William Anastasi
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WILLIAM ANASTASI Born in 1933 in Philadelphia
WILLIAM ANASTASI Born in 1933 in Philadelphia (PA), lives and works in New York. An important exponent of American !oncept"al Art and Minimal Art, he st"died in Philadelphia at the $niversit% of Pennsylvania &efore movin' to New York in 19(). *n 19(+ he met ,ohn !age and was impressed &% his m"sical theories, and the omponent of so"nd &ecame a fre-"ent presence in his works. .tartin' in 1963 he anal%/ed the relationship &etween so"nd, time and the "nconscio"s in his Blind Drawings, works made with the e%es closed, lettin' the movements of the pencil on paper &e '"ided &% m"sic. 0he result of the operation is a drawin' with an essential form, rendered forcef"ll% d%nami &% the 'raphi si'n. A 'reat admirer of 1"champ, Anastasi often &"ilds on his work, espe iall% in terms of the random factors that intervene in the artisti operation. 0his theme re "rs fre-"entl% in Anastasi2s works, as in the case of the Subway Drawings made &% allowin' the arm and the pencil to &e freel% shaken &% the movements of the su&way, tracin' a contin"o"s, fl"id line on a &lank sheet of paper. 0he drawin' &ecomes the visual translation of the perception of that parti "lar movement. 0he automatic creation of the drawin' caused &% the movement of the &od% is also a factor in the Walking Drawings, prod"ced &% the motion of the artist in space, and the Pocket Drawings, created &% r"&&in' a small pencil against a piece of paper placed in the artist2s pocket. -
One of a Kind, Unique Artist's Books Heide
ONE OF A KIND ONE OF A KIND Unique Artist’s Books curated by Heide Hatry Pierre Menard Gallery Cambridge, MA 2011 ConTenTS © 2011, Pierre Menard Gallery Foreword 10 Arrow Street, Cambridge, MA 02138 by John Wronoski 6 Paul* M. Kaestner 74 617 868 20033 / www.pierremenardgallery.com Kahn & Selesnick 78 Editing: Heide Hatry Curator’s Statement Ulrich Klieber 66 Design: Heide Hatry, Joanna Seitz by Heide Hatry 7 Bill Knott 82 All images © the artist Bodo Korsig 84 Foreword © 2011 John Wronoski The Artist’s Book: Rich Kostelanetz 88 Curator’s Statement © 2011 Heide Hatry A Matter of Self-Reflection Christina Kruse 90 The Artist’s Book: A Matter of Self-Reflection © 2011 Thyrza Nichols Goodeve by Thyrza Nichols Goodeve 8 Andrea Lange 92 All rights reserved Nick Lawrence 94 No part of this catalogue Jean-Jacques Lebel 96 may be reproduced in any form Roberta Allen 18 Gregg LeFevre 98 by electronic or mechanical means, including photocopying, recording, or information storage retrieval Tatjana Bergelt 20 Annette Lemieux 100 without permission in writing from the publisher Elena Berriolo 24 Stephen Lipman 102 Star Black 26 Larry Miller 104 Christine Bofinger 28 Kate Millett 108 Curator’s Acknowledgements Dianne Bowen 30 Roberta Paul 110 My deepest gratitude belongs to Pierre Menard Gallery, the most generous gallery I’ve ever worked with Ian Boyden 32 Jim Peters 112 Dove Bradshaw 36 Raquel Rabinovich 116 I want to acknowledge the writers who have contributed text for the artist’s books Eli Brown 38 Aviva Rahmani 118 Jorge Accame, Walter Abish, Samuel Beckett, Paul Celan, Max Frisch, Sam Hamill, Friedrich Hoelderin, John Keats, Robert Kelly Inge Bruggeman 40 Osmo Rauhala 120 Andreas Koziol, Stéphane Mallarmé, Herbert Niemann, Johann P. -
FOR IMMEDIATE RELEASE WILLIAM ANASTASI Puzzle November 17, 2015
