Danny Wimmer Presents 2021 Festival Calendar
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Farmers Market Returns To
University of South Carolina Scholar Commons October 2008 10-22-2008 The aiD ly Gamecock, WEDNESDAY, OCTOBER 22, 2008 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2008_oct Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, WEDNESDAY, OCTOBER 22, 2008" (2008). October. 8. https://scholarcommons.sc.edu/gamecock_2008_oct/8 This Newspaper is brought to you by the 2008 at Scholar Commons. It has been accepted for inclusion in October by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Mix The Mix Women’s rugby “Appaloosa” brings the prepares for its new Western genre back to sesaon. See page 9 the screen. See page 7 dailygamecock.com UNIVERSITY OF SOUTH CAROLINA WEDNESDAY, OCTOBER 22, 2008 VOL. 102, NO. 50 ● SINCE 1908 USC provost chosen fi nalist in GSU quest for president Administrator one of two candidates left Special to THE DAILY GAMECOCK in search to fi ll vacancy USC Provost Mark Becker may be GSU’s next president. Kyle Moores THE DAILY GAMECOCK other institutions including the University of Florida, USC Provost Mark University of Michigan and Becker has been selected as Cornell University. one of two finalists to fill As provost, Becker is the vacancy as president of the chief academic officer Georgia State University. of USC. He oversees the Becker has served as the schools and colleges of the vice president of academic USC-Columbia campus as Christine Galligan / THE DAILY GAMECOCK affairs and the provost at well as the school’s regional USC students and staff members wait outside of Russell House for about 10 mintues after being evacuated Tuesday. -
August Highlights at the Grant Park Music Festival
FOR IMMEDIATE RELEASE Contact: Jill Hurwitz,312.744.9179 [email protected] AUGUST HIGHLIGHTS AT THE GRANT PARK MUSIC FESTIVAL A world premiere by Aaron Jay Kernis, an evening of mariachi, a night of Spanish guitar and Beethoven’s Ninth Symphony on closing weekend of the 2017 season CHICAGO (July 19, 2017) — Summer in Chicago wraps up in August with the final weeks of the 83rd season of the Grant Park Music Festival, led by Artistic Director and Principal Conductor Carlos Kalmar with Chorus Director Christopher Bell and the award-winning Grant Park Orchestra and Chorus at the Jay Pritzker Pavilion in Millennium Park. Highlights of the season include Legacy, a world premiere commission by the Pulitzer Prize- winning American composer, Aaron Jay Kernis on August 11 and 12, and Beethoven’s Symphony No. 9 with the Grant Park Orchestra and Chorus and acclaimed guest soloists on closing weekend, August 18 and 19. All concerts take place on Wednesday and Friday evenings at 6:30 p.m., and Saturday evenings at 7:30 p.m. (Concerts on August 4 and 5 move indoors to the Harris Theater during Lollapolooza). The August program schedule is below and available at www.gpmf.org. Patrons can order One Night Membership Passes for reserved seats, starting at $25, by calling 312.742.7647 or going online at gpmf.org and selecting their own seat down front in the member section of the Jay Pritzker Pavilion. Membership support helps to keep the Grant Park Music Festival free for all. For every Festival concert, there are seats that are free and open to the public in Millennium Park’s Seating Bowl and on the Great Lawn, available on a first-come, first-served basis. -
Q Casino Announces Four Shows from This Summer's Back Waters
Contact: Abby Ferguson | Marketing Manager 563-585-3002 | [email protected] February 28, 2018 - For Immediate Release Q Casino Announces Four Shows From This Summer’s Back Waters Stage Concert Lineup! Dubuque, IA - The Back Waters Stage, Presented by American Trust, returns this summer on Schmitt Island! Q Casino is proud to announce the return of our outdoor summer experience, Back Waters Stage. This summer, both national acts and local favorites will take the stage through community events and Q Casino hosted concerts. All ages are welcome to experience the excitement at this outdoor venue. Community members can expect to enjoy a wide range of concerts from all genres from modern country to rock. The Back Waters Stage will be sponsoring two great community festivals this summer. Kickoff to Summer will be kicking off the summer series with a free show on Friday, May 25. Summer’s Last Blast 19 which is