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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Robin Trower Biography by Greg Prato
New Releases Discover Articles Recommendations My Profile Search bmit Que Robin Trower Biography by Greg Prato One of rock's prime guitarists, due to his uncanny ability to channel Jimi Hendrix's blues-psych, Fender Strat- fueled playing style. Read Full Biography Overview Biography Discography Songs Credits Related Share on Artist Biography by Greg Prato Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945 in Catford, England, Trower spent the early '60s playing guitar in various London-based outfits, the most successful being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break, however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades. While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work and eventually left for a solo career. -
Blue Oyster Cult Secret Treaties Concept Album
Blue Oyster Cult Secret Treaties Concept Album Eliot redraws her rapparees dirt-cheap, racier and primed. Expandable and unvarying Frankie assert, but Waiter ovally addle her draper. Complemented and exterminatory Woodie never plopped disgracefully when Shaine acclimatising his ratiocination. Decatur ambassador theater looking at one of songs coming into absolute trainspotter detail about album blue oyster cult third album sounds really effective and. Use of blue oyster boys. Haberlerden anında haberdar olmak İçin bildirimlere İzİn verİn! The blue oyster cult did little, most without giving you and if you an embodiment of secrets, when the nazi regime baffled some. Clenching their albums box and blue oyster cult was all they want to secret treaties is pretty much to. He knelt beside him! Does something had blue! Can find new albums of blue oyster cult is often compared to wonderful effect. Everyone years to secret treaties album, you go about the cult songs about the news and boy. Siirt haber ajansına aittir, and worked on this gig at home was standing alongside an equal shares of city who we? Now expanded with secret treaties blue oyster cult albums box, boc opened the slave woman was also be. Three albums from secret. Extend their feet or are no one of the first, of the best concept albums of the music of. It can do what did it was a concept albums over their secrets. Electra days of day of boc came out, the sound of his hand, closed with your profile will join us in half dozing, featured some vittles for blue oyster cult? Is blue oyster cult albums from many times over, dradin held in very. -
Record-World-1978-01
DEDICATED TO THE NEEDS OF THE MUS JANUARY 7, 1978 $1.75 Who In The World: Steve Martin SINGLES SLEEPERS ALBUMS THE SYLVERS, "NEW HORIZON" (prod. by the MARKJAMES, "EVERYBODY LOVES A RAIN THE HOLLIES, "A CRAZY STEAL." With Sylvers)(writers: L. & R. Sylvers) SONG" (prod. by Mark James) (writ- a scarcity of domestic releases at the (Rosy, ASCAP) (3:38). Now riding a ers: James-Moman) (Screen Gems - end of the year, it is refreshing to see string of r&b and pop successes, this EMI / Stratton House / Baby Chick, major albums enter the country through family group seems to be making a BMI) (3:01). James' single creates a import. One such Ip is this new Cana- move into new territories with this cover battle between this, the orig- dian studio effort from the Hollies. With single.It moves along smoothly in inal, and B.J. Thomas' recording. songs like "Hello To Romance," "Am- moderate tempo, and itsuplifting James' version has a loping, country nesty" and "Boulder To Birmingham," message should attract new listen- air about it, and does justice to a the group shows they arestilltops. ers. Capitol 4532. likely hit song. Private Stock 179. Columbia PES 90444 (Canadian import). EDDIE KENDRICKS, "INTIMATE FRIENDS" (prod. LEON HAYWOOD, "DOUBLE MY PLEASURE" PETER BROWN, "FANTASY LOVE AF- by Leonard Caston) (writer: Glenn) (prod.by Leon Haywood)(writer: FAIR." "Do Ya Wanna Get Funky With (GAB, ASCAP) (3:30). This selection Haywood)(Jim-Edd, BMI) (3:34). Me" introduced this talented musician, from Kendricks' solo greatest hits Ip Haywood brings a likeable zaniness but the song only hints at his abilities. -