FOR IMMEDIATE RELEASE WILLIAM ANASTASI puzzle November 17, 2015 – January 9, 2016 Opening reception: Tuesday, November 17, 6-8 pm SANDRA GERING INC. is pleased to present Puzzle, William Anastasi’s sixth one-person exhibition with the gallery. Throughout Anastasi’s career as a seminal figure in the field of Conceptual Art, semantics and tautology have long played significant roles. The subject of pairing in particular has been a recurring theme since as early as 1967, when Anastasi’s Six Sites exhibition at the Virginia Dwan Gallery featured the gallery’s walls photographically rendered on canvas, then hung on the same walls. Repetition has also been embraced in Anastasi’s well-known subway drawings, a continuing series of unsighted works on paper the artist creates while drawing blind on the train, letting the motion of the car dictate the chance markings on paper as pure gesture. Circular reasoning informs Anastasi’s puzzle works. Aside from the obvious playfulness of the subject (humor being one of the least talked-about aspects of this artist’s oeuvre), the puzzle as metaphor first appeared in 1975, when the Museum of Modern Art commissioned Anastasi to design a jigsaw puzzle for their store. The result was iconic, as his design was to create a puzzle-themed puzzle, similar in concept to his wall- on-a-wall works. It was popular enough to re-issue in a second color version, of which the current exhibition’s shaped paintings are based. Hung in pairs, the exhibition room itself becomes a sort of game, unresolvable in this instance as the room only holds a fraction of the series. -
The Museum of Modern Art: the Mainstream Assimilating New Art
AWAY FROM THE MAINSTREAM: THREE ALTERNATIVE SPACES IN NEW YORK AND THE EXPANSION OF ART IN THE 1970s By IM SUE LEE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Im Sue Lee 2 To mom 3 ACKNOWLEDGMENTS I am deeply grateful to my committee, Joyce Tsai, Melissa Hyde, Guolong Lai, and Phillip Wegner, for their constant, generous, and inspiring support. Joyce Tsai encouraged me to keep working on my dissertation project and guided me in the right direction. Mellissa Hyde and Guolong Lai gave me administrative support as well as intellectual guidance throughout the coursework and the research phase. Phillip Wegner inspired me with his deep understanding of critical theories. I also want to thank Alexander Alberro and Shepherd Steiner, who gave their precious advice when this project began. My thanks also go to Maureen Turim for her inspiring advice and intellectual stimuli. Thanks are also due to the librarians and archivists of art resources I consulted for this project: Jennifer Tobias at the Museum Library of MoMA, Michelle Harvey at the Museum Archive of MoMA, Marisa Bourgoin at Smithsonian Institution’s Archives of American Art, Elizabeth Hirsch at Artists Space, John Migliore at The Kitchen, Holly Stanton at Electronic Arts Intermix, and Amie Scally and Sean Keenan at White Columns. They helped me to access the resources and to publish the archival materials in my dissertation. I also wish to thank Lucy Lippard for her response to my questions. -
William Anastasi Biography
WILLIAM ANASTASI BIOGRAPHY BORN 1933, Philadelphia, PA SELECTED SOLO EXHIBITIONS 2019 William Anastasi; Thomas Rehbein Galerie; Cologne, Germany 2018 William Anastasi: Three Conic Sections; Galerie Jocelyn Wolff; Paris, France William Anastasi: Conic Sections; The Shed/Centre d'Art Contemporain de Normandie; Normandy, France 2017 William Anastasi; Ghebaly Gallery; Los Angeles, CA 2015 William Anastasi: Continuum; Galerie Jocelyn Wolff; Paris, France William Anastasi: Puzzle; Sandra Gering Inc.; New York, NY 2014 William Anastasi: The Bababad Paintings; Stellan Holm Gallery; New York, NY 2013 William Anastasi: Sound Works, 1963-2013; Hunter College Art Galleries; New York, NY William Anastasi; Half Gallery; New York, NY 2012 William Anastasi: Jarry: Du/Joy; Jocelyn Wolff Gallery; Paris, France 2011 William Anastasi/N. Dash; Nicole Klagsbrun; New York, NY 2010 William Anastasi: Drawings; Gering & Lopez Gallery; New York, NY William Anastasi; Isabelle Du Moulin und Nils Borch Jensen Galerie; Berlin, Germany 2008 William Anastasi: opposites are identical; Peter Blum Gallery ; New York, NY William Anastasi: New Works; Stalke Galleri / Stalke Up North / Stalke Out Of Space; Kirke Saaby, Denmark 2007 William Anastasi: Raw; The Drawing Center; New York, NY William Anastasi: Paintings and Drawings; Michael Benevento, The Orange Group; Los Angeles, CA Blind Date: William Anastasi and Lucio Pozzi; Whitebox; New York, NY Anastasi-Bradshaw; Galleri 360; Tokyo, Japan 2006 William Anastasi: Works from the 60's to the Present; Björn Ressle Gallery; New -