celebrating 19 years of raising money for area charities including FFA, the Boy Scouts, Dubuque County Fairgrounds and Sertoma. Summer’s Last Blast features the area’s best entertainment with free admission on Friday, August 24 and Saturday, August 25. The Back Waters Stage Summer Concert Series starts off with country rappers Colt Ford and Moonshine Bandits on Saturday, June 16. Colt Ford made an appearance in the Q Showroom last March to a sold out crowd. Ford has charted six times on the Hot Country Songs charts and co-wrote “Dirt Road Anthem,” a song later covered by Jason Aldean. On Thursday, August 9, the Back Waters Stage switches gears to modern rock with platinum recording artist, Seether. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Class of 2018 Graduates Say Farewell (See Pg 22)
Cornhusker Impressions for alumni and friends of the University of Nebraska Medical Center College of Dentistry Class of 2018 graduates say farewell (see pg 22) Meet Xiaoxi ‘Sophie’ Cui, the first China Scholar to graduate from the College of Dentistry (see pg 24) Spring 2018 From the Dean Dear Friends and Colleagues, You may notice that this issue of Impressions is a bit larger than previous issues. Moving forward, we have decided to publish two print issues annually (instead of three). At the same time, we have started a monthly electronic newsletter, “News Bites”. If you have not received our electronic newsletter and would like to, please make sure to send your preferred email address to [email protected]. Our electronic newsletter will keep you up- to-date on a more frequent basis and includes videos and other regular columns not featured in Impressions. We have much to celebrate in this issue, including faculty members achieving major service anniversaries, new faculty leaders, and the story of how several of our faculty have made an academic career – a new career (story on page 16)! Dr. Day had the idea of being an academician for many years, eventually seeking out teaching courses to prepare her for the transition; for Dr. Zalewski, it meant pursuing an idea of being a teacher in his profession. Dr. Robin Hattervig took the leap after hosting fourth-year dental students in his practice, while Dr. Bokemper decided to “test the waters” before diving into a new career. Regardless of their journeys, we are delighted to have them on board and making significant contributions to our academic endeavors! Additionally, our teaching continues to evolve. -
Canal Convergence Events
Item 23 CITY COUNCIl REPORT Meeting Date: June 27, 2017 General Plan Element: Economic Vitality General Plan Goal: Sustain Scottsdale as a tourist destination ACTION Adopt Resolution No. 10821 authorizing a FY 2017/18 Tourism Development Fund operating contingency transfer in the amount of $650,000 to the Tourism and Events Department operating budget for use in supporting the 2018 Canal Convergence events. BACKGROUND It started as an idea, a conversation, a meeting and grew into a partnership between the City of Scottsdale, Scottsdale Public Art and Salt River Project. Many others have since joined, all of whom share in the belief that Public Space conceived upon the nature of what supports us, what keeps us here, what inspires our creativity and enables our growth is the reflection of all that is important for sustaining life in this desert city. Canal Convergence is this idea. Since 2012 it has been a place of engagement, a place where international and local artists come together to celebrate a one of a kind community environment and immersive art experience for all, and a new point of pride for Scottsdale residents and businesses. As Canal Convergence began taking shape, the Tourism Strategic Plan adopted by City Council in 2013 outlined the importance of creating a destination event during the tourism industry's shoulder season (May through December). Through the Council appointed Tourism Advisory Task Force (TATF) and Request for Proposal (RFP) process, the city contracted with Webb Management Services to complete a three-phased destination event study. The goal of the study (Webb Report) was to identify events that would: 1. -
