Strength, 1981-82, color, 7:00 134

Bill Viola, Hatsu-Yume (First Dream), 1981, color, color, 56:00 Steina/Woody Vasulka/Bradford Smith, Pregeny, 1981, color, 17:00 Max Almy, Leaving the 20th Century, 1982, color, 10:40 Jane Veeder, Montana, 1982, color, 20:00 Shirley Clarke, Tonues, (written by Sam Shepard and Joesph Chaiklin) 1982, color, 8:00 Nancy Buchanan, An End to All Our Dreams, 1982, color,8:00 Edin Velez and Ethel Velez, Meta Mayan II, 1982, color, 20:00 Doug Hall, Songs of the 80’s, 1983, color, 17:40 Cecilia Condit, Possibly in Michigan, 1983, color, 11:40 Laurie Anderson, Sharkey’s Day, 1983, color, 11:30 Michael Scoggins, Study No6, (music by David Stout), 1983, color, 4:18 Ross Barrow, Viva Magritte, 1983, color, 19:00 Joan Logue, French 30 Seconds Spots, 1983, color, 12:30 Bill Viola, Anthem, 1983, color, 11:30 Mary Lucier, Ohio to Giverny: Memory of Light, 1983, color, 18:25 Dan Reeves, Sabda, 1984, color, 15:00 Joan Jonas, Double Lunar Dogs, 1984, color, 15:00 Bruce and Norman Yonemoto, Vault, 1984, color, 11:00 Lyn Blumenthal/Carole Ann Klonarides, (in Collaboration with Ed Paschke) Arcade, 1984, color, 11:00 Tony Ousler, Evol, 1984, color, 27:00 Gary Hill, Ura-Aru (there is a reverse / back side), 1985, color, 27:00 135

Doug Hall, Prelude to the Tempest, 1985, color, 15:00 Muntadas, SSS (part of “Media Hostages”), 1985, color, 6:30

1995 December 3 Intelligent Ambience Carole Ann 1 Interim: Within and Beyond Confinement: – Klonarides & Kathy Bill Viola, Reasons for Knocking at an Empty House, 1983, February 19 Rae Huffman; 19:11 Supported by Ars Tom Kalin, Darling Child, 1993, 1:54 Electronica Festival, Shelly Silver, Getting In, 1985, 2:47 Linz, Austria MICA-TV, The In-Between, 1990, 12:00 Leslis Thornton & Ron Vawter, Strange Space, 1992, 16:04 (Shown first in Linz Eder Santos, Essa Coisa Nervosa (This Nervous Thing), 1991, and then in Long 15:26 Beach) Jasna Hrikernik, Staircase, 1992, 16:04 Michael Auder, Brooding Angels: Made for RL, 1988, 6:00 Gary Hill, Solstice d’Hiver, 1990, 60:00

1. Interference: The Invisible Matrix: Theresa Svoboda, Gogue Transmissions, 1993, 1:00 John Goff, Radio Image, 1990, 6:00 Eric M Freedman, Surveiller, a text in two bodies, 1994, 13:00 Diane Nerwen and Les LeVeque, GASP, 1993, 13:00 Paper Tiger TV, Staking a Claim in Cyberspace, 1993, 30:00 Max Almy/ Teri Yarbrow, Utopia, 1994, 5:00 Steina & Woody Vasulka, In the Land of the Elevator Girls, 1990, 4:00 Les Levine, The Media Cage, 1993, 9:00 Ken Kobland, Stupa, 1992, 60:00

3 Interstital: Between What is (Seen): Anna Steininger, Going Nowhere Fast, 1993, 10:00 136

MICA-TV, Cascade/ Vertical Landscapes, 1988, 6:30 Bob Snyder, Trim Subdivisions, 1981, 6:00 Van McElwee, Inside, 1986, 4:20 Shelly Silver, Things I Forget to Tell Myself, 1988, 1:50 Bill Viola, Angel’s Gate, 1989, 4:50 Lars Spuybroek/ Maurice Nio, Noxi Soft City, 1993, 5:00 Herman Verkerk, Swimming Pool Library, 1993, 25:00 Sreco Dragon, Arheus (God’s Whip), 1992-93, 7:45 Betty Spackman/Anja Westerfrolke, A/B, 1993, 8:08 Michael Auder, Journey to the Center of the Phone Line (a work in progress) 1994, 60:00

