The Last Supper
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Depicting Christ's Friends
48 Copyright 2008 Center for Christian Ethics at Baylor University This photo is available in the print version of Friendship. The many and varied depictions of the Last Supper in Christian art continue to attract us as viewers not only because of the sacramental importance of the event they represent, but also because they explore the friendships among Christ and the apostles. Flemish School (Sixteenth Century), THE LAS T SUPPER . Painted Stone. Oudheidkundig Museum van de Bijloke, Ghent, Belgium. Photo © Held Collection / The Bridgeman Art Library. Used by permission. Copyright 2008 Center for Christian Ethics at Baylor University 49 Depicting Christ’s Friends BY HEIDI J. HORNIK he many and varied depictions of the Last Supper—surely it is one of the best-loved biblical stories depicted in visual art—continue to Tattract us as viewers not only because of the sacramental importance of the event they depict, but also because they explore the friendships among Christ and the apostles. These two examples allow us to compare the representation of the Last Supper in a Northern Renaissance sculpture from Flanders (on the cover and p. 48) and an Italian Renaissance painting from Florence (see p. 50). In each object we can easily identify, for example, the intimate friendship of Christ and John the Beloved, for the artists follow a visual type for the disciple “whom Jesus loved” based on the scriptural reference of his “lying on Jesus’ breast” (John 13:23, 25, KJV). Domenico Ghirlandaio painted his fresco, The Last Supper, in the refect- ory or dining area of the Dominican monastery of San Marco in Florence. -
The Italian High Renaissance (Florence and Rome, 1495-1520)
The Italian High Renaissance (Florence and Rome, 1495-1520) The Artist as Universal Man and Individual Genius By Susan Behrends Frank, Ph.D. Associate Curator for Research The Phillips Collection What are the new ideas behind the Italian High Renaissance? • Commitment to monumental interpretation of form with the human figure at center stage • Integration of form and space; figures actually occupy space • New medium of oil allows for new concept of luminosity as light and shadow (chiaroscuro) in a manner that allows form to be constructed in space in a new way • Physiological aspect of man developed • Psychological aspect of man explored • Forms in action • Dynamic interrelationship of the parts to the whole • New conception of the artist as the universal man and individual genius who is creative in multiple disciplines Michelangelo The Artists of the Italian High Renaissance Considered Universal Men and Individual Geniuses Raphael- Self-Portrait Leonardo da Vinci- Self-Portrait Michelangelo- Pietà- 1498-1500 St. Peter’s, Rome Leonardo da Vinci- Mona Lisa (Lisa Gherardinidi Franceso del Giacondo) Raphael- Sistine Madonna- 1513 begun c. 1503 Gemäldegalerie, Dresden Louvre, Paris Leonardo’s Notebooks Sketches of Plants Sketches of Cats Leonardo’s Notebooks Bird’s Eye View of Chiana Valley, showing Arezzo, Cortona, Perugia, and Siena- c. 1502-1503 Storm Breaking Over a Valley- c. 1500 Sketch over the Arno Valley (Landscape with River/Paesaggio con fiume)- 1473 Leonardo’s Notebooks Studies of Water Drawing of a Man’s Head Deluge- c. 1511-12 Leonardo’s Notebooks Detail of Tank Sketches of Tanks and Chariots Leonardo’s Notebooks Flying Machine/Helicopter Miscellaneous studies of different gears and mechanisms Bat wing with proportions Leonardo’s Notebooks Vitruvian Man- c. -
The Last Supper & the Lord's Supper
These study lessons are for individual or group Bible study and may be freely copied or distributed for class purposes. Please do not modify the material or distribute partially. Under no circumstances are these lessons to be sold. Comments are welcomed and may be emailed to [email protected]. THE LAST SUPPER & THE LORD’S SUPPER Curtis Byers 2008 Leonardo Da Vinci's The Last Supper The Last Supper (in Italian, Il Cenacolo or L'Ultima Cena) is a 15th century mural painting in Milan, created by Leonardo da Vinci for his patron Duke Lodovico Sforza. It represents the scene of The Last Supper from the final days of Jesus as depicted in the Bible. Leonardo da Vinci's painting of the Last Supper is based on John 13:21, where Jesus announced that one of his 12 disciples would betray him. The Last Supper painting is one of the