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Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis
JazzWeek with airplay data powered by jazzweek.com • March 30, 2005 Volume 1, Number 19 • $7.95 In This Issue: Mack Avenue to Sponsor Detroit Jazz Fest. 4 WGBH Ups Rivero to Radio/ TV GM . 5 Camilo Embarks . 6 441 Launches Test of Time . 9 Reviews and Picks. 15 Jazz Radio . 18 Smooth Jazz Radio. 23 RADIO Q&A: Radio WEMU’S Panels. 27 LINDA YOHN News. 4 page 12 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ’m thrilled that we get to feature another of our favorite people CONTRIBUTING EDITORS in jazz radio this week, WEMU music director Linda Yohn. Keith Zimmerman Kent Zimmerman ILinda is a nominee for the Jazz Journalists Association Excel- Tad Hendrickson lence in Jazz Broadcasting/Willis Conover-Marian McPartland CONTRIBUTING WRITER Award. She has been there encouraging and supporting our ef- Tom Mallison forts even before there was a JazzWeek, as one of the first par- PHOTOGRAPHY ticipants on the Jazz Programmers Mailing List. Linda has been Barry Solof a key figure at each of JazzWeek’s Summits and an active part of PUBLISHER the industry tracks at IAJE for years. As host of the 9 a.m. to noon Tony Gasparre shift on WEMU, Linda shows everyone how jazz radio should be ADVERTISING: Contact Tony Gasparre done, and thanks to the ’net, those of us outside of Ypsilanti/Ann (585) 235-4685 x3 or Arbor/Detroit get to eavesdrop. email: [email protected] While we’re talking about the Motor City, hats off to Mack SUBSCRIPTIONS: Prices in US Dollars: Avenue Records for picking up the sponsorship of the Detroit In- Charter Rate: $199.00 per year, ternational Jazz Festival. -
Tres Bajistas De Leyenda
TRES BAJISTAS DE LEYENDA —THE THUNDER TOUR“ 29 DE OCTUBRE: Sala Razzmatazz, 21 ho as (Ba celona) 30 DE OCTUBRE: Discoteca Joy Eslava, 21 ho as (,ad id) 31 DE OCTUBRE: A.dito io ,aest o Padilla, 21 ho as (Alme 0a) ,a c.s ,ille , Stanley Cla 1e y 20cto 3ooten (S,2) 2enta de ent adas: www.telentrada.com TRES BAJISTAS DE LEYENDA SMV: M.MIller + S.Clarke+ V.Wooten —The Thunder Tour“ el 29 de octubre en Barcelona Sala Razzmatazz; en Madrid el d%a 30 de octubre Sala (oy Esla,a y el 31 de octubre en .lmer%a en el .uditorio Maestro Padilla en su 0esti,al de (azz. Estamos ante .no de los p oyectos m5s impo tantes del a6o, 3 gene aciones de m8sicos y los t es m5s g andes ba:istas del momento e.nidos en lo q.e ya es, seg8n los c 0ticos y el p8blico, .n acontecimiento 8nico. Stanley Cla 1e a tocado con Stan Getz, Joe Hende son, Ho ace Silve , Geo ge D.1e, Keith Richa ds, Pa.l ,cCa tney, Chic1 Co ea con el q.e gan? 1 G ammy@ en 10A2 con , Ret. n To Fo eve :.nto a Aldi ,eola y Lenny 3hite. ,a c.s ,ille a t aba:ado con Robe ta Flac1, A etha F an1lin, Cha1a Khan, 3ayne Sho te , Al Ja ea., Pa.l Simon, David Sanbo n, L.the 2and oss, con el q.e gan? .n G ammy el en a6o 1991, a ,iles Davis le p od.:o y comp.so el alb.m —T.t.“ .no de los alb.mes m5s p emiados de la histo ia del :azz En el a6o 2001 volv0o a gana .n G ammy po el alb.m ,2. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
T of À1 Radio
ism JOEL L.R.PHELPS EVERCLEAR ,•• ,."., !, •• P1 NEW MUSIC REPORT M Q AND NOT U CIRCLE December 25, 2000 I www.cmj.com 138.0 ******* **** ** * *ALL FOR ADC 90198 24498 Frederick Gier KUOR -REDLANDS 5319 HONDA AVE APT G ATASCADERO, CA 93422-3428 ON BEING NO. 1, TOURING WITH U2 & WHY WILL OLDHAM AND RAYMOND CARVER KICK ASS tof à1 Radio HOW PERFORMANCE ROYALTIES WILL AFFECT COLLEGE RADIO WHAT IT'S DOING TO INDIE RETAIL INCLUDING THE BLAZING HIT SINGLE "OH NO" ALBUM IN STORES NOW EF •TARIM INEWELII KUM. G RAP at MOP«, DEAD PREZ PHARCIAHE MUNCH •GHOST FACE NOTORIOUS J11" MONEY PASTOR TROY Et MASTER HUM BIG NUMB e PRODIGY•COCOA BROVAZ HATE DOME t.Q-TIIP Et WORDS e!' le.‘111,-ZéRVIAIMPUIMTPIeliElrÓ Issue 696 • Vol 65 • No 2 Campus VVebcasting: thriving. But passion alone isn't enough 11 The Beginning Of The End? when facing the likes of Best Buy and Earlier this month, the U.S. Copyright Office other monster chains, whose predatory ruled that FCC-licensed radio stations tactics are pricing many mom-and-pops offering their programming online are not out of business. exempt from license fees, which could open the door for record companies looking to 12 PJ Harvey: Tales From collect millions of dollars from broadcasters. The Gypsy Heart Colleges may be among the hardest hit. As she prepares to hit the road in support of her sixth and perhaps best album to date, 10 Sticker Shock Polly Jean Harvey chats with CMJ about A passion for music has kept indie music being No. -
Monika Brodka Poznaj Rafała, ERA NADAJE
ERA NADAJE listopad-styczeń 2010/2011 Magazyn trafia tylko do wybranych abonentów. Ty jesteś wśród nich! Monika Brodka Ekskluzywny wywiad STR. 8 Poznaj Rafała, który wystąpił w teledysku Katy Perry STR. 4 Pauline 1 Era Na da je Rytm muzyczny portret Re dak cja: Eryk Smól ski, Do ro ta An chim Kon takt: Pol ska Te le fo nia Cy fro wa Sp. z o.o. Al. Je ro zo lim skie 181, 02-222 War sza wa e‑ma il: [email protected], fax: (22) 413 69 14 Projekt i wykonanie: Novimedia Content Publishing Jej muzyki nie da się sklasyfikować. Jest mieszanką popu, Pra wo do błę dów w dru ku za strze żo ne. Ofer ta oraz ce ny mo gą ulec zmia nie. Szcze gó ły jazzu, rapu, gospel i soulu. Nic dziwnego, wychowała się w re gu la mi nach pro mo cji do stęp nych w punk tach sprze da ży i na stro nie www.era.pl. w rodzinie będącej miksem kultur. Okład ka fo to: Per Kristiansen ANNA GłOWACKA Jak się zaczęła Twoja przygoda z muzyką? Myślę, że lepiej spytać o to moją mamę, ale od kiedy pamiętam byłam szczęśliwa, śpiewając, grając, malując i tańcząc. Właściwie większosć mojej rodziny jest związana z muzyką lub sztuką w jakiś sposób. Kiedy zorientowałaś się, że chcesz wyrażać się przez muzykę? Nie myślałam o tym poważnie, póki nie skończyłam 19 lat i w moich rękach nie znalazł się kontrakt z wytwórnią Universal. Choć tak naprawdę, to nie muzykę miałam w planach. Chciałam pojechać do Portugalii, uczyć się języków, studiować i zostać scenarzystką. -
Dossier De Presse
du 19 au 26 juillet 2013 Dossier de Presse CONtaCT PRESSE SYLVIE DURAND SD COMMUNICatioN 102, rue de l’Ourcq 75019 PARIS Tél. : +33 (0)1 40 34 17 44 • Mobile : +33 (0)6 12 13 66 20 E-mail : [email protected] • www.sdcommunication.fr Patrimonio (Haute-Corse) 24es NUITS DE LA GUITARE DU 19 AU 26 JUILLET 2013 EXTÉRIEUR JOUR. Plan panoramique sur le village de Patrimonio, écrasé de soleil. Paisible à l’heure de la sieste, en attendant la grand-messe du soir... EXTÉRIEUR NUIT. Plan large sur le Théâtre de Verdure, investi de milliers de spectateurs. Ce n’est pas du cinéma, mais la réalité des Nuits de la Guitare, qui drainent depuis plus de 20 ans tous les amoureux de la six-cordes. PLUS qu’un RASSEMBLEMENT MUSICAL, il s’agit de célébrer lors de la 24e édition le pari fou, mais réussi, de quelques passionnés qui se lancèrent dans l’aventure tumultueuse de la création d’un festival. Quand ils concoctent leur premier plateau, en 1989, Jean-Bernard Gilormini, Guy Maestracci et une poignée d’amis, tous guitaristes amateurs, n’imaginent pas que leur événement deviendra le rendez-vous privilégié des stars de la guitare. C’eST SUR LA PLACE DU VILLAGE DE PatrimoNIO, sous la voûte étoilée, durant les longues soirées d’été passées à jouer, que ces irréductibles rêvent à voix haute des Nuits de la Guitare. Au début, il n’est question que de trois soirées, on ne parle pas encore de réunion annuelle ou de futures éditions, mais d’emblée, les organisateurs voient grand : au côté des meilleurs musiciens insulaires, Babik Reinhardt, Roland Dyens et Raphaël Faÿs étrennent ce festival unique en son genre, dédié à la guitare. -