4: Intervention: The Tactical Tourist: Tony Oursler & Constance DeJong, Joyride, 1988, 14:23 Branda Miller, Time Squared, 1987, 7:00 Francesc Torres, Sur del Sur, 1990, 16:24 Steina Vasulka, Urban Episodes, 1980, 8:50 Nancy Buchanan, American Dream #7: The Price is Right, 1991, 13:00 Edin Velez, As Is, 1985, 14:05 Bruce Yonemoto, Melissa Totten, Ed De la Torre, Banham/Davis Excerpt, 1993, 8:00 Stefaan Decostere, TRAVELOGUE FOUR: Coming from the Wrong Side, 1992, 56:00 1994 December 2 - Frozen Images Carol Ann Kloarides; Sanja Ivekovid, Frozen Images, 1992, video installation - February 19 Residency sponsored 1995 by ArtsLink 1995 March 3 – Music Box Claudia Gould, Mixed media exhibition that featured the video installation: May 21 Director, Artist Nam June Paik, I Wrote it in Tokyo, 1954, 1994, installation catalogue Space, New York and founder of on the 137

table, inc; organized by on the table, inc 1995 June 2 – Open Channels IX, Carole Ann Open Channels IX 1994 Recipients: August 20 1994 and Klonarides Doug Henry, Only Thirteen Minutes Left, 1995, 15:00 VAP, 1994-95 Joseph Santarromana, The Door That Could Never Give A Fuck, 1994, 7:41

Video Access Program 1994-1995: Florence Bonneville, Next Life, 1994, 50:38 Berta Jottar, Border Swings Vaiveness Fronterizos, 1994, 8:00 Eric Saks/ Patrick Tierney, Video Retrospective 1981-1985, 90:00 Tran T Kim-Trang, Kore, 1994, 17:00 1995 June 2 - Recent Acquisitions: Carole Ann Bill Viola, The Passing, 1991, 56:00; Angel’s Gate, 1989, August 20 Long Beach Museum Klonarides 4:00; of Art Media Arts Reverse Television-Portraits of Viewers, 1983-84, 15:00 Department 1994-95 Gary Hill, Solstice d’Hiver, 1990, 60:00 Erika Suderburg, Diderot and the Last Luminare: Waiting for the Enlightenment (A Revised Encyclopedia), 1992, 32:00 Susan Mogul, Everyday Echo Street: A Summer Diary, 1993, 30:00 Mona Hatoum, Measures of Distance, 1988, 15:00 John Whitney, Moon Drum: Memories of Prehistory, 1987- 93, 45:00 1995 September 3 Dentro Brazil Carole Ann Ines Cardoso, Diastole & Dante, 1994, 7:00 – November Klonarides, Bruce Rodolfo Magalhaes, Pirotecnico Zacarias, 7:00 19 Yonemoto and Patricia Moran, Ponto Zero, 5:30 Arlindo Machado Lucas Bambozzi, Love Stories, 1992, 6:30 Marcello Dantas, Historias do catete, 1993, 6:00 138

