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Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis
JazzWeek with airplay data powered by jazzweek.com • March 30, 2005 Volume 1, Number 19 • $7.95 In This Issue: Mack Avenue to Sponsor Detroit Jazz Fest. 4 WGBH Ups Rivero to Radio/ TV GM . 5 Camilo Embarks . 6 441 Launches Test of Time . 9 Reviews and Picks. 15 Jazz Radio . 18 Smooth Jazz Radio. 23 RADIO Q&A: Radio WEMU’S Panels. 27 LINDA YOHN News. 4 page 12 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ’m thrilled that we get to feature another of our favorite people CONTRIBUTING EDITORS in jazz radio this week, WEMU music director Linda Yohn. Keith Zimmerman Kent Zimmerman ILinda is a nominee for the Jazz Journalists Association Excel- Tad Hendrickson lence in Jazz Broadcasting/Willis Conover-Marian McPartland CONTRIBUTING WRITER Award. She has been there encouraging and supporting our ef- Tom Mallison forts even before there was a JazzWeek, as one of the first par- PHOTOGRAPHY ticipants on the Jazz Programmers Mailing List. Linda has been Barry Solof a key figure at each of JazzWeek’s Summits and an active part of PUBLISHER the industry tracks at IAJE for years. As host of the 9 a.m. to noon Tony Gasparre shift on WEMU, Linda shows everyone how jazz radio should be ADVERTISING: Contact Tony Gasparre done, and thanks to the ’net, those of us outside of Ypsilanti/Ann (585) 235-4685 x3 or Arbor/Detroit get to eavesdrop. email: [email protected] While we’re talking about the Motor City, hats off to Mack SUBSCRIPTIONS: Prices in US Dollars: Avenue Records for picking up the sponsorship of the Detroit In- Charter Rate: $199.00 per year, ternational Jazz Festival. -
Roger Sadowsky Interview, Bass Guitar Magazine UK
ROGER THAT 028 BASS GUITAR MAGAZINE 028-030 Sadowsky_rev3JH.indd 28 13/07/2015 18:17 BASSISTS ROGER SADOWSKY Roger Sadowsky, one of the world’s leading bass luthiers, stopped by at the London Bass Guitar Show to talk to Mike Brooks about his bass building philosophy stroll around Olympia during the “I recommended a good fret job, shielding the London Bass Guitar Show can be electronics, a better bridge and a preamp – actually, a noisy experience to say the only the second bass preamp I had ever installed. I was least – yet on both days of this using a circuit by Stars Guitars from San Francisco, a year’s event back in March, group that had come out of the Alembic school. That’s A there was a tangible buzz: an what I gave Marcus – but within a year, they went out audible sound of hushed of business and Marcus’s preamp died! They told me mutterings between those in attendance. “It is him, when they were closing up that the closest thing to isn’t it?”... “Is that really him? Here in London?” what they were making was a Bartolini TCT preamp. Who could they have been talking about, you ask? I used that until 1990, when I wanted to create my Well, yes it was true – one of the premier luthiers outboard preamp box and Alex Aguilar [of Aguilar of the bass world was there at the London Bass fame] helped me to design my own circuit.” Guitar Show, and boy did Roger Sadowsky make a Back in those days, there was no internet or social splash. -
Marcus Miller | Afrodeezia
