Japan in History, Folk Lore and Art
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The Symbol of the Dragon and Ways to Shape Cultural Identities in Institute Working Vietnam and Japan Paper Series
2015 - HARVARD-YENCHING THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE CULTURAL IDENTITIES IN INSTITUTE WORKING VIETNAM AND JAPAN PAPER SERIES Nguyen Ngoc Tho | University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE 1 CULTURAL IDENTITIES IN VIETNAM AND JAPAN Nguyen Ngoc Tho University of Social Sciences and Humanities Vietnam National University – Ho Chi Minh City Abstract Vietnam, a member of the ASEAN community, and Japan have been sharing Han- Chinese cultural ideology (Confucianism, Mahayana Buddhism etc.) and pre-modern history; therefore, a great number of common values could be found among the diverse differences. As a paddy-rice agricultural state of Southeast Asia, Vietnam has localized Confucianism and absorbed it into Southeast Asian culture. Therefore, Vietnamese Confucianism has been decentralized and horizontalized after being introduced and accepted. Beside the local uniqueness of Shintoism, Japan has shared Confucianism, the Indian-originated Mahayana Buddhism and other East Asian philosophies; therefore, both Confucian and Buddhist philosophies should be wisely laid as a common channel for cultural exchange between Japan and Vietnam. This semiotic research aims to investigate and generalize the symbol of dragons in Vietnam and Japan, looking at their Confucian and Buddhist absorption and separate impacts in each culture, from which the common and different values through the symbolic significances of the dragons are obviously generalized. The comparative study of Vietnamese and Japanese dragons can be enlarged as a study of East Asian dragons and the Southeast Asian legendary naga snake/dragon in a broader sense. The current and future political, economic and cultural exchanges between Japan and Vietnam could be sped up by applying a starting point at these commonalities. -
Myths & Legends of Japan
Myths & Legends Of Japan By F. Hadland Davis Myths & Legends of Japan CHAPTER I: THE PERIOD OF THE GODS In the Beginning We are told that in the very beginning "Heaven and Earth were not yet separated, and the In and Yo not yet divided." This reminds us of other cosmogony stories. The In and Yo, corresponding to the Chinese Yang and Yin, were the male and female principles. It was more convenient for the old Japanese writers to imagine the coming into being of creation in terms not very remote from their own manner of birth. In Polynesian mythology we find pretty much the same conception, where Rangi and Papa represented Heaven and Earth, and further parallels may be found in Egyptian and other cosmogony stories. In nearly all we find the male and female principles taking a prominent, and after all very rational, place. We are told in theNihongi that these male and female principles "formed a chaotic mass like an egg which was of obscurely defined limits and contained germs." Eventually this egg was quickened into life, and the purer and clearer part was drawn out and formed Heaven, while the heavier element settled down and became Earth, which was "compared to the floating of a fish sporting on the surface of the water." A mysterious form resembling a reed-shoot suddenly appeared between Heaven and Earth, and as suddenly became transformed into a God called Kuni-toko- tachi, ("Land-eternal-stand-of-august-thing"). We may pass over the other divine births until we come to the important deities known as Izanagi and Izanami ("Male-who-invites" and "Female-who-invites"). -
Ghenko, the Mongol Invasion of Japan
1 GHENKO THE MONGOL INVASION OF JAPAN HOJO TOKIMUNE. GHENKO THE MONGOL INVASION OF JAPAN BY NAKABA YAMADA, B.A. (Cantab.) WITH AN INTRODUCTION BY LORD ARMSTRONG WITH ILLUSTRATIONS AND MAPS LONDON SMITH, ELDER & CO., 15 WATERLOO PLACE 1916 [All rights reserved] *L\ 3 Y PREFACE evening in the summer before last, I ONEwas sitting in the reading-room of my College in Cambridge, when a small " " book entitled Westward Ho ! caught my eye. I was greatly attracted by its contents. In the mellowing light of the sun, I perused the book page after page, until my attention was diverted by the dining-bell from the hall. Ending my perusal, however, I stood a while with the pleasant memory of what I had read. One of my friends told me at table that that book was one of the great works of Charles Kingsley, and well worth reading. Having ob- tained a new copy, I finished the reading before long. It was from this reading that I acquired the idea of writing this book. My first intention was " to describe the historical event of the Mongol " " Invasion of Japan in such a novel as Westward " Ho ! But I have found it better to write an authentic, straightforward history rather than to use the medium of fiction. For the facts, which v 348467 PREFACE would be used as the basis of an historical novel, are not known to our Western friends as a whole, as the Chino-Japanese war or the Russo- war has been this is Japanese ; probably owing both to the remoteness of the events and the difficulties of research work, in a field so far removed in time and place. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Asiatic Society of Japan
http://e-asia.uoregon.edu TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN VOL XLVI.-PART II 1918 THE ASIATIC SOCIETY OF JAPAN, KEIOGIJIKU, MITA, TŌKYŌ AGENTS KELLY & WALSH, L'd., Yokohama, Shanghai, Hongkong Z. P. MARUYA Co., L'd., Tokyo KEGAN PAUL,TRUEBNER & Co., L'd., London TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN VOL XLVI.-PART II 1918 THE ASIATIC SOCIETY OF JAPAN, KEIOGIJIKU, MITA, TŌKYŌ AGENTS KELLY & WALSH, L'd., Yokohama, Shanghai, Hongkong Z. P. MARUYA Co., L'd., Tokyo KEGAN PAUL,TRUEBNER & Co., L'd., London INTRODUCTION. Subject and Structure .---The Heike Monogatari, one of the masterpieces of Japanese literature, and also one of the main sources of the history of the Gempei period, is a poetic narrative of the fall of the Heike from the position of supremacy it had gained under Taira Kiyomori to almost complete destruction. The Heike, like the Genji, was a warrior clan, but had quickly lost its hardy simplicity under the influence of life in the Capital, and identified itself almost entirely with the effeminate Fujiwara Courtiers whose power it had usurped, so that the struggle between it and the Genji was really more one between courtiers and soldiers, between literary officials and military leaders. Historically this period stands between the Heian era of soft elegance and the Kamakura age of undiluted militarism. The Heike were largely a clan of emasculated Bushi, and their leader Kiyomori, though he obtained his supremacy by force of arms, assumed the role of Court Noble and strove to rule the country by the same device of making himself grandfather to the Emperor as the Fujiwara family had previously done. -
Japan: an Attempt at Interpretation
JAPAN: AN ATTEMPT AT INTERPRETATION BY LAFCADIO HEARN 1904 Contents CHAPTER PAGE I. DIFFICULTIES.........................1 II. STRANGENESS AND CHARM................5 III. THE ANCIENT CULT....................21 IV. THE RELIGION OF THE HOME............33 V. THE JAPANESE FAMILY.................55 VI. THE COMMUNAL CULT...................81 VII. DEVELOPMENTS OF SHINTO.............107 VIII. WORSHIP AND PURIFICATION...........133 IX. THE RULE OF THE DEAD...............157 X. THE INTRODUCTION OF BUDDHISM.......183 XI. THE HIGHER BUDDHISM................207 XII. THE SOCIAL ORGANIZATION............229 XIII. THE RISE OF THE MILITARY POWER.....259 XIV. THE RELIGION OF LOYALTY............283 XV. THE JESUIT PERIL...................303 XVI. FEUDAL INTEGRATION.................343 XVII. THE SHINTO REVIVAL.................367 XVIII. SURVIVALS..........................381 XIX. MODERN RESTRAINTS..................395 XX. OFFICIAL EDUCATION.................419 XXI. INDUSTRIAL DANGER..................443 XXII. REFLECTIONS........................457 APPENDIX...........................481 BIBLIOGRAPHICAL NOTES..............487 INDEX..............................489 "Perhaps all very marked national characters can be traced back to a time of rigid and pervading discipline" --WALTER BAGEHOT. [1] DIFFICULTIES A thousand books have been written about Japan; but among these,--setting aside artistic publications and works of a purely special character,--the really precious volumes will be found to number scarcely a score. This fact is due to the immense difficulty of perceiving and comprehending what underlies the surface of Japanese life. No work fully interpreting that life,--no work picturing Japan within and without, historically and socially, psychologically and ethically,--can be written for at least another fifty years. So vast and intricate the subject that the united labour of a generation of scholars could not exhaust it, and so difficult that the number of scholars willing to devote their time to it must always be small. -
Fine Japanese and Korean Art I New York I March 20, 2019
Fine Japanese and Korean Art and Korean Fine Japanese I New York I March 20, 2019 I March I New York 25415 Fine Japanese and Korean Art New York I March 20, 2019 Fine Japanese and Korean Art New York | Wednesday March 20 2019, at 1pm BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS www.bonhams.com/25415 Thursday March 14 Takako O’Grady, Front cover: Lot 247 10am to 5pm Administrator Inside front cover: Lot 289 Friday March 15 Please note that bids should be +1 (212) 461 6523 Back cover: Lot 390 10am to 5pm summited no later than 24hrs [email protected] Inside back cover: Lot 287 Saturday March 16 prior to the sale. New bidders 10am to 5pm must also provide proof of Sunday March 17 identity when submitting bids. REGISTRATION 10am to 5pm Failure to do this may result in IMPORTANT NOTICE your bid not being processed. Monday March 18 Please note that all customers, 10am to 5pm irrespective of any previous activity Tuesday March 19 LIVE ONLINE BIDDING IS with Bonhams, are required to 10am to 3pm AVAILABLE FOR THIS SALE complete the Bidder Registration Please email bids.us@bonhams. Form in advance of the sale. The SALE NUMBER: 25415 com with “Live bidding” in form can be found at the back the subject line 48hrs before of every catalogue and on our the auction to register for this website at www.bonhams.com CATALOG: $35 service. -
Panthéon Japonais
Liste des divinités et des héros des légendes et de la mythologie japonaises Divinité Kami (m) Kami (f) Esprit Bouddhisme Monstre Animal Humain Acala Déité bouddhique du mikkyo, maître immuable associé au feu et à la colère; il est l'un des cinq rois du savoir. Agyo-zo Dans le bouddhisme japonais, Agyo-zo et Ungyo-zo se tiennent à la porte des édifices pour les protéger. Aizen myo-o Déité du bouddhisme japonais qui purifie les hommes des désirs terrestres et les libère de l'illusion. Il est représenté en rouge vif (passion), avec trois yeux, six bras et un air irritée, Il tient à la main un arc et des flèches ou un crochet. Ajisukitakahikone ou Aji-Shiki ou Kamo no Omikami Kami de l'agriculture, de la foudre et des serpents. Il créa la montagne Moyama dans la province de Mino en piétinant une maison de deuil parce qu'on l'avait pris pour le défunt. Akashagarbha Un des treize bouddhas de l’école tantrique japonaise Shingon Ama no Fuchigoma Cheval mythique de Susanoo qui est décrit dans le Nihon-Shoki . Ama no Kagaseo Autre nom de Amatsu Mikaboshi le kami du mal Ame no Tajikarao Kami des exercices physiques et de la force brutale qui dégagea l'entrée de la grotte où Amatersu s'était réfugiée. Amakuni Forgeron légendaire qui forgea le tachi, l'épée courbe ancêtre de Takana. Ama no Zako Monstrueuse kami née des vomissures de Susanoo Amaterasu Kami du soleil et reine des Hautes Plaines Célestes Amatsu mikaboshi Kami du mal Ame no Oshido Mimi Fils d'Amaterasu qui refusa d'aller gouverner la terre qu'il trouvait trop pleine de cMhaos. -
History Behind the Art of Karate
HISTORY BEHIND OUR ARTS by Akihiro Omi "It is doubtful whether the Japanese people and the country as a whole can really be understood or appreciated by anyone without a degree of knowledge of their martial culture." (Donn F. Draeger, Classical Bujutsu. New York: Weatherhill, Inc., 1973) INTRODUCTION Both Kendo (the Way of the Sword) and Karate-do (the Way of Empty-hands) are deeply rooted in a rich tradition of Japanese warrior culture. To understand the tradition and the philosophies that our sports and arts represent, we must first visit the origin of budo, Japanese martial arts, and trace the path on which it was formed. 1. The Birth of Japan The land around the current Japanese islands was formed about 70 million years ago. According to archaeologists, humans lived on the land as early as 2.5 million years ago. During the last ice age (50,000 to 10,000 years ago), a massive movement of the earth separated the land from the Eurasian Continent, and the Japanese islands were formed. This geographical isolation from the continent provided the Japanese with protection and the opportunity to develop their own unique culture. From 10,000 B.C through 300 B.C., the prehistoric peoples of Japan followed a hunting and gathering way of life. Collective farming began around 300 B.C., triggering the development of irrigation systems and iron-edged tools which increased harvests, in turn stimulating a massive population explosion. As social hierarchies and political structures developed, competition and warfare between villages intensified. Bronze and iron weapons were initially obtained from the continent, but soon the Japanese were making their own weapons such as swords, pikes, and spears. -
Japanese Fairy World
