Music & Memorabilia Auction May 2019
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Affect, Embodiment, and Ethics in Narratives of Sexual Abuse
Affect, Embodiment, and Ethics in Narratives of Sexual Abuse Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lindsay A. Martin, M.A. Graduate Program in English The Ohio State University 2016 Dissertation Committee: James Phelan, Advisor Robyn Warhol, Co-Advisor Brian McHale Copyright by Lindsay A. Martin 2016 Abstract In the field of rhetorical narrative theory, the study of affect has been oft- acknowledged but remains undervalued. Even as affect studies has burgeoned in other fields, affect in narrative theory continues to be discussed either as a product of ethical judgments or as a purely physical response that scientific studies can measure. Affect, Embodiment, and Ethics in Narratives of Sexual Abuse expands the vocabulary for affect in narrative theory, in particular focusing on expanding our awareness of the varying potential relationships between ethical judgments and affective dynamics. Turning to narratives that represent sexual abuse and taboo violation in late-twentieth-century American literature—Vladimir Nabokov’s Lolita, Kathryn Harrison’s memoir The Kiss, and Alexander Chee’s Edinburgh—I demonstrate that affective dynamics have a variety of possible relationships with the negative ethical judgments encouraged against the abuser figures and/or taboo violators. Specifically, I argue that in order to attend to affect as it appears in narratives of sexual abuse, we must attend to “embodiment”: the character’s shifting experiences of how closely tied he or she feels mind and body to be. I call this experiential embodiment and chart it by examining representation of characters’ emotions, trauma, and bodily experience. -
Robin Trower Biography by Greg Prato
New Releases Discover Articles Recommendations My Profile Search bmit Que Robin Trower Biography by Greg Prato One of rock's prime guitarists, due to his uncanny ability to channel Jimi Hendrix's blues-psych, Fender Strat- fueled playing style. Read Full Biography Overview Biography Discography Songs Credits Related Share on Artist Biography by Greg Prato Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945 in Catford, England, Trower spent the early '60s playing guitar in various London-based outfits, the most successful being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break, however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades. While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work and eventually left for a solo career. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Wade Gordon James Nelson Concordia University May 1997
Never Mind The Authentic: You Wanted the Spectacle/ You've Got The Spectacle (And Nothing Else Matters?) Wade Gordon James Nelson A Thesis in The Department of Communication Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts ai Concordia University Montreal, Quebec, Canada May 1997 O Wade Nelson, 1997 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Weliington Ottawa ON KIA ON4 Ottawa ON KIA ON4 Canada Canada Your hie Votre réference Our file Notre reldrence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of ths thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fh, de reproduction sur papier ou sur fomat électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in thi s thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substantiai extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Never Mind The Authentic: You Wanted The Spectacle/ Y ou've Got The Spectacle (And Nothing Else Matters?) Wade Nelson This thesis examines criteria of valuation in regard to popular music. -
The Ursinus Weekly, April 3, 1975" (1975)
