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¶ Evening Prayer Passiontide Friday, 2 April 2021 Good Friday
¶ Evening Prayer Passiontide Friday, 2 April 2021 Good Friday The Word of God Psalmody The appointed psalmody is said. Psalm 130 Refrain: My soul waits for the Lord. 1 Out of the depths have I cried to you, O Lord; ♦ Lord, hear my voice; let your ears consider well the voice of my supplication. ♦ 2 If you, Lord, were to mark what is done amiss, O Lord, who could stand? ♦ 3 But there is forgiveness with you, so that you shall be feared. R ♦ 4 I wait for the Lord; my soul waits for him; in his word is my hope. 5 My soul waits for the Lord, ♦ more than the night watch for the morning, more than the night watch for the morning. R ♦ 6 O Israel, wait for the Lord, for with the Lord there is mercy; ♦ 7 With him is plenteous redemption and he shall redeem Israel from all their sins. Refrain: My soul waits for the Lord. Father, we commend to your faithful love those who are crying from the depths; help them to watch and pray through their time of darkness, in sure hope of the dawn of your forgiveness and redemption; through Jesus Christ our Lord. Psalm 143 Refrain: Show me, O Lord, the way that I should walk in. 1 Hear my prayer, O Lord, ♦ and in your faithfulness give ear to my supplications; answer me in your righteousness. ♦ 2 Enter not into judgement with your servant, for in your sight shall no one living be justified. 3 For the enemy has pursued me, ♦ crushing my life to the ground, making me sit in darkness like those long dead. -
Peter Saccio
Great Figures of the New Testament Parts I & II Amy-Jill Levine, Ph.D. PUBLISHED BY: THE TEACHING COMPANY 4840 Westfields Boulevard, Suite 500 Chantilly, Virginia 20151-2299 1-800-TEACH-12 Fax—703-378-3819 www.teach12.com Copyright © The Teaching Company, 2002 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. Amy-Jill Levine, Ph.D. E. Rhodes and Leona B. Carpenter Professor of New Testament Studies Vanderbilt University Divinity School/ Vanderbilt University Graduate Department of Religion Amy-Jill Levine earned her B.A. with high honors in English and Religion at Smith College, where she graduated magna cum laude and was a member of Phi Beta Kappa. Her M.A. and Ph.D. in Religion are from Duke University, where she was a Gurney Harris Kearns Fellow and W. D. Davies Instructor in Biblical Studies. Before moving to Vanderbilt, she was Sara Lawrence Lightfoot Associate Professor and Chair of the Department of Religion at Swarthmore College. Professor Levine’s numerous publications address Second-Temple Judaism, Christian origins, Jewish-Christian relations, and biblical women. She is currently editing the twelve-volume Feminist Companions to the New Testament and Early Christian Literature for Continuum, completing a manuscript on Hellenistic Jewish narratives for Harvard University Press, and preparing a commentary on the Book of Esther for Walter de Gruyter (Berlin). -
Understanding When to Kneel, Sit and Stand at a Traditional Latin Mass
UNDERSTANDING WHEN TO KNEEL, SIT AND STAND AT A TRADITIONAL LATIN MASS __________________________ A Short Essay on Mass Postures __________________________ by Richard Friend I. Introduction A Catholic assisting at a Traditional Latin Mass for the first time will most likely experience bewilderment and confusion as to when to kneel, sit and stand, for the postures that people observe at Traditional Latin Masses are so different from what he is accustomed to. To understand what people should really be doing at Mass is not always determinable from what people remember or from what people are presently doing. What is needed is an understanding of the nature of the liturgy itself, and then to act accordingly. When I began assisting at Traditional Latin Masses for the first time as an adult, I remember being utterly