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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
MURDERDOLLS 09.09.2010 Stuttgart Die Röhre Es Ist Nichts
MURDERDOLLS 09.09.2010 Stuttgart Die Röhre Es ist nichts Ungewöhnliches, dass sich Musiker einer erfolgreichen Band ein persönlicher gestaltetes Zweitprojekt gönnen. Für Joey Jordison, den Schlagzeuger und Haupt-Songwriter der Metal-Wucht Slipknot, ist seine Nebenbeschäftigung MURDERDOLLS allerdings weit mehr als ein Seitenprojekt. Gemeinsam mit dem Gitarristen Wednesday 13 entwickelt er seit 1999 eine hitzige, unverblümte und zuweilen verstörende Melange aus Hard- und Glamrock, Heavy Metal und offensiv-blutrünstigen Texten. Dies gefiel nicht nur den Slipknot-Fans so gut, dass die MURDERDOLLS seit Erscheinen ihres 2002er-Debüts „Beyond The Valley Of The Murderdolls“ zu den wichtigsten Bands des Horrorpunk-Genres zählen. Ende August erscheint nach einer längeren Pause ihr zweites Album „Women And Children Last“, mit dem sie im Anschluss auf Tournee gehen. Die deutschen Station en ihrer Konzertreise im September sind Frankfurt, Stuttgart, Bochum und Köln. Joey Jordison gehört seit mehr als einer Dekade zu den umtriebigsten Musikern der amerikanischen Rock-Szene. Mit seiner neun Mann starken Metal- und Splatter-Formation Slipknot führt er regelmäßig die US-Hitlisten an, Tourneen der Band sind konstant restlos ausverkauft. Zudem gehört er zu den meistbeschäftigten Schlagzeugern der Welt und half bereits bei Tourneen von Metallica, Korn, Ministry und Rob Zombie als Taktgeber aus. Der 35-jährige Musiker aus Des Moines/Iowa kennt wenige stilistische Scheuklappen und vermengt bald jede Form härterer Rockmusik aufs Natürlichste zu einem schauerlich-schönen audiovisuellen Ereignis, zu dem man ebenso gut moshen wie sich gruseln kann. Entsprechend stellen sich die MURDERDOLLS, die 1999 von Jordison und dem Dope- und Static X-Gitarristen Tripp Eisen gegründet wurden, inhaltlich und stilistisch vollkommen anders dar als seine Hauptbeschäftigung Slipknot. -
I!) Oa INS1] TULE, the BONANZA DRUG STORES
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IONA Technologies PLC (Exact Name of Registrant As Speci®Ed in Its Charter and Translation of Registrant's Name Into English)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington D.C. 20549 FORM 20-F ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Fiscal Year Ended Commission File December 31, 1998 No. 0-29154 IONA Technologies PLC (Exact name of Registrant as speci®ed in its charter and translation of Registrant's Name into English) Ireland (Jurisdiction of incorporation or organization) The IONA Building Shelbourne Road, Ballsbridge Dublin 4, Ireland (Address of principal executive of®ces) Securities registered pursuant to Section 12(b) of the Act: None Securities registered pursuant to Section 12(g) of the Act: Ordinary Shares, IR£0.002 Par Value (Title of Class) Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act: None Indicate number of shares outstanding of each of the registrant's classes of capital or common stock as of December 31, 1998: 19,451,723 Ordinary Shares, IR£0.002 Par Value Indicate by check mark whether the registrant (1) has ®led all reports required to be ®led by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months, and (2) has been subject to such ®ling requirements for the past 90 days. Yes X No Indicate by check mark which ®nancial statement item the registrant has elected to follow: Item 17 Item 18 X This Annual Report on Form 20-F was not prepared for ®ling in Ireland in compliance with Irish law or the listing rules of the Irish Stock Exchange. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Michael Grace / Tapeop Behind the Gear
was getting pretty busy at night building custom mic Behind The Gear preamps for people, so I quit working for that company This Issue’s Prince of Preamps and started out on my own. That remained a garage operation for several years until my brother Eben and I Michael Grace joined forces and became partners. We decided we by Walt Szalva wanted to start a manufacturing company and build preamps on a larger scale so we could take advantage of the economies of scale, being able to buy better components and build things that were not absolutely stressed in terms of cost. That was almost twelve years ago when we came out with the first official Grace Design product, which was the 801 preamp. What kind of problems does a small manufacturer like yourself encounter in terms of designing and building Michael Grace started Grace feedback amplifier, or a trans-impedance amp, and something that a larger manufacturer Design in 1994, a boutique