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who took Australia by storm in the mid-noughties by playing just about every shitty community hall, PCYC club and two-bit bar on the east coast, are now officially a Big Deal. And this album is their biggest to date. That means Parkway Drive need to be careful about what they say and who they say it to. “When you do a record like this you have to have it ready like six months before its release date,” Winston says. “And every day when you wake up you’re like ‘please don’t have leaked’. The day before we released Vice Grip we started seeing announcements online about how the single was coming out tomorrow. And we called around to figure out what happened and it was a data intercept in Europe. There was someone waiting on the sidelines for information to come through, and when it did they snagged it. We were like ‘who the fuck is even doing that?’ “We also had someone with a fake email address pretending to be Jia writing to our manager saying, ‘Hey, the .wav files aren’t working on my iPod. Can you send me through the mp3s for the album?’ And this guy only fucked up in using the wrong nickname in the email address, which tipped off our manager.” These kind of things are now a reality in the world of Parkway Drive. It’s not like our personable and charismatic front man is complaining though. “I’d rather people be excited about what we’re doing than not giving a fuck full stop … Oh shit, did I just give you a massive blueprint on how to hack us?” the singer laughs. -
Monday December 21, 2020
AXS TV Schedule for Mon. December 21, 2020 to Sun. December 27, 2020 Monday December 21, 2020 6:00 PM ET / 3:00 PM PT 8:00 AM ET / 5:00 AM PT The Big Interview The Big Interview Neil Young - Music legend Neil Young sits down for a rare and candid interview about his career, Buddy Guy - Guitar legend Buddy Guy reflects on his life, career, and the blues on this episode of his music and his environmental activism. The Big Interview with Dan Rather. 7:00 PM ET / 4:00 PM PT 9:00 AM ET / 6:00 AM PT Rock Legends Eric Clapton: The 1970s Review Women Who Rock - Women have sung on jazz, pop and soul tracks since the 1930s, but when Eric Clapton’s musical journey through the seventies is recalled, from his days with musical it came to rock, however, there were few women in the 1950s who wrote and performed their collectives after Cream disbanded, to his hugely successful solo career, as told by musicians and own songs. In the 60s, artists such as Grace Slick and Janis Joplin were fronting A-list bands. biographers who knew him best during that period. All-female garage bands, such as The Runaways and Fanny, achieved limited success. As rock developed in the late 60s and 70s alongside the women’s liberation movement, women refused 12:00 PM ET / 9:00 AM PT to be just the pretty singer or the manufactured glam groups. This episode features bands such B.B. King With Special Guests Terrence Howard, Richie Sambora and Solange as Heart, Suzie Quatro and The Bangles. -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
Bullet for My Valentine to Return to U.S. in May in Support of New Album Venom
BULLET FOR MY VALENTINE TO RETURN TO U.S. IN MAY IN SUPPORT OF NEW ALBUM VENOM (Download Hi-Res Artwork Here) NEW ALBUM, VENOM, OUT NOW ON RCA RECORDS (New York – February 29, 2016) UK metal band Bullet For My Valentine will return to the U.S. for a second invasion in May in support of their recently released album, VENOM. Special guests will include Asking Alexandria and Cane Hill on select dates. The tour will start in Jacksonville, FL on April 30th at Welcome To Rockville festival and will wrap up in San Antonio on May 29th at River City Rockfest. “Attention Army of Noise U.S.! We haven't even left your country yet, but we're super excited to announce that we're coming back to the U.S this May for another run of shows on our Venom World Tour 15/16. We're gonna be hitting a ton of places we couldn't get to this time around so make sure you get yourself our new BFMV App to check and see if we’re coming to a town near you. Thank you and we'll see you all very soon.” – Matt Tuck Bullet For My Valentine Fan Club and VIP pre-sale ticketing will start on Tuesday, March 1st at 10:00AM (local time) and general on sale tickets will be available on March 4th at 10:00AM (local time) at http://www.bulletformyvalentine.com/live/. Fan Club pre-sale tickets will be available exclusively through Bullet For My Valentine’s new App, which is available for download for Android and iOS now at http://bulletformyvalentine.com/app. -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay .