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Intercom 2018 Booth # 15717 the Best All-In-One for Keyboards KL-8 - Keyboard Mixer with Redundant USB Inputs

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Intercom 2018 Booth # 15717 the Best All-In-One for Keyboards KL-8 - Keyboard Mixer with Redundant USB Inputs m nam INTERCOM 2018 Booth # 15717 The Best All-In-One For Keyboards KL-8 - Keyboard mixer with redundant USB inputs The KL-8™ is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the studio. You can connect up to four analog keyboards in mono or stereo with aux send/receive and both MIDI and USB con- nections that make it easy to control a laptop soft-synth and utilize the KL-8’s high quality 24bit/192kHz digital audio converters. Dual USB connections provide the ability to employ redundant laptop systems. Read More pg.4 AC-Driver™ Compact Acoustic Preamp Read More pg.7 There is Nothing Mini About the Sound Catapult Mini - Analog audio over Cat 5 The Radial Catapult Mini™ is the latest addition to the Catapult modular snake system, which allows you to drive four analog audio channels over a single shielded CAT 5 cable. This elimi- nates the need for bulky and expensive multi-pair audio cable runs, and allows contractors to take advantage of Hafler Amplifiers pre-wired networks to connect from New amps for the studio and home one room to another. Read More pg.2 Read More pg.8 The new standard for Live switching SW8-USB - Redundant backing track switching The SW8-USB™ eliminates the need to have digital audio interfaces accompany each com- puter. Redundant USB inputs with separate 24bit/192 kHz digital to analog converter cards allow two computers to be connected in tandem. Eight channels of transformer-isolated XLR and ¼” outputs are included, with the ability to switch between mic-level and +4dBu line level. With the SW8-USB, switching between playback rigs has never been easier, or more streamlined! Read More pg.4 New! Hercules™ Impact-resistant panels Read More pg.12 Get Back On Track Backtrack - Stereo backing track switcher The Backtrack™ is a stereo audio switcher designed for bands using redundant playback de- vices on stage. The primary and backup playback devices are both connected to the Back- track using dual ¼” TRS connectors or stereo 3.5mm inputs, with XLR outputs feeding the PA system. Should the primary playback device fail, an input select switch on the front of the Backtrack allows you to quickly switch to your backup device, to ensure your live per- formance is unaffected. A JR-2™ remote footswitch can be connected, giving you the ability to switch inputs or mute from anywhere on stage. The Backtrack also includes a headphone section with a dedicated level control and a cue select switch, so you can check each playback device silently without affecting the send to the PA. With the Backtrack in your setup, the show will always go on. Mains MAIN OUT RIGHT LIFT LEFT/ MONO 15 VDC (A) RIGHT LEFT MONITOR OUT INPUT B INPUT A TM BACKTRACK STEREO BACKING TRACK SWITCHER (B) HEADPHONES B INPUT SELECT MUTE SELECT PHONES A A B MIN MAX REMOTE IN 3.5mm A B LEVEL INPUT Part# R800 8102 00 MAP $349.99 USD Monitors Now Shipping There is Nothing Mini About the Sound Catapult Mini - Analog audio over Cat 5 The Radial Catapult Mini™ is the latest addition to the Catapult modular snake system, which allows you to drive four analog audio channels over a single shielded CAT 5 cable. This eliminates the need for bulky and expensive multi-pair audio cable runs, and allows contrac- tors to take advantage of pre-wired networks to connect from one room to another. The Catapult Mini TX™ and the Mini RX™ can be used together as a pair, or they can be individu- ally matched with any other Catapult stage box. For instance, you can use a Catapult TX4M™ on stage to split four mic lines to feed the monitor console, while utilizing a Catapult Mini RX to receive the signal at the FOH console. Catapult Mini TX Catapult Mini RX 1. Mini TX to Mini RX Part# R800 8028 00 Part# R800 8029 00 Simply send four channels over MAP TBA MAP TBA Shipping Spring 2018 Shipping Spring 2018 Cat 5 with the Catapult Mini TX Cat 5 and RX. CATAPULT MINI CATAPULT MINI 2. TX4M to Mini RX The isolated outputs of the TX4M allow you to feed a monitor con- sole while also splitting the signal to a Mini RX for FOH Catapult TX4M™ isolated outputs to monitor console Catapult Mini RX™ outputs The full size Catapult Cat 5 to FOH console is available in six dif- ferent configurations CATAPULT TX4M CATAPULT MINI with choice of direct or isolated outputs. ® Radial Engineering Ltd. © Copyright 2018 all rights reserved