Mauro Giuntini, Brainconoscopio, 1990, 16:00 Sandra Kogut, What do you think People think Brazil is?, 1990, 6:00 Joao Moreira Salles, Poetry is just one or two lives and behind there is a huge landscape (versao ingles), 9:21 Flavio Ribeiro, Equator, color, 23:00, 1987; Fuck the Pope, 1990-94, 0:60; Nature Knows No Shame, 1990-94, 36:00 Renato Barbieri and Clovis Aidar, Duvideo (doubtvideo), 1987, 8:00 Eduardo De Jesus and Claudio Santos, A Cartilla de Instrugoes Basicas Para o Uso do Peso, 4:00 Aurelio Michiles, David Against Goliath, Brazil Cain, 12:00 Luis Duva, Deus Come-se, 10:00 Vincent Carelli, The Spirit of TV, 1990, 18:00; Video Cannibalism: A Video in the Villages Project, 1995, 17:00 Rafael Franca, The Profound Silence of Still Lives, 1988, 7:15 Simone Michelin, Aquatinta No1, 1995, 12:00; Circa 3, 1994, 3:42; O Nervo de Prata, 20:00; As Ferias Do Investigador, 16:00 Sonia Paiva, The Doll of the Mad Woman, 7:44 Roberto Berliner, Angola & Ten Little Indians, 60:00 Fabio Carvalho, O peso da Informacao, 4:30; Misterios da Floresta, 6:30; Na Paisagem do Lado Escuro da Lua, 12:00; Zoeea, 29:00 Marcelo Tas, Episode 1, 30:00; Episode 2, 30:00 Tadeu Jungle, Herios da Dencadenia (SIC), 1987, 35:17 Carlos Nader, The Serial Kisser (Beijoquiero), 1992, 29:00 Robert Sandoval/Tadeu Jungle/Walter Silveira, Caipira In, 139

1987, 43:00 Renato Barbieri/Paulo Morelli/Marcelo Machado, The Other Side of your Home, 19:00 Renata Vasconcellos, Brasileiro, 10:00 1995 September 3 Exotica Carole Ann Bruce and Norman Yonemoto, multi-media installation – November Klonarides Shown consecutively with Dentro Brasil: 19 1995 December 2 Charlie Ahearn: Doin’ Carole Ann Charlie Ahearn, Doin Time in Time Square, 1991, 39:00 - – Time in Times Square Klonarides Artists Video Portrait Program: 1996 February 18 Juanito, 7:00, 1991 Kiki in the Flesh, 17:00, 1993 Jane in Peepland, 20:00, 1993 Uberfrau, 9:00, 1994 The Clones of Bruce Lee, 15:00, 1993 1996 July 14 - Under Construction: Tran T Kim-Trang Ulysses Jenkins, Self-Divination, 1989, 12:00 November 3 Shifting Identities in Danny Ray Leopard, American Feel, 1990, 14:00 California Video Chris Robbins, ID, 1991, 14:00 Lynn Hershman, Confession of a Chameleon, 1986, 6:00 Brochure Kimiko Roberts, Cultural Identity Crisis of an All American Girl, 1992, 10:00 1996 August 23 – Anybody Home? Anne Bray, LA Program: Anybody Home?, 58:00, 37:00, 30:00, 27:00 September Freewaves 27 Program 1: Traveling sites Jason Brown of Providence High School, Dogzilla, 1995, 5:00 included Long Beach Jessica Irish, Nutcracker, 1994, 3:00 Museum of Art, Self Deke Weaver, Husband, 1995, 4:00 Help Graphics & 15 Melinda Stone, Inquiry, 1995, 3:30 Art centers and 32 Jerome Thomas, Amen Walls, 1994, 10:00 cable stations) Beverly Singer, Video Book, 1994, 4:30 Alex Rivera, Papapapá, 1995, 27:00 140

Programs 2, 3 and 4: Harry Gamboa Jr, LA Familia, 1993, 37:00 Pam Cohen, Hope Street, Anatomy of a Housing Project, 1994, 30:00 Coco Fusco with Chicano Secret Service, a Chicano soap opera, Pochonovela, 1995, 27:00 1996 December 1 - Beauty’s Plea: Gifts to Hal Nelson Susan Mogul, Everyday Echo Street: A Summer Diary, 1993, - April 20 the Community Video selected by 32:00 1997 Martin Betz Kip Fulbeck, Nine Fish, 1996, b/w and color, 23:45 Linda Brown, Calamity Jane (An Innovative Documentary), 1989 Lisa Raymond (what work) Paul Tassie, Remember Flavor, 1989, 10:00 Jeanne Finley, I Saw Jesus in a Tortilla, 1982, 3:35 (this exhibition included other mixed-media artworks) 1997 May 2 – New Visions: Video Juried show: Martin Valerie Soe, Beyond Asiaphia, 1997, 1997, 13:00 August 4 Betz and Sally Jo Ming-Yuen S Ma, Myths and Creation, 1997, 1997, 17:00 Brochure Fifer, jurors Cynthia Stahl, Poodle/West, 1997, 1997, 3:00