Marcus Miller | Afrodeezia Musiker-Ikonen gibt es wie Sand am Meer. Insbesondere gefühlte 1 Million Super-Mega-Hyper und Überstars aus der jüngsten U- Musik lassen sich finden. Kaum ein Newcomer, der nicht nach dem erstem Geräusch-Ausstoß als solcher gelisted ist. Erschreckend, was sich meine Kinder – eigentlich Jugendliche mit immensem Musikkonsum- alles so anhören und was ich davon verächtlich in die Plastikmüllkiste wegdrücke. Generationenproblem? Wahrscheinlich. Für Musikbesessene, wie ich es bin, gibt es aber zum Glück diese grandiosen musikalischen Rückzugsorte, ohne die mein Tag nicht auskommt. Also einmal mehr: Marcus Miller. Marcus Miller ist in erster Linie Musiker, Multiinstrumentalist, Komponist, Arrangeur und Produzent, einer der Einflußreichen bei Jazz, Fusion und vielseitiger populärer Musik. Darüber hinaus zählt er zu der Riege der stilprägenden Bassisten wie Stanley Clarke, Viktor Bailey† oder Billy Sheehan , die es fabulös geschafft haben, das Erbe von Ray Brown, Ron Carter, Charles Mingus und Jaco Pastorius (um nur einige zu nennen) in unsere modernen Zeiten zu übersetzen. Avantgarde? Aber sicher. Und immer gut zu hören, nie abgehoben. Marcus Miller war 21 Jahre alt, als man ihn als wichtigen Begleiter von Miles Davis erstmals wahrgenommen hat, das ist fast 40 Jahre und gute 20 Solo-Alben her. Seine Mitwirkungen an den Veröffentlichungen anderer Künstler sind Legion. Die nun vorgestellte CD Afrodeezia stammt bereits aus dem Jahre 2015 und ist wieder einmal etwas Besonderes vom Bassisten: „Was mir am meisten am Herzen lag“, sagt Miller, „war zu den Quellen der Rhythmen, die unser musikalisches Erbe so reich machen, zurückzugehen, ihnen wie Fußspuren zu folgen, von ihren Ursprüngen in Afrika den ganzen Weg bis in die USA. -
Annual AT&T San Jose Jazz Summer Fest Friday, August 12
***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA. -
Miles Davis the Last Word
MILES DAVIS THE LAST WORD MILES DAVIS THE LAST WORD MILES DAVIS THE LAST WORD - MILES DAVIS ON WARNER BROTHERS (Rhino/Warner Brothers Jazz, Unreleased) RARE COLLECTORS SERIES RCS-084/87 Originally slated for release August 2002, Rhino pulled The Last Word from rotation stating: "We deeply regret the fact that we will not be releasing [the box set] on August 20," David Dorn, VP of Media Relations for Warner Strategic Marketing, told ICE. "Our commitment has always MILES DAVIS THE LAST WORD been to offer consumers the best possible audio and video products for the best possible value. Due to developing circumstances beyond our control, we felt that this box set would not, in its finished form, meet our standards, or the standards our customers expect from our products." (ICE, July 30,2002). What the hell is that all about? You hold in your hands a copy of the promo sent out to the press and to retailers. MILES DAVIS THE LAST WORD Trade Freely. Not For Sale. DISC 1 1. Tutu 05:13 (a) a) Capitol Recording Studio, Los Angeles, USA, 11. Februar 1986 2. Tomaas 05:35 (b) Miles Davis (tp); Marcus Miller (el-b); Paulinho DaCosta (perc) 3. Portia 06:16 (c) b) Clinton Recording Studio, New York City, USA, März 1986 4. Splatch 04:42 (d) Miles Davis (tp); Bernard Wright (synth); Marcus Miller (el-b); Omar Hakim (perc) 5. Backyard Ritual 04:47 (e) c) Clinton Recording Studio, New York City, USA, 13. Februar 1986 6. Perfect Way 04:32 (b) Miles Davis (tp); Marcus Miller (el-b); Paulinho Da Costa (perc) 7. -
For Immediate Release