Jonas Hellborg Featuring Trilok Gurtu
Jonas Hellborg Adfa mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Adfa Country: Germany Released: 1989 Style: Acoustic, Jazz-Rock MP3 version RAR size: 1756 mb FLAC version RAR size: 1495 mb WMA version RAR size: 1106 mb Rating: 4.7 Votes: 488 Other Formats: DMF MP2 APE AAC AHX AAC AUD Tracklist Hide Credits Sweet Tooth A1 Bass [Fuzz Bass], Bass [Fretless], Bass [Midi], Keyboards – Jonas HellborgDrums – Jaime 2:35 SalazarGuitar, Soloist – Ulf Wakenius Sandman A2 Bass [Fuzz Bass], Acoustic Bass, Keyboards, Drum Programming – Jonas HellborgDrums – 5:48 Jaime SalazarGuitar – Ulf Wakenius Adfa A3 Bass [Midi], Bass, Keyboards, Drum Programming – Jonas HellborgDrums – Jaime 4:37 SalazarGuitar – Ulf Wakenius Major Minor Movement A4 Acoustic Bass, Bass [Midi], Bass, Keyboards – Jonas HellborgDrums – Jaime SalazarGuitar – 4:51 Robert Blennerhed Body Talk B1 Bass [Fuzz Bass], Bass, Bass [Midi], Keyboards – Jonas HellborgDrums – Trilok GurtuGuitar 4:34 – Robert Blennerhed Why Does It Happen? (Part 1) B2 3:00 Acoustic Bass, Bass [Midi] – Jonas HellborgTabla – Trilok Gurtu Why Does It Happen? (Part 2) B3 4:20 Bass, Keyboards – Jonas HellborgDrums – Trilok GurtuGuitar – Robert Blennerhed Signs B4 3:07 Bass, Bass [Midi] – Jonas HellborgDrums – Trilok GurtuGuitar – Robert Blennerhed Berlin B5 2:44 Bass – Jonas HellborgSounds [Original Sound Recording] – Kenneth Rasmusson Companies, etc. Record Company – Warner Communications Phonographic Copyright (p) – Jonas Hellborg Copyright (c) – Jonas Hellborg Phonographic Copyright (p) – TELDEC Record Service GmbH Copyright (c) – TELDEC Record Service GmbH Recorded At – Day Eight Studios Mixed At – Day Eight Studios Pressed By – Record Service GmbH Published By – Day Eight Music Publishing Credits Cover – Mats Bredberg Electric Bass [Wal / Electric Double Neck Midi Bass Guitar], Acoustic Bass [Abraham Wechter Acoustic Bass Guitar] – Jonas Hellborg Executive-Producer – Bo Hellborg Photography By [Back Cover] – S. -
Almanzapérezdiegomauricio2020
ANÁLISIS DE TRES COMPOSICIONES DEL BAJISTA JONAS HELLBORG BASADAS EN ELEMENTOS MUSICALES DEL SUR DE LA INDIA DIEGO MAURICIO ALMANZA PÉREZ Trabajo de grado Tutor JUAN CARLOS CASTILLO Modalidad MONOGRAFÍA UNIVERSIDAD DISTRITAL FRANCISCO JOSÉ DE CALDAS FACULTAD DE ARTES – ASAB PROYECTO CURRICULAR DE ARTES MUSICALES BOGOTÁ D.C. 2020 A la consciencia divina que lo hace todo posible. A mis padres, hermanas, sobrinos, amigos y maestros. Tabla de contenido 1. Planteamiento Del Problema ...................................................................................................... 2 1.1 Antecedentes ...................................................................................................................... 2 1.2 Justificación ......................................................................................................................... 3 1.3 Pregunta Problema ............................................................................................................. 4 1.4 Objetivos ............................................................................................................................. 4 1.4.1 Objetivo general .......................................................................................................... 4 1.4.2 Objetivos específicos ................................................................................................... 4 2. Metodología ................................................................................................................................ 4 3. Marco -
