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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Blue Oyster Cult Secret Treaties Concept Album
Blue Oyster Cult Secret Treaties Concept Album Eliot redraws her rapparees dirt-cheap, racier and primed. Expandable and unvarying Frankie assert, but Waiter ovally addle her draper. Complemented and exterminatory Woodie never plopped disgracefully when Shaine acclimatising his ratiocination. Decatur ambassador theater looking at one of songs coming into absolute trainspotter detail about album blue oyster cult third album sounds really effective and. Use of blue oyster boys. Haberlerden anında haberdar olmak İçin bildirimlere İzİn verİn! The blue oyster cult did little, most without giving you and if you an embodiment of secrets, when the nazi regime baffled some. Clenching their albums box and blue oyster cult was all they want to secret treaties is pretty much to. He knelt beside him! Does something had blue! Can find new albums of blue oyster cult is often compared to wonderful effect. Everyone years to secret treaties album, you go about the cult songs about the news and boy. Siirt haber ajansına aittir, and worked on this gig at home was standing alongside an equal shares of city who we? Now expanded with secret treaties blue oyster cult albums box, boc opened the slave woman was also be. Three albums from secret. Extend their feet or are no one of the first, of the best concept albums of the music of. It can do what did it was a concept albums over their secrets. Electra days of day of boc came out, the sound of his hand, closed with your profile will join us in half dozing, featured some vittles for blue oyster cult? Is blue oyster cult albums from many times over, dradin held in very. -
Collection 1" De Christophe
Collection "Collection 1" de christophe Artiste Titre Format Ref Pays de pressage 10cc The Original Soundtrack LP mip19305 Canada 10cc How Dare You! LP mip 19316 Canada 10cc Deceptive Bends LP 6310502 Pays-Bas 38 Special Tour De Force LP AMlh64971 Pays-Bas 38 Special Strength Numbers LP Inconnu 38 Special Special Forces LP amlh64888 Inconnu Ac Dc For Those About To Rock Maxi 45T atl k 20 276 Allemagne Ac/dc Tnt LP aplpa 016 Australie Ac/dc Rock Or Bust LP Inconnu Ac/dc Powerage LP atl 50 483 Allemagne Ac/dc Let There Be Rock LP atl 50 366 France Ac/dc If You Want Blood You've Got I...LP atl 50 532 Allemagne Ac/dc Highway To Hell LP 50 628 France Ac/dc Highway To Hell LP atl 50 628 Allemagne Ac/dc High Voltage LP atl 50 237 Allemagne Ac/dc For Those About To Rock We Sal...LP atl k 50 851 Allemagne Ac/dc Fly On The Wall LP Inconnu Ac/dc Flick Of The Switch LP Inconnu Ac/dc Dirty Deeds Done Dirt Cheap LP 50323 France Ac/dc Black Ice LP 88697 38377 1 EU Ac/dc Back In Black LP 5107651 EU Ac/dc ...and There Was Guitar LP Inconnu Ac/dc '74 Jailbreak LP 80178 1 Y Etats Unis Amerique Accept Staying A Life LP nl 74720 Allemagne Ace Frehley Frehley's Comet LP 81749 Etats Unis Amerique Adderlay Cannonball Nancy Wilson/cannonball Adderl...LP Inconnu Adderlay Cannonball At San Francisco LP Inconnu Adderly Julian Cannonball 1955 LP Inconnu Aerosmith Toys In The Attic LP cbs 80773 Pays-Bas Aerosmith Rocks LP pc 34165 Etats Unis Amerique Aerosmith Music From Another Dimension 2LP Inconnu Aerosmith Live! Bootleg 2LP Inconnu Aerosmith Get Your Wings LP 466732 1 Pays-Bas Aerosmith Draw The Line LP 82145 Pays-Bas Aerosmith Aerosmith LP 32203 Pays-Bas Airbourne Runnin' Wild LP rrcar7963 1 Allemagne Al Jarreau Al Jarreau - 1965 - Disc'az - .. -
"Buck Dharma" Roeser