1997 August 15 - The Video Living Martin Betz Relocations and Revisions: The Japanse-American October 19 Room Internment Reconsidered: Japanese-American Internment Reconsidered (Video Catalog of the exhibition), 1992, 30:00 Clement Hanami, Always, 1991, 5:00 Robert Nakamura, Manzanar, 1971, 16:00 Rea Tajiri, History and Memory - for Akiko and Takashige,1991, 32:00 Janice Tanaka, Memories from the Department of Amnesia,

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1989, 12:50

Waterworks: Doug Hall, Storm and Stress, 1986, 48:00 Nam June Paik with Paul Garrin, Two Channel Music Tape: Spring and Fall, 1987, 32:00 Bill Viola, The Reflecting Pool, 1977-79, 7:00

Individual Artist’s Tapes Ant Farm, Media Burn, 1975, 23:00 Tony Cokes, Black Celebration, 1988, 17:00 John Whitney, Moondrum: Memories of Prehistory, 1987- 1993, 45:00 Paul Tassie, Remember Flavor, 1989, 10:00 Lawrence Andrews, Strategies for Development of Redefining the Purpose Served, Art in the Age of…aka The Making of the Towering Inferno, 1989, 23:40 Mindy Faber, Suburban Queen, 1986, 3:30 Bruce and Norman Yonemoto and Jeffrey Vallance, Blinky, 1988, 15:00 Erika Suderberg, Diderot and the Last Luminare: Waiting for Enlightenment (A Revised Encyclopedia), 1992, 32:00 Sherry Milner, Scenes from a Micro-War, 1985, 23:00 Kilja Keeding, Let Me (Entertain You), 1988, 9:00 Richard Glatzer, Glamazon: The Barbara Lemay Story, 1991, 15:00

VIDKIDCO: Rodney Sellars, Terminal Choice, age 16, 1986, 2:00 Ursula Hessenflow, Nacerima, age 17, 1992, 2:09 142

Lula Triggs & Ricky Cruz, Mr Big & Bad, ages 15, 1989, 1:30 Heather Hillmeyer, Modern Nature, age 16, 1988, 1:00 Marshetta Thompson & Nancy Nop, What I See, ages 13, 1995, 5:33 Rachel Fielding, In The Minds Eye, age 16, 1991, 1:00 Amat Escalante, Alone at Last, age 17, 1995, 8:00 Gabriel Askew, The Television Business, age 14, 1996, 1:00 Michael Christoffers, It All, age 16, 1992, 1:00 Kimiko Roberts, Cultural Identity Crisis of an All American Girl, age 16, 1993, 5:30

Art of Music Video: Ten Years After: Once in a Lifetime, music by Talking Heads, directed by David Byrne and Toni Basel, 1981, 4:20, courtesy of Todo Mundo Ashes to Ashes, music by David Bowie, directed by David Bowie and Davie Mallet, 1981, 3:30, courtesy of Isolar Enterprises Imagine, music by John Lennon, directed by Zbigniew Rybcynski, 1987, 4:20, courtesy of Rebo High Definition Studios C’est Comme Ca, music by Les Rita Mitsouko, directed by Jean Baptiste Mondon, 1987, 6:24, courtesy of Virgin Records National Holiday, music by Timbuk 3, directed by Carlos Grasso, 1989, 4:03, courtesy of IRS Records Straight Outta Compton, music by NWA, directed by Rupert Wainwright, 1989, courtesy of Ruthless Records This Ain’t No Picnic, music by Minutemen, directed by Randall Johnson, 1985, 2:06, courtesy of SST Records 143