J A P A NE S E FAI RY WO LD R . STO m ow TH E WONDE R— DORE O J RIES F APAN . WI L L I AM E L L I OT R F F G I IS , “ ’ A U TH OR OF TH E M I K AD O S E M P I R E . I L T Y F L U S W I . R A T E D B O Z A A , O T O K O S H E Y C EN C TAD , N. Y . H Y E . J A M E S H . B A R T E PRE FAC . - m The thirty four stor ies i n clud ed within this volu e d o not us e th e b oo r even efu or cen ou s ill trat l dy, g l li ti e emen s w whi ch Ja n ese o u a and uven e l t , ith pa p p l r, j il e a u Th ese h ve been c efu lit r t re i s saturated . a ar lly avo e id d . I t i s l h h a v ew to the s c h n to a so rat er wit i arti ti , t a th e e a o u c s Of th e ma n a on Of Ja n h a lit r ry, pr d t i gi ti pa , t t th e n n F om m fi ac u n sel ectio h as bee made . -
The Development of Kaji Kito in Nichiren Shu Buddhism Kyomi J
The Development of Kaji Kito in Nichiren Shu Buddhism Kyomi J. Igarashi Submitted in Partial Fulfillment of the Prerequisite for Honors in Religion April 2012 Copyright 2012 Kyomi J. Igarashi ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor Kodera for his guidance and all that he has taught me throughout my four years at Wellesley College. I could not have written this thesis or taken on this topic of my interest without his encouragement and words of advice. I would like to acknowledge the Religion Department for funding me on my trip to Japan in December 2011 to do research for my thesis. I would also like to thank Reverend Ekyo Tsuchida for his great assistance and dedication during my trip to Japan in finding important information and setting up interviews for me, without which I could not have written this thesis. I am forever grateful for your kindness. I express my gratitude to Reverend Ryotoku Miyagawa, Professor Akira Masaki and Professor Daijo Takamori for kindly offering their expertise and advice as well as relevant sources used in this thesis. I would also like to acknowledge Reverend Honyo Okuno for providing me with important sources as well as giving me the opportunity to observe the special treasures exhibited at the Kuonji Temple in Mount. Minobu. Last but not least, I would like to extend my appreciation to my father, mother and younger brother who have always supported me in all my decisions and endeavors. Thank you for the support that you have given me. ii ABSTRACT While the historical and religious roots of kaji kito (“ritual prayer”) lay in Indian and Chinese Esoteric Buddhist practices, the most direct influence of kaji kito in Nichiren Shu Buddhism, a Japanese Buddhist sect founded by the Buddhist monk, Nichiren (1222-1282), comes from Shingon and Tendai Buddhism, two traditions that precede Nichiren’s time. -
India-Japan Cultural Syncretism Reflected in Japanese Pantheon of Deities Siddharth Singh Director, Vivekananda Cultural Centre
India-Japan Cultural syncretism reflected in Japanese Pantheon of deities Siddharth Singh Director, Vivekananda Cultural Centre, Embassy of India, Tokyo “India is culturally, Mother of Japan. For centuries it has, in her own characteristic way, been exercising her influence on the thought and culture of Japan. …..without Indian influence, Japanese culture would not be what it is today. As most Japanese profess the Buddhist faith, needless to say, they have generally been influenced by Indian ideas to a great extent.” [1] Hajime Nakamura “It is very important for the Japanese to know that in the bottom of Japanese culture, Indian culture is very firmly imprinted.”[2] Yasukuni Enoki, Former Ambassador of Japan to India It is pertinent to know how closely Indian culture is embedded in the Japanese past and present and a bright example of such deeper linkages is Japanese temples containing the statues of various deities. Numerous major and minor deities, ubiquitously present in Japanese temples, have their origin in the ancient Indian pantheon of gods and goddesses, but since these deities were introduced to Japan via China with Chinese names, Japanese people, in most of the cases, are unaware of their origins. There are well-theorized claims that establish the introduction of Indian culture to Japan even before the formal introduction of Buddhism from Korea in 552 CE. According to the Book of Liang, which was written in 635, five Buddhist monks from the Gandhara region of India traveled to Japan during the Kofun period (250-538 CE) in 467 CE. [3] After the arrival of Buddhism, Aryadhamma, a Buddhist monk from Rajgriha (Bihar, India) seems to have entered Japan via China in 645 CE,[4] much before Bodhisena’s arrival at Naniwa (Osaka).