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“Sacrum Convivium”. Formas E Conteúdos Da Ceia Do Rei De Portugal Na Idade Moderna a Partir Das Figurações Icónicas
De Arte, 4, 2005, pp. 89-120 “Sacrum convivium”. Formas e conteúdos da ceia do rei de Portugal na Idade Moderna a partir das figurações icónicas Marco Daniel Duarte RESUMO. Os reis da Idade Moderna portuguesa, como os monarcas da restante Europa, tinham plena consciência da importância da alimentação e do simbolismo que, desde os tempos mais antigos da humanidade, a alimentação condensava através dos seus ritos. Faziam, assim, do acto de comer um cerimonial através do qual demonstravam o seu poder: ante os maiores do seu povo, o rei mostrava-se alimentador do seu reino e, também, alimentado pelo seu reino. Os vários ritos estavam de tal sorte associados ao ritual eucarístico que, inclusivamente, se poderá falar de um verdadeiro “sacrum convivium”. De entre as várias fontes que concorrem para esta percepção, têm um lugar primordial as fontes iconográficas (ceias, representação de festas, naturezas-mortas…), pois condensam em si, mais do que uma reprodução à maneira de reportagem, os valores que, na Idade Moderna, gravitavam em torno da sacralidade dos alimentos. Palabras‐chave: ceia, iconografia da alimentação, banquete, ritual, liturgia régia, eucaristia, natureza-morta, comida pública do rei, Última Ceia. ABSTRACT. The kings of the Portuguese Modern Age, such as the monarchs of the rest of Europe, had plain conscience of the importance of food and of the symbolism that, since the most ancient times of humanity, food condensed through its rites. They did, thus, from the act of eating a ceremonial through which they would show their power: in the face of the greatest of his people, the king showed himself as the feeder of his realm and, also, as the one who was fed by his kingdom. -
The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages. -
The Last Supper
Easter | Session 2 | Uptown Good Friday Lesson The Last Supper BIBLE PASSAGE: Matthew 26; John 13 STORY POINT: Jesus and his disciples ate the first Lord’s Supper at Passover. KEY PASSAGE: Romans 10:9 BIG PICTURE QUESTION: Who saves us from our sin? Only Jesus saves us from sin. Activity page Invite kids to complete “The Lord’s Supper” on the activity page. Kids should use the code to reveal two important parts of the Lord’s Supper. (bread, cup) Each box relates to the corresponding letter’s position in the grid. SAY • In the Bible story we will hear today, Jesus ate a special meal with His disciples. The meal was usually to remember the Passover, but Jesus used the bread and the cup to talk about something even greater. Play Dough Meal Provide a lump of play dough for each kid. Invite kids to work together to sculpt items for a dinner. Kids may form cups, plates, flatware, and various foods. As kids work, ask them to describe what they are creating. SAY • Do you ever have a special meal to celebrate a holiday or event? What kinds of foods are served at that meal? Today we are going to hear about a meal Jesus ate with His disciples. We will also learn why believers still celebrate that meal today when we share the Lord’s Supper. The Bible Story Jesus’ disciples went into the city to prepare the Passover meal. When the meal was ready, Jesus and His disciples reclined at the table. Jesus knew His time on earth was almost over and He would soon return to the Father in heaven. -
20080706 the Lord's Supper Enemies at the Last Supper Cover.Pub
THE LORD’S SUPPER Enemies at the Last Supper our Daily BreaD Junior Edition 7-06-08 SOMETHING YOU MUST KNOW: God is perfect. He is Holy. We are all sinners. For all have sinned, and come short of the glory of God. (Romans 3:23a KJB) None of us could ever make ourselves perfect or holy to be accepted by God. But God loves us all so much, that He gave His only Son, the Lord Jesus Christ, to go to the cross and pay the penalty for our sins IN FULL, ONCE and FOR ALL. Jesus died and rose again. Because of the Lord Jesus Christ, God can now make us holy and ac- ceptable to Himself. For Christ also hath once suffered for sins, the just for the unjust, that he might bring us to God, being put to death in the flesh, but quickened by the Spirit. (1 Peter 3:18 KJB) Jesus Christ is our ONLY WAY to God and heaven. Jesus saith unto him, I am the way, the truth, and the life, no man cometh unto the Father, but by me. (John 14:6 KJB) Believe on the Lord Jesus Christ, and thou shalt be saved. (Acts 16:31 KJB) Without Jesus Christ, you can NEVER be accepted by God or go to heaven. When you believe in Jesus Christ as your Savior, God makes you His child. When you leave this world, you will spend all of eternity with Him! But as many as received him to them gave he power to become the sons of God, even to them that believe on his name. -
