(At) Radialeng (Dot) Com Is a Blessing, As Layering Samples Is Not Effective If Tones Are Steinberg Not in Unison
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
BT These Hopeful Machines Mp3, Flac, Wma
BT These Hopeful Machines mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: These Hopeful Machines Country: Japan Released: 2010 Style: Trance, Breaks, Progressive Trance, Ambient, Progressive House, Electro, Downtempo MP3 version RAR size: 1137 mb FLAC version RAR size: 1487 mb WMA version RAR size: 1576 mb Rating: 4.6 Votes: 682 Other Formats: DMF VOC VQF WAV ADX MP2 RA Tracklist Hide Credits Suddenly 1-1 Arranged By, Synthesizer [Analog & Modular], Bass – BTDrums [Live] – Kevin 8:05 Sawka*Vocals – BT, Christian BurnsWritten-By – Christian Burns The Emergency Arranged By [Vocals And String Arrangements] – BTBacking Vocals [Background 1-2 Vocals] – Christian BurnsProducer [Additional] – Andrew BayerProgrammed By 10:53 [Additional] – Andrew Bayer, Øistein J. Eide aka Boom Jinx*Written-By – Andrew Bayer, Christian Burns Every Other Way Backing Vocals [Background Vocals] – BT, Christian BurnsDrums [Live] – 1-3 11:06 Brain*Guitar [Classical], Bass, Strumstick, Programmed By, Arranged By – BTWritten-By, Lead Vocals – Jes* The Light In Things 1-4 Arranged By, Synthesizer [Analog Synthesis] – BTProgrammed By [Additional], 10:47 Remix [Additional] – Laurent Veronnez aka Airwave*Written-By – Jes* Rose Of Jericho 1-5 7:43 Percussion [Additional Glitchy] – Matt LangeProgrammed By – BT Forget Me Drums – Kevin Sawka*Mixed By – Greg CollinsVocals [End Chorus Sung By] – Kaia 1-6 9:37 TranseauVocals, Guitar, Bass, Voice [Oberheim 4 Voice], Synthesizer [Pro-one And Synthesis] – BTWritten-By, Backing Vocals [Background Vocals] – Christian -
For Immediate Release ROBERT ELLIS
For Immediate Release ROBERT ELLIS JOINS DEER TICK ON “TOUR ME A NEW ONE” NORTH AMERICAN DATES TO BEGIN OCTOBER 10 NEW ALBUM, THE LIGHTS FROM THE CHEMICAL PLANT, PRODUCED BY JACQUIRE KING, DUE FEBRUARY 11, 2014 ON NEW WEST RECORDS "I want this record to be more about the Paul Simons and the Randy Newmans and the other half of my upbringing, which is very much rooted in pop," Ellis recently told Rolling Stone Nashville, TN – Sept 24, 2013 – Robert Ellis, who Esquire calls “a peculiar but elegant intersection of Bon Iver, George Jones and Jackson Browne,” will join his friends Deer Tick on their upcoming fall tour. Ellis’ long time pedal steel player Will Van Horn will accompany him for this run of dates. Prior to the tour, Ellis will perform at Hardly Strictly Bluegrass in San Francisco’s Golden Gate Park. Ellis just finished his forthcoming album, The Lights From The Chemical Plant, and is excited to unveil the new songs on the road. The record was made with renowned producer Jacquire King (Tom Waits, Modest Mouse, Kings of Leon) at The Casino in East Nashville with studio owner Eric Masse (Brothers Osborne, Mikky Ekko, Caitlin Rose) engineering. The Lights From The Chemical Plant is due February 11, 2014 on New West Records. The songs on the new album, which range from the majestic string-adorned title track to noir pop rock and somber confessionals, both show Ellis’ growth and the various sides of this multidimensional songwriter. Ellis recently told Rolling Stone The Lights From The Chemical Plant is “stylistically ambiguous,” as he is inspired by a wide variety of artists. -
KLOS March 30Th 2014 Denny Laine
1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. -
NAMM 2019 Booth # 14716 ACC North Hall