FOR IMMEDIATE RELEASE June 15, 2010 Contact: Joyce Evans San Jose Jazz Office: 408-288-7557 x2310 [email protected] SAN JOSE JAZZ ANNOUNCES ARTISTS FOR 21ST AT&T SAN JOSE JAZZ FESTIVAL Silicon Valley's Premier Summer Event Brings All-Star International Lineup to Downtown San Jose, August 13-15, 2010 San Jose, CA – San Jose Jazz today announced the artist roster for the upcoming AT&T San Jose Jazz Festival. Held the second weekend in August, this year's line up has an international flavor coupled with a diverse lineup that will please lovers of all genres of music. Past festivals have drawn over 100,000 people from Silicon Valley, California, and across the United States. "San Jose is becoming a world-class, international city and this edition of the jazz festival mirrors that growth from a regional event to one that is gaining recognition and fame across the globe," said Geoff Roach, CEO of San Jose Jazz. "As jazz continues to evolve into many different formats and forms, the goal of the festival is to embrace and showcase the artists driving the art form. We seek to present music not only from internationally known artists but also from the world-class talent that exists here in the Bay Area." Festival highlights include: Standards Updated - Modern takes on the classic jazz repertoire John Handy John is a consummate world musician and teacher who’s devoted his life to using music to elevate the human spirit. His soulful and fiery saxophone style is instantly recognizable to generations of jazz fans world-wide. -
Press Release
PRESS RELEASE SEASON 4 ABOUT TO BEGIN! The fourth season of the ‘LetterOne RISING STARS Jazz Award’ will launch on August 1st, 2020! While a global pandemic has brought the live music industry to a standstill, the ‘LetterOne RISING STARS Jazz Award’ offers a glimpse of hope to aspiring musicians who have seen their concerts and tours vanish into thin air. The award presents an opportunity to win two readymade tours: 7 shows at major jazz festivals in Europe for the European winner and 10 shows at major jazz festivals in the USA and Canada for the winner of the North American edition. Both tours will take place in 2021. Who can apply? All jazz musicians can submit their material (3 soundsamples & 1 video) on our dedicated website www.l1risingstarsjazzaward.com and a jury will then select the next RISING STAR/s. The submission period begins on August 1, 2020 and ends midnight on October 31, 2020. The winners will get announced in mid-January 2021. For the fourth consecutive year the ‘LetterOne RISING STARS Jazz Award’ aims to propel the careers of outstanding young jazz musicians in Europe and North America and to enable them to quickly find an audience. First and foremost by providing and accommodating concerts for the winners on major European respectively North American jazz festivals. Secondly the award offers a full year of PR and marketing support provided by the award winning Air Artist Agency with offices in London and Los Angeles. Open to artists from all over Europe and North America, the award is considered to be a golden opportunity for musicians to be catapulted onto the international scene – an opportunity that is needed now more than ever! The ‘LetterOne RISING STARS Jazz Award’ started out in Europe in 2017 and has - thanks to overwhelming positive response - since expanded into North America. -
Tres Bajistas De Leyenda