Donald Brian "Buck Dharma" Roeser An American guitarist and songwriter, best known for being a member of Blue Öyster Cult since the group's formation in 1967. He wrote and sang the lead vocal on many of the band's best- known hits, including "(Don't Fear) The Reaper", "Godzilla", and "Burnin' for You" (the last originally intended for Roeser's solo album). Roeser was born on Long Island, New York. His father was an accomplished jazz saxophonist, and Roeser spent a lot of time listening to jazz music as a result. Because of this, Roeser developed an interest in the melodic arts at a very early age. He even played the accordion for a brief period of time.[1] Roeser was influenced greatly by the British Invasion of 1964, and he decided to pursue rock n' roll music. He first started out playing the drums, but had to stop temporarily after breaking his wrist while playing basketball. While recovering, Roeser learned to play guitar, and found that he enjoyed it more than the drums. During his high school years, Roeser played guitar in various cover bands. At this time, he started to develop his own signature sound by imitating his favorite guitarists and combining their sounds with his own style. Roeser attended Clarkson College in New York, and joined a band that included later bandmate Albert Bouchard. The two played together on and off during the rest of their college career. At the end, both musicians abandoned potential degrees (Roeser's in Chemical Engineering), and decided to pursue music full-time. -
1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
SEPTEMBER 1987 I'm Happy to Announce the Availability of Mod- Poll
VOLUME 11, NUMBER 9, ISSUE 95 Features Columns Cover Photo by Leslie Burke EDUCATION JAZZ DRUMMERS' WORKSHOP Burke The Ride Cymbal by Peter Erskine 66 Leslie SHOW DRUMMERS' SEMINAR by Subbing A Broadway Show by Larry Spivack 68 Photo TEACHERS' FORUM Child Drummers by Brooke Sheffield Comer 70 DRUM SOLOIST Roy Haynes: "Snap Crackle" by Karl Sterling 80 ROCK PERSPECTIVES Recreating Beats by Kenny Aronoff 82 THE MACHINE SHOP Heavy Rock From Light Plastic by Clive Brooks 84 ROCK 'N' JAZZ CLINIC Styles are Related: Part 2 by Rod Morgenstein 92 TAKING CARE OF BUSINESS Consumer Rights And Options by Clifford J. Sherry, Ph.D. 94 CONCEPTS Showmanship Features by Roy Burns 110 RICK MAROTTA EQUIPMENT He didn't start playing drums until he was 19, but within a few SETUP UPDATE months, Rick Marotta was being asked to do sessions in New Marc Droubay and Mike Clark 108 York. He talks about his work with such artists as Steely Dan, PRODUCT CLOSE-UP Jackson Browne, and Larry Carlton, and explains what is Joe Montineri Custom Snare Drums behind his personal style. by Bob Saydlowski, Jr. 112 by Robyn Flans 16 ELECTRONIC REVIEW Headset Microphones GARY BURKE by Rick Van Horn 114 JUST DRUMS 122 Currently working with Joe Jackson, Gary Burke's credits also include such diverse artists as Bob Dylan and Steve Reich. He discusses his training and experiences, and gives examples of the charts he had to play for Jackson's Will Power album. PROFILES by Jeff Potter 22 UP AND COMING The Smithereens' Dennis Diken by Brooke Sheffield Comer 36 STEVE WHITE PORTRAITS After studying with no less than Bill Bruford, Steve White was Ralph Pace invited to join The Style Council at the age of 17. -
October 1988
Cover Photo by Lynn Goldsmith FEATURES 18 JON FARRISS As the drummer for the popular Australian group INXS, Jon Farriss is more concerned with groove than flash, and he is a master at using electronics to enhance his sound. by Teri Saccone CHARLIE 24 MORGAN Well-known in the London studios for many years, Charlie Morgan became visible to the public as a result of his recording and live work with Elton John. He discusses the demands of the studio and recalls memorable sessions. by Simon Goodwin Photo by Jaeger Smith Kotos ALBERT 28 BOUCHARD His drumming with Blue Oyster Cult helped define the heavy metal style, but these days, Albert