most well known and valued paintings in the world; unlike many other valuable paintings, however, it has never been privately owned because it cannot easily be moved. Leonardo da Vinci's painting of The Last Supper measures 460 x 880 cm (15 feet x 29 feet) and can be found in the refectory of the convent of Santa Maria delle Grazie in Milan, Italy. The Last Supper specifically portrays the reaction given by each apostle when Jesus said one of them would betray him. All twelve apostles have different reactions to the news, with various degrees of anger and shock. From left to right: Bartholomew, James the Lesser and Andrew form a group of three, all are surprised. -
Series: Unlikely Kingdom: the Gospel of Matthew the Last Supper
The Last Supper Matthew 26:17-30 Ben Melli March 17, 2019 …to make and mature followers of Christ series: Unlikely Kingdom: The Gospel of Matthew Symbols are powerful things, especially when the relationship a consequence of Adam’s disobedience, sin distorted every area between the symbol and the thing symbolized becomes per- of God’s creation, including his prized creation, humanity. But sonal. For example, I went to high school in Germany, and one God was gracious to Adam and Eve, and although they broke of our field trips was to a concentration camp that contained the condition of the covenant, God still promised them a savior several gas chambers, and rooms of large furnaces where many that would do what Adam did not do, a savior who would obey lives were taken. I remember walking through the chambers, God perfectly. Then came Noah’s covenant. After the flood, God and even my simple 16-year-old mind grasped the gravity of the told Noah that because of his obedience in the midst of wicked horrors that I was encountering. Claimed as a symbol by the Nazi people, God would not destroy the world by water again. He cre- regime, the swastika evokes powerful emotional responses for ated a symbol to remind Noah of this covenant, the rainbow. many, and for me, whenever I see it, I’m reminded of the atroci- Next, we have Abraham. His covenant with God was in two parts. ties that took place in those chambers. During my freshman year First, God promised to make Abraham’s name great among all at college, my roommate played a cruel trick on me. -
“Sacrum Convivium”. Formas E Conteúdos Da Ceia Do Rei De Portugal Na Idade Moderna a Partir Das Figurações Icónicas
De Arte, 4, 2005, pp. 89-120 “Sacrum convivium”. Formas e conteúdos da ceia do rei de Portugal na Idade Moderna a partir das figurações icónicas Marco Daniel Duarte RESUMO. Os reis da Idade Moderna portuguesa, como os monarcas da restante Europa, tinham plena consciência da importância da alimentação e do simbolismo que, desde os tempos mais antigos da humanidade, a alimentação condensava através dos seus ritos. Faziam, assim, do acto de comer um cerimonial através do qual demonstravam o seu poder: ante os maiores do seu povo, o rei mostrava-se alimentador do seu reino e, também, alimentado pelo seu reino. Os vários ritos estavam de tal sorte associados ao ritual eucarístico que, inclusivamente, se poderá falar de um verdadeiro “sacrum convivium”. De entre as várias fontes que concorrem para esta percepção, têm um lugar primordial as fontes iconográficas (ceias, representação de festas, naturezas-mortas…), pois condensam em si, mais do que uma reprodução à maneira de reportagem, os valores que, na Idade Moderna, gravitavam em torno da sacralidade dos alimentos. Palabras‐chave: ceia, iconografia da alimentação, banquete, ritual, liturgia régia, eucaristia, natureza-morta, comida pública do rei, Última Ceia. ABSTRACT. The kings of the Portuguese Modern Age, such as the monarchs of the rest of Europe, had plain conscience of the importance of food and of the symbolism that, since the most ancient times of humanity, food condensed through its rites. They did, thus, from the act of eating a ceremonial through which they would show their power: in the face of the greatest of his people, the king showed himself as the feeder of his realm and, also, as the one who was fed by his kingdom. -
The Death and Resurrection of Jesus the Final Three Chapters Of