TRES BAJISTAS DE LEYENDA —THE THUNDER TOUR“ 29 DE OCTUBRE: Sala Razzmatazz, 21 ho as (Ba celona) 30 DE OCTUBRE: Discoteca Joy Eslava, 21 ho as (,ad id) 31 DE OCTUBRE: A.dito io ,aest o Padilla, 21 ho as (Alme 0a) ,a c.s ,ille , Stanley Cla 1e y 20cto 3ooten (S,2) 2enta de ent adas: www.telentrada.com TRES BAJISTAS DE LEYENDA SMV: M.MIller + S.Clarke+ V.Wooten —The Thunder Tour“ el 29 de octubre en Barcelona Sala Razzmatazz; en Madrid el d%a 30 de octubre Sala (oy Esla,a y el 31 de octubre en .lmer%a en el .uditorio Maestro Padilla en su 0esti,al de (azz. Estamos ante .no de los p oyectos m5s impo tantes del a6o, 3 gene aciones de m8sicos y los t es m5s g andes ba:istas del momento e.nidos en lo q.e ya es, seg8n los c 0ticos y el p8blico, .n acontecimiento 8nico. Stanley Cla 1e a tocado con Stan Getz, Joe Hende son, Ho ace Silve , Geo ge D.1e, Keith Richa ds, Pa.l ,cCa tney, Chic1 Co ea con el q.e gan? 1 G ammy@ en 10A2 con , Ret. n To Fo eve :.nto a Aldi ,eola y Lenny 3hite. ,a c.s ,ille a t aba:ado con Robe ta Flac1, A etha F an1lin, Cha1a Khan, 3ayne Sho te , Al Ja ea., Pa.l Simon, David Sanbo n, L.the 2and oss, con el q.e gan? .n G ammy el en a6o 1991, a ,iles Davis le p od.:o y comp.so el alb.m —T.t.“ .no de los alb.mes m5s p emiados de la histo ia del :azz En el a6o 2001 volv0o a gana .n G ammy po el alb.m ,2. -
Roger Sadowsky Carves a Guitar Neck by Hand
Right: Roger Sadowsky carves a guitar neck by hand. Below: Roger takes a break beneath a wall of customized guitars and basses. ROGER SADOWSKY he job of the instrument maker is to provide a tool that “ allows the musician to express himself. Ultimately, the changes in sound and design don’t come from us, but New York’s T from innovative musicians whose talent demands something new. The most dramatic example we get is people Acclaimed Craftsman from all over the world requesting the ‘Marcus Miller bass sound’.” Tailors Instruments —Roger Sadowsky For Everyone From “Roger was the first repairman to take an interest in my playing. He asked a lot of questions concerning how hard I played, the Springsteen and Sting kinds of music I was involved with, and what sort of sound I was looking for. He has great insight into the wood and To Di Meola And Stern electronics that make up an instrument, and he suggested I try one of his preamps. At the time, I was having trouble conveying my style through my bass. With the preamp, I gradually noticed that I could do more with the instrument and the sound was By Chris Jisi projecting better. What Roger did was give me a sound with which I could communicate my style.” —Marcus Miller PHOTOS BY EBET ROBERTS PHOTOS Similar accolades arrive from all corners of the music busi- New York in 1979, 95% of my clients were top studio and ness for New York luthier/repairman Roger Sadowsky, from guitar touring musicians in town. -
The Stanley Clarke Band SAT / JAN 18 / 7:30 PM
The Stanley Clarke Band SAT / JAN 18 / 7:30 PM Stanley Clarke BASS Cameron Graves KEYBOARDS Evan Garr VIOLIN Salar Nader TABLAS Jeremiah Collier DRUMS Lyris Quartet Alyssa Park VIOLIN Shalini Vijayan VIOLIN Luke Maurer VIOLA Timothy Loo CELLO Tonight’s program will be announced from the stage. There will be no intermission. Jazz & Blues at The Broad Stage made possible by a generous gift from Richard & Lisa Kendall. PERFORMANCES MAGAZINE 4 Naik Raj by Photo ABOUT THE ARTISTS Photo by Raj Naik Raj by Photo Four-time GRAMMY® Award winner of Philadelphia, a Doctorate from Clarke Band: UP, garnered him a 2015 STANLEY CLARKE is undoubtedly one Philadelphia’s University of the Arts GRAMMY® Award nomination for Best of the most celebrated acoustic and and put his hands in cement as a Jazz Arrangement Instrumental or A electric bass players in the world. 1999 inductee into Hollywood’s “Rock Cappella for the song “Last Train to What’s more, he is equally gifted Walk.” In 2011 he was honored with Sanity” and an NAACP Image Award as a recording artist, performer, the highly prestigious Miles Davis nomination for Best Jazz Album. composer, conductor, arranger, Award at the Montréal Jazz Festival Clarke’s CD, The Message, was producer and fi lm score composer. for his entire body of work. Clarke has released on Mack Avenue Records A true pioneer in jazz and jazz- won Downbeat magazine’s Reader’s in 2018. Clarke considers the new fusion, Clarke is particularly known and Critics Poll for Best Electric Bass album “funky, melodic, musical, for his ferocious bass dexterity Player for many years. -