Selected New York Seens
SELECTED NEW YORK SEENS 1979 opened with a whoop, holler, and focus on the "New" sound/slides/improvisation in "Homerunrnuse" by Carolee and "Old": "New Image Painting" at the Whitney Museum Schneemam. An informal documentation slide showing of centered on ten painters using isolated images in new con- Fandango's history was screened, dong with original broad- texts, simplifying recognizable objects placed on non-associ- side issues of their earliest editions. ative grounds, transforming scale and color to yield "new" "New" style spectacles of "old" favorites were presented meanings. Artists included Nicholas Africano, Jennifer Bart- at the newly-refurbi~hedEntermedia Theatre in the Nova lett, Denise Greene (also showing drawings and paintings at Convention, a gathering of artists, writers, fhmakers, thin- Max Protetch), Michael Hurson, Neil Jenney, Lois Lane, kers, and the like, dedicated to the writings and ideas of Robert Moskowitz, Susan Rothenberg, David True, Joe Zuc- William ~~~o~ghs:readings and performances by Allen ker. Other museum and gallery exhibitions of new works Ginsberg, JO~Cage, Merce Cunningham, Anne WaIdman, Ed included two by Robert Rauschenberg (Sonnabend), wall Sanders, Tim teary, Les Levine, theatrical events with Bel- works by Rosemary Mayer (55 Mercer), metal reliefs by gium's Le Plan K, Frank Zappa reading Burroughs, and Frank Stella (Leo Castelli), photoworks by Al Souza (O.K. Laurie Anderson and Julia Heyward presenting a new audio- Harris), acrylicjskrim paintings by Chris Darton (Mary distortion story. A second event celebrated the New Year in Boone), "new Wave" collage by Henry Benvenuti (Monson), a benefit for the recently burnt-out St. -
William Anastasi
WILLIAM ANASTASI Galerie Jocelyn Wolff WILLIAM ANASTASI Updated: June 2021 Born Philadelphia, PA, in 1933 Lives and works in New York, NY, USA SOLO EXHIBITIONS 2019-2020 Blind Drawings: 1963-2018, Malborough Gallery, London, UK, Catalogue with interview with Maurizio Cattelan and essays by Dove Bradshaw and Charles Stuckey 2018 THREE CONIC SECTIONS, Galerie Jocelyn Wolff, Paris, France 2015 Continuum, Galerie Jocelyn Wolff, Paris, France 2013 William Anastasi: The Sound Works, 1963-2013, Leubsdorf Art Gallery at Hunter College, New York, USA 2012 Jarry:Du/Joy, Blind Drawings, Walking, Subway, Drop, Vetruvian Man, Still, Galerie Jocelyn Wolff, Paris, France 2010 Drawings, Gering & López Gallery, New York, USA Isabelle Du Moulin und Nils Borch Jensen Galerie, Berlin, Germany William Anastasi, John Cage Award (Biennial Award), New York, USA 2009 William Anastasi, Emilio Mazzoli Gallery, Modena, Italy William Anastasi Retrospective, curator: Inge Merete Kjeldgaard, The Esberg Museum of Modern Art, Esbjerg, Denmark 2008 Opposites Are Identical, Peter Blum Gallery (Chelsea), New York, USA New works, Stalke Galleri / Stalke Up North / Stalke Out Of Space, Kirke Saaby, Denmark 2007 William Anastasi, Raw [Seven works from 1963 to 1966], The Drawing Center, New York, USA William Anastasi, Paintings and drawings, Michael Benevento, The Orange Group, Los Angeles, USA 2006 William Anastasi, Bjorn Ressle Fine Art, New York, USA William Anastasi, Baumgartner Gallery, New York, USA 2005 Drawings 1970-2005, Stalke Gallery, Copenhagen, Denmark Blind, art -
Pencil Pushed Catalogue