confused with Mass postures. People followed one order of postures for Low Mass, and a different one for Sung Mass. I recall my oldest son, then a small boy, being thoroughly amused with the frequent changes in people’s postures during Sung Mass, when we would go in rather short order from standing for the entrance procession, kneeling for the preparatory prayers, standing for the Gloria, sitting when the priest sat, rising again when he rose, sitting for the epistle, gradual, alleluia, standing for the Gospel, sitting for the epistle in English, rising for the Gospel in English, sitting for the sermon, rising for the Credo, genuflecting together with the priest, sitting when the priest sat while the choir sang the Credo, kneeling when the choir reached Et incarnatus est etc. -
The Rites of Holy Week
THE RITES OF HOLY WEEK • CEREMONIES • PREPARATIONS • MUSIC • COMMENTARY By FREDERICK R. McMANUS Priest of the Archdiocese of Boston 1956 SAINT ANTHONY GUILD PRESS PATERSON, NEW JERSEY Copyright, 1956, by Frederick R. McManus Nihil obstat ALFRED R. JULIEN, J.C. D. Censor Lib1·or111n Imprimatur t RICHARD J. CUSHING A1·chbishop of Boston Boston, February 16, 1956 PRINTED IN THE UNITED STATES OF AMERICA INTRODUCTION ANCTITY is the purpose of the "new Holy Week." The news S accounts have been concerned with the radical changes, the upset of traditional practices, and the technical details of the re stored Holy Week services, but the real issue in the reform is the development of true holiness in the members of Christ's Church. This is the expectation of Pope Pius XII, as expressed personally by him. It is insisted upon repeatedly in the official language of the new laws - the goal is simple: that the faithful may take part in the most sacred week of the year "more easily, more devoutly, and more fruitfully." Certainly the changes now commanded ,by the Apostolic See are extraordinary, particularly since they come after nearly four centuries of little liturgical development. This is especially true of the different times set for the principal services. On Holy Thursday the solemn evening Mass now becomes a clearer and more evident memorial of the Last Supper of the Lord on the night before He suffered. On Good Friday, when Holy Mass is not offered, the liturgical service is placed at three o'clock in the afternoon, or later, since three o'clock is the "ninth hour" of the Gospel accounts of our Lord's Crucifixion. -
The Function of the Double Love Command in Matthew 22:34-40
Andrews Uniwsity Seminary Studies, Spring 1998, Vol. 36, No. 1, 7-22 Copyright @ 1998 by Andrews University Press. THE FUNCTION OF THE DOUBLE LOVE COMMAND IN MATTHEW 22:34-40 OSCARS. BROOKS Golden Gate Seminary Mill Valley, CA 94941 Matthew used the pericope of the double love command, love to God and neighbor, to summarize Jesus' teachings, as well as the laws of Moses, and to continue to demonstrate Jesus' prowess as a teacher in the presence of his Pharisaic opponents. This article sets forth the reasons for his doing so as well as the method used to accomplish this. Parallels to Matt 22:34-40 are found in Mark 12:28-34 and Luke 10:25- 28. It is not necessary here to do a full analysis of these parallels nor to determine the exact tradition behind the Synoptics. This has been done by Furnish, Fuller, Hultgren, and numerous others.' 7he Setting of the Double Love Command The quotations of Deut 6:5 and Lev 19:18 are the nucleus of each of the commandments. Hultgren thinks these two commandments, introduced by "Jesus said," formed a "free floatingn dominical saying in the early tradition.' Matthew's setting for the saying follows Mark's order, which places it in Jerusalem during Jesus' last days and is preceeded and followed by the same stories. Matthew opened the story by noting that the Pharisees "came together" (22:34) "to test him." Unlike Mark and Luke, Matthew made this a confrontation between Jesus and the Pharisees. A lawyer (nomikos) addressed Jesus as a teacher and asked: "Which is the great commandment in the law (nornos)" (22:36)? Jesus quoted Deut 6:5: "You shall love the Lord your God," thus answering the lawyer's question. -