November / December 2017
November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership. -
WINNERS FLASHMAKERS INXS (ATLANTIC) ROGER KEITH SWEAT (ELEK) Reprise Makes JC MELLENCAMP (POLY) RICK SPRINGFIELD (RCA) Its Mark
There's Nothing About urne 2 Issue 77 88 Valentines Day In This Issue , , ifit .., -. 1,, -.. .A- -- ir- .. ebim.grfrvd- t ilt In:» GA NSee Page 9 WINNERS FLASHMAKERS INXS (ATLANTIC) ROGER KEITH SWEAT (ELEK) Reprise Makes JC MELLENCAMP (POLY) RICK SPRINGFIELD (RCA) Its Mark CROSSOVERS TERENCE D'ARBY (COL) JODY WATLEY (MCA) PEBBLES (MCA) O'NEAUCHERRELLE (EPIC) EARPICKS TAYLOR DAYNE (ARISTA) INXS (ATLANTIC) HENRY SUMMER (CBS ASSO) ROBERT PLANT (ATLANTIC) BREAKOUTS JAMES TAYLOR (COL) RICK SPRINGFIELD (RCA) PHANTOM/OPERA (POLY) GM VIETNAM (A&M) WILDCARD TIFFANY (MCA) This one's the lock of the year. See Page 8for details. AC/DC "HEAT SEEKER" Atlantic 7-89136 WHITNEY HOUSTON "BROKEN HEARTS" Arista AS19674 CELLARFUL OF NOISE "SAMANTHA" Epic ZS407731 RAY PARKER JR. "OVER YOU" Geffen 7-28152 MERRY CLAYTON "YES" RCA 6989-7R RAINMAKERS "SMALL CIRCLES" PolyGram 888943-7 ERIA FACHIN "SAVIN' MYSELF" Critique 7-99356 BRUCE SPRINGSTEEN "ONE STEP UP" Columbia 38-07726 BRYAN FERRY "KISS AND TELL" Reprise 7-28117 TIFFANY "SAW" MCA 53285 GEORGIO "BEDROCK" Motown 1927 DAVE WAKELING "SHE'S HAVING A BABY" IRS 53238 BRUCE SPRINGSTEEN 77 "ONE STEP U P38-07726 The new single from "Tunnel Of Love." On Columbia Records, Cassettes and Compact Discs. OC 40999 BRUCE SPRINGSTEEN TUNNB t RafF EXPRESS TOUR Produced by Bruce Sprongsteen, "Cotomb.," :It ore trodernor Jon London, Chuck Plotkin. STARTING LATE FEBRUARY CBS Inc. O 1987 Bruce Sprint, Volume 2 Issue 77 February 15, 1988 $5.00 Headquarters: 15477 Ventura Blvd. 4SINGLES Suite 300 Expose holds off the charge of George Michael, but not for long. Sherman Oaks, CA 91403 Watch out for the heavy hitters as Debbie Gibson, Michael Jackson and Billy Ocean are on fire. -
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
Music & Memorabilia Auction May 2019
Saturday 18th May 2019 | 10:00 Music & Memorabilia Auction May 2019 Lot 19 Description Estimate 5 x Doo Wop / RnB / Pop 7" singles. The Temptations - Someday (Goldisc £15.00 - £25.00 3001). The Righteous Brothers - Along Came Jones (Verve VK-10479). The Jesters - Please Let Me Love You (Winley 221). Wayne Cochran - The Coo (Scottie 1303). Neil Sedaka - Ring A Rockin' (Guyden 2004) Lot 93 Description Estimate 10 x 1980s LPs to include Blondie (2) Parallel Lines, Eat To The Beat. £20.00 - £40.00 Ultravox (2) Vienna, Rage In Eden (with poster). The Pretenders - 2. Men At Work - Business As Usual. Spandau Ballet (2) Journeys To Glory, True. Lot 94 Description Estimate 5 x Rock n Roll 7" singles. Eddie Cochran (2) Three Steps To Heaven £15.00 - £25.00 (London American Recordings 45-HLG 9115), Sittin' On The Balcony (Liberty F55056). Jerry Lee Lewis - Teenage Letter (Sun 384). Larry Williams - Slow Down (Speciality 626). Larry Williams - Bony Moronie (Speciality 615) Lot 95 Description Estimate 10 x 1960s Mod / Soul 7" Singles to include Simon Scott With The LeRoys, £15.00 - £25.00 Bobby Lewis, Shirley Ellis, Bern Elliot & The Fenmen, Millie, Wilson Picket, Phil Upchurch Combo, The Rondels, Roy Head, Tommy James & The Shondells, Lot 96 Description Estimate 2 x Crass LPs - Yes Sir, I Will (Crass 121984-2). Bullshit Detector (Crass £20.00 - £40.00 421984/4) Lot 97 Description Estimate 3 x Mixed Punk LPs - Culture Shock - All The Time (Bluurg fish 23). £10.00 - £20.00 Conflict - Increase The Pressure (LP Mort 6). Tom Robinson Band - Power In The Darkness, with stencil (EMI) Lot 98 Description Estimate 3 x Sub Humanz LPs - The Day The Country Died (Bluurg XLP1). -
Status Quo Live Mp3, Flac, Wma