pro these types of amplifiers use a different kind of might not encounter? audio company located in Boulder, negative feedback in the current domain instead of the CO. The story of his rise as a Quality control is the top issue for any manufacturing designer is one born from a love voltage domain. They are able to track really complex company. Being a boutique manufacturer, most of our of music. His need for a preamp to waveforms, resolve rich harmonic structures and track products are fairly expensive and not something that record Grateful Dead concerts transients without the various aberrations of slew rate someone just plunks down on a credit card on a whim drove him to design his first limiting and things that are associated with textbook for their studio. -
Terpsichorean Architecture: Editor's Introduction
Terpsichorean Architecture: Editor’s Introduction Tony Mitchell, University of Technology Sydney In Peter Hoeg’s celebrated novel Miss Smilla’s Feeling for Snow (1992), Greenland- born Smilla says of her extraordinary ability to decipher patterns and read tracks in snow: ‘Reading snow is like listening to music. To describe what you’ve read is to try and describe music in writing’ (2005:37). Later in the book, Andreas Fine Licht, a blind Professsor of Eskimo Languages and Cultures at the Danish Institute of Eskimology, deciphers a tape recording of a native Greenlander speaking in dialect about hunting. He is also able to hear and identify in the background on the tape the jazz music of trumpeter Roy Louber, formerly of the John Coltrane quartet, in a rare live concert performance in Thule in the late 1960s (2005:134). The experience of listening to, or hearing and identifying music may, in both cases, be a complex one, but writing about it comprehensively and memorably can be even more complex and fraught with difficulties. This selection of papers comes from a Symposium held at the University of Technology Sydeny (UTS) in September 2009. The title derives from a notorious quote—now a cliché—from Elvis Costello in an interview in the British Musician magazine in 1983: ‘Writing about music is like dancing about architecture—it’s a really stupid thing to want to do’ (White 1983). It has been attributed by various people at various times to Frank Zappa, Thelonious Monk, Laurie Anderson, David Byrne and numerous others, PORTAL Journal of Multidisciplinary International Studies, vol. -
Nachwuchs/2016
NACHWUCHS/2016 VORWORT 4 PREFACE ORTE 10 VENUES ZEITEN 12 TIMES ERÖFFNUNGSREDEN 16 OPENING TALKS MUSIKPRAXIS 20 PRACTICAL MUSIC SKILLS MUSIK, MEDIEN, MARKETING 32 MUSIC, MEDIA, MARKETING MUSIKGESCHÄFT 42 MUSIC BUSINESS CLUB- UND FESTIVALKULTUR 58 CLUB AND FESTIVAL CULTURE KULTURWISSENSCHAFTLICHE PERSPEKTIVEN 64 PERSPECTIVES IN CULTURAL STUDIES KOOPERATIONSVERANSTALTUNG 68 COOPERATION EVENT NETZWERKEN 70 NETWORKING IMPRESSUM 74 IMPRINT Lieber Nachwuchs, Interview: Björn Böhning Chef der Senatskanzlei des Landes Berlin »Exhausting long hours. No wages.« (Erschöpfend lange Arbeitszeiten, keine Bezahlung.) So haben Head of the Senate Chancellery of the Federal State of Berlin wir im Frühjahr für dieses Coachingprogramm namens »Pop-Kultur Nachwuchs« plakatiert. Und ihr? Ihr habt euch trotzdem beworben, aus den unterschiedlichsten Bereichen der Musikbranche und aus Pop-Kultur: Das letzte Festival liegt ein Jahr zurück. Wie sehen Sie die popkulturellen Szenen der nicht weniger als 24 Ländern. 250 seid ihr nun. Stadt heute? Über 40 Expert_innen erwarten euch: Pop-Kultur-Acts, Festivalchefs, Radiomacher_innen, Urhe- Björn Böhning: Die Popkulturszene Berlins ist außergewöhnlich. Künstlerinnen und Künstler aus der berrechtsanwälte, Kulturberat_innen u.v.m. Sie haben erfolgreich ihren Weg in die Musikwirtschaft ganzen Welt kommen hierher, weil sie frei arbeiten können, ohne Konventionen, über Kulturen und gefunden und wollen die dabei gesammelten Erfahrungen an euch weitergeben. Wie stellt ihr euch Genres hinweg. Daraus entsteht eine Energie, die überall spürbar ist. Und ich freue mich, dass sich professionell auf? Wie überwindet ihr Schreibblockaden und Sinnkrisen? Wie fördert ihre eure Kreati- einige der jungen, damals noch weniger bekannten Talente aus dem letzten Jahr einen Namen in der vität? Damit es eben nicht bei Überstunden und Magerlöhnen bleibt! internationalen Szene gemacht haben. -
Weeksville Lost Jazz Shrines
1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. -
Extreme Voice 20