Creature from the Black Leather Lagoon, music by The Cramps, directed by Rocky Schenck, 1990, 3:17, courtesy of Rocky Schenck Oskar Fischinger, Study No 5, music by Johnson and Frazier, 1930, 3:00; Circles, music by Richard Wagner, 1933, 1:45 Soundies: The Original Film Jukebox, Shine, music by Louis Armstrong, directed by Josef Berne, 1942, 2:45, courtesy of Petrified Films Snakers TELEscriptions: The First Televised Music Shorts, I Don’t Know Enough About You, music by Peggie Lee, 3:06, courtesy of Cheroot Associates Skopitones: A Film Jukebox Revival, If I Had a Hammer, music by Debbie Reynolds, 2:20; Boots, music by Nancy Sinatra, 3:00 I Against I, music by Bad Brains, directed by Paul B Rachman, 1987, 3:51, courtesy of SST Records Soul Soldier, music by Throwing Muses, directed by Jim Sikora, 1991, 3:38, courtesy of SST Records Jimmy Lesbians from Russia, music by Bongwater, directed by Jim Spring and Jens Jurgeson, 1988, 6:18, courtesy of Shimmy Disc and Atavista Video Glueman, directed by Jem Cohen and Ian Mackaye, music by Fugazi, 1989, 5:30, courtesy of Video Databank A Hard Reign’s Gonna Fall, directed by Dean Lance, music by Bob Dylan, 1990, 7:10, courtesy of Dean Lance and Diva TV Tell Your Heart That I’m the One from Industrial Symphony No 1, directed by David Lynch, 1991, 5:00, courtesy of Warner Home Video and Lynch/Frost Productions 144

The Science and Art of Ceramics: High Tech/Low Tech: The Science and Art of Ceramics, produced by The Palos Verdes Art Center, 1994, 26:00, courtesy of the Palos Verdes Art Center The Space of Pottery, Paul Matthier, 1991, 26:00 Earthforms, American Ceramics Society, 1988 1997- December 5 - Facades: Jessie Lerner Van McElwee, Space Splice, 1996, 12:00 1998 February 1 Architecture, Urban Anton Cierny, The Memory of Space, 1997, 11:00 Space and the Gordon Matta Clark, Clockshower, 1996, 15:00 Moving Image Collage Ensemble, As Above So Below, 1996, 17:00 Steve Reinke, Treehouse, No 78 of 100 Videos, 1996, 3:55 Brochure Jem Cohen, Lost Book Found, 1996, 35:00 Barbara Jones and Laura Alvarez, Caught in the 5pm Afterglow, 1997, mixed-media installation 1998 February 13 - The Video Living Martin Betz The Early Works: April 12 Room 2 Jay McCafferty, Apartment Art, 1974, b/w, ½ inch open reel, 8:25; Late for Work, 1972, b/w, ½ inch open reel, 4:12; Four Ways I Move, 1972, b/w, ½ inch open reel, 6:10; Square, 1972, b/w, ½ inch open reel, 1:00 Nina Sobel, Electorencephalographic Video Drawing, 1973- 1983, b/w ½ inch open reel, 3:30 Vito Acconci, Theme Song, 1974, b/w open reel, 30:00 Nam June Paik, Global Groove, 1973, color, 28:30 Joseph Beuys, Vitex Agnus Castus, 1972, color, silent, 3:00 Eleanor Antin, The Little Match Girl, 1975, color, 27:00 Harry Kipper, Up Yer Bum with a Bengal Tiger, 1976, b/w, open reel, 25:32

Individual Artist Tapes: 145

Ant Farm, Media Burn, 1975, 23:00 Tony Cokes, Black Celebration, 1988, 17:00 Ilene Segalove, Early Works, 1973-75, color and b/w, 47:00 Allan Kaprow, Then, 1974, b/w open reel, 23:33 John Whitney, Moondrum: Memories of Prehistory, 1987- 1993, 45:00 Paul Tassie, Remember Flavor, 1989, 10:00 Lawrence Andrews, Strategies for Development of Redefining the Purpose Served, Art in the Age of…aka The Making of the Towering Inferno, 1989, 23:40 Bruce and Norman Yonemoto and Jeffrey Vallance, Blinky, 1988, 15:00 Richard Glatzer, Glamazon: The Barbara Lemay Story, 1991, 15:00 Doug Hall, Storm and Stress, 1986, 48:00

New Works: Susan Mogul, I Stare at You and Dream, 1997, 56:40 SE Barnet, Making Up, 1997, 6:30 Jem Cohen, Lost Book Found, 1996, 35:00 Collage Ensemble, As Above So Below, 1996, 17:00