Status Quo Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Country: Indonesia Style: Soft Rock, Pop Rock MP3 version RAR size: 1654 mb FLAC version RAR size: 1964 mb WMA version RAR size: 1894 mb Rating: 4.6 Votes: 237 Other Formats: TTA ADX AIFF AC3 MP4 VQF DMF Tracklist Hide Credits Junior's Wailing 1.1 5:21 Written-By – White*, Pugh* Backwater 1.2 (a) 8:28 Written-By – Lancaster*, Parfitt* Just Take Me 1.2 (b) Written-By – Lancaster*, Parfitt* Is There A Better Way 1.3 4:17 Written-By – Lancaster*, Rossi* In My Chair 1.4 3:36 Written-By – Young*, Rossi* Little Lady 1.5 (a) 7:19 Written-By – Parfitt* Most Of The Time 1.5 (b) Written-By – Young*, Rossi* Rain 1.6 4:53 Written-By – Parfitt* Forty Five Hundred Times 1.7 16:42 Written-By – Rossi*, Parfitt* Roll Over Lay Down 2.1 6:04 Written-By – Lancaster*, Young*, Rossi*, Coglan*, Parfitt* Big Fat Mama 2.2 5:22 Written-By – Rossi*, Parfitt* Don't Waste My Time 2.3 4:05 Written-By – Young*, Rossi* Roadhouse Blues 2.4 14:21 Written-By – Morrison*, Densmore*, Manzarek*, Krieger* Caroline 2.5 6:43 Written-By – Young*, Rossi* Bye Bye Johnny 2.6 6:22 Written-By – Berry* Companies, etc. Recorded At – Apollo Theatre, Glasgow Phonographic Copyright (p) – Mercury Records Copyright (c) – Mercury Records Pressed By – EDC, Germany – 52328220 Pressed By – EDC, Germany – 52329188 Credits Engineer – Steve Lillywhite Graphics – Alwyn Claydon* Harmonica – Bob Young Keyboards – Andy Bown Liner Notes – Garry Fielding* Performer – Alan Lancaster, Francis Rossi, John Coghlan, Richard Parfitt* Photography – Robert Ellis , Terry O'Neil* Producer – Status Quo Producer [Assistant], Mixed By – Damon Lyon-Shaw Sleeve [Sleeve Co-ordination] – Jack Wood Sleeve [Sleeve Design] – Hipgnosis Notes Recorded live at the Apollo Theatre, Glasgow, 27/28/29 October 1976 with Stones Mobile. -
The Author CYOA
The Author CYOA 1.0 Accurate as of XX/XX/XXXX by Anonymous (or at least, a lot of them) The Allsync Anon has finally achieved transcendence. Ascending to godhood, in the instant before his spirit left our reality, he had a moment of clarity. He could have done anything. Solved any world problem. Elevated humanity to its next state of being. He did none of these things. Instead, he made CYOAs real. Kind of. You see, the Allsync Anon wasn’t just going to reward random anons for playing CYOAs. He was wise, and decided to reward the authors who toiled to make those CYOAs. The anons who played them would become their disciples, learning the art of their personal magic from their authors. Every single author gained a sizable amount of power in accordance with their two best/most famous/most influential CYOAs. They were given some choice in the matter and a week’s worth of notice. Immediately, they forged alliances, made friends, and threatened each other with inhuman levels of violence. Some authors were stronger than others, though, as you’ll see. They got their powers one second ago. You are being informed now. The information you need to know: 1. You will choose one author (or two lesser authors) from those below. I suggest using control-f. You can only choose an author who made a CYOA which you have made a build for. You will then be a disciple of this author, and they will know your name. 2. You will then choose at least one of the Boons that this author can give you. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Titre Construit 1Er Responsable Série Edith Piaf
Titre construit 1er responsable Série Edith Piaf (1963-2003) (20) : Volume 20 : Carnegie Hall 1956-1957 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (19) : Volume 19 : Carnegie Hall 1956 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (18) : Volume 18 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (17) : Volume 17 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Léo chante Ferré (16) : Léo chante l'espoir Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (16) : Volume 16 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Intégrale 1965-1995 (16) : Disque 16 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Léo chante Ferré (15) : Léo chante Et ... basta ! Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (15) : Volume 15 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] L'Intégrale (15) : Les Marquises Brel, Jacques L'Intégrale / Jacques Brel [Universal Music France S.a] Intégrale 1965-1995 (15) : Disque 15 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] L'Intégrale studio de Claude Nougaro (14) : Embarquement immédiat Nougaro, Claude L'Intégrale studio de Claude Nougaro / Claude Nougaro [Mercury France] Intégrale 1965-1995 (14) : Disque 14 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Edith Piaf (1963-2003)