Jonas Hellborg Till Uppsalagitarrfestival – Ersätter Mohini Dey
2019-10-04 07:45 CEST Jonas Hellborg till Uppsalagitarrfestival – ersätter Mohini Dey Jonas Hellborg till uppsala gitarrfestival spelar med Freak Kitchen – ersätter Mohini Dey Svenske Jonas Hellborg tillhör basisternas världselit. Nu kommer han till Uppsala gitarrfestival och ersätter den indiska basisten Mohini Dey som tvingats lämna återbud i sista minuten på grund av sjukdom i familjen. Han medverkar vid Freak Kitchens konsert på torsdag den 10 oktober. – Uppsala i mitt hjärta, många gig på Rackis under flera decennier, nu på eminent gitarrfest med IA Eklundh och Björn, tiptop! säger Jonas Hellborg som medverkar på torsdag 10/10 med Freak Kitchen. – Det känns helt fantastisk att på så kort varsel kunna hitta ett så stort namn som ersättare för Mohini Dey, säger festivalchefen Klaus Pontvik. Jag trodde knapp att det var sant när han sa att han kunde komma. Det känns stort och jag är tacksam! 1978 inledde Jonas Hellborg, en då 20 årig svensk basist, sin unika karriär. Inspirerad av Keith Jarretts pianosolon och den brittiska basisten Colin Hodgkinsons uppfinningsrika användning av ackord på bas, utvecklade Hellborg sin egen teknik för elbas. Hans äventyrliga inställning ledde till ett framträdande på jazzfestivalen i Montreux, som i sin tur ledde till konstellationer med flera av dagens viktigaste fusionmusiker. Bland dem finns Michael Brecker, Michael Shrieve, Billy Cobham, Reebop Kwaku Baah, och inte minst John McLaughlin som anställde Hellborg för sin reformerade Mahavishnu Orchestra. 1979 släppte Hellborg sin första soloplatta, "The Bassic Thing", som följdes 1982 av "Elegant Punk". Ett album som fick upp öronen på producenten Bill Laswell. Det mynnade ut i flera inspelningsprojekt och en gemensam inspelningsstudio i Greenpoint, New York. -
Jonas Hellborg the Word Mp3, Flac, Wma
Jonas Hellborg The Word mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Word Country: US Released: 1991 Style: Jazz-Rock MP3 version RAR size: 1147 mb FLAC version RAR size: 1412 mb WMA version RAR size: 1830 mb Rating: 4.7 Votes: 801 Other Formats: AUD AC3 DMF MOD VOC MPC TTA Tracklist Hide Credits Akasha A1 0:54 Written-By – Hellborg* Zat A2 1:50 Written-By – Hellborg* Saut-E Sarmad A3 3:28 Written-By – Hellborg* Two Rivers A4 4:32 Written-By – Hellborg* Be! And All Became A5 3:19 Written-By – Hellborg* Poets A6 2:36 Written-By – Williams*, Hellborg* Black Rite B1 6:29 Written-By – Williams*, Hellborg* Cherokee Mist B2 5:00 Written-By – Hendrix* Miklagaard B3 5:14 Written-By – Hellborg* Path Over Clouds B4 3:27 Written-By – Hellborg* Credits Arranged By [Strings] – Jonas Hellborg Bass Guitar [Wechter Acoustic Bass Guitar] – Jonas Hellborg Cello – Mary Wooten Drums – Tony Williams* Mastered By – Howie Weinberg Mixed By – Jason Corsaro Other [Liner Notes] – Steve Lake Producer – Bill Laswell, Jonas Hellborg Recorded By – Jason Corsaro, Oz Fritz Strings – The Soldier String Quartet Viola – Ron Lawrence Violin – David Soldier Violin [1st] – Laura Seaton Notes Recorded at Greenpoint Mixed at Platinum Island Mastered at Masterdisk (P)1991 Island Records, Inc. (C)1991 Island Records, Inc. Made in U.S.A. Barcode and Other Identifiers Barcode (Scanned): 042284837446 Other versions Category Artist Title (Format) Label Category Country Year Jonas The Word (CD, 162 539 898-2 Axiom 162 539 898-2 US 1991 Hellborg Album) Not On Label -