Ursinus College Digital Commons @ Ursinus College Ursinus Weekly Newspaper Newspapers 4-3-1975 The rsinU us Weekly, April 3, 1975 Cynthia Fitzgerald Ursinus College Judith James Ursinus College C. Joy Keene Ursinus College Ruth Von Kummer Ursinus College Marilyn Harsch Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/weekly Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Fitzgerald, Cynthia; James, Judith; Keene, C. Joy; Von Kummer, Ruth; Harsch, Marilyn; Searles, Robert A.; and Saraco, Joseph, "The Ursinus Weekly, April 3, 1975" (1975). Ursinus Weekly Newspaper. 34. https://digitalcommons.ursinus.edu/weekly/34 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus Weekly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Cynthia Fitzgerald, Judith James, C. Joy Keene, Ruth Von Kummer, Marilyn Harsch, Robert A. Searles, and Joseph Saraco This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/weekly/34 mhr lltrsinus m.erkly Volume LXXIV THURSDAY, APRIL 3, 1975 Someone Old -~~~f.'3~f:~·....... : ,~~ t';)~,,~~ CCC-Student ____ ""'0 0 ~ • w. "'" ~ .0 _ Someone New "0 t:T~~. ,.' ~ ,.~ ~ Success Seen 1;!urdumy, Casebeer, Gleason familiar names like these have been Come to Ursznus Land of A, w!;7;!'~I;dK~:!£ in th' S'howing up on the list of candi minds of all Ursinus freshmen, the dates accepted for admission to Ur · D h ~h Central Coo rdinating Committee is sinus in the fall of '75. -
Love & Wedding
651 LOVE & WEDDING THE O’NEILL PLANNING RODGERS BROTHERS – THE MUSIC & ROMANCE A DAY TO REMEMBER FOR YOUR WEDDING 35 songs, including: All at PIANO MUSIC FOR Book/CD Pack Once You Love Her • Do YOUR WEDDING DAY Cherry Lane Music I Love You Because You’re Book/CD Pack The difference between a Beautiful? • Hello, Young Minnesota brothers Tim & good wedding and a great Lovers • If I Loved You • Ryan O’Neill have made a wedding is the music. With Isn’t It Romantic? • My Funny name for themselves playing this informative book and Valentine • My Romance • together on two pianos. accompanying CD, you can People Will Say We’re in Love They’ve sold nearly a million copies of their 16 CDs, confidently select classical music for your wedding • We Kiss in a Shadow • With a Song in My Heart • performed for President Bush and provided music ceremony regardless of your musical background. Younger Than Springtime • and more. for the NBC, ESPN and HBO networks. This superb The book includes piano solo arrangements of each ______00313089 P/V/G...............................$16.99 songbook/CD pack features their original recordings piece, as well as great tips and tricks for planning the of 16 preludes, processionals, recessionals and music for your entire wedding day. The CD includes ROMANCE: ceremony and reception songs, plus intermediate to complete performances of each piece, so even if BOLEROS advanced piano solo arrangements for each. Includes: you’re not familiar with the titles, you can recognize FAVORITOS Air on the G String • Ave Maria • Canon in D • Jesu, your favorites with just one listen! The book is 48 songs in Spanish, Joy of Man’s Desiring • Ode to Joy • The Way You divided into selections for preludes, processionals, including: Adoro • Always Look Tonight • The Wedding Song • and more, with interludes, recessionals and postludes, and contains in My Heart • Bésame bios and photos of the O’Neill Brothers. -
The Dramatis Personae in Disney's Beauty and The
THE DRAMATIS PERSONAE IN DISNEY’S BEAUTY AND THE BEAST FAIRY TALE BASED ON VLADIMIR PROPP’S THEORY A Thesis In Partial Fulfilment of the Requirements For The Sarjana Degree Majoring American Cultural Studies in English Department Faculty of Humanities Diponegoro University Submitted by: MARWA WULANSARI NIM: 13020114120004 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2018 PRONOUNCEMENT The writer honestly confirms that she compiles the thesis by herself and without taking any results form other researchers in S-1, S-2, S-3 and in diploma degree of any university. The writer ascertains also that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, 30 May 2018 Marwa Wulansari MOTTO AND DEDICATION Whatever you love most