THE UNIVERSITY OF TENNESSEE Dr. Joe DiPietro, President Dr. Jimmy G. Cheek, Chancellor COLLEGE OF ARTS AND SCIENCES Dr. Theresa M. Lee, Dean Dr. Dorothy Habel, Director, School of Art EWING GALLERY OF ART & ARCHITECTURE UT DOWNTOWN GALLERY Sam Yates, Director and Curator Sarah McFalls, Collections Manager T. Michael Martin, Registrar / Coordinator Mike C. Berry, Downtown Gallery Manager Eric Cagley, Gallery Assistant Pencil Pushed: Exploring Process and Boundaries in Drawing Catalogue published on the occassion of the 2012 exhibition, Pencil Pushed: Exploring Process and Boundaries in Drawing, organized by the Ewing Gallery of Art and Architecture, The University of Tennessee, Knoxville ©2012 Ewing Gallery of Art and Architecture ISBN: 978-0-9761663-9-9 Exhibition Curator: Creighton Michael Catalogue Designer: Sarah Campbell Printer: The University of Tennessee, Graphic Arts Service Dimensions are in inches. Height precedes width. All images courtesy of the artist unless otherwise noted. Page 25, 26: Maux de Tete, Dandy Saltimbanque, and Charlotte Corday’s Gown by Mary Reid Kelley all images courtesy of Fredericks & Freiser Page 28, 29: Cathedras and Eventing (detail) both images courtesy of Christopher Gallo Page 49: Baluchistan by Beatrice Riese courtesy of Yale University Gallery of Art Page 61: Mooring by Stephen Talasnik courtesy of the Metropolitan Museum of Art Page 62: Stream: a folded drawing by Stephen Talasnik courtesy of Jerry L. Thompson All images included in exhibition with the exclusion of the following: Page 49: Baluchistan -
Fame-Obsessed 'Forty' at Moma PS1 Shows An
Fame-Obsessed ‘Forty’ at MoMA PS1 Shows an Alternative Art Scene That No Longer Exists The original alternative spaces movement captured the era’s raw- nerved energy. Ben Davis, August 22, 2016 Installation view of Ba-O-Ba Fluorescent by Keith Sonnier in FORTY. Image courtesy MoMA PS1. Photo by Pete Deevakul. PS1 began as the Institute for Art and Urban Resources, in a city mired in a nasty financial crisis. Throughout the 1970s and ’80s, Alanna Heiss’s risk- taking nonprofit was a major force in the “alternative spaces” movement, and https://news.artnet.com/exhibitions/forty-at-moma-ps1-review-611432 the art she presented looms large in the contemporary imagination. It’s important, today, to reckon with its legacy. This summer, to celebrate its birthday, PS1 (now MoMA PS1) has brought back its founding director to curate “Forty,” a love letter to its early legacy. The thing is, though, a love letter might not be the best place to look for a real critical reckoning with the past. The show, taking over the second floor of PS1, is a kind-of-sort-of tribute to “Rooms,” the legendary first show from 1976, back when it really was a scrubby old schoolhouse, not the dressed-down, hipper-than-thou annex of MoMA that it is now. Nam June Paik in “Forty” at PS1. Courtesy of Ben Davis. Overall, the vibe of the art here is inscrutable and scrappy. There’s plenty of charm nestled away in PS1’s various nooks, from Nam June Paik’s witty sculpture of a candle framed in an old-style TV tube, to Colette’s voluptuous, grotto-like environment, or Dennis Oppenheim’s tableaux that evokes a spooky marionette crime scene. -
William Anastasi
WILLIAM ANASTASI Galerie Jocelyn Wolff WILLIAM ANASTASI Updated: October 2020 Born Philadelphia, PA, in 1933 Lives and works in New York, NY, USA AWARDS 2010 John Cage Award, Foundation for Contemporary Art SOLO EXHIBITIONS 2019-2020 Blind Drawings: 1963-2018, Malborough Gallery, London, UK 2018 THREE CONIC SECTIONS, Galerie Jocelyn Wolff, Paris, France 2015 Continuum, Galerie Jocelyn Wolff, Paris, France 2013 Sound Works, 1963-2013, Leubsdorf Art Gallery at Hunter College, New York, USA 2012 Jarry:Du/Joy, Blind Drawings, Walking, Subway, Drop, Vetruvian Man, Still, Galerie Jocelyn Wolff, Paris, France 2010 Drawings, Gering & López Gallery, New York, USA Isabelle Du Moulin und Nils Borch Jensen Galerie, Berlin, Germany William Anastasi, John Cage Award (Biennial Award), New York, USA 2009 William Anastasi, Emilio Mazzoli Gallery, Modena, Italy William Anastasi Retrospective, curator: Inge Merete Kjeldgaard, The Esberg Museum of Modern Art, Esbjerg, Denmark 2008 Opposites Are Identical, Peter Blum Gallery (Chelsea), New York, USA New works, Stalke Galleri / Stalke Up North / Stalke Out Of Space, Kirke Saaby, Denmark 2007 William Anastasi, Raw [Seven works from 1963 to 1966], The Drawing Center, New York, USA William Anastasi, Paintings and drawings, Michael Benevento, The Orange Group, Los Angeles, USA 2006 William Anastasi, Bjorn Ressle Fine Art, New York, USA William Anastasi, Baumgartner Gallery, New York, USA Galerie Jocelyn Wolff 2005 Drawings 1970-2005, Stalke Gallery, Copenhagen, Denmark Blind, art agents, Hamburg, Germany William -
