Intercom 2018 Booth # 15717 the Best All-In-One for Keyboards KL-8 - Keyboard Mixer with Redundant USB Inputs

Home , Jacquire King, Seether, Troy McLawhorn

m nam intercom 2018 Booth # 15717 The Best All-In-One For Keyboards KL-8 - Keyboard mixer with redundant USB inputs

The KL-8™ is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the studio. You can connect up to four analog keyboards in mono or stereo with aux send/receive and both MIDI and USB connections that make it easy to control a laptop soft-synth and utilize the KL-8’s high quality 24bit/192kHz digital audio converters. Dual USB connections provide the ability to employ redundant laptop systems. Read More pg.4

AC-Driver™ Compact Acoustic Preamp Read More pg.7

There is Nothing Mini About the Sound Catapult Mini - Analog audio over Cat 5

The Radial Catapult Mini™ is the latest addition to the Catapult modular snake system, which allows you to drive four analog audio channels over a single shielded CAT 5 cable. This eliminates the need for bulky and expensive multi-pair audio cable runs, and allows contractors to take advantage of Hafler Amplifiers pre-wired networks to connect from New amps for the studio and home one room to another. Read More pg.2 Read More pg.8 The new standard for Live switching SW8-USB - Redundant backing track switching

The SW8-USB™ eliminates the need to have digital audio interfaces accompany each computer. Redundant USB inputs with separate 24bit/192 kHz digital to analog converter cards allow two computers to be connected in tandem. Eight channels of transformer-isolated XLR and ¼” outputs are included, with the ability to switch between mic-level and +4dBu line level. With the SW8-USB, switching between playback rigs has never been easier, or more streamlined! Read More pg.4

New! Hercules™ Impact-resistant panels Read More pg.12 Get Back On Track Backtrack - Stereo backing track switcher

The Backtrack™ is a stereo audio switcher designed for bands using redundant playback devices on stage. The primary and backup playback devices are both connected to the Back- track using dual ¼” TRS connectors or stereo 3.5mm inputs, with XLR outputs feeding the PA system. Should the primary playback device fail, an input select switch on the front of the Backtrack allows you to quickly switch to your backup device, to ensure your live per- formance is unaffected. A JR-2™ remote footswitch can be connected, giving you the ability to switch inputs or mute from anywhere on stage. The Backtrack also includes a headphone section with a dedicated level control and a cue select switch, so you can check each playback device silently without affecting the send to the PA. With the Backtrack in your setup, the show will always go on.

Mains MAIN OUT RIGHT

LIFT LEFT/ MONO 15 VDC (A) RIGHT LEFT MONITOR OUT INPUT B INPUT A

TM BACKTRACK STEREO BACKING TRACK SWITCHER

(B)

HEADPHONES B

INPUT SELECT MUTE SELECT PHONES A A B

MIN MAX REMOTE IN 3.5mm A B LEVEL INPUT Part# R800 8102 00 MAP $349.99 USD Monitors Now Shipping There is Nothing Mini About the Sound Catapult Mini - Analog audio over Cat 5

The Radial Catapult Mini™ is the latest addition to the Catapult modular snake system, which allows you to drive four analog audio channels over a single shielded CAT 5 cable. This eliminates the need for bulky and expensive multi-pair audio cable runs, and allows contractors to take advantage of pre-wired networks to connect from one room to another. The Catapult Mini TX™ and the Mini RX™ can be used together as a pair, or they can be individu- ally matched with any other Catapult stage box. For instance, you can use a Catapult TX4M™ on stage to split four mic lines to feed the monitor console, while utilizing a Catapult Mini RX to receive the signal at the FOH console.