Vesper PASSIONTIDE 03 06 16 Website
SUNDAY VESPERS Passiontide This booklet was prepared for parish use (March 2016 rev). Text and English translation are from The Divinum Officium Project (http://divinumofficium.com). Music for Vespers is from the Benedictines of Solesmes (eds.) The Liber Usualis with Introduction and Rubrics in English. (Desclee Company, 1961) and music for Benediction is from the Parish Book of Chant (Church Music Association of America, 2012). SUNDAY VESPERS - PASSIONTIDE All stand for the beginning of Vespers. SUNDAY AT VESPERS. PateINVITATORYr n6ster. Ave Maria. Festal Tone. 6- -=-SUNDA+ Hi 1 YI • A•T VESPERS. +9 Make the Sign ofSUNDA theSUNDA Cross Y(Y ✠ A) AwithTT theVESPERSVESPERS Officiant as.. he intones: E-usSUNDA in adjuto-ri-uPateYr n6ster AmT. Av m^-urVESPERSe Marian .inte"nde. 1^7. D o m i n e FestaDl Tone. Pater n6ster. Ave Maria. Pater n6ster. Ave Maria. Officiant:Festal Tone . Pate r n6ster . Av e Maria . All: mFesta l Tone. • Festal Tone6- .-=-+ Hi 1 I • • +9 O God, come to my -=--=-++ HHi i 11 I I • • •• assistance. ✠ Glory be to the 66---=-+SUNDAHi 1 I Y• •AT VESPERS. ++99 6adjuvandu- m festina. G16-ri- +9 Father, and to the Son, and to Dad E-us in adjuto-ri-ume m m^-ur n inte"ndea Patri. 1^7, e. Dt oFi-li m i n-eo, E-us in adjuto-ri-uPater n6sterm. Av m^-ure Marian inte"nde. 1^7. D o m i n e the Holy Spirit. As is was in 1 E-us in adjuto-ri-um m^-urn inte"nde. 1^7. -
Faith Fact a Lenten Tradition: Veiling the Cross for Passiontide
Faith Fact A Lenten Tradition: Veiling the Cross for Passiontide By Laura Jean Rabiipour Towards the end of Lent, you may notice purple cloths draped over the crucifixes, statues, and saint images in our parish church. In some churches, these items may be removed from the sanctuary altogether. This old custom of veiling religious images is a way of focusing on the penitential aspect of this liturgical season. It reminds us in a visual way that our faith in all its glory is made possible only through the work of Christ in his suffering and death on the cross. When we cover or remove these holy and sacred images that we are so accustomed to, we are starkly confronted and reminded in a poignant way of all that Christ has won for us. The tradition is often practiced during the last two weeks before Easter, starting on Passion Sunday (now called the fifth Sunday of Lent) and ending on Good Friday. This time period is known on the old liturgical calendar as Passiontide. Even though this period is no longer officially called by this name, the tradition is still practiced in many places. Then, as in a dramatic unveiling, the holy images are again revealed for the Easter Vigil to mark the end of the penitential season. The joy of the Easter season and the hope of the Resurrection then come to the forefront. Temporarily veiling the crosses and religious images in the penitential color of Lent is a beautiful custom that helps us to reflect on the deeper theological meaning of the liturgical season. -
MATERNAL HEART of MARY Traditional Latin Mass Parish, Lewisham