VIDKIDCO Rodney Sellars, Terminal Choice, age 16, 1986, 2:00 Ursula Hessenflow, Nacerima, age 17, 1992, 2:09 Lula Triggs & Ricky Cruz, Mr Big & Bad, ages 15, 1989, 1:30 Heather Hillmeyer, Modern Nature, age 16, 1988, 1:00 Marshetta Thompson & Nancy Nop, What I See, ages 13, 1995, 5:33 Rachel Fielding, In The Minds Eye, age 16, 1991, 1:00 146

Amat Escalante, Alone at Last, age 17, 1995, 8:00 Gabriel Askew, The Television Business, age 14, 1996, 1:00 Michael Christoffers, It All, age 16, 1992, 1:00 Kimiko Roberts, Cultural Identity Crisis of an All American Girl, age 16, 1993, 5:30 1998 April 24 – New Visions: Video Martin Betz Doug Aitken, Hysteria, 1998, color, 6:00 June 21 1998 Bjorn Melhus, Again and Again (The Borderer), 1998, color, 4:00, multi monitor video installation Tran T Kim-Trang, Ekleipsis: Hysterical Blindness, 1998, color, 20:00 1998 October 23 - LA or Lilliput? Michael Darling Susan Lutz, The Wardian Case, 1998, video installation, - January 3 10:00; Twister: To Be Shown on the Evening of the First 1999 Brochure Night of General Release of the Film “Twister,” 1996, single- channel video, 2:00 (This exhibition included other mixed-media artworks) 1999 October 23 - Tocata for Toy Michael Darling Charles & Ray Eames, Parade: or They Came Down Our January 3 Trains and Other Street, Film Worlds by 1952, 5:33; Toccata for Toy Trains, 1975, 13:28; Tops, Charles & Ray 1969, Eames color, 7:00; Powers of Ten: A Film Dealing with the Relative Size of Things in the Universe and the Effect of Adding Another Zero, 1967, 8:01; Callot, 1974, color, 3:00; A Small Hydromedusan, Polyorchis Halpus, 1970, color, 3:00; Tops From Stars of Jazz, 1958, 4:00 1999 January 15 – 20 Questions: Martin Betz TVTV, Super Bowl, 1976, 46:00 March 28 Person, Place or Niklas Sven Vollmer, Daddy Said So, 1996, color, 44:30 Thing Ant Farm, Media Burn, 1975, color, 25:00 147

Dan Reeves, Smothering Dreams, 1981, 23:00 Victor Masayes, Itam Hakim, Hoput (We Someone, the Hopi), 1984, 60:00 Sativa Peterson/Scott Cookson, The Slow Escape, 1997-98, color, 20:00 Bryan Konefsky, Bridgeport: The City at the End of My World, 1995, color, 20:00 Peter Adair, Some of These Stories are True, 1981, 27:00 Rebecca Baron, The Idea of the North, 1996, color, 18:00 Susan Mogul, I Stare at You and Dream, 1996, 56:00 Valerie Soe, Beyond Asiaphilia, 1997, 20:00 Collage Ensemble, As Above So Below, 1994-97, 18:00 Cynthia Stahl, Another Video About Guns and Square Dancing, 1996, 4:00 Joel Baird and Rick Phillips, Long Way Out of Town, 1997, color, 3:00 Jesse Lerner, Adobe LA, Mexopolis, 1997, color, 18:00 Dr. Lisa Apramain, Not Bad for a Girl, 88:00 Tobi Solvang and Dianne Griffin, White Hotel, 1995, color, 90:00 Beth B, Voices Unheard, 1997, 59:00 Skip Blumberg, Pick Up Your Feet: The Double Dutch Show, 1981, 29:00 Aron Ranen, Kevin Bender, Television Believers, 1985, 26:00 1999 April 9 – New Visions: Video Jurors serving on the Three installations: June 20 1999 selection panel: Thomas Allen Harris, AFRO (is just a hair style): Notes on a Michael Renov & Journey Through the African Diaspora, video installation Tanya Martinez- SE Barnet, Mary Shelley’s Daugthter, video installation Lemke; Sponsor, Eric Saks, Show and Tell, video installation 148

Pasadena Art Alliance

149