INTERCOMNAMM 2019 Booth # 14716 ACC North Hall KL-8 Total Keyboard Control The KL-8 is a rackmount keyboard mixing station designed to provide complete con- trol over a professional keyboard setup, both on-stage and in the recording studio. Equipped with four analog inputs, redun- dant USB and MIDI connectivity, the KL-8 can interface with any gear. Isolated out- puts gives you pristine signal to the front of house with monitor and headphone outputs to give you control of your mix. DAN-TX2 & DAN-RX2 Stereo Dante transmit & receive boxes The DAN-RX2 and DAN-TX2 are the latest additions to the Radial DiNET family of high quality Dante-enabled endpoints for networked audio systems. Featuring locking Ethernet connections, rock solid construction, and the abili- ty to be easily rack-mounted, both are well suited for permanent installations or the rigorous demands of pro touring acts. SW8-USB 8-channel auto-switcher and USB interface The SW8-USB provides a simplified and robust solution for performances that utilize redundant playback systems on stage. Dual USB inputs allow you to connect directly to your primary and backup computers, eliminating the need for additional audio interfaces. Should your primary rig fail, the SW8- USB automatically switches over to the backup system, ensuring a seamless performance each and every time. Shipping Spring 2019 SW8-USB Backing track auto switcher The SW8-USB is an all-in-one solution for perfor- mances that employ redundant playback systems for backing tracks, combining two built-in high performance USB interfaces with an auto-switching feature that detects dropouts and effortlessly switch- es to the backup computer in an instant. -
Brian Transeau V. 3 Artist Management
1 EDNA GARCIA EARLEY, Bar No. 195661 STATE OF CALIFORNIA 2 DEPARTMENT OF INDUSTRIAL RELATIONS DIVISION OF LABOR STANDARDS ENFORCEMENT 3 320 W. 4th Street, Suite 430 Los Angeles, California 90013 4 Telephone: (213) 897-1511 Facsimile: (213) 897-2877 5 Attorney for the Labor Commissioner 6 7 8 BEFORE THE LABOR COMMISSIONER 9 OF THE STATE OF CALIFORNIA 10 11 BRIAN TRANSEAU, CASE NO. TAC 7306 12 DETERMINATION OF Petitioner, CONTROVERSY 13 vs. 14 15 3 ARTIST MANAGEMENT, 16 Respondent. 17 18 The above-captioned matter, a Petition to Determine Controversy under 19 20 Labor Code §1700.44, came on regularly for hearing on August 21,2008 in Los Angeles, 21 California, before the undersigned attorney for the Labor Commissioner assigned to hear 22 this case. Petitioner BRIAN TRANSEAU, professionally known as BT, (hereinafter, 23 referred to as “BT”) appeared represented by Mark L. Share, Esq. of De CASTRO, 24 25 WEST, CHODOROW, GLICKFIELD & NASS, INC. Respondent 3 ARTIST 26 MANAGEMENT (hereinafter, referred to as “3AM”), appeared through its owner, 27 Richard Bishop and was represented by Donald V. Smiley of Law Offices of Donald V. 28 1 1 Smiley. 2 Based on the evidence presented at this hearing and on the other papers on 3 file in this matter, the Labor Commissioner hereby adopts the following decision. 4 5 FINDINGS OF FACT 6 1. BT is a musician, performer, composer, producer, and writer. He 7 has scored the following movies: Stealth, Fast and Furious, Monster, Go, Driven, Catch 8 & Release, among others. 9 10 2. 3AM is owned by Richard Bishop, (hereinafter, “Bishop”) who has been a 11 manager in the music industry for over 30 years. -
Vocals Syllabus
VOCALS SYLLABUS BEYONCÉ Qualification specifications for graded exams from 2018 AEROSMITH BLONDIE THE ROLLING STONES TAYLOR SWIFT RED HOT CHILI PEPPERS DUSTY SPRINGFIELD AMY WINEHOUSE QUEEN DAVID BOWIE THE XX OASIS SIA U2 WHAT’S CHANGED? This syllabus features the following changes from the 2015–2017 syllabus: New selection of songs at all levels, expertly arranged for the grade and in a wide range of styles Revised marking criteria, providing examiners, teachers and candidates with increased detail on how exams are marked (see pages 36–39) Revised parameters for own-choice songs (see pages 22–27) Revised requirements for using a microphone when performing songs Technical focus songs now feature two technical elements Band exams are no longer offered KEEP UP TO DATE WITH OUR SYLLABUSES Please check trinityrock.com to make sure you are using