Catapult Mini TX Catapult Mini RX 1. Mini TX to Mini RX Part# R800 8028 00 Part# R800 8029 00 Simply send four channels over MAP TBA MAP TBA Shipping Spring 2018 Shipping Spring 2018 Cat 5 with the Catapult Mini TX Cat 5 and RX. CATAPULT mini CATAPULT mini

2. TX4M to Mini RX The isolated outputs of the TX4M allow you to feed a monitor console while also splitting the signal to a Mini RX for FOH Catapult TX4M™ isolated outputs to monitor console Catapult Mini RX™ outputs The full size Catapult Cat 5 to FOH console is available in six different configurations CATAPULT TX4M CATAPULT mini with choice of direct or isolated outputs.

Drew Malamud The MIX 2:1™ is a simple yet highly useful FOH mixer that passively sums two audio chan- Grizzly Bear nels down to one. This enables you to easily sum the stereo outputs of a console, record- “The Headload V8™ is the ultimate tool for ing interface, or portable playback device live guitar amps. This thing changed every- down to mono. You can also combine two thing for us making the stage a lot quieter. separate signals, matching the input levels Now our in-ear mixes are clearer and more between them. Inputs can be accessed via Part# R800 1036 00 consistent than ever before.” MAP $129.99 USD XLR or ¼” connectors, allowing you to use Now Shipping balanced or unbalanced sources. Each input features an on/off switch, variable level Kurt Vile control, and a ground lift to prevent buzz Singer/Songwriter and hum. Input-2 also has a polarity reverse The War on Drugs, Courtney Barnett switch to eliminate cancellation if the two signals are out of phase. “I love my Radial DIs. We use the J48™ on acoustic, JDIs™ on drum machine, bass, Wurli, Farfisa, and Arp Odyssey. They make everything sound RAD!” SAT-2 Stereo audio attenuator

The SAT-2™ is a stereo audio attenuator and Luca Angelici monitor controller, providing an adjustable Bass Player Miami & the Groovers level control wherever you need it. To use the SAT-2 as a monitor controller, connect it between your playback device and a pair “I bought my first Bassbone™ years ago and of powered speakers for a number of use- I can’t do gigs without it. Radial makes effi- ful features. In addition to an overall level Part# R800 1035 00 cient devices, built to last and the Bassbone MAP $99.99 USD V2™ is a natural choice for my sound.” control, there is also a dim switch with an Now Shipping adjustable level, plus mono sum and mute switches. Inputs are accessed via ¼” or XLR connectors for balanced or unbalanced op- Harold Smick III Tour Mgr/ FOH eration with XLR outputs. Blood, Sweat & Tears, Chuck Negron (Formerly of Three Dog Night)

“I’ve been doing FOH for over 30 years and working with different sound companies Don’t SAT-2 close to me around the world. The Radial JDI™ is the best DI in the business, hands down and it Sting’s personal audio engineer, Donal works 100% of the time.” Hodgson, had noticed the SAT-2 in a recent Radial Intercom newsletter. He suggested that it would be the perfect solution for some recording they had planned. As it was Jimmy Douglass not yet in production, we thought it would Engineer/ Producer be cool to send a prototype to Sting as this Justin Timberlake, Rolling Stones, Jay-Z, Led Zeppelin, would be a perfect place to test it… Truly a Foreigner, AC/DC sink or swim situation! Donal and Sting were so pleased, they sent us a signed CD along “I am using the Spaceheater™ as a main fea- with this photo as a thank you! Thank you ture on vocals. It provides old skool distor- Donal and Sting! tion on the bass and some warmth peppered on the strings. I like the vibe of the Space- heater and use it on my sessions.”

Radial Engineering Ltd. © Copyright 2018 all rights reserved Specifications, appearance and price subject to change without notice. pg.3 Part# R800 1428 00 Artist Update The Best All-In-One For Keyboards MAP TBA Shipping Spring 2018 KL-8 - Rack mixer with redundant USB inputs

The KL-8™ is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the studio. You can connect up to Ray LaMontagne four analog keyboards in mono or stereo, each with an individual level control to adjust the Solo Artist balance between them. An aux send/receive is also available to feed effects pedals or rackmount reverbs and delays, or it can be used as an additional stereo input for a fifth keyboard. MIDI and USB connections make it easy to control a laptop soft-synth, utilizing the KL-8’s “The Radial Firefly is the best sounding DI I high-quality 24bit/192kHz digital audio converters. Dual USB connections provide the abil- have ever used. And with such a great color, ity to employ redundant laptop systems. how can you not love it!”