Matthew 26-28: The Death and Resurrection of Jesus The final three chapters of Matthew’s gospel follow Mark’s lead in telling of the passion, death and resurrection of Jesus. At each stage Matthew adds to Mark’s story material that addresses concerns of his community. The overall story will be familiar to most readers. We shall focus on the features that are distinctive of Matthew’s version, while keeping the historical situation of Jesus’ condemnation in view. Last Supper, Gethsemane, Arrest and Trial (26:1–75) The story of Jesus’ last day begins with the plot of the priestly leadership to do away with Jesus (26:1–5). As in Mark 14:1-2 they are portrayed as acting with caution, fearing that an execution on the feast of Passover would upset the people (v 5). Like other early Christians, Matthew held the priestly leadership responsible for Jesus’ death and makes a special effort to show that Pilate was a reluctant participant. Matthew’s apologetic concerns probably color this aspect of the narrative. While there was close collaboration between the Jewish priestly elite and the officials of the empire like Pilate, the punishment meted out to Jesus was a distinctly Roman one. His activity, particularly in the Temple when he arrived in Jerusalem, however he understood it, was no doubt perceived as a threat to the political order and it was for such seditious activity that he was executed. Mark (14:3–9) and John (12:1–8) as well as Matthew (26:6–13) report a dramatic story of the anointing of Jesus by a repentant sinful woman, which Jesus interprets as a preparation for his burial (v. -
The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages. -
The Last Supper
The Last Supper Scripture Reference: Luke 22:7-23 Suggested Emphasis: God has always taken care of his people (Old Testament, New Testament, and today). ….. ….. ….. ….. ….. ….. Story Overview: Just as Scripture commanded, Jesus ate the Passover meal. This meal was usually celebrated with family and Jesus ate it with those who were closest to him – his disciples. During this meal the Jews were to remember how God had saved them from Egypt. Background Study: Read the other gospel accounts in Matthew 26:17-25; Mark 14:12-21; and John 13:18-30. The Passover feast was an extremely important yearly event for the Jews. The Jews still celebrate it today. This last Passover meal that Jesus and his disciples celebrated together (the Last Supper) set off the chain of events leading to the crucifixion. Use this lesson to explain the Passover Meal and why they were celebrating it. Introduce the fact that Judas would betray Jesus. Next week continue talking about the meal but then spend time discussing how Jesus gave new meaning to the bread and wine. The new meaning involves remembering his body and blood and is the Lord’s Supper that we celebrate each week. (Leviticus 23:4-8) The Passover lamb was sacrificed at a specific time on the fourteenth day of the first month on the Jewish calendar. (This was the day of the first Passover). In this case it was on Thursday of Passion Week. The first Passover was celebrated hundreds and hundreds of years earlier on the last night that the Jews were captive in Egypt (Exodus 12) . -
Easter the Last Supper (The Lord's Supper) 3/22/20
Easter The Last Supper (The Lord’s Supper) 3/22/20 Scripture Reference: Matthew 26:17-30, Mark 14:12-26, Luke 22:7-30; John 13:1-30 Goals: The children will: • Hear the story of Jesus’ last supper with His disciples. • Learn that we celebrate Easter because of Jesus. • Discover that Jesus wants us to remember Him. Memory Verse: Jesus is risen, as He said. Matthew 28:6 Use the sign language chart to teach the memory verse. Opening Prayer: Dear Jesus, We worship You as our King. We thank You for all the good things you do for us. We love You!! Amen. WORSHIP Songs: (Use sign language from memory verse chart as you sing this song.) Jesus is Risen (tune: “Mary Had a Little Lamb”) Jesus is risen as He said, as He said, as He said. Jesus is risen as He said, Matt-hew 28:6 Clap Your Hands (Tune: “London Bridge” Clap your hands and sing for joy, sing for joy, sing for joy. (Clap hands while singing) Clap your hands and sing for joy. (Clap hands while singing) Christ is risen! (Point a finger up) Now we have good news to tell, news to tell, news to tell! (Cup hands around mouth) Now we have good news to tell! (Cup hands around mouth) Christ is risen! (Point a finger up) Introduction: Remember Do: Show photographs of people. Talk About: When someone is not with us, we can look at pictures and remember how much they loved us and fun things we did together. -
20080706 the Lord's Supper Enemies at the Last Supper Cover.Pub