NOME DO ARQUIVO LOCAL NA BIBLIOTECA Disco Faltando 45
NOME DO LOCAL NA ARQUIVO BIBLIOTECA Disco faltando 45 - 57 Shows Vineyard Disco Avulso Oficina G3 D.G.A – Depois Guerra Disco Avulso Marcus Miller – Master Trade Disco 30 Marcus Miller – Master of all Trade Disco 38a Alian Caron – Live Cabaret in Disco 38b Moutréal Marcus Miller - In Concert (1994) Disco 38b Bass Day 2002 Disco 38b Junior Primata e Sergio Groove Disco 38b Angra Disco 50 Aquiles Prestier Disco 50 Helloween Vivo 2007 Disco 50 Dream Theater Budokan Disco 50 Dr. Sin 10 anos Disco 50 Mr. Big - Ao vivo Budokan 2003 Disco 55 Mike Stern – The Concert in Paris (with Disco 59b Richard Bonna) Bella Fleck and Victor Wooten – Live At Disco 61 The Quick Frack Gambale – Concert with class Disco 61 Jaco Pastorius Weather Report 1978 Disco 61 Jaco Live in Motreal -1982 Disco 61 Marcus Miller – Motreux Jazz Festival Disco 61 Steve Bailey And Victor Wooten Bass Disco 61 extreme Victor Bailey, White, Larry Corelly Disco 61 Shows de Petra Disco 62; 63 Ron Carter – Trio Disco 65 Chick Corea – Electric Bass - Shop Disco 65 Chris Potter – in Floral (2004) Disco 65 Chris Potter – Stuttgart (2009) Disco 65 Hermeto Pascoal – Live in Búzios Disco 65 (1999) John Coltrane Quatert – (1963) Disco 65 Os sons de Hermeto Disco 65 Corea, Clarke, Meola, White – San Disco 65 Sebastian SWV – Concert 2009 Disco 65 YellowsJAckets Disco 65 Michel Petrucciane Trio (1998) Disco 65 Chick Corea - Electric Band Live At The Disco 69 Maintenance Shop Chick Corea, Vinnie Colaiuta,John Disco 69 Patitucci- Live at blue note, tokyo 1992 Ed Motta - North Sea Jazz Festival -
Kenny G Tops Albums, Boney James Singles
JazzWeek with airplay data powered by jazzweek.com • April 20, 2005 Volume 1, Number 22 • $7.95 In This Issue: JazzWeek Summit Showcase . 4 WAER Feted at Syracuse Jazz Fest. 6 Upcoming CD Release News. 9 Johnson Leaves WRTI . 9 Reviews and Picks. 17 Jazz Radio . 19 CURTIS STIGERS Smooth Jazz Radio. 24 Q&A page 13 Radio Panels. 28 News. 4 Charts: #1 Jazz Album – Monty Alexander #1 Smooth Album – Kenny G #1 Smooth Single – Boney James JazzWeek This Week EDITOR Ed Trefzger ’ve caught Curtis Stigers live a few times now, and I have CONTRIBUTING EDITORS Keith Zimmerman to admit that I’ve become a big fan. His performances are Kent Zimmerman Inothing like, but remind me completely of, Tony Bennett, Tad Hendrickson in that Curtis is the consummate entertainer. CONTRIBUTING WRITER An interesting story about Curtis Stigers isn’t covered in Tom Mallison PHOTOGRAPHY the Q&A with Tad Hendrickson in this issue, but it involves Barry Solof a favorite songwriter and performer of mine – especially from my college radio days – Nick Lowe. Back in 1992, before his PUBLISHER Tony Gasparre jazz record days, Curtis recorded Lowe’s “(What’s So Fun- ADVERTISING: Contact Tony Gasparre ny ‘Bout) Peace, Love and Understanding” on the soundtrack (585) 235-4685 x3 or album for The Bodyguard, a tune Lowe had written in the email: [email protected] mid-70’s, and which became an anthem for Elvis Costello SUBSCRIPTIONS: Prices in US Dollars: (you know, Diana Krall’s hubby?) Despite the fact the song Charter Rate: $199.00 per year, wasn’t in the movie, the soundtrack CD sold 15 million cop- JazzWeek w/ Industry Access – Charter Rate: $249.00 per year ies, and Lowe, who was a bit down on his luck, reaped a $1 To subscribe using Visa/MC/Discover/ million windfall, which made it possible to revive his career AMEX/PayPal go to: http://www.jazzweek.com/account/ on Lowe’s own terms.