The KL-8 also features multiple output options, with transformer-isolated XLR outputs to feed the PA system, monitor outputs for a powered set of speakers on stage, and dual headphone outputs that can output the overall mix. For even larger setups, multiple KL-8s can be Daryl Stuermer Guitarist connected together with ¼” TRS cables, providing the ultimate expandable solution for any Phil Collins, Genesis keyboard pro. Analog Inputs

Headphone Out “I recently tried the new North-Star overdrive pedal by Tonebone. The North-Star not only holds it’s own against the other overdrives, it sounds great!“

MIDI

Monitor Darren Savard Guitarist Dallas Smith Band

“While on tour, I’ve tried a number of cabinet simulator devices and there’s nothing better Remote than the JDX-48™. Tried a few devices, but USB Input Footswitch Aux Send/Recv Main Outputs each time I went back to the JDX, and it was night and day.” The new standard for Live switching SW8-USB - Redundant backing track switching over USB

The Radial SW8™ Auto-Switcher has long been used for switching between redundant Stephen Marley backing track playback systems on professional tours. Whether it’s orchestration, vocals, or Award Winning musician sound effects, modern concert productions often rely on pre-recorded audio to accompany the performers on stage. To ensure seamless playback, two separate computers will run in tandem. If there are any issues with the first computer, the SW8 can automatically switch to the second computer. “We use Radial JDIs™ and ProDIs™ in the studio as well as for our live shows. We are The SW8-USB™ eliminates the need to have digital audio interfaces accompany each com- confident that they always provide us with great results.” puter. Dual USB inputs with separate 24bit/192 kHz 8 digital to analog converter cards allow two computers to be connected in tandem. Both computers will see the SW8-USB as an available audio and MIDI interface, allowing for instant connection of both digital workstations. MTC can be passed between both computers, providing easy start/stop synchronization be- David Morgan tween them. Eight channels of transformer-isolated XLR and ¼” outputs are included, with Engineer the ability to switch between mic-level and +4dBu line level. With the SW8-USB, switching James Taylor, Paul Simon, between playback rigs has never been easier, or more streamlined! Stevie Nicks, Bette Midler

“I am extremely pleased with the marriage of the piezo pickups to the PZ-Pre™. The result is a substantial sonic improvement Part # R800 8101 00 imparting a rich, natural and open sound. MAP TBA Thank you Radial for creating this elegant Shipping Mid 2018 tool.”

Part# R800 7013 00 Regency MAP $169.99 USD Now Shipping Progressive Amp Driver Guitar Player “The Regency’s Pre-Drive controls made it easy to dial in grittier and more saturated tones that still retained the sound of the amps, but produced additional impact, thud and articulation... The amps came alive with blistering, soaring and brutally sustaining tones for soloing. If you love playing with outrageous levels of drive, the Regency could be your tone monarch.”

Part# R800 7017 00 North-Star MAP $169.99 USD Now Shipping Modern Country Rock Vintage Guitar “Max the Drive knob, and you’re instantly aware that the North-Star is made for rock guys who work in the cleaner end of the spectrum. Also perfect for country players who require beaucoup articulation, clarity, and zero mud, this pedal works great when stacked with other overdrives.”

Part# R800 7027 00 MAP $169.99 USD Texas-Pro Now Shipping Blues Rock Revival Premier Guitar “The Texas-Pro is solid on the sound side of the equation, too. I enjoyed the vintage overdrive setting most—especially its ability to deliver TS-style presence with a smoother, more even harmonic profile. It is perfectly matched to the boost. Together they are a magnifying glass for a guitar’s essential voice, striking a balance between color, toughness, and transparency.”