THE LORD’S SUPPER Enemies at the Last Supper our Daily BreaD Junior Edition 7-06-08 SOMETHING YOU MUST KNOW: God is perfect. He is Holy. We are all sinners. For all have sinned, and come short of the glory of God. (Romans 3:23a KJB) None of us could ever make ourselves perfect or holy to be accepted by God. But God loves us all so much, that He gave His only Son, the Lord Jesus Christ, to go to the cross and pay the penalty for our sins IN FULL, ONCE and FOR ALL. Jesus died and rose again. Because of the Lord Jesus Christ, God can now make us holy and ac- ceptable to Himself. For Christ also hath once suffered for sins, the just for the unjust, that he might bring us to God, being put to death in the flesh, but quickened by the Spirit. (1 Peter 3:18 KJB) Jesus Christ is our ONLY WAY to God and heaven. Jesus saith unto him, I am the way, the truth, and the life, no man cometh unto the Father, but by me. (John 14:6 KJB) Believe on the Lord Jesus Christ, and thou shalt be saved. (Acts 16:31 KJB) Without Jesus Christ, you can NEVER be accepted by God or go to heaven. When you believe in Jesus Christ as your Savior, God makes you His child. When you leave this world, you will spend all of eternity with Him! But as many as received him to them gave he power to become the sons of God, even to them that believe on his name. -
The Last Supper
THE LAST SUPPER Commentary by the Reverend Matthew Mead Table of Contents INTRODUCTION ............................................................................................................................. 2 ABOUT THE PASSOVER & THE FESTIVAL OF UNLEAVENED BREAD .................................... 2 GENERAL NOTES ABOUT TIMELINES & CHRONOLOGIES .................................................... 5 EVENTS LEADING UP TO THE LAST SUPPER............................................................................. 7 WHEN & WHERE WAS THE LAST SUPPER ................................................................................. 9 SITTING DOWN TO SUPPER ....................................................................................................... 13 BETRAYAL PREDICTED AT THE LAST SUPPER ........................................................................ 15 BREAD & WINE / BODY & BLOOD .......................................................................................... 20 PETER’S DENIAL FORETOLD ..................................................................................................... 28 SERVICE & DISCIPLESHIP .......................................................................................................... 31 FINAL THOUGHTS ON MAUNDY THURSDAY .......................................................................... 36 - 1 - INTRODUCTION This commentary examines the Scriptural accounts of the Last Supper, related material (Passover texts, John 6, Feeding of the 5000, etc.), and how the liturgical -
The First Joyful Mystery the ANNUNCIATION 1. the Time for the Incarnation Is at Hand. 2. of All Women God Prepared Mary from He
The First Joyful Mystery THE ANNUNCIATION 1. The time for the Incarnation is at hand. 2. Of all women God prepared Mary from her conception to be the Mother of the Incarnate Word. 3. The Angel Gabriel announces: "Hail, full of grace! The Lord is with thee." 4. Mary wonders at this salutation. 5. The Angel assures her: "Fear not . you shall conceive in your womb, and give birth to a Son." 6. Mary is troubled for she has made a vow of virginity. 7. The Angel answers that she will conceive by the power of the Holy Spirit, and her Son will be called the Son of God. 8. The Incarnation awaits Mary's consent. 9. Mary answers: "Behold the handmaid of the Lord. Be it done unto me according to your word." 10. The Word was made flesh and dwelt among us. Spiritual Fruit: Humility The Second Joyful Mystery THE VISITATION 1. Mary's cousin Elizabeth conceived a son in her old age . for nothing is impossible with God. 2. Charity prompts Mary to hasten to visit Elizabeth in the hour of her need. 3. The journey to Elizabeth's home is about eighty miles requiring four or five days. 4. Though long and arduous, the journey is joyous, for Mary bears with her the Incarnate Word. 5. At Mary's salutation, John the Baptist is sanctified in his mother's womb. 6. Elizabeth exclaims: "Blessed are you among women, and blessed is the fruit of your womb." 7. "How have I deserved that the mother of my Lord should come to me?" 8.