Bouchard is as likely to be writing or producing as he is to be playing drums. Here, he traces his career and offers numerous tips about hard rock drumming. by Deborah Frost 32 INSIDE UFIP Since 1929, a small group of craftsmen have been producing cymbals in a small town in Italy. We visit the factory for a look at the U.F.I.P. manufacturing process and to learn the history of Italian cymbal making. by Jon Mclnnes Photo by Michael P. McLaughlin COLUMNS VOLUME 12, NUMBER 10 EDUCATION TEACHERS' JAZZ DRUMMERS' EQUIPMENT FORUM WORKSHOP Books And Lessons: Samba Variations ELECTRONIC NEWS "Do I Really Need by Peter Erskine REVIEW Them?" 74 The Alesis HR-16 UPDATE by Daniel J. Lauby Drum Machine 8 38 ROCK CHARTS by lim Fiore Alan White: "Rhythm 56 INDUSTRY of Love" HAPPENINGS THE JOBBING 104 DRUMMER by James Morton PRODUCT Making People Dance 80 CLOSE-UP by Simon Goodwin Piccolo Snare Drums 40 ELECTRONIC by Bob Saydlowski, Jr. -
Blue Öyster Cult
Blue Öyster Cult “Andrew Winters” redirects here. It is not to be confused band recorded an album’s worth of material for Elektra with Andrew Winter. Records in 1968. When Braunstein departed in early 1969, Elektra shelved the album. Blue Öyster Cult (often abbreviated BÖC) is an Amer- Eric Bloom (formerly the band’s acoustic engineer) re- ican rock band from Long Island, New York, whose placed Braunstein, and the band continued to perform as most successful work includes the hard rock and heavy Soft White Underbelly. However, a bad review of a 1969 metal songs "(Don't Fear) The Reaper", "Godzilla" and Fillmore East show caused Pearlman to change the name "Burnin' for You". Since the release of their eponymous of the band – first to Oaxaca, then to the Stalk-Forrest debut album in 1972, the band has sold over 24 million al- Group. The band recorded yet another album’s worth of bums worldwide, including 7 million in the United States material for Elektra, but only one single (“What Is Quick- alone. The band’s music videos, especially “Burnin' for sand?" b/w “Arthur Comics”) was released (and only in a You”, received heavy rotation on MTV when the mu- promo edition of 300 copies) on Elektra Records. (This sic television network premiered in 1981, cementing the album was eventually released, with additional outtakes, band’s contribution to the development and success of the by Rhino Handmade Records as St. Cecilia: The Elektra music video in modern pop culture. Recordings in 2001). After a few more temporary band Blue Öyster Cult’s longest lasting and most commer- names, including the Santos Sisters, the band settled on cially successful lineup included Donald “Buck Dharma” Blue Öyster Cult in 1971. -
LYRIC SHEET and Liner Notes (Pdf)
Lyrics and notes for BipTunia's 16th album, Reviews of Events that Haven't Happened Run Time: 59 minutes Release Date: April 4, 2019 TRACK LISTING: 1. Dodecatonal Music 2. Bytes and Peaces 3. Speaking of Blue Öyster Cult... 4. Coastal Mainer Decatonal Surf Rock 5. Test Bench Blues on the Night Shift at the Sheep Factory 6. Those Rats at City Hall 7. Reviews of Events that Haven't Happened 8. Arpalicious Reflection While on Hold (Concerto for Moog and Cor Anglais) 9. 12-Part Chorale for Human and Mouse CREDITS: Michael W. Dean: All music, some voice, some words. Phil Wormuth: Words, voice, field recordings for MWD to sample. The microtonal songs on this record are: "Speaking of Blue Öyster Cult..." (25ed16 + 6.25 edo + AnaMark Dirty Pitch.) " Coastal Mainer Gamelan Surf Rock " (Smithgw Gamelion) This music covered by the BipCot NoGov license, v1.2 This allows use and re-use by anyone except governments and government agents. Please see license for remix info and publishing info. Dodecatonal Music Michael W. Dean: Music, lyrical concept. Phil Wormuth: Words, voice. LYRICS: Dodecatonal Music. Stock. Mob. Transformation raisin. Neuro-development. Efficacy. NOTES: "DODECATONAL MUSIC" is the term Michael W. Dean coined to mean "12-tone equal temperament music, as opposed to microtonal music." (Full specification is here.) This song is Dodecatonal Music, and includes the pronunciation. Kinda rolls off the tongue. Bytes and Peaces Michael W. Dean: Music. Phil Wormuth: Words and voice. LYRICS: Bytes and Peaces Sal and Shirley both ordered sherry; Sherry only ordered a Shirley Temple and unexpectedly became merry. -
Humanizing the Cold War Campus: the Battle for Hearts and Minds at MIT, 1945-1965
Humanizing the Cold War Campus: The Battle for Hearts and Minds at MIT, 1945-1965 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Peter Justin Kizilos-Clift IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Elaine Tyler May, Advisor October 2009 © Peter Justin Kizilos-Clift 2009 Acknowledgements First and foremost, I would like to express my heartfelt appreciation to the faculty, staff, and students of the American Studies Department at the University of Minnesota for making my graduate school experience so worthwhile and enjoyable. I shall always be grateful for the resources and support, including a Byron-Turpie Fellowship, Graduate Research Partnership Program grant, and dissertation grant, that made the writing of this dissertation—and my studies in American cultural history—possible. I would also like to thank the Graduate School of the University of Minnesota for the award of a Graduate School Fellowship that financed the first phase in what continues to be an exciting journey of discovery. During the exploratory stages of this adventure, when I was testing the waters as a part-time “adult special” student before plunging into graduate school full-time, I had an opportunity to learn from an outstanding group of U of M scholars (some of whom have since moved on). Professors David Roediger, David W. Noble, Lisa Norling, Barbara Welke, and Kirsten Fischer, immeasurably strengthened my background in 19 th and 20 th century American history and literature and, more importantly, their inspiration and encouragement helped convince me to continue further down the path. -
Morning Final No. 4 HOT AIR BÖC DEMO GRAFIX and Five People Picked Imaginos As Their Least Favorite
Morning Final No. 4 HOT AIR BÖC DEMO GRAFIX and five people picked Imaginos as their least favorite. A lot of people had no BY MELNE votes in this category, not disliking any of their albums. Favorite song was hands down Astronomy (the old version). The only other song to reach those heights of liking was Don’t Fear the Reaper. Other top-rank- Hello all, we’ve all made it through another year, and with any ing favorites, but with less than half the votes of these two songs are, in order of luck we’ll make it through another one if the economy doesn’t crash and voting: Last Days of May, Flaming Telepaths, Black Blade, I Love the Night, and we don’t go to war in the Middle East. So with the close of the year Dominance & Submission. comes the end of our first year of publishing MF. It has been a real re- Once again, for least favorite song, a lot of people claimed to have no songs warding experience for us. It has been great to meet all of you who they didn’t like—but for those who voted, these were the losers: Beat ‘Em Up, share our interest in certain shellfish. Your dedication is appreciated by Debbie Denise, Rock Not War, Lonely Teardrops, Shooting Shark, Astronomy (new everyone in Blue Öyster Cult, by us and your fellow Öyster fans! We’d like version), Imaginos, and Mirrors. to wish all of you a happy holiday season—and here’s your present—so Dedicated is the best way to describe this fan contingent.