Part# R800 7011 00 Classic V9 MAP $169.99 USD Now Shipping Classic American Overdrive Guitar Interactive “This is a plug in and play pedal where you don’t have to read pages of programming instruc- tions just to switch the thing on, which we like. Even better, this pedal really gives a fantastic impression of a broken-up valve amp. The low and mid settings really worked well, offering great dynamics and guitar amp type feel.”

Part# R800 7022 00 MAP $169.99 USD Hot-British V9 Now Shipping Metal Maximum Gain Vintage Guitar “It’s a versatile pedal with the potential for violence, but its strength lies in its portability and willingness to help you get what you need out of mystery backlines. In other words, it’s a great travelling companion.”

Radial Engineering Ltd. © Copyright 2018 all rights reserved Specifications, appearance and price subject to change without notice. pg.5 Own the podium Artist Update Presenter - Streamlined USB mixer and mic preamp

The Presenter™ combines a microphone Vivek Maddala preamp and a USB program input to create Composer/Producer the ultimate interface for any presentation, from school lectures to corporate audio. An XLR mic input allows you to connect a “My go-to DI these days is the Radial JDV- podium microphone and provide it with Pre™. It sounds great and fits nicely with the phantom power. The mic signal can then be rest of the gear in my WR8™ chassis.” adjusted using three EQ controls to tailor the frequency response. A program input level controls the volume of the USB input or the 3.5mm jack on the front of the unit, so Jim Heath Singer/Guitarist you can connect the outputs of your laptop, The Reverend Horton Heat smartphone, or MP3 player and blend it with the signal from the microphone. XLR outputs R800 8011 00 “The Elevator™ pedal is an integral part of provide balanced feeds for a set of powered MAP $299.99 USD my fly rig. I can’t take my amps on those gigs speakers, making it an all-in-one portable so- Shipping Feb 2018 but at least I can get a little familiar dirt with lution for any speaking engagement. the Elevator.”

XLR

USB Troy McLawhorn Guitarist Evanescence, Dark New 3.5mm Day, Seether

“The JX-44™ switcher is completely transparent. I can adjust my levels with trim control on each input, and the signal going to each component is clean, no buzz or noise at Two more to the table all. Thanks Radial.” DiNET - Dante over Ethercon

The Radial DiNET™ DAN-TX2™ transmit- DAN-TX2 ter and DAN-RX2™ receiver are expanded Leland Sklar versions of the DAN-TX and DAN-RX Dante Bass Player Phil Collins, Warren Zevon, interfaces. Featuring Neutrik Ethercon con- James Taylor, Jackson nectors demanded by professional touring Browne, Toto clients, both boxes deliver 24bit/96kHz resolution across any network using the Dante “The Radial Firefly™ is a wonderful addition to my studio and touring rig.” protocol. The DAN-TX2 features XLR com- DAN-RX2 bo, RCA, and 3.5mm analog inputs, with separate trim controls for both channels. The DAN-RX2 is a 2-channel endpoint device, with Ethercon network input and XLR out- Carl Harvey puts. It also includes a powerful headphone Guitarist Toots & the Maytals, amplifier with both ¼” and 3.5mm outputs. Messenger, The Aggrovators

“The Texas-Pro™ is a great overdrive pedal DAN-TX2 DAN-RX2 Dante Network and built like a tank. The clean boost func- tion is great, as I don’t want to change my tone but need just a little extra push to peek out of the mix. Tonebone, you’ve got another winner.” Part # R800 1064 00 Part # R800 1065 00 MAP 449.99 USD MAP 449.99 USD Shipping Spring 2018 Shipping Spring 2018

Radial Engineering Ltd. © Copyright 2018 all rights reserved Specifications, appearance and price subject to change without notice. pg.6 Artist Update New Studio Tool Studio-Q - Desktop cue & talkback controller John Jorgenson Guitarist With more and more recording happening in smaller studios, the need for a simple talk-back Hellecasters, Desert Rose system has become evident. Yes, there are other cue systems on the market, but most have Band, Elton John, Bob Dylan, Bob Seger, Willie Nelson, too many features, are too costly, or are too large. The Studio-Q presents a desk-top solution Johnny Cash, Roy Orbison that manages to do it all in a super compact design.