MATERNAL HEART of MARY Traditional Latin Mass Parish, Lewisham OFFICE OF HOLY SATURDAY MATINS FIRST NOCTURN Ant. In pace * in idípsum, dórm- Ant: I will both lay me down in peace, * iam et requiéscam. and sleep. PSALM 4 1. CUM invocárem exaudívit me 1. When I called upon him, the God of my Deus iustítiæ meæ: * in tribu- justice heard me: * when I was in dis- latióne dilatásti mihi. tress, thou hast enlarged me. 2. Miserére mei, * et exáudi oratió- 2. Have mercy on me: * and hear my pray- nem meam. er. 3. Fílii hóminum, úsquequo gravi 3. O ye sons of men, how long will you be corde? * ut quid dilígitis van- dull of heart? * Why do you love vanity, itátem, et quǽritis mendácium? and seek after lying? 4. Et scitóte quóniam mirificávit 4. Know ye also that the Lord hath made Dóminus sanctum suum: * his holy one wonderful: * the Lord will Dóminus exáudiet me cum hear me when I shall cry unto him. clamávero ad eum. 5. Irascímini, et nolíte peccáre: * 5. Be ye angry, and sin not: * the things quæ dícitis in córdibus vestris, you say in your hearts, be sorry for them in cubílibus vestris com- upon your beds. pungímini. 6. Sacrificáte sacrifícium iustítiæ, et 6. Offer up the sacrifice of justice, and speráte in Dómino. * Multi trust in the Lord: * many say, Who dicunt: Quis osténdit nobis sheweth us good things? bona? 7. Signátum est super nos lumen 7. The light of thy countenance, O Lord, is vultus tui, Dómine: * dedísti signed upon us: * thou hast given glad- lætítiam in corde meo. -
Passiontide Begins| March 21, 2021
THE FIFTH SUNDAY OF LENT | PASSIONTIDE BEGINS| MARCH 21, 2021 CATHEDRAL OF SAINT PAUL NATIONAL SHRINE OF THE APOSTLE PAUL 239 Selby Avenue, Saint Paul, Minnesota 55102 651.228.1766 | www.cathedralsaintpaul.org Rev. John L. Ubel, Rector Priests In Residence: Rev. Mark Pavlak & Rev. Joseph Bambenek Deacons Phil Stewart, Ron Schmitz & Nao Kao Yang ARCHDIOCESE OF SAINT PAUL AND MINNEAPOLIS Most Rev. Bernard A. Hebda, Archbishop Most Rev. Andrew H. Cozzens, Auxiliary Bishop LITURGY GUIDE FOR THE FIFTH SUNDAY OF LENT — BEGINNING OF PASSIONTIDE Congregational singing is suspended per COVID protocol. and your Holy Spirit take not from me. Give me back the joy of your salvation, INTROIT Sung by Cantor/Schola alone and a willing spirit sustain in me. Iudica me Deus Gregorian Missal, Mode IV Iúdica me Deus, et discérne causam meam de gente non sancta: ab hómine I will teach transgressors your ways, iníquo et dolóso éripe me: quia tu es Deus meus, et fortitúdo mea. and sinners shall return to you. Ps. Emítte lucem tuam, et veritátem tuam: ipsa me deduxérunt, et ad- SECOND READING Hebrews 5:7-9 duxérunt in montem sanctum tuum, et in tabernácula tua. n the days when Christ Jesus was in the flesh, Vindicate me, O God, and defend my cause against an ungodly nation; from he offered prayers and supplications with loud cries and wicked and deceitful men deliver me, for you are my God and my strength. tears to the one who was able to save him from death, ℣. Send forth your light and your truth; these have led me and brought me to your holy mountain and to your dwelling place. -
Great Issues in American History: a Compilation of Primary Sources
DOCUMENT RESUME ED 130 948 SO 009 526 AUTHOR Vance, Elizabeth TITLE Great Issues in American History: A Compilation of Primary Sources Related to Issues That Have Occupied the Attention of the American People from Colonial Days to the Present. Oregon ASCD Curriculum Bulletin, Vol. 30, No. 333. INSTITUTICN Oregon Association for Supervision and Curriculum Development, Salem. PUB DATE Oct 76 NOTE 149p. AVAILABLE FROM Oregon ASCD Curriculum Bulletin, P.O. Box 421, Salem, Oregon 97308 ($4.75 paper cover). EDRS PRICE MF-$0.83 HC-$7.35 Plus Postage. DESCRIPTORS Bibliographies; Civil Rights; Civil War (United States); Colonial History (United States); Immigrants; Imperialism; Industrialization; Information Sources; *Primary Sources; Reconstruction Era; Revolutionary War (United States); Secondary Education; Slavery; Social Change; *United States History ABSTRACT This publication is a compilation of primary source materials related to issues that have occupied the attention of the American people from colonial days to the present.