Specifications, appearance and price subject to change without notice. pg.2 Artist Update MIX 2:1 Stereo to mono summing mixer Drew Malamud The MIX 2:1™ is a simple yet highly useful FOH mixer that passively sums two audio chan- Grizzly Bear nels down to one. This enables you to easily sum the stereo outputs of a console, record- “The Headload V8™ is the ultimate tool for ing interface, or portable playback device live guitar amps. This thing changed every- down to mono. You can also combine two thing for us making the stage a lot quieter. separate signals, matching the input levels Now our in-ear mixes are clearer and more between them. Inputs can be accessed via Part# R800 1036 00 consistent than ever before.” MAP $129.99 USD XLR or ¼” connectors, allowing you to use Now Shipping balanced or unbalanced sources. Each in- put features an on/off switch, variable level Kurt Vile control, and a ground lift to prevent buzz Singer/Songwriter and hum. Input-2 also has a polarity reverse The War on Drugs, Courtney Barnett switch to eliminate cancellation if the two signals are out of phase. “I love my Radial DIs. We use the J48™ on acoustic, JDIs™ on drum machine, bass, Wurli, Farfisa, and Arp Odyssey. They make everything sound RAD!” SAT-2 Stereo audio attenuator The SAT-2™ is a stereo audio attenuator and Luca Angelici monitor controller, providing an adjustable Bass Player Miami & the Groovers level control wherever you need it. To use the SAT-2 as a monitor controller, connect it between your playback device and a pair “I bought my first Bassbone™ years ago and of powered speakers for a number of use- I can’t do gigs without it. Radial makes effi- ful features. In addition to an overall level Part# R800 1035 00 cient devices, built to last and the Bassbone MAP $99.99 USD V2™ is a natural choice for my sound.” control, there is also a dim switch with an Now Shipping adjustable level, plus mono sum and mute switches. Inputs are accessed via ¼” or XLR connectors for balanced or unbalanced op- Harold Smick III Tour Mgr/ FOH eration with XLR outputs. Blood, Sweat & Tears, Chuck Negron (Formerly of Three Dog Night) “I’ve been doing FOH for over 30 years and working with different sound companies Don’t SAT-2 close to me around the world. The Radial JDI™ is the best DI in the business, hands down and it Sting’s personal audio engineer, Donal works 100% of the time.” Hodgson, had noticed the SAT-2 in a recent Radial Intercom newsletter. He suggested that it would be the perfect solution for some recording they had planned. As it was Jimmy Douglass not yet in production, we thought it would Engineer/ Producer be cool to send a prototype to Sting as this Justin Timberlake, Rolling Stones, Jay-Z, Led Zeppelin, would be a perfect place to test it… Truly a Foreigner, AC/DC sink or swim situation! Donal and Sting were so pleased, they sent us a signed CD along “I am using the Spaceheater™ as a main fea- with this photo as a thank you! Thank you ture on vocals. It provides old skool distor- Donal and Sting! tion on the bass and some warmth peppered on the strings. I like the vibe of the Space- heater and use it on my sessions.” ® Radial Engineering Ltd. © Copyright 2018 all rights reserved Specifications, appearance and price subject to change without notice. pg.3 Part# R800 1428 00 Artist Update The Best All-In-One For Keyboards MAP TBA Shipping Spring 2018 KL-8 - Rack mixer with redundant USB inputs The KL-8™ is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the studio. You can connect up to Ray LaMontagne four analog keyboards in mono or stereo, each with an individual level control to adjust the Solo Artist balance between them. An aux send/receive is also available to feed effects pedals or rack- mount reverbs and delays, or it can be used as an additional stereo input for a fifth keyboard. MIDI and USB connections make it easy to control a laptop soft-synth, utilizing the KL-8’s “The Radial Firefly is the best sounding DI I high-quality 24bit/192kHz digital audio converters. Dual USB connections provide the abil- have ever used. And with such a great color, ity to employ redundant laptop systems. how can you not love it!” The KL-8 also features multiple output options, with transformer-isolated XLR outputs to feed the PA system, monitor outputs for a powered set of speakers on stage, and dual head- phone outputs that can output the overall mix. For even larger setups, multiple KL-8s can be Daryl Stuermer Guitarist connected together with ¼” TRS cables, providing the ultimate expandable solution for any Phil Collins, Genesis keyboard pro.
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