“The Hot-British V9™ sounds great right out of the box. Super dynamic and it seems to The Studio-Q™ begins with a simple cue switch that turns on the built-in microphone or the retain more nuanced character than most ‘producer’ mic XLR input. Each mic is equipped with an individual trim control along with a drive pedals.” master mic volume. These can also be remotely activated using a remote JR1 footswitch. Once depressed, the signal is routed to the studio headphone system while it automatically shunts the program to the desired level. The program signal path is balanced for easy inte- gration with any console with fully variable level control on the front panel. When the band Eddy Ruyter is full-on, a remote output may be used to send a dry contact to a beacon and attract atten- Keyboard player Shawn Mendes, Francesco tion. This can also be set with DC power to accommodate an LED beacon. Yates, Ryland James, Spoons

Beacon “Whether I’m on tour or in the studio, Ra- dial DI’s are always my go-to. They provide a pure, clean sound, and are always reliable.” Program

Adam Shoenfeld Talk-back Mic Guitarist Talk-back to musician in another room Tim McGraw, Big & Rich, Luke Bryan, Keith Urban, Blake Shelton, FGL, Jake Owen, Alabama, Rascal Flatts R800 1435 00 MAP $259.99 USD “Whether I’m switching heads on the fly, Now Shipping song to song, I’m always confident when my Headbone VT™ switcher is in line. The switching is flawless and there is absolutely no tone loss. A great piece of gear!” The Last Time You Ask, “Can I Unplug?” AC-Driver - Acoustic preamp with feedback control Dan Hochhalter Multi Instrumentalist The AC-Driver™ is a small but powerful preamp for acoustic instruments on stage. EQ and Carrie Underwood, Miranda volume adjustments provide you with complete control over your tone in a rugged steel Lambert, Keith Urban, Blake Shelton, OneRepublic, Zac chassis with heavy duty components that will withstand the harshest touring environments. Brown, Sheryl Crow A variable low cut filter removes excessive low frequencies, along with a notch filter and a 180° polarity reverse switch to help eliminate feedback. A balanced XLR output feeds the PA “I use Radial JDI™ and J48s™ for my acoustic instruments. I know that if I’m using Ra- system or a powered speaker, while a ¼” output can be used to simultaneously connect to an dial DI’s, I can trust that my instruments will amplifier. The AC-Driver also features an always-on ¼” tuner output and a dedicated Mute sound great.” footswitch, allowing for silent tuning on stage.

Tuner Sonny Landreth Guitarist John Hiatt, Jimmy Buffett, Mark Knopfler

“I immediately noticed more level, greater XLR Balanced Out tonal control and added clarity with my Reso acoustic guitars while using the PZ-Pre™. Stage Amp The EQ section gave me fatter note defini- tion and the boost made it easier to solo.” Part # R800 7322 00 MAP $129.99 USD Shipping March 2018

