August Highlights at the Grant Park Music Festival
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Avery Gagliano, Piano
Dorothy Rose Smith Concert Series Avery Gagliano, piano Highland Presbyterian Church 7:00 PM March 3, 2021 Performing Live on Highland’s Steinway & Sons Concert Grand Through the auspices of the Jacobs Music Company Mozart Sonata in F Major, K. 533 I. Allegro II. Andante III. Rondo (Allegretto) Ades Three Mazurkas for Piano, Op. 27 Chopin Sonata No. 2 in B-flat Minor, Op. 35 I. Grave - Doppio movimento II. Scherzo III. March funebre: Lento IV: Finale: Presto Chopin Andante Spianato et Grande Polonaise, Op. 22 Avery Gagliano, First Prize and Best Concerto Prize winner of the 2020 10th National Chopin Piano Competition, is a young artist who captures audiences with her sensitivity, emotional depth, and musical expression. Her success has taken her to stages and concert venues such as the Verbier Festival Academy, Ravinia Festival, Aspen Music Festival, Louis Vuitton Foundation in Paris, Jay Pritzker Pavilion at Chicago’s Millennium Park, WQXR Greene Space, WRTI Performance Studio, and the GRAMMY Salute to Classical Music at Carnegie Hall. As a soloist, Avery has collaborated with several symphonies in the United States including the Aspen Philharmonic Orchestra, Tuscarawas Philharmonic, MostArts Festival Orchestra, Capital City Symphony, National Chamber Ensemble, and most recently, the Oregon Mozart Players. She is also an avid chamber musician and will return as a guest artist with the Jupiter Symphony Chamber Players in 2021. Avery received the Audience Prize at the 2019 Cliburn International Junior Piano Competition, was the first- prize winner of the Aspen Music Festival Concerto Competition and the MostArts Festival Piano Competition, and is a winner of 2019 National YoungArts Competition. -
Culturalupdate July 2019 Volume XXVIIII—Issue VII New / News Arts / Museums ♦Pizzeria Portofino, 317 N
CONCIERGE UNLIMITED INTERNATIONAL culturalupdate July 2019 Volume XXVIIII—Issue VII new / news arts / museums ♦Pizzeria Portofino, 317 N. Clark St. Opens 7/6 Sun Salutations Yoga Adler Planetarium The team behind RPM Restaurants is bringing 7/23 Chicago Works: Assaf Evron MCA Chicago a new addition to the Chicago riverfront 7/25 Postcommodity Art Institute of Chicago with Pizzeria Portofino. Instantly you will be transported to the Riviera with hand-stretched through pizzas, vegetable antipasti, and artisan pastas 7/7 Chicago Works: Jessica Campbell MCA Chicago coupled with coastal wines. 7/14 Gregg Bordowitz Art Institute of Chicago ♦Rooh, 736 W. Randolph St. Free Admission to Museums* Art Institute of Chicago All Thursdays after 5 pm The highly anticipated Randolph Row Indian Chicago History Museum All Tuesdays after 12:30 pm restaurant, Rooh, has finally opened! Rooh, DuSable Museum 7/2, 7/9, 7/16, 7/23, 7/30 the San Francisco fine-dining import will feature fancy cocktails, truffled flat-bread Museum of Contemporary Art 7/2, 7/9, 7/16, 7/23, 7/30 and fried chicken. Loyola University Muesum of Art 7/2, 7/9, 7/16, 7/23, 7/30 Swedish American Museum 7/9 *Available to Illinois residents only. Must show valid ID. Contact your CUI Concierge to secure your VIP Reservation we recommend ballet / dance 7/3 SummerDance in the Parks Portage Park ♦Hamilton: The Exhibition 7/18 Bring It! LIVE The Chicago Theatre Whether you spend an hour or an afternoon 7/24 Tchaikovsky Swan Lake Millennium Park - Hamilton: The Exhibition is an adventure 7/30,31 JUBA! Tap and Percussive Dance MCA Chicago of your own making. -
2017-18 Season Announcement News Release
N E W S R E L E A S E FOR IMMEDIATE RELEASE DATE: February 23, 2017 Yannick Nézet-Séguin and The Philadelphia Orchestra Announce 2017-2018 Season Yannick Nézet-Séguin’s Sixth Season Spans a Vast Range of Sounds Commissions • Oratorio • Chamber Music • Opera A Crowd-Sourced Celebration of Philadelphia • Broadway and a Wide Swath of Orchestral Repertoire Philadelphia Voices, a new work by Tod Machover Tosca Winter Festival focuses on British Isles Hilary Hahn is Artist-in-Residence American Sounds Leonard Bernstein Centenary Including Full Score Performances of West Side Story in Concert Premieres for Orchestra Principals (Philadelphia , February 23, 2017)—Philadelphia Orchestra Music Director Yannick Nézet-Séguin and President and CEO Allison Vulgamore today released The Philadelphia Orchestra’s 2017-18 season. Nézet-Séguin begins his sixth season in Philadelphia with a commitment to lead the world-renowned ensemble through at least 2025-26, continuing a relationship between music director and musicians that has garnered praise around the globe. “This is possibly the most varied season The Philadelphia Orchestra and I have undertaken together,” said Music – more – Yannick Nézet-Séguin and The Philadelphia Orchestra: 2017-18 Season 2 Director Yannick Nézet-Séguin. “It’s thrilling to be able to make music in every way possible, from playing piano with our wonderful principal strings in chamber music, to conducting new works, including commissions, to an oratorio I adore, to a semi-staged production of Tosca. We have some audience favorites, of course, and naturally we are celebrating the centenary of that amazing musical figure Leonard Bernstein. We hope everyone will join us!” “We truly are celebrating Yannick in every musical way this season, and we’re also celebrating our wonderful city of Philadelphia,” added Philadelphia Orchestra President and CEO Allison Vulgamore. -
The Economic Impact of Parks and Recreation Chicago, Illinois July 30 - 31, 2015
The Economic Impact of Parks and Recreation Chicago, Illinois July 30 - 31, 2015 www.nrpa.org/Innovation-Labs Welcome and Introductions Mike Kelly Superintendent and CEO Chicago Park District Kevin O’Hara NRPA Vice President of Urban and Government Affairs www.nrpa.org/Innovation-labs Economic Impact of Parks The Chicago Story Antonio Benecchi Principal, Civic Consulting Alliance Chad Coffman President, Global Economics Group www.nrpa.org/Innovation-labs Impact of the Chicago Park District on Chicago’s Economy NRPA Innovation Lab 30 July 2015 The charge: is there a way to measure the impact of the Park Districts assets? . One of the largest municipal park managers in the country . Financed through taxes and proceeds from licenses, rents etc. Controls over 600 assets, including Parks, beaches, harbors . 11 museums are located on CPD properties . The largest events in the City are hosted by CPD parks 5 Approach summary Relative improvement on Revenues generated by value of properties in parks' events and special assets proximity . Hotel stays, event attendance, . Best indicator of value museum visits, etc. by regarding benefits tourists capture additional associated with Parks' benefit . Proxy for other qualitative . Direct spending by locals factors such as quality of life indicates economic . Higher value of properties in significance driven by the parks' proximity can be parks considered net present . Revenues generated are value of benefit estimated on a yearly basis Property values: tangible benefit for Chicago residents Hypothesis: . Positive benefit of parks should be reflected by value of properties in their proximity . It incorporates other non- tangible aspects like quality of life, etc. -
Canal Convergence Events
Item 23 CITY COUNCIl REPORT Meeting Date: June 27, 2017 General Plan Element: Economic Vitality General Plan Goal: Sustain Scottsdale as a tourist destination ACTION Adopt Resolution No. 10821 authorizing a FY 2017/18 Tourism Development Fund operating contingency transfer in the amount of $650,000 to the Tourism and Events Department operating budget for use in supporting the 2018 Canal Convergence events. BACKGROUND It started as an idea, a conversation, a meeting and grew into a partnership between the City of Scottsdale, Scottsdale Public Art and Salt River Project. Many others have since joined, all of whom share in the belief that Public Space conceived upon the nature of what supports us, what keeps us here, what inspires our creativity and enables our growth is the reflection of all that is important for sustaining life in this desert city. Canal Convergence is this idea. Since 2012 it has been a place of engagement, a place where international and local artists come together to celebrate a one of a kind community environment and immersive art experience for all, and a new point of pride for Scottsdale residents and businesses. As Canal Convergence began taking shape, the Tourism Strategic Plan adopted by City Council in 2013 outlined the importance of creating a destination event during the tourism industry's shoulder season (May through December). Through the Council appointed Tourism Advisory Task Force (TATF) and Request for Proposal (RFP) process, the city contracted with Webb Management Services to complete a three-phased destination event study. The goal of the study (Webb Report) was to identify events that would: 1. -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
Daniel H. Burnham and Chicago's Parks
Daniel H. Burnham and Chicago’s Parks by Julia S. Bachrach, Chicago Park District Historian In 1909, Daniel H. Burnham (1846 – 1912) and Edward Bennett published the Plan of Chicago, a seminal work that had a major impact, not only on the city of Chicago’s future development, but also to the burgeoning field of urban planning. Today, govern- ment agencies, institutions, universities, non-profit organizations and private firms throughout the region are coming together 100 years later under the auspices of the Burnham Plan Centennial to educate and inspire people throughout the region. Chicago will look to build upon the successes of the Plan and act boldly to shape the future of Chicago and the surrounding areas. Begin- ning in the late 1870s, Burnham began making important contri- butions to Chicago’s parks, and much of his park work served as the genesis of the Plan of Chicago. The following essay provides Daniel Hudson Burnham from a painting a detailed overview of this fascinating topic. by Zorn , 1899, (CM). Early Years Born in Henderson, New York in 1846, Daniel Hudson Burnham moved to Chi- cago with his parents and six siblings in the 1850s. His father, Edwin Burnham, found success in the wholesale drug busi- ness and was appointed presidet of the Chicago Mercantile Association in 1865. After Burnham attended public schools in Chicago, his parents sent him to a college preparatory school in New England. He failed to be accepted by either Harvard or Yale universities, however; and returned Plan for Lake Shore from Chicago Ave. on the north to Jackson Park on the South , 1909, (POC). -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
Grant Park Master Plan
CHAPTER 4 Waterfronts and Open Spaces Grant Park Master Plan The major goals of the Grant Park Plan include: • Expand the role of Grant Park as a regional, city-wide and local resource • Activate the park as a whole, on a year-round basis, especially on non-event days and during the winter • Protect and enhance the unique landscape of the park • Preserve and interpret the park’s historic character while accommodating its evolving uses, including the needs of new residential developments on its periphery • Integrate Grant Park into the Lakefront open Figure 4.3.10 Queen’s Landing space system • Develop short and long-range guidelines for land-use, management, maintenance, transportation, roadway design and park development • Integrate the planning process for Grant Park with the plans for other facilities of the Central Lakefront • Develop Butler Field as sports fields • Introduce a performance venue at Hutchinson Field • Extend pathways over the railroad rights of way Figure 4.3.9 The Grant Park Master Plan Figure 4.3.11 Neighborhood Park Area Final Report June 2003 DRAFT 84 CHAPTER 4 Waterfronts and Open Spaces Millennium Park First conceived in 1997, Millennium Park will become one of the finest recreational and cultural spaces of any city in the world. The new park has added 16 acres to Grant Park by construct- ing a land bridge over the Metra Railroad tracks. The design, financed through public-private partnership, includes an outdoor ice rink, an award-winning band shell designed by architect Frank Gehry, a 1500-seat Music and Dance Theater, and extensive public sculptures, gar- dens, green spaces and promenades. -
For Immediate Release Contact: Jill Hurwitz,312.744.9179 [email protected]
For Immediate Release Contact: Jill Hurwitz,312.744.9179 [email protected] THE GRANT PARK MUSIC FESTIVAL APPOINTS NEW GENERAL MANAGER CHRIS COLLINS AND CHIEF DEVELOPMENT OFFICER EMILY CANHAM CHICAGO (March 13, 2018) — Chicago’s Grant Park Music Festival President Paul Winberg announces two appointments to the staff: the recent hire of Chris Collins as its General Manager and Emily Canham as Chief Development Officer. Mr. Collins joined the Festival on January 2, 2018 and is responsible for the planning and execution of all Festival productions including rehearsals, concerts, and education and community engagement activities. As Chief Development Officer, Ms. Canham will be leading the design, development and execution of strategies that grow the Festival’s capacity to generate contributed revenue and meet annual fundraising goals. Her first day will be March 19, 2018. “I am pleased to welcome both Chris and Emily to the Festival family. Chris’ wealth of experience and industry knowledge has enabled him to hit the ground running, formalizing the details for the Grant Park Orchestra and Chorus’ 2018 season, and planning ahead for next season,” said Winberg. “Emily’s clear record of success in fundraising leadership, management of corporate campaigns and foundation support will make her an exceptional addition to our team.” Most recently, Chris Collins was the Executive Director of the Children's Chorus of Greater Dallas. Earlier, he served as General Manager of the Eugene Symphony where he was responsible for overseeing the artistic operations of the orchestra. As a violinist, Mr. Collins has performed with numerous orchestras in Arkansas, Colorado, Oregon, Texas and Wyoming. -
LUCAS CULTURAL ARTS MUSEUM MAYOR’S TASK FORCE REPORT | CHICAGO May 16, 2014
THE LUCAS CULTURAL ARTS MUSEUM MAYOR’S TASK FORCE REPORT