in life is your Master as simple as that. Yasmin Mogahed This paper is dedicated to my beloved family, everyone who helped me accompanished this paper and the readers who are interested in children literature especially fairy tales. APPROVAL THE DRAMATIS PERSONAE IN DISNEY’S BEAUTY AND THE BEAST FAIRY TALE BASED ON VLADIMIR PROPP’S THEORY Written by Marwa Wulansari NIM: 13020114120004 Is approved by the thesis advisor On 30 May 2018 Thesis Advisor Retno Wulandari, S.S., MA NIP. 197505252005012002 The Head of the English Department Dr. Agus Subiyanto, M.A NIP. 196408141990011001 VALIDATION Approved by Strata 1 Thesis Examination Committee Faculty of Humanities Diponegoro University On 25 June 2018 Chair Person First Member Arido Laksono, S.S, M.Hum Rifka Pratama, S. Hum., M.A NIP. 197507111999031002 NIP. 199004280115111092 Second Member Third Member Prof. -
Collection 1" De Christophe
Collection "Collection 1" de christophe Artiste Titre Format Ref Pays de pressage 10cc The Original Soundtrack LP mip19305 Canada 10cc How Dare You! LP mip 19316 Canada 10cc Deceptive Bends LP 6310502 Pays-Bas 38 Special Tour De Force LP AMlh64971 Pays-Bas 38 Special Strength Numbers LP Inconnu 38 Special Special Forces LP amlh64888 Inconnu Ac Dc For Those About To Rock Maxi 45T atl k 20 276 Allemagne Ac/dc Tnt LP aplpa 016 Australie Ac/dc Rock Or Bust LP Inconnu Ac/dc Powerage LP atl 50 483 Allemagne Ac/dc Let There Be Rock LP atl 50 366 France Ac/dc If You Want Blood You've Got I...LP atl 50 532 Allemagne Ac/dc Highway To Hell LP 50 628 France Ac/dc Highway To Hell LP atl 50 628 Allemagne Ac/dc High Voltage LP atl 50 237 Allemagne Ac/dc For Those About To Rock We Sal...LP atl k 50 851 Allemagne Ac/dc Fly On The Wall LP Inconnu Ac/dc Flick Of The Switch LP Inconnu Ac/dc Dirty Deeds Done Dirt Cheap LP 50323 France Ac/dc Black Ice LP 88697 38377 1 EU Ac/dc Back In Black LP 5107651 EU Ac/dc ...and There Was Guitar LP Inconnu Ac/dc '74 Jailbreak LP 80178 1 Y Etats Unis Amerique Accept Staying A Life LP nl 74720 Allemagne Ace Frehley Frehley's Comet LP 81749 Etats Unis Amerique Adderlay Cannonball Nancy Wilson/cannonball Adderl...LP Inconnu Adderlay Cannonball At San Francisco LP Inconnu Adderly Julian Cannonball 1955 LP Inconnu Aerosmith Toys In The Attic LP cbs 80773 Pays-Bas Aerosmith Rocks LP pc 34165 Etats Unis Amerique Aerosmith Music From Another Dimension 2LP Inconnu Aerosmith Live! Bootleg 2LP Inconnu Aerosmith Get Your Wings LP 466732 1 Pays-Bas Aerosmith Draw The Line LP 82145 Pays-Bas Aerosmith Aerosmith LP 32203 Pays-Bas Airbourne Runnin' Wild LP rrcar7963 1 Allemagne Al Jarreau Al Jarreau - 1965 - Disc'az - .. -
Marillion Liversilkrain Flag Thing City Secret Two Warthirty Love Jester in Words Tell Perrier
re less lust sizeiv rot reply say dell w riskpr sat cat lullabyyeah shop four fugi angiehalo mare hero pub ear hit gifts lead chinasold dim story mile die ready hull cry re hey harp cow funny curl yet hit pills arise kiss box meltprice st fold pity everdad hey solo rollers sulk taxi girl story bid hedges wolf rebel lacerites fogs dog lyonwalliii lotrelics tin seeps flag cow script heavy lizard laylight chill barbed preach get linen cell supper iv ride pluck frozen star coveryet jerk tie shut bad palm gambled airport street shores can cowdjgap slug debs vu unity oiltv capri flush punchooze ruin bolts legs eggslace sealwhite dizzy bathe second fine alibi panestale holy last pr page curb piece ruled let cut aimlessly till lost dare pay rags icy beg hear non taylordillyego room roll dog slip realdr seine tube cost bad chat die thrillsat key hook fade sakefeelfinlay lash aligned knees slow sin mhath tomb bullet don halo pouring solo eternal stark adolescence seine disco standice child fame fire razor alone sow icicle caressaltar gave ring panel nakedscuttlingcoin button bags nest breach kiss bestfar trafficmice killer'sright dole shift scarletstate box safe move stairs universal best ask circle grey corksshout returnbrown court sortfeed alley edgy flirt lizard couplesmere round nextcrews london tape alive canal grisly foe bagels savior halo bad scent beach pause taxi brow hoe power hot key size curb fizzing dozen local think read mum punch foe rootin' paris tasks creedlessseduce shop legs hope seeps coin thirty vest sorry widewest'cos bulletgifts -