David Hafler pioneered the use of MOSFETs during the 1970’s as a means to approach the sonic character of tubes and transition to the more practical side of discrete solid-state elec- tronics. Lateral MOSFETs were designed specifically for linear audio amplification with their high speed and superior sonic characteristics compared to the vertical MOSFETs or bipo- lar output transistors used by many other amplifier makers. Inside the P3100™ is the latest refinement of the trans-nova circuit that was developed by industry guru Jim Strickland. The trans-nova circuit squeezes the most out of every component to reduce the gain stages down to three in lieu of the five typically employed by others. The shorter path results in a much more open sounding and realistic sound stage. “With the Hafler HA75™ Tube Head, I am happy to In use, the Hafler P3100 is rich in detail, depth of field and musicality. With 150 watts of spend hours rather than min- utes doing the all-important available power per channel at 8 Ohms and 200 watts at 4 Ohms, the P3100 has plenty of reviews of my recordings and headroom to drive the most power-hungry loudspeakers. Bridged in mono, 400 watts are mixes on headphones, espe- available for sub-woofers or as a matched pair for larger 2-channel setups. cially at higher levels.”

Alan Parsons - Engineer (The Beatles, Pink Floyd, Al Stewart, The Alan Parsons Project)

Part# H300 3100 00 MAP $1,999.99 USD “The Hafler HA15™ head- Shipping Feb 2018 phone amplifier delivers the same Hafler qualities that I have grown to trust.”

Glen Ballard - Producer/Engineer How it Was Meant to be Heard (Alanis Morissette, Michael Jackson, Shakira, Katy Perry, Annie Lennox, Dave HA75-DAC - The live speaker experience on headphones Matthews, Van Halen) The Hafler HA75™ tube driven headphone amp has already received critical acclaim from many of the ‘golden ears’ of the recording industry, including Alan Parsons, Chuck Ainlay, and Frank Filipetti. The new HA75-DAC™ adds a USB DAC for digital audio playback at up to 192 kHz resolution, and includes a load impedance selector that allows users to choose the optimal impedance for their headphones. The key to the HA75-DAC is still the on-board 12AX7 tube, which provides subtle but pleasing tube character, while also introducing natural compression when pushed hard. Also included is the innovative Focus control, which can be dialed in to simulate the effect of listening to live speakers. The HA75-DAC also features analog inputs, with both XLR and RCA connections, to allow the perfect blend of analog and digital in one outstanding headphone amplifier.

“The Hafler HA75’s™ warmth and clarity make it the ideal choice for reference and mixing.”

Dave Stewart - Producer/Engineer (Eurythmics, Stevie Nicks, Tom Petty, Bono, Sinéad O’Connor, Mick Jagger, Katy Perry, Jon Bon Jovi) Part# H400 0078 00 MAP $1299.99 USD Now Shipping

Radial Engineering Ltd. © Copyright 2018 all rights reserved Specifications, appearance and price subject to change without notice. pg.8 A Studio fit for a King Jacquire King’s new home studio decked out with Primacoustic

Jacquire King’s new studio ‘LBT’ offers the multi-award winning producer, what he calls ‘creative elbow room’ and immediate access to all the instruments he has collected over the years. Although you can still find Jacquire at Blackbird tracking larger session in Studio D, he sur- rendered his personal space there (Studio G) now that LBT is operational.

Primacoustic’s Jay Porter worked with Jacquire to come up with an acoustical treatment plan for the space which includes a control room, recording space, vocal/isolation room and a small iso-booth for amps.

The control room is roughly 14’x15’, the listening position treated with a Stratus Ceiling Cloud and a set of Razorblade diffusers installed on the back wall. It also features 6 MaxTraps (2 each in the rear corners and 1 each in front corner) and the walls are treated with Broadway panels. According to Jacquire: “The new control room is the best personal space I’ve ever had for listening and working. It’s very focused without a feeling of being constricted.”

The recording space consists of a main room that is 20’ by 16’ on one end and 14’ on the other. The longer wall is slanted across the space offering a desired non parallel surface. Primacoustic treatment includes Nimbus clouds, Broadway panels of 2” & 3” thicknesses, MaxTraps, Cumulus corner traps, and Radiator panels. A 6’ by 8’ vocal/isolation booth and small iso room have also been treated with Primacoustic. Jacquire has put the acoustics to the test and reports back: “The treatment has provided an excellent opportunity to have the space be soni- cally balanced and give it, based on the placements, a real variety of room tone. The room is punchy and focussed without feeling dead. The main room has a cohesive feel and has been impressive in the recorded results it has provided. The results have been nothing short of magical and I love working in my studio because of the sound I can get there.”