Miami Preuiew
MIAMI PREUIEW BY RONI FEINSTEIN he fifth edition of the international with them altogether. Also in this Dec. 5-6, just prior fair Art Basel Miami Beach location is Art Perform, a program of to the opening of (Dec. 7-10) once again offers daily performances curated by Jens ABMB. On Dec. 6, visitors a cornucopia of citywide Hoffman of the CCA Wattis lnstitute, Aquarelle, Guillermo exhibitions and events geared to San Francisco, and an artist DJ Kuitca's site-specif ic cutting-edge art. At the Miami Beach program organized by Alanna Heiss public art project Convention Center, the principal and Klaus Biesenbach of New York's for Aqua, a Dacra venue, some of the world's most P.S.1. Art Projects includes both Development project prominent galleries present their public works of art and performances on Allison lsland, is wares in the company of younger that are on view at various sites in being unveiled; last galleries comprising the Art Nova Miami Beach (maps are provided). year, a Richard Tuttle section of the fair. ln a beachfront ln the botanical gardens opposite the project was dedicat- village of converted shipping contain- convention center are the Art Video ed at the same site. ers situated a few blocks away, Art Lounge, programmed by Michael On Dec. 7, the night Positions offers the work of other Rush of the Rose Art Museum at of the fair's official Brandeis University, and the Art opening, Miami artist Sound Lounge, curated by David George Sanchez- Dale Chihuly: Niijima Floats,2005, hand-blown glass; Weinstein of P.S.1. -
P.S.1 Contemporary Art Center Founder and Director Alanna Heiss to Retire on December 31
P.S.1 CONTEMPORARY ART CENTER FOUNDER AND DIRECTOR ALANNA HEISS TO RETIRE ON DECEMBER 31 New York, December 29, 2008—Alanna Heiss, the founding director of P.S.1 Contemporary Art Center, who over the course of the last 37 years oversaw the transformation of a turn-of-the-century public school building in Long Island City, Queens, into a space that reflected the originality and independence of hundreds of artists, will retire from P.S.1 on December 31, 2008. An internationally recognized champion of contemporary artists for more than three decades, Ms. Heiss is also hailed as a visionary curator of adventurous exhibitions—more than 800 during her tenure—and as an arts leader whose support has nurtured the careers of young artists and curators around the world. “P.S.1 was founded with a particular mission, which was to allow for the discovery of many different points of view under one roof,” said Ms. Heiss. “Its special gift to those who appreciate art is its ability to mobilize artists both young and old, known and unknown, to explore their dreams and visions. The experiences I’ve had working with great curators and artists have been a tremendous honor.” Glenn D. Lowry, Director of The Museum of Modern Art, which became affiliated with P.S.1 in 2000, said: “Alanna Heiss is a creative and visionary leader whose efforts brought the originality of contemporary artists to a worldwide public and built a landmark center for the visual and performance arts. Literally hundreds of artists from around the world have felt the impact of her tireless efforts over the last 37 years, and that impact will continue to resonate with artists for years to come.” “It has been an incredible experience and honor to have served on the board of P.S.1 with Alanna since the 1970’s,” said Agnes Gund, who in addition to serving on P.S.1’s board is also President Emerita of MoMA.