The Last Supper
THE LAST SUPPER Commentary by the Reverend Matthew Mead Table of Contents INTRODUCTION ............................................................................................................................. 2 ABOUT THE PASSOVER & THE FESTIVAL OF UNLEAVENED BREAD .................................... 2 GENERAL NOTES ABOUT TIMELINES & CHRONOLOGIES .................................................... 5 EVENTS LEADING UP TO THE LAST SUPPER............................................................................. 7 WHEN & WHERE WAS THE LAST SUPPER ................................................................................. 9 SITTING DOWN TO SUPPER ....................................................................................................... 13 BETRAYAL PREDICTED AT THE LAST SUPPER ........................................................................ 15 BREAD & WINE / BODY & BLOOD .......................................................................................... 20 PETER’S DENIAL FORETOLD ..................................................................................................... 28 SERVICE & DISCIPLESHIP .......................................................................................................... 31 FINAL THOUGHTS ON MAUNDY THURSDAY .......................................................................... 36 - 1 - INTRODUCTION This commentary examines the Scriptural accounts of the Last Supper, related material (Passover texts, John 6, Feeding of the 5000, etc.), and how the liturgical -
Parish Information
St. Francis Xavier Parish Feast of Corpus Christi 14 June 2020 St. Francis Xavier, Acushnet – Diocese of Fall River Mass Schedule From the Pastor’s Desk th st (June 13 - 21 ) GRATITUDE AND CONCERN Sat. June 13 Corpus Christi (Vigil) (W h) Thankfully, things are beginning to return to normal. 4:00 pm Simone Beaulieu Sun. June 14 Corpus Christi (W h) For me, it has been a true blessing to be able to worship 8:00am Pro Populo with you again at Mass. I would again like to thank you 10:30am Month’s Mind – as I did last weekend – for your cooperation with our 5:00pm Harry & Mary Booth and Theodore precautions. As the old saying goes, an ounce of preven- & Anna Saulnier tion is better than a pound of cure. Mon. June 15 Feria (Gr) 9:00am For Peace in Our Nation Being careful has paid off: looking at the chart for new Tues. June 16 Feria (Gr) Coronavirus cases in Massachusetts for the past few 9:00am Amelia Leconte weeks, the reopening of churches and other places of Wed. June 17 Feria (Gr) worship has not had a negative effect on the decline of 9:00am Annette Poitras infections. In fact, they have continued to drop. Let us Thurs. June 18 Feria (Gr) hope that as more places reopen they will be as serious as 9:00am Ceasar Fernandes & Mr. & Mrs. Jose De Sousa churches have been in sanitizing and guiding social dis- Fri. June 19 The Most Sacred Heart of Jesus (Wh) tancing. 9:00am Arthur & Jeanne Guillotte Thanks must be given where it is due: Governor Baker Sat. -
Title a New Proposal on the Chronological Order of the Moses
Title A new proposal on the chronological order of the Moses and Christ frescoes in the Sistine Chapel Sub Title システィーナ礼拝堂装飾壁画の 〈モーセ伝〉 と 〈キリスト伝〉 連作の制作順序について Author 荒木, 文果(Araki, Fumika) Publisher 慶應義塾大学日吉紀要刊行委員会 Publication year 2019 Jtitle 慶應義塾大学日吉紀要. 人文科学 (The Hiyoshi review of the humanities). No.34 (2019. ) ,p.1- 26 Abstract Notes 挿図 Genre Departmental Bulletin Paper URL https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=AN10065043-2019063 0-0001 慶應義塾大学学術情報リポジトリ(KOARA)に掲載されているコンテンツの著作権は、それぞれの著作者、学会または出版社/発行者に帰属し、その権利は著作権法によって 保護されています。引用にあたっては、著作権法を遵守してご利用ください。 