NAMM 2019 Booth # 14716 ACC North Hall

INTERCOMNAMM 2019 Booth # 14716 ACC North Hall

KL-8 Total Keyboard Control

The KL-8 is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the recording studio. Equipped with four analog inputs, redundant USB and MIDI connectivity, the KL-8 can interface with any gear. Isolated outputs gives you pristine signal to the front of house with monitor and headphone outputs to give you control of your mix.

DAN-TX2 & DAN-RX2 Stereo Dante transmit & receive boxes

The DAN-RX2 and DAN-TX2 are the latest additions to the Radial DiNET family of high quality Dante-enabled endpoints for networked audio systems. Featuring locking Ethernet connections, rock solid construction, and the ability to be easily rack-mounted, both are well suited for permanent installations or the rigorous demands of pro touring acts.

SW8-USB 8-channel auto-switcher and USB interface

The SW8-USB provides a simplified and robust solution for performances that utilize redundant playback systems on stage. Dual USB inputs allow you to connect directly to your primary and backup computers, eliminating the need for additional audio interfaces. Should your primary rig fail, the SW8- USB automatically switches over to the backup system, ensuring a seamless performance each and every time. Shipping Spring 2019 SW8-USB Backing track auto switcher

The SW8-USB is an all-in-one solution for performances that employ redundant playback systems for backing tracks, combining two built-in high performance USB interfaces with an auto-switching feature that detects dropouts and effortlessly switches to the backup computer in an instant. Dual USB inputs with separate 24bit/192kHz converters allow two computers to be connected in tandem, so digital workstations on both machines can connect to the SW8-USB as an audio and MIDI interface. MTC can also be passed between both computers, providing easy start/stop synchronization between them. Eight channels of transformer-isolated XLR and ¼” outputs are included, with the ability to switch between mic-level and +4dB line level sends to the PA system. With the SW8-USB, switching between playback rigs has never been easier or more streamlined!

Now Shipping KL-8 Rackmount Keyboard Mixer

Analog Inputs The KL-8 is a rackmount keyboard mixing sta- Headphone tion designed to provide complete control over a Out professional keyboard setup, both on-stage and in the studio. You can connect up to four keyboards MIDI in mono or stereo, with incredible headroom and a Monitor stereo Aux send and receive for connecting out- board effects units. Two sets of XLR outputs allow you to send signal to FOH and a set of powered monitors on stage, with transformer isolation to eliminate noise from ground loops. Remote USB Input Footswitch Aux Send/Recv Main Outputs

Headphone outputs are also provided for local monitoring, along with cue switches to silently test individual inputs and adjust patch settings. MIDI • Four stereo analog inputs for keyboards and USB connections make it easy to control a laptop soft-synth with high quality 24bit/192kHz • Redundant USB connections for laptop soft-synths digital audio converters, and dual USB connections • Stereo Aux Send/Receive with optional footswitch control provide the ability to employ redundant laptop sys- • Headphone outputs and cue switches for silent monitoring tems, ensuring the audience never misses a single • Link multiple KL-8s for larger setups note of your performance.

The Radial DiNET DAN-TX2 transmitter and DAN-RX2 receiver are expanded versions of the popular DAN-TX and DAN-RX Dante interfaces, designed to deliver high quality 24bit/96kHz across any Dante or AES67-compliant network. Both feature locking Neutrik Ethercon connectors required for professional touring applications, and the ability to be mounted in standard 19” equipment racks using the Radial SA series rackmount kit.

Shipping Spring 2019 DAN-TX2 DAN-TX2 Dante Network

DAN-TX2 The DAN-TX2 is a two channel analog-to-digital converter that allows you to connect any line level source to the network, with combo XLR/¼” balanced inputs, RCA and 3.5mm connections, and separate trim and pad controls for each channel. For ease of use with stereo sources, a link switch allows a single pad and trim control to adjust both channels equally.

Dante Network DAN-RX2 DAN-RX2 Shipping Spring 2019

DAN-RX2 The DAN-RX2 is a two channel endpoint with analog outputs, featuring a network input and balanced XLR outputs with a ground lift to help eliminate noise. It also includes a powerful headphone amplifier with 3.5mm and ¼” outputs that can be used for testing or personal monitoring at any location on the Dante network.