the current version of the syllabus and for the latest information about our Rock & Pop exams. You can also check out our syllabuses and graded songbooks for: Bass Drums Guitar Keyboards OVERLAP ARRANGEMENTS This syllabus is valid from 1 January 2018. The 2015–2017 syllabus will remain valid until 31 December 2018, giving a one year overlap. During this time, candidates may present songs from the 2015–2017 syllabus or the syllabus from 2018, but not both. Candidates should indicate which syllabus they are presenting on the appointment form handed to the examiner at the start of the exam. VOCALS SYLLABUS Qualification specifications for graded exams from 2018 Trinity College London trinitycollege.com -
BT-106-Manual-Espanol.Pdf
Transceptor BT-106 Familia de Productos Incluye DIGIT, DUO, QUAD, StompKit, StompKit XL y TAP Manual de Usuario 2 Tabla de Contenidos El Transceptor BT-106 ........ Error! Bookmark not defined. Descripción .......................................................................... 5 Configuración y Vinculación ............................................... 6 Restablecimiento del emparejamiento ................................. 7 Apagar el BT-106 ................................................................ 7 MODOS............................................................................... 8 Cambiar el MODO ............................................................ 10 Tecla de Función Repetición ............................................. 10 Teclado virtual iOS ........................................................... 11 Cargar ................................................................................ 11 Interruptores Compatibles ................................................. 12 Interruptores de Lengua y de Mordida ............................. 13 Solución de Problemas ...................................................... 13 Unidad de Identificación .................................................. 16 DIGIT .................................................................................... 16 DUO ....................................................................................... 17 3 QUAD .................................................................................... 19 StompKit ............................................................................... -
Daughtry's New Album Cage to Rattle out Now
DAUGHTRY’S NEW ALBUM CAGE TO RATTLE OUT NOW RELEASES LIVE PERFORMANCE VIDEO OF CURRENT SINGLE “DEEP END” – WATCH HERE HEADLINE TOUR UNDERWAY! “The band fronted by the American Idol alum still stomps and swaggers on this fifth LP, which is loaded with still more no-frills, down-and-dirty area rock. And, of course, there’s the guy behind the mike: He easily upstages most other contemporary rockers”- People Magazine (July 27- New York, NY)— Today, GRAMMY® Award-nominated chart-topping rock band Daughtry unveil their anxiously awaited fifth full-length album, Cage To Rattle [19 Recordings/RCA Records], in stores and at all digital retailers. Additionally, the group releases a performance video of their current single, “Deep End” (watch here). Get the album HERE. The record is currently #2 on the iTunes Top Rock Albums Chart and #5 on the iTunes Overall Top Albums Chart. Cage To Rattle sees Daughtry once again firing on all cylinders. Produced by Jacquire King [Kings Of Leon, Tom Waits, Norah Jones] in Nashville, the album echoes the relentless energy and uncontainable spirit of the group’s most definitive anthems, while advancing boldly into new territory. Whether it’s the bluesy stomp and snap of “Backbone” or the sweeping piano of latest single “Deep End,” the album evinces evolution across the board for the musicians. About the album, Chris Daughtry said, “This is a really special time for us. We feel like we bottled the spirit and energy from our early days and refined it over the last decade together on the road and making records. -