The copyrights of content available on the KeiO Associated Repository of Academic resources (KOARA) belong to the respective authors, academic societies, or publishers/issuers, and these rights are protected by the Japanese Copyright Act. When quoting the content, please follow the Japanese copyright act. Powered by TCPDF (www.tcpdf.org) A New Proposal on the Chronological Order of the Moses and Christ Frescoes in the Sistine Chapel 1 A New Proposal on the Chronological Order of the Moses and Christ Frescoes in the Sistine Chapel Fumika Araki Introduction In 1481, Pope Sixtus IV della Rovere (papacy: from 1471 to 1484) invited four Umbrian and Florentine painters, Pietro Perugino (c. 1450–1523), Cosimo Rosselli (1439–1507), Domenico Ghirlandaio (1449–1494) and Sandro Botticelli (c. 1445– 1510), to Rome to decorate the entire walls of the pontifical chapel taking his name, the Sistine Chapel [Fig. 1]. These painters were considered to be the most skillful artists at that time and all of them had already managed their own workshop. The walls of the chapel were horizontally divided into three registers [Fig. -
The Scientific Narrative of Leonardo╎s Last Supper
Best Integrated Writing Volume 5 Article 4 2018 The Scientific Narrative of Leonardo’s Last Supper Amanda Grieve Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/biw Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Classical Archaeology and Art History Commons, and the International and Area Studies Commons Recommended Citation Grieve, A. (2018). The Scientific Narrative of Leonardo’s Last Supper, Best Integrated Writing, 5. This Article is brought to you for free and open access by CORE Scholar. It has been accepted for inclusion in Best Integrated Writing by an authorized editor of CORE Scholar. For more information, please contact library- [email protected]. AMANDA GRIEVE ART 3130 The Scientific Narrative of Leonardo’s Last Supper AMANDA GRIEVE ART 3130: Leonardo da Vinci, Fall 2017 Nominated by: Dr. Caroline Hillard Amanda Grieve is a senior at Wright State University and is pursuing a BFA with a focus on Studio Painting. She received her Associates degree in Visual Communications from Sinclair Community College in 2007. Amanda notes: I knew Leonardo was an incredible artist, but what became obvious after researching and learning more about the man himself, is that he was a great thinker and intellectual. I believe those aspects of his personality greatly influenced his art and, in large part, made his work revolutionary for his time. Dr. Hillard notes: This paper presents a clear and original thesis about Leonardo da Vinci’s Last Supper that incorporates important scholarly research and Leonardo’s own writings. The literature on Leonardo is extensive, yet the author has identified key studies and distilled their essential contributions with ease. -
The Last Supper John 13:1-20 It Can Be Difficult for Modern Readers To
The Last Supper John 13:1-20 It can be difficult for modern readers to grasp the significance of Jesus’ act of washing his disciples’ feet before they shared the Passover meal. Our feet don’t need to be cleaned when we arrive at a friend’s home. Help kids by describing the dry, dirt roads people traveled on in sandals or barefoot. Invite kids to imagine how and when their own feet get dirty and need extra scrubbing. Beyond that, Jesus washed their feet to show his love for them. Encourage kids to enter into the story by thinking of big and small ways to show love to others by serving them. BEFORE HAND, TALK: Jesus was together with his friends to celebrate Passover. Passover was a holiday for Jewish people that is still celebrated today. The disciples and Jesus ate a special meal. At that meal, Jesus told his disciples to love each other. They shared bread and wine around the table. Today in churches we celebrate communion, or the Lord’s Supper, to remember Jesus’ Last Supper with his friends. Today’s story has three parts. It takes place on a special holiday called Passover. During Passover, Jewish people traveled to be with family and share a special meal together. This story is called The Last Supper because it’s the last time Jesus shares a meal with his friends before he is killed. He wants them to remember their time together. To help us remember the story and what Jesus tells his disciples, we’re going to act it out. -
Saint Margaret Mary 2324 W