Headlight-Pro Four-Output Guitar Amp Selector

The Headlight-Pro allows you to connect up to four amps and select them in any combination, for flawless noise-free amp switching on stage. The input features a class-A buffer along with Drag Control load correction that allows you to optimize the impedance for your pickups and recreate the feel of plug- ging your guitar directly into an amp. In addition to a separate output for a tuner, four amplifier outputs include transformer isolation to eliminate hum and buzz from ground loops. Each output also includes a ground lift to further reduce noise, and a 180° polarity switch to correct for pedals and amps that are wired out-of-phase. Individual footswitch control is provided for each amp output with bright LEDs for instant visual feed- back, so control over all of your amplifiers is always available right at your feet. The Headlight-Pro runs off 9VDC, and can be powered using standard guitar pedal power supplies and multi-output power bricks.

“My new studio is the best sounding personal space I’ve ever had. The products we installed from Primacoustic have helped me bring it all together. The control room and recording spaces sound fantastic.”

~ Jacquire King Kings of Leon, James Bay, Modest Mouse, You Me At Six, Buddy Guy, Of Monsters and Men, Josh Ritter, Cold War Kids, City and Colour

Room Kits Bass Traps Diffusers Ceiling Clouds London 8 Full Trap Razorblade Stratus

Control your room with Primacoustic www.primacoustic.com Primacoustic has everything you need to turn your room into a great sounding studio! Carefully designed to address acoustic concerns that are common to all rooms, Primacoustic offers a selection of absorptive panels and diffusers to control primary reflections, flutter echo and excessive bass. 3 Reasons to Reamp

1. PLAY NOW, TWEAK LATER 2. KEEP YOUR OPTIONS OPEN 3. UNLEASH YOUR CREATIVITY Save time (and your guitar player’s Sometimes you can record a guitar Reamping gives you the freedom to fingers) by recording a direct track track that sounds great on its own, explore unlimited sonic possibilities with a high quality DI box like the only to find that it doesn’t quite sit by using any combination of pedals, Radial J48. This allows you to record right in the overall mix. Instead of amps, and microphones to create their performance without commit- spending time trying to EQ the guitar new and unique sounds. Reamping ting to the guitar tone, giving you the or re-recording the track entirely, use isn’t limited to just guitars - any ability to Reamp later on and explore a Reamp to audition a range of amps recorded track can be fed into a different tonal options without ask- and effects to find the tone that best Reamp box, so you can experiment ing the guitarist to perform the piece suits the song. Try recording through with vocals, drum tracks, or anything over and over again. multiple amps and blending the in between. Using the Radial EXTC, tracks together for a full, lush sound. you can send tracks through your fa- vorite guitar pedal and back into your recording interface without using an How to Reamp amp, opening up even more options when recording and mixing.

Learn how to Reamp www.radialeng.com/reamp

Step-1: Record dry track Step-2: Reamp it!

SUB-XX Single-Channel Sub Isolator

The ISO-MAX SUB-XX is a single channel low-frequency isolator designed es- pecially for use with subwoofers to eliminate hum and buzz caused by ground loops. Inside, a specially designed Jensen audio transformer with extended subsonic response delivers powerful and articulated bass for maximum impact. Even when being subjected to extremes, the SUB-XX is able to grace- fully handle low frequencies down to 20 Hz with less than 0.01% distortion and less than 1° of phase shift. And with better than 100 dB of common mode noise rejection, it solves the most difficult installation problems so that you can enjoy the full performance of your audio system without noise.

PI-RJ2X Audio to CAT 5 Converter

The PI-RJ2X is a set of two-channel isolators used to send and receive +4dB pro level audio over CAT 5/6 cable for easy integration with existing network wiring. The passive design requires no power to operate, with dual XLR jacks for the analog audio inputs and outputs and RJ45 connectors for CAT 5 termination.