Jacquire rolled up his own sleeves to bring LBT to life, describing it as a cooperative effort of [Primacoustic] company designer/install guru Jay Porter and the installation efforts of he and his engineering team. “The whole system we put in place is really amazing. Given that these products are manufactured for general needs across many types of installs it’s impressive that this quality of product can be delivered in such effective and complete solutions.”

“My new studio is the best sounding personal space I’ve ever had. The products we installed from Primacoustic have helped me bring it all together. The control room and recording spaces sound fantastic.”

~ Jacquire King Shania Twain, Kings of Leon, Tom Waits, James Bay, Modest Mouse, You Me At Six, Buddy Guy, Norah Jones, Of Monsters and Men, Josh Ritter, Cold War Kids, City and Colour

Eddie “El Brujo” Caipo FOH Engineer Enrique Iglesias, Tears for Fears, Smash Mouth, Kings of Chaos, Taio Cruz

“On any and all tours, Radial products are a must, I love the way they sound and how dependable they are anywhere in the world. I currently use Stereo JDIs™ and the Hotshot ABi™ Switcher. Radial is always on my rider.”

Time to get tough Sean Hurley Bass Player Hercules - Impact-resistant John Mayer acoustic panels

Acoustic panels are more in demand than “I use the Radial JDI™ in the studio and live. ever before, but not all rooms are as kind Nothing beats the pure passive tone that allows my bass to sit right in the mix. All the as recording studios! In places such as engineers and producers I work with want to gymnasiums, schools and offices, delicate make sure I’m running through Radial.” absorption panels are easily damaged and can quickly become unsightly. The Prima- coustic Hercules™ Impact-resistant panels begin with the same glass wool core used in Richard Fortus Guitarist Broadway panels, but the face of the panel Guns N’ Roses is covered with a high-density fiberglass layer. This facing allows the panel to effec- tively absorb most frequencies, but adds a “The JD7™ lets me select between a myriad of amps without any signal degradation! I protective layer that prevents damage from use it in my live rig as well as in my home occurring due to accidental contact. This Part# F202 2448 XX studio. Amazingly quiet and great for reamp- durable facing even allows the user to use Color Codes XX = ing in the studio.” thumbtacks on the panel, making it ideal for 03 08 office spaces or schools. The Hercules pan- MAP $699.99 USD per box of 6 els measure 24”x48”x2” (60x120x5cm) and Shipping Feb 2018 ship in a choice of beige or grey acoustically Mark Ronson Producer/ Musician transparent fabric. Too many to list!

Radial brings you Backstage “I’ve used Radial devices in my studios for years now. Whether it’s for guitars, turn- Check our YouTube to see us behind the scenes of some of tables or reamping, I love the practicality the biggest tours. Thank you to everyone! and efficiency of their devices. Most impor- tantly, with Radial, sound quality is always AC/DC The Lumineers youtube.com/radialengineering a guarantee.” Arcade Fire Kings Of Leon Adele Melissa Etheridge City and Colour Miranda Lambert Depeche Mode Mother Mother www.radialeng.com Earth, Wind and Fire Nickelback facebook.com/radialeng Father John Misty Roger Hodgson Fitz and the Tantrums Roger Waters Fleet Foxes Scott Helman @radialeng Florida Georgia Line Simple Plan Gipsy Kings Thomas Rhett @radial_eng Guns N’ Roses Tom Cochrane John Paul White X Ambassadors Radial’s Jim Rhodes (right) chatting with Jake McLaughlin (FOH Engineer) from Fleet Foxes Part # R870 2400 00 / 1-2018 ®