April 14, 2019 Palm Sunday The weekly bulletin of SAINT MARGARET MARY 2324 W. Chase Ave. • Chicago, IL 60645 PASTORAL STAFF Pastor, Rev. Tirso Villaverde Pastor Emeritus, Rev. James Barrett Residents, Rev. Harold Murphy Michael Okoro, C.S.Sp. Deacon, Michael Neba Accountant, Jim Masini Religious Ed, Cynthia Splatt School Principal, Christine Huzenis Music Ministry, Steve Burke Howard Schneider MASS SCHEDULE Weekend Saturday 4:00 pm Sunday 8:30 am & 10:30 am Weekday Monday-Saturday 8:00 am RECONCILIATION Saturdays from 3:00-3:30 pm. An appointment can also be made by calling one of the priests. OFFICES Rectory (773) 764-0615 2324 W. Chase Hours: Monday-Friday 9:00 am-12:00 pm & 1:00-5:00 pm Parish Website: www.smmchicago.org/parish Parish School (773) 271-2008 Northside Catholic Academy Activity Center 7341 N. Claremont Holy Hands (773) 764-0615, ext. 27 2 From the Pastor’s Desk This weekend, there is nothing much to report in regards to the Renew My Church process except to remind us of the dates for the Renew My Church 101 informational gatherings: Sunday, April 28th, 2019 at 12:30 p.m. at St. Timothy 6332 N. Washtenaw OR Sunday, May 5th, 2019 at 3:00 p.m. at St. Henry 6335 N. Hoyne Ave. Since that is all to report, I wanted to take a break and focus on the holiest week of our faith. This Palm Sunday, we hear Luke’s version of the last moments of Jesus’ life. If we listen very carefully to the Passion narrative this weekend, we will discover the roots of the fifth and eighth stations in the traditional Way of the Cross—Simon of Cyrene and Jesus’ encounter with the women of Jerusalem. -
Pieter Paul Rubens Nelle Incisioni - on the Engravings
Pieter Paul Rubens Nelle Incisioni - On the Engravings § Acquaforte in due lastre stampate su fogli di carta filigrana di Leida con triplo giglio e corona liberamente ispirato all’Ultima Cena di Leonardo Da Vinci - cm. 104,2x41,1 § Etching in two sheets, printed on paper watermarked of Leida with triple lily and crown loosely based on the Last Supper by Leonardo Da Vinci - cm. 104,2x41,1 Finding L'acquaforte di Pieter Paul Rubens ispirata a l'Ultima The etching of Pieter Paul Rubens inspired by the Cena di Leonardo Da Vinci Last Supper of Leonardo Da Vinci Una rara acquaforte di Pieter Paul Rubens, realizzata con l'inten- A rare etching by Peter Paul Rubens, created with the intention dimento per il mercato italiano, in quanto la legenda in basso fa for the Italian market, as the legend at the bottom refers to the riferimento alla lingua italiana, è stata ritrovata a Roma. Italian language, was found in Rome. The etching is a study of the L'acquaforte è uno studio del celebre pittore fiammingo, libera- famous Flemish painter, freely inspired by the painting by Leo- mente ispirato al dipinto di Leonardo da Vinci (non scaduto a ri- nardo da Vinci (not expired to revisit the precious fresco in Milan) visitazione del prezioso affresco milanese) "L'Ultima Cena" di cui "The Last Supper" that were untraceable. The incision made du- si erano perse le tracce. L'incisione eseguita durante il soggiorno ring the stay in Rome, where the Flemish painter was engaged to romano, in cui il pittore fiammingo fu impegnato a realizzare il implement the project and the drafting of the sketches. -
The Last Supper
We Believe Workshop objectives The Last Supper The Art Workshop explores Deuteronomy 6:20-24; Luke 22:7-20 through creative art experiences. Objectives of the Workshop The children will have the opportunity to: • Remember some stories of Jesus. • Learn about the Last Supper. • Recognize the disciples' surprise. • Extend an artwork by drawing or painting themselves at the table with Jesus. The Audiovisual Workshop explores Deuteronomy 6:20-24; Luke 22:7-20 through audiovisual media that is heard, viewed or made. Objectives of the Workshop The children will have the opportunity to: • Remember stories of their own families, of the Old Testament, and of Jesus. • Increase their vocabulary of church terms such as Passover, Last Supper, Lord's Supper, Eucharist, communion, community, and covenant and be able to use these words to express an understanding of faith and sacrament. • Watch a video of their own congregation celebrating communion. (The video is prerecorded during a worship service.) The Computer Workshop explores Deuteronomy 6:20-24; Luke 22:7-20 using computers. Sometimes computers are used to tell the story, and sometimes they are used to respond to it. Objectives of the Workshop The children will have the opportunity to: • Hear the story of the Last Supper. • Use computer software to explore the new meaning that Jesus gave to the Passover meal. • Define Passover and communion. • Remember a special meal they have shared with their family and friends. • Respond to the phrase the gifts of God for the people of God. • Use Discovery's Life of Christ software (older children). • Use Play and Learn Children's Bible (younger children).