-It is intended for use at the secondary level. A prologue containscreation stories and poems on the origins of the world and man.Documentation of the primary sources is provided. Five chapters treat specific time periods in U.S. history. The time periods covered include the European Colonization of North America, 1492-1700; Founding the New Nation, 1770-1800; Establishing the New Nation, 1800-1865; Reconstruction, Industrialism, and Imperialism, 1865-1912; and International Involvement, Social Change, and Liberation, 1912-1976. Each chapter presents a brief introduction, identifies five orsix issues, and concludes with a bibliography of the sources of the primary materials. A general reading list concludes the publication. -
The Bugnini-Liturgy and the Reform of the Reform the Bugnini-Liturgy and the Reform of the Reform
in cooperation with the Church Music Association of America MusicaSacra.com MVSICAE • SACRAE • MELETEMATA edited on behalf of the Church Music Association of America by Catholic Church Music Associates Volume 5 THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM by LASZLO DOBSZAY Front Royal VA 2003 EMINENTISSIMO VIRO PATRI VENERABILI ET MAGISTRO JOSEPHO S. R. E. CARDINALI RATZINGER HOC OPUSCULUM MAXIMAE AESTIMATIONIS AC REVERENTIAE SIGNUM D.D. AUCTOR Copyright © 2003 by Dobszay Laszlo Printed in Hungary All rights reserved under International and Pan-American Conventions. No part of these texts or translations may be reproduced in any form without written permission of the publisher, except for brief passages included in a review appearing in a magazine or newspaper. The author kindly requests that persons or periodicals publishing a review on his book send a copy or the bibliographical data to the following address: Laszlo Dobszay, 11-1014 Budapest, Tancsics M. u. 7. Hungary. K-mail: [email protected] Contents INTRODUCTION Page 9 1. HYMNS OF THE HOURS Page 14 2. THE HOLY WEEK Page 20 3. THE DIVINE OFFICE Page 45 4. THE CHANTS OF THE PROPRIUM MISSAE VERSUS "ALIUS CANTUS APTUS" Page 85 5. THE READINGS OF THE MASS AND THE CALENDAR Page 121 6. THE TRIDENTINE MOVEMENT AND THE REFORM OF THE REFORM Page 147 7. HIGH CHURCH - LOW CHURCH: THE SPLIT OF CATHOLIC CHURCH MUSIC Page 180 8. CHURCH MUSIC AT THE CROSSROADS Page 194 A WORD TO THE READER Page 216 Introduction The growing displeasure with the "new liturgy" introduced after (and not by) the Second Vatican Council is characterized by two ideas. -
ST. JOSEPH CHURCH an Apostolate of the Institute of Christ the King Sovereign Priest Canon Glenn Gardner, Rector
ST. JOSEPH CHURCH An Apostolate of the Institute of Christ the King Sovereign Priest Canon Glenn Gardner, Rector PASSION SUNDAY April 7, A.D. 2019 - April 14 A.D. 2019 LATIN MASS TIMES Sunday 11:00 a.m. Monday through Saturday 8:00 a.m. Wednesday 6:00 p.m. Confessions 30 minutes before each mass From the Rector… There is only one reason: Love! Love for the Father and love for mankind, whom He wants to reconcile with the Father. Only infinite love can explain the sufferings and humiliation accepted by Jesus. While His divinity hides itself, and almost seems to abandon Him, Jesus who is both human and divine, suffers in His human nature. Do- ing so, Jesus has given meaning to human suffering, He has made it meritorious: if accepted for the love of God and offered up for the salvation of the world. Jesus is the innocent victim, and He attains the high point of His mission into the world when it is His hour for which He longed. As we look at Jesus on the cross we confront the mystery of suffering and death and the paradox that suffering with Jesus leads to glory and happiness. Our task now is to follow Him during Holy Week. He says, “If you wish to be my disciple. Take up your cross daily and follow me.” These words are addressed to you and me. In the Acts of the Apostles (5:41) it is said that the Apos- tles rejoiced that they could suffer something for Jesus. They found joy in their sufferings because they saw mean- ing in it.