Steve Hillage – Live at Rockpalast 1977
Steve Hillage – Live At Rockpalast 1977 (74:41 + DVD,MiG Music, 1977/2020) Dieses Konzert ist bereits mehrfach in verschiedenen Aufmachungen und Klangqualitäten bei mehreren Labels erschienen. Zuletzt hatte 2014 Repertoire Records den Rockpalast- Doppelpack aus CD und DVD aufgelegt. Auch die hier vorgestellte Ausgabe beinhaltet auf CD aus Platzgründen nicht den kompletten Auftritt, wiederum wurden ‚Aftaglid ‚ und ‚Electrick Gypsies‘ weggelassen. Auf der DVD ist dafür alles vollständig dokumentiert, was am 20.März 1977 in der Aula der Otto-Hahn-Schule in Bensberg auf der Bühne geschah. Kleiner Schönheitsfehler: auf dem Back-Cover wurde aus dem ‚Salmon Song‘ der ‚Salomon Song‘, während ‚Aftaglid‘ sich ‚Afterglid‘ nennt. Komischerweise ist im Booklet aber alles korrekt geschrieben. Doch geht es an dieser Stelle vor allem um den musikalischen Gehalt und der ist absolut erstklassig. Denn zu hören ist ausschließlich Material aus den ersten beiden und definitiv besten Soloalben von Steve Hillage, „Fish Rising“ (1975) und ‚L“ (1976), ergänzt um die Zugabe ‚Not Fade Away (Glid Forever)‘, die zeitlich erst später, nämlich auf „Motivation Radio“ erschien. Ebenfalls interessant die Besetzung, vor allem deswegen, da es sich dabei im Gegensatz zu den Studioaufnahmen um ein nahezu komplett verändertes Line-up handelt. Dieses besteht neben Steve Hillage (Gitarre, Gesang) und seiner langjährigen BegleitungMiquette Giraudy (Keyboards, Gesang), noch aus Jethro-Tull-Gründungsmitglied / Schlagzeuger Clive Bunker, dem späteren Camel-Bassisten Colin Bass, sowie Phil Hodge (Keyboards), Christian Boulé (Gitarre) und Basil Brook (Synthesizer, Flöte). Besonders das dreifache Tastenarsenal sorgt für perfektes Gezirpe und Gefiepe als instrumentaler Unterbau für die flirrenden, schwebenden Gitarrenlinien und prägnanten Keyboardsoli (u.a. am Moog und Fender Rhodes). -
English Subtitles & Other Tasks: Ronan O’Neill
1 2 3 A Documentary by FERNANDO OTERO & XANDRU FERNANDEZ MORE THAN A BARBERSHOP Starring Dave Judge Blair Packham Johnny Stewart Peter Meade 18 minutes Camera: Shot on Full HD 16:9 at 25 frames per second 1844 Times Projects Dublin – Ireland Xandru Fernández Fernando Otero www.visualizo.com/1884TimesProjects E-mail: [email protected] Twitter: @1844Times Facebook: www.facebook.com/1844TimesProjects 4 MORE THAN A BARBERSHOP Logline How a passion for music turned a local old-school barbershop into an icon of the Irish music scene. Synopsis Abner Browns seems to be just one old-style barbershop which is embedded into the Southern Dublin neighborhood of Rathmines amongst pubs and local shops; but in there, his owner decided to mix his way of living with another of his passions in life, music. That is something that you can quickly spot, as the place has an exceptional decoration on its walls between scissors, lotions and cut-throat razors. The idea of featuring concerts in a barbershop would be crazy, but in here it becomes real, open to everyone, friendly and with no alteration in the local community’s balance of coexistence, but even improving it with the inimitable and spontaneous atmosphere that is generated only for a few hours in this improvised venue. This has become one of the main and most interesting venues in Ireland, and it is the place where every band in town wants to perform. Since the first time the Canadian singer-song writer Blair Packham played here, hundreds of acts have already performed, such as Gavin Glass, Ash, Duke Special, David Geraghty (of Bell X1 fame), Molly Sterling, Mundy, The Hot Sprockets and many more.