ASTRADYNE release Vienna as the second single but managed to E x m t u WARREN: The ticking sound at the beginning is from get talked out of it somehow (never again!) so this r e b l m a the CR-78 (it was called Metal Beat). became our second single and our first music video. e a n Twenty years on: recording the Vienna album V n o e i i MIDGE: What an instrumental, it was fantastic! SLEEPWALK c e V Warren had this great big rack full of electronics WARREN: When we took the album tapes to Conny’s 2 e 0 h t 1979 wasn't the best of years for Ultravox. Upon their return from a second US tour things indeed looked which at the time was very high-tech (that was his studio to mix everything, we decided to mix : g U n grim; they’d been dropped by Island Records, had lost their lead-singer, and had no money to speak of. pacemaker, we called it his iron-lung), and which right Sleepwalk again purely for the sake of integration i l t d r r Surely things couldn't get worse... now is probably even more high-tech, I mean Fatboy with the sound we were achieving with the other a o v c o e Slim would cut off his left arm to have some of the tracks. There’s virtually no difference between the x R : : T WARREN: Soon a fresh set-back developed... Robin We were determined to keep the band alive, we’d stick stuff that was in there. -
Music & Memorabilia Auction May 2019
Saturday 18th May 2019 | 10:00 Music & Memorabilia Auction May 2019 Lot 19 Description Estimate 5 x Doo Wop / RnB / Pop 7" singles. The Temptations - Someday (Goldisc £15.00 - £25.00 3001). The Righteous Brothers - Along Came Jones (Verve VK-10479). The Jesters - Please Let Me Love You (Winley 221). Wayne Cochran - The Coo (Scottie 1303). Neil Sedaka - Ring A Rockin' (Guyden 2004) Lot 93 Description Estimate 10 x 1980s LPs to include Blondie (2) Parallel Lines, Eat To The Beat. £20.00 - £40.00 Ultravox (2) Vienna, Rage In Eden (with poster). The Pretenders - 2. Men At Work - Business As Usual. Spandau Ballet (2) Journeys To Glory, True. Lot 94 Description Estimate 5 x Rock n Roll 7" singles. Eddie Cochran (2) Three Steps To Heaven £15.00 - £25.00 (London American Recordings 45-HLG 9115), Sittin' On The Balcony (Liberty F55056). Jerry Lee Lewis - Teenage Letter (Sun 384). Larry Williams - Slow Down (Speciality 626). Larry Williams - Bony Moronie (Speciality 615) Lot 95 Description Estimate 10 x 1960s Mod / Soul 7" Singles to include Simon Scott With The LeRoys, £15.00 - £25.00 Bobby Lewis, Shirley Ellis, Bern Elliot & The Fenmen, Millie, Wilson Picket, Phil Upchurch Combo, The Rondels, Roy Head, Tommy James & The Shondells, Lot 96 Description Estimate 2 x Crass LPs - Yes Sir, I Will (Crass 121984-2). Bullshit Detector (Crass £20.00 - £40.00 421984/4) Lot 97 Description Estimate 3 x Mixed Punk LPs - Culture Shock - All The Time (Bluurg fish 23). £10.00 - £20.00 Conflict - Increase The Pressure (LP Mort 6). Tom Robinson Band - Power In The Darkness, with stencil (EMI) Lot 98 Description Estimate 3 x Sub Humanz LPs - The Day The Country Died (Bluurg XLP1). -
Shinedownthe Biggest Band You've Never Heard of Rocks the Coliseum
JJ GREY & MOFRO DAFOE IS VAN GOGH LOCAL THEATER things to do 264 in the area AT THE PAVILION BRILLIANT IN FILM PRODUCTIONS CALENDARS START ON PAGE 12 Feb. 28-Mar. 6, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE BIGGEST BAND YOU’VE NEVER SHINEDOWN HEARD OF ROCKS THE COLISEUM ALSO INSIDE: ADAM BAKER & THE HEARTACHE · CASTING CROWNS · FINDING NEVERLAND · JO KOY whatzup.com Just Announced MAY 14 JULY 12 JARED JAMES NICHOLS STATIC-X AND DEVILDRIVER GET Award-winning blues artist known for Wisconsin Death Trip 20th Anniversary energetic live shows and bombastic, Tour and Memorial Tribute to Wayne Static arena-sized rock 'n' roll NOTICED! Bands and venues: Send us your events to get free listings in our calendar! MARCH 2 MARCH 17 whatzup.com/submissions LOS LOBOS W/ JAMES AND THE DRIFTERS WHITEY MORGAN Three decades, thousands of A modern day outlaw channeling greats performances, two Grammys, and the Waylon and Merle but with attitude and global success of “La Bamba” grit all his own MARCH 23 APRIL 25 MEGA 80’S WITH CASUAL FRIDAY BONEY JAMES All your favorite hits from the 80’s and Grammy Award winning saxophonist 90’s, prizes for best dressed named one of the top Contemporary Jazz musicians by Billboard Buckethead MAY 1 Classic Deep Purple with Glenn Hughes MAY 2 Who’s Bad - Michael Jackson Tribute MAY 4 ZoSo - Led Zeppelin Tribute MAY 11 Tesla JUNE 3 Hozier: Wasteland, Baby! Tour JUNE 11 2 WHATZUP FEBRUARY 28-MARCH 6, 2019 Volume 23, Number 31 Inside This Week LIMITED-TIME OFFER Winter Therapy Detailing Package 5 Protect your vehicle against winter Spring Forward grime, and keep it looking great! 4Shinedown Festival FULL INTERIOR AND CERAMIC TOP COAT EXTERIOR DETAILING PAINT PROTECTION Keep your car looking and Offers approximately four feeling like new.