Tom Braxton Press
TOM BRAXTON Career Highlights Tom was a featured headliner on the first Smooth Jazz Europe Festival in Hengelo, Netherlands, along with Bob Baldwin and Chieli Minucci. Tom was a featured performer with Keiko Matsui on her three-week tour of Russia and the Ukraine. Tom Braxton's latest CD, Endless Highway, reached #21 on the Photo by Walter Goyen Billboard Top Contemporary Jazz Album Chart. Endless Highway's singles, "That Wayman Smile" and "Open Road," have made waves on numerous jazz charts including SmoothJazz.com, Groove Jazz Music, RadioWave, Smooth Jazz Now and Capital Jazz Radio. Tom was featured on the cover of the November 2009 issue of Smooth Jazz News magazine. (www.smoothjazznews.com) Endless Highway has been ranked #1 on the Amazon.com Bestsellers List for MP3 Downloads in Smooth Jazz. Tom has been a featured performer and fan favorite on The Smooth Jazz Cruise since 2005. He ranked in the top 5 for CD sales on the 2010 cruise. Tom toured extensively with Wayman Tisdale for 17 years, serving as Musical Director for 10 of those years. Tom has shared the stage with many well-known artists including Dave Koz, Rick Braun, Peter White, Candy Dulfer, Bob James, George Duke, Kirk Whalum, Jonathan Butler, Jeff Golub, Marcus Miller, Keiko Matsui, Aretha Franklin, Luther Vandross and Philip Bailey. www.tombraxton.com TOM BRAXTON Tour Highlights Las Vegas City of Lights Jazz Festival: 94.7 The Wave Event in Los Angeles: Breast Cancer Benefit Tom with Wayman Tisdale ** Tom and Brian Culbertson (on trombone) in Sacramento ** Dave -
Monika Brodka Poznaj Rafała, ERA NADAJE
ERA NADAJE listopad-styczeń 2010/2011 Magazyn trafia tylko do wybranych abonentów. Ty jesteś wśród nich! Monika Brodka Ekskluzywny wywiad STR. 8 Poznaj Rafała, który wystąpił w teledysku Katy Perry STR. 4 Pauline 1 Era Na da je Rytm muzyczny portret Re dak cja: Eryk Smól ski, Do ro ta An chim Kon takt: Pol ska Te le fo nia Cy fro wa Sp. z o.o. Al. Je ro zo lim skie 181, 02-222 War sza wa e‑ma il: [email protected], fax: (22) 413 69 14 Projekt i wykonanie: Novimedia Content Publishing Jej muzyki nie da się sklasyfikować. Jest mieszanką popu, Pra wo do błę dów w dru ku za strze żo ne. Ofer ta oraz ce ny mo gą ulec zmia nie. Szcze gó ły jazzu, rapu, gospel i soulu. Nic dziwnego, wychowała się w re gu la mi nach pro mo cji do stęp nych w punk tach sprze da ży i na stro nie www.era.pl. w rodzinie będącej miksem kultur. Okład ka fo to: Per Kristiansen ANNA GłOWACKA Jak się zaczęła Twoja przygoda z muzyką? Myślę, że lepiej spytać o to moją mamę, ale od kiedy pamiętam byłam szczęśliwa, śpiewając, grając, malując i tańcząc. Właściwie większosć mojej rodziny jest związana z muzyką lub sztuką w jakiś sposób. Kiedy zorientowałaś się, że chcesz wyrażać się przez muzykę? Nie myślałam o tym poważnie, póki nie skończyłam 19 lat i w moich rękach nie znalazł się kontrakt z wytwórnią Universal. Choć tak naprawdę, to nie muzykę miałam w planach. Chciałam pojechać do Portugalii, uczyć się języków, studiować i zostać scenarzystką.