Guns N' Roses
Guns N’ Roses ‘Live And Let Die’ Guns N’ Roses SONG TITLE: LIVE AND LET DIE ALBUM: USE YOUR ILLUSION I RELEASED: 1991 LABEL: GEFFEN GENRE: HARD ROCK PERSONNEL: W. AXL ROSE (VOX) SLASH (GTR) IZZY STRADLIN (GTR) DUFF MCKAGAN (BASS) MATT SORUM (DRUMS) DIZZY REED (KEYS) UK CHART PEAK: N/A US CHART PEAK: 33 BACKGROUND INFO seven years before Axl Rose decided to fire all the members who remained in the mid 1990s. Sorum McCartney and James Bond get the Guns N’ Roses remained faithful to guitarist Slash and played in the treatment. This popular cover was released in 1991 latter’s Velvet Revolver band. Prior to that, Sorum at a time when G N’ R was probably the most famous was a regular guest drummer for The Cult and played band on the planet. This is naturally a heavier version drums for a very young Tori Amos on her first tour. than the 1972 original but they still captured a lot of More recently Sorum has contributed to a Buddy Rich the song’s underlying humour and playfulness. The tribute album which showcased his technical abilities song features a mix of regular and half-time grooves in jazz drumming. along with a reggae-inspired middle section requiring the drummer to be alert and keep it tight. The player featured here is Matt Sorum. RECOMMENDED LISTENING The G N’ R legacy is based on six studio albums THE BIGGER PICTURE of which the most important by far is their debut, Appetite for Destruction (1987). This record single Matt Sorum’s big rock sound in Guns N’ Roses handedly propelled the band to superstardom and tends to obscure other aspects of his playing. -
(At) Miracosta
The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology. -
Sonntags Im Bistro Grottino, Sommer 2015 (16.59H Bis Ca
Sonntags im Bistro Grottino, Sommer 2015 (16.59h bis ca. 19.08h) Set vom 7.6. Real Estate: Past Lives Department of Eagles: No One Does It Like You Unknown Mortal Orchestra: So Good… Ruby Suns: Oh Mojave The Congos: Fisherman The Upsetters: Big Gal Sally Beastie Boys: Song for the Man Captain Beefheart: Abba Zaba Destroyer: Del Monton Magnetic Fields: The Luckiest Guy… Beck: Black Tambourine Can: Halleluhwah Dorothy Collins: Lightworks (Raymond Scott) Erykah Badu: Soldier Digable Planets: Black Ego Calexico: Not Even Stevie Nicks Avey Tare's Slasher Flicks: Little Fang Panda Bear: Boys Latin Deerhoof: Super Duper Rescue Head Daniel Johnston: The Sun Shines Down Gil Scott Heron: Home Is Where the Hatred Is Timmy Thomas: Why Can't We Live Together The Four Tops: Baby I Need Your Loving Matthew E. White: Golden Robes William Onyeabor: Atomic Bomb Connan Mockasin: Megumi the Milkyway Above Django Django: Found You Atlas Sound: Walkabout Islands: Jogging Gorgeous Summer Tame Impala: Let it Happen The Notwist: Gloomy Planets Dan Deacon: Feel the Lightning Tocotronic: Spiralen Destroyer: Kaputt Set vom 14.6. Simone White: Flowers in May Beach House: Walk in the Park Peaking Lights: All the Sun That Shines The Slits: Man Next Door Jaako Eino Kalevi: Deeper Shadows Sisyphus: Lion's Share The Soundcarriers: So Beguiled Toro y Moi: Empty Nesters Kyu Sakamoto: Sukiyaki Homeboy Sandman: Holiday (Kosi Edit) Real Estate: Crime Devendra Banhart: Won't You Come Over Yo La Tengo: Automatic Doom Caribou: Melody Day Chris Cohen: Don't Look Today Unknown Mortal Orchestra: Can't Keep Checking My Phone John Cale: Hanky Panky Nohow Mac DeMarco: Let Her Go Girls: Oh So Protective One Stereolab: Fuses Beck: Tropicalia Cloud One: Atmosphere Strut Remix 1979 Cliff King Solomon: But Officer! Ariel Pink: Baby Frank Ocean: Forrest Gump Animal Collective: Rosie Oh Alexis Taylor: Am I Not A Soldier? Freddie Gibbs & Madlib: Shame (Instrumental) Arthur Russell: That's Us / Wild Combination The Streets: Never Went to Church Jacques Palminger: Wann strahlst Du? Dick Justice: Henry Lee Set vom 21.6.