P3100 Power Amplifier

The P3100 delivers the soul and musicality that has earned Hafler a place in professional recording studios for over 40 years. Based off of the cir- cuitry of the venerable Hafler P3000, which has been utilized on countless classic studio recordings, this latest iteration includes a precision toroidal transformer resulting in a tighter and more defined low frequency response, along with ballistic LED metering and a soft-start power on switch. Oversized heatsinks eliminate the need for a fan and allow for ultra-quiet operation in the studio, with modern precision and exceptionally linear am- www.hafler.com plification tailored for nearfield monitors. With the P3100, you will hear your music with more clarity and definition than ever before. Hear it live at Booth # 14716

Catapult

Audio over Cat 5 Available Transmit Modules Mini-TX: 4 XLR Inputs The Radial Catapult system allows you to send four channels of TX4: 4 XLR ins & 4 XLR outs analog audio over a single Cat 5 cable, creating a simple Cat 5 audio TX4M: 4 ins & 4 mic-level isolated outs snake with no digital conversion necessary. Select any two Catapult TX4L: 4 ins & 4 line-level isolated outs modules to create a send and receive pair that best suits your application. Available Receive Modules Make use of lightweight and economical Ethernet cabling to deliver Mini-RX: 4 XLR Outputs four channels of audio over long distances with ease, sending signal RX4: 8 XLR outs across a live stage or throughout different rooms of a building by RX4M: 4 outs & 4 mic-level isolated outs utilizing existing cable infrastructure. RX4L: 4 outs & 4 line-level isolated outs

A variety of Catapult modules are available, with the choice of male Cat 5/6 or female XLR connectors and THRU Transformer THRU optional transformer isolation for Isolated applications that require splitting signals to multiple destinations. The Mini-TX and Mini-RX are the latest additions to the Catapult family, with a compact and TX4 RX4M OUT lightweight design and XLR cable fan-out that makes it easier than ever to create a Cat 5 audio snake.

PZ-Pre

Flagship preamp with dual inputs, full EQ control and optimization for piezo pickups.

PZ-Deluxe AC-Driver Instrument preamp & DI with 3-band EQ and high-pass filter. Compact acoustic preamp & DI with essential controls.

Radial acoustic preamps are made with the same roadworthy quality as our world famous DIs. Each preamp is designed to give you studio quality tone and all the control you need on stage.

Try one at Booth # 14716

NAMM 2019 marks the culmination of perhaps the most exciting year in Radial Engineering’s 27 year history, following the announcement in January 2018 that the company was sold to Vancouver-based Regimen Equity Partners and incoming CEO Mike Belitz of Ultimate Support Sys- tems. It’s been a whirlwind year filled with positive changes both large and small at the Canadian manufacturer, with more to come in the near future as the company continues to grow and expand its portfolio of Mike Belitz - CEO exceptional products.

In the year since the acquisition, Belitz and the leadership team at Radial have focused their efforts on improving systems and increasing efficiencies within Radial’s operations. The most signif- icant aspect of that has been the establishment of a stateside fulfilment center. “The largest market in our industry is the U.S., after all,” explains Belitz. “Being able to ship from a centralized location here in the States will decrease shipping costs and times to our valued dealers, and subsequently increase inventory turns for our dealers and for us.” An early rollout of the U.S. fulfilment center has seen transit time decrease by 3-4 days on shipments to the East Coast, with orders placed by noon Pacific Time typically shipping out the same business day.

2018 also saw the promotion and addition of personnel in key positions within the company, including Jay Porter as Prod- uct Manager and Ben Chudyk as Marketing Manager. This list also notably includes Craig ‘Hutch’ Hutchison, Radial’s new Senior Design Engineer. Hutch brings over 20 years of design experience to the engineering team, with previous stints at Electric Lady Studios, Manley Labs and Rupert Neve Designs, to name a few. The products that Hutch has designed in full or substantially contributed to have won over fifteen TEC awards with over twenty nominations. He is recognized as one of the world’s leading audio circuit designers, and he has been a welcome addition to the staff both for his expertise and his mentoring skills.

The coming year brings plenty to look forward to on the horizon at Radial, including a refreshed marketing strategy, and exciting new products in development for both new and existing product categories. Amid these improvements and changes, CEO Mike Belitz remains committed to keeping the core values in place that have helped guide Radial to success over the years, including innovative, made-in-Canada products and top-tier service. “The team at Radial are rightfully proud of what they’ve accomplished over the years, and we want to keep it that way and enable them to continue doing what they’ve proven they do better than anyone.”