The Last Supper
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Peter Saccio
Great Figures of the New Testament Parts I & II Amy-Jill Levine, Ph.D. PUBLISHED BY: THE TEACHING COMPANY 4840 Westfields Boulevard, Suite 500 Chantilly, Virginia 20151-2299 1-800-TEACH-12 Fax—703-378-3819 www.teach12.com Copyright © The Teaching Company, 2002 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. Amy-Jill Levine, Ph.D. E. Rhodes and Leona B. Carpenter Professor of New Testament Studies Vanderbilt University Divinity School/ Vanderbilt University Graduate Department of Religion Amy-Jill Levine earned her B.A. with high honors in English and Religion at Smith College, where she graduated magna cum laude and was a member of Phi Beta Kappa. Her M.A. and Ph.D. in Religion are from Duke University, where she was a Gurney Harris Kearns Fellow and W. D. Davies Instructor in Biblical Studies. Before moving to Vanderbilt, she was Sara Lawrence Lightfoot Associate Professor and Chair of the Department of Religion at Swarthmore College. Professor Levine’s numerous publications address Second-Temple Judaism, Christian origins, Jewish-Christian relations, and biblical women. She is currently editing the twelve-volume Feminist Companions to the New Testament and Early Christian Literature for Continuum, completing a manuscript on Hellenistic Jewish narratives for Harvard University Press, and preparing a commentary on the Book of Esther for Walter de Gruyter (Berlin). -
The Function of the Double Love Command in Matthew 22:34-40
Andrews Uniwsity Seminary Studies, Spring 1998, Vol. 36, No. 1, 7-22 Copyright @ 1998 by Andrews University Press. THE FUNCTION OF THE DOUBLE LOVE COMMAND IN MATTHEW 22:34-40 OSCARS. BROOKS Golden Gate Seminary Mill Valley, CA 94941 Matthew used the pericope of the double love command, love to God and neighbor, to summarize Jesus' teachings, as well as the laws of Moses, and to continue to demonstrate Jesus' prowess as a teacher in the presence of his Pharisaic opponents. This article sets forth the reasons for his doing so as well as the method used to accomplish this. Parallels to Matt 22:34-40 are found in Mark 12:28-34 and Luke 10:25- 28. It is not necessary here to do a full analysis of these parallels nor to determine the exact tradition behind the Synoptics. This has been done by Furnish, Fuller, Hultgren, and numerous others.' 7he Setting of the Double Love Command The quotations of Deut 6:5 and Lev 19:18 are the nucleus of each of the commandments. Hultgren thinks these two commandments, introduced by "Jesus said," formed a "free floatingn dominical saying in the early tradition.' Matthew's setting for the saying follows Mark's order, which places it in Jerusalem during Jesus' last days and is preceeded and followed by the same stories. Matthew opened the story by noting that the Pharisees "came together" (22:34) "to test him." Unlike Mark and Luke, Matthew made this a confrontation between Jesus and the Pharisees. A lawyer (nomikos) addressed Jesus as a teacher and asked: "Which is the great commandment in the law (nornos)" (22:36)? Jesus quoted Deut 6:5: "You shall love the Lord your God," thus answering the lawyer's question. -
“Sacrum Convivium”. Formas E Conteúdos Da Ceia Do Rei De Portugal Na Idade Moderna a Partir Das Figurações Icónicas
De Arte, 4, 2005, pp. 89-120 “Sacrum convivium”. Formas e conteúdos da ceia do rei de Portugal na Idade Moderna a partir das figurações icónicas Marco Daniel Duarte RESUMO. Os reis da Idade Moderna portuguesa, como os monarcas da restante Europa, tinham plena consciência da importância da alimentação e do simbolismo que, desde os tempos mais antigos da humanidade, a alimentação condensava através dos seus ritos. Faziam, assim, do acto de comer um cerimonial através do qual demonstravam o seu poder: ante os maiores do seu povo, o rei mostrava-se alimentador do seu reino e, também, alimentado pelo seu reino. Os vários ritos estavam de tal sorte associados ao ritual eucarístico que, inclusivamente, se poderá falar de um verdadeiro “sacrum convivium”. De entre as várias fontes que concorrem para esta percepção, têm um lugar primordial as fontes iconográficas (ceias, representação de festas, naturezas-mortas…), pois condensam em si, mais do que uma reprodução à maneira de reportagem, os valores que, na Idade Moderna, gravitavam em torno da sacralidade dos alimentos. Palabras‐chave: ceia, iconografia da alimentação, banquete, ritual, liturgia régia, eucaristia, natureza-morta, comida pública do rei, Última Ceia. ABSTRACT. The kings of the Portuguese Modern Age, such as the monarchs of the rest of Europe, had plain conscience of the importance of food and of the symbolism that, since the most ancient times of humanity, food condensed through its rites. They did, thus, from the act of eating a ceremonial through which they would show their power: in the face of the greatest of his people, the king showed himself as the feeder of his realm and, also, as the one who was fed by his kingdom. -
The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages. -
The Last Supper
Easter | Session 2 | Uptown Good Friday Lesson The Last Supper BIBLE PASSAGE: Matthew 26; John 13 STORY POINT: Jesus and his disciples ate the first Lord’s Supper at Passover. KEY PASSAGE: Romans 10:9 BIG PICTURE QUESTION: Who saves us from our sin? Only Jesus saves us from sin. Activity page Invite kids to complete “The Lord’s Supper” on the activity page. Kids should use the code to reveal two important parts of the Lord’s Supper. (bread, cup) Each box relates to the corresponding letter’s position in the grid. SAY • In the Bible story we will hear today, Jesus ate a special meal with His disciples. The meal was usually to remember the Passover, but Jesus used the bread and the cup to talk about something even greater. Play Dough Meal Provide a lump of play dough for each kid. Invite kids to work together to sculpt items for a dinner. Kids may form cups, plates, flatware, and various foods. As kids work, ask them to describe what they are creating. SAY • Do you ever have a special meal to celebrate a holiday or event? What kinds of foods are served at that meal? Today we are going to hear about a meal Jesus ate with His disciples. We will also learn why believers still celebrate that meal today when we share the Lord’s Supper. The Bible Story Jesus’ disciples went into the city to prepare the Passover meal. When the meal was ready, Jesus and His disciples reclined at the table. Jesus knew His time on earth was almost over and He would soon return to the Father in heaven. -
Great Issues in American History: a Compilation of Primary Sources
DOCUMENT RESUME ED 130 948 SO 009 526 AUTHOR Vance, Elizabeth TITLE Great Issues in American History: A Compilation of Primary Sources Related to Issues That Have Occupied the Attention of the American People from Colonial Days to the Present. Oregon ASCD Curriculum Bulletin, Vol. 30, No. 333. INSTITUTICN Oregon Association for Supervision and Curriculum Development, Salem. PUB DATE Oct 76 NOTE 149p. AVAILABLE FROM Oregon ASCD Curriculum Bulletin, P.O. Box 421, Salem, Oregon 97308 ($4.75 paper cover). EDRS PRICE MF-$0.83 HC-$7.35 Plus Postage. DESCRIPTORS Bibliographies; Civil Rights; Civil War (United States); Colonial History (United States); Immigrants; Imperialism; Industrialization; Information Sources; *Primary Sources; Reconstruction Era; Revolutionary War (United States); Secondary Education; Slavery; Social Change; *United States History ABSTRACT This publication is a compilation of primary source materials related to issues that have occupied the attention of the American people from colonial days to the present.-It is intended for use at the secondary level. A prologue containscreation stories and poems on the origins of the world and man.Documentation of the primary sources is provided. Five chapters treat specific time periods in U.S. history. The time periods covered include the European Colonization of North America, 1492-1700; Founding the New Nation, 1770-1800; Establishing the New Nation, 1800-1865; Reconstruction, Industrialism, and Imperialism, 1865-1912; and International Involvement, Social Change, and Liberation, 1912-1976. Each chapter presents a brief introduction, identifies five orsix issues, and concludes with a bibliography of the sources of the primary materials. A general reading list concludes the publication. -
20080706 the Lord's Supper Enemies at the Last Supper Cover.Pub
THE LORD’S SUPPER Enemies at the Last Supper our Daily BreaD Junior Edition 7-06-08 SOMETHING YOU MUST KNOW: God is perfect. He is Holy. We are all sinners. For all have sinned, and come short of the glory of God. (Romans 3:23a KJB) None of us could ever make ourselves perfect or holy to be accepted by God. But God loves us all so much, that He gave His only Son, the Lord Jesus Christ, to go to the cross and pay the penalty for our sins IN FULL, ONCE and FOR ALL. Jesus died and rose again. Because of the Lord Jesus Christ, God can now make us holy and ac- ceptable to Himself. For Christ also hath once suffered for sins, the just for the unjust, that he might bring us to God, being put to death in the flesh, but quickened by the Spirit. (1 Peter 3:18 KJB) Jesus Christ is our ONLY WAY to God and heaven. Jesus saith unto him, I am the way, the truth, and the life, no man cometh unto the Father, but by me. (John 14:6 KJB) Believe on the Lord Jesus Christ, and thou shalt be saved. (Acts 16:31 KJB) Without Jesus Christ, you can NEVER be accepted by God or go to heaven. When you believe in Jesus Christ as your Savior, God makes you His child. When you leave this world, you will spend all of eternity with Him! But as many as received him to them gave he power to become the sons of God, even to them that believe on his name. -
May 24, 2016 Crossroads Christian Church Lexington, KY
ISSACHAR SUMMIT LEXINGTON May 24, 2016 Crossroads Christian Church Lexington, KY ! Resource Guide Our Prayer for You... That you would be a man or woman of Issachar More than 3,000 years ago, God raised up a cadre of 200 men and their families, from the tribe of Issachar, to give leadership to His people because they “Understood the times and knew what Israel should do.” As we meet together, we want to look in the Scriptures at what God has asked us to do as it relates to the fulfillment of His Great Commission. Our prayer is that by the time you leave this afternoon: 1. You will know from Scripture, what God’s direction is for the Global Church. 2. You will know the task remaining in each Element of the Great Commission. 3. You will commit to use your influence, expertise, and designated giving, to make a difference. Warmly in Christ, The Issachar Initiative Summit Agenda – Lexington, KY Continental Breakfast Provided SUMMIT BEGINS AT 9:00 am I. Introduction and Overview Bob Shank A. Becoming Men and Women of Issachar B. Paradigms of Networking and Partnership II. The Issachar Vision, and Biblical Foundation Paul Eshleman III. Clarifying the Objectives Bob Shank/Table Discussion IV. The Elements of The Great Commission – Part 1 Roy Peterson/Mart Green A. Bible Translation and Scripture Engagement B. Unreached People Groups Paul Eshleman C. Evangelism and Discipleship Heather Mercer 1. Reaching Women in the Muslim World 2. Unlocking the Gospel to the Deaf Paul Njatha/ Dr. Rob Meyers D. Church Planting and Presence Bekele Shanko LUNCH AFTERNOON SESSIONS V. -
Parish Information
St. Francis Xavier Parish Feast of Corpus Christi 14 June 2020 St. Francis Xavier, Acushnet – Diocese of Fall River Mass Schedule From the Pastor’s Desk th st (June 13 - 21 ) GRATITUDE AND CONCERN Sat. June 13 Corpus Christi (Vigil) (W h) Thankfully, things are beginning to return to normal. 4:00 pm Simone Beaulieu Sun. June 14 Corpus Christi (W h) For me, it has been a true blessing to be able to worship 8:00am Pro Populo with you again at Mass. I would again like to thank you 10:30am Month’s Mind – as I did last weekend – for your cooperation with our 5:00pm Harry & Mary Booth and Theodore precautions. As the old saying goes, an ounce of preven- & Anna Saulnier tion is better than a pound of cure. Mon. June 15 Feria (Gr) 9:00am For Peace in Our Nation Being careful has paid off: looking at the chart for new Tues. June 16 Feria (Gr) Coronavirus cases in Massachusetts for the past few 9:00am Amelia Leconte weeks, the reopening of churches and other places of Wed. June 17 Feria (Gr) worship has not had a negative effect on the decline of 9:00am Annette Poitras infections. In fact, they have continued to drop. Let us Thurs. June 18 Feria (Gr) hope that as more places reopen they will be as serious as 9:00am Ceasar Fernandes & Mr. & Mrs. Jose De Sousa churches have been in sanitizing and guiding social dis- Fri. June 19 The Most Sacred Heart of Jesus (Wh) tancing. 9:00am Arthur & Jeanne Guillotte Thanks must be given where it is due: Governor Baker Sat. -
Title a New Proposal on the Chronological Order of the Moses
Title A new proposal on the chronological order of the Moses and Christ frescoes in the Sistine Chapel Sub Title システィーナ礼拝堂装飾壁画の 〈モーセ伝〉 と 〈キリスト伝〉 連作の制作順序について Author 荒木, 文果(Araki, Fumika) Publisher 慶應義塾大学日吉紀要刊行委員会 Publication year 2019 Jtitle 慶應義塾大学日吉紀要. 人文科学 (The Hiyoshi review of the humanities). No.34 (2019. ) ,p.1- 26 Abstract Notes 挿図 Genre Departmental Bulletin Paper URL https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=AN10065043-2019063 0-0001 慶應義塾大学学術情報リポジトリ(KOARA)に掲載されているコンテンツの著作権は、それぞれの著作者、学会または出版社/発行者に帰属し、その権利は著作権法によって 保護されています。引用にあたっては、著作権法を遵守してご利用ください。 The copyrights of content available on the KeiO Associated Repository of Academic resources (KOARA) belong to the respective authors, academic societies, or publishers/issuers, and these rights are protected by the Japanese Copyright Act. When quoting the content, please follow the Japanese copyright act. Powered by TCPDF (www.tcpdf.org) A New Proposal on the Chronological Order of the Moses and Christ Frescoes in the Sistine Chapel 1 A New Proposal on the Chronological Order of the Moses and Christ Frescoes in the Sistine Chapel Fumika Araki Introduction In 1481, Pope Sixtus IV della Rovere (papacy: from 1471 to 1484) invited four Umbrian and Florentine painters, Pietro Perugino (c. 1450–1523), Cosimo Rosselli (1439–1507), Domenico Ghirlandaio (1449–1494) and Sandro Botticelli (c. 1445– 1510), to Rome to decorate the entire walls of the pontifical chapel taking his name, the Sistine Chapel [Fig. 1]. These painters were considered to be the most skillful artists at that time and all of them had already managed their own workshop. The walls of the chapel were horizontally divided into three registers [Fig. -
La Crucifixion
Points de vue sur la crucifixion Valentine Robert La crucifixion comme iconographie Un emblème de la frontalité? Lucas Cranach l’Ancien, 1505 Alte Pinakothek, Munich Paul Véronèse, 1584 Musée du Louvre, Paris Peter Paul Rubens, 1621 Koninklijk Museum, Anvers Simon Vouet, 1622 Chiesa del Gesù, Gênes Tiepolo, c.1780 Collection particulière Pierre Paul Prud’hon, c.1822 Musée du Louvre, Paris Eugène Delacroix, Nikolaï Gay, 1893 Musée d’Orsay, Paris Nikolaï Gay, 1893 Musée d’Orsay, Paris Fred Holland Day, 1898 Siegfried Reinhardt, 1953 Whitney Museum of American Art, New York James Tissot, illustrations reprises à La Vie de Notre Seigneur Jésus-Christ, 1899 Saint Jean de la Croix, Esquisse, 1577 –dans l’état où Dali le découvre en 1951– 57 x 47 mm, conservé au monastère des Carmélites de l’Incarnation à Avila Salvador Dali, Le Christ de St Jean de la Croix, 1951 Dali, Assumpta corpscularia lapislazulina , 1952 Dali, Ascension, 1958 Dali, Corpus Hypercubus, 1954 Dali, Le Christ de Gala, 1978 Dali, Le Christ de Gala, 1978 Jim Shaw Christ in Dali Vision 1988 La crucifixion comme récit Au croisement des focalisations ? • La Crucifixion selon un témoin oculaire, témoignage d’origine essénienne • Ce que Jésus voyait du haut de la croix, Antonin-Dalmace de Sertillanges, 1930 • La douloureuse passion de notre Seigneur Jésus-Christ, d'après les méditations d’Anne-Catherine Emmerich, 1833 RomansRomans • Sie waren Zeitgenossen (Gertrud Fussenegger, 1983) Diesseits von Golgatha (Werner Koch, 1986) Jesus the Son of Man (Khalil Gibran, 1990) • Moi, Jésus (Gilbert Sinoué, 2007) La crucifixion au cinéma 0. Points de vue « imités » Cf. -
The Scientific Narrative of Leonardo╎s Last Supper
Best Integrated Writing Volume 5 Article 4 2018 The Scientific Narrative of Leonardo’s Last Supper Amanda Grieve Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/biw Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Classical Archaeology and Art History Commons, and the International and Area Studies Commons Recommended Citation Grieve, A. (2018). The Scientific Narrative of Leonardo’s Last Supper, Best Integrated Writing, 5. This Article is brought to you for free and open access by CORE Scholar. It has been accepted for inclusion in Best Integrated Writing by an authorized editor of CORE Scholar. For more information, please contact library- [email protected]. AMANDA GRIEVE ART 3130 The Scientific Narrative of Leonardo’s Last Supper AMANDA GRIEVE ART 3130: Leonardo da Vinci, Fall 2017 Nominated by: Dr. Caroline Hillard Amanda Grieve is a senior at Wright State University and is pursuing a BFA with a focus on Studio Painting. She received her Associates degree in Visual Communications from Sinclair Community College in 2007. Amanda notes: I knew Leonardo was an incredible artist, but what became obvious after researching and learning more about the man himself, is that he was a great thinker and intellectual. I believe those aspects of his personality greatly influenced his art and, in large part, made his work revolutionary for his time. Dr. Hillard notes: This paper presents a clear and original thesis about Leonardo da Vinci’s Last Supper that incorporates important scholarly research and Leonardo’s own writings. The literature on Leonardo is extensive, yet the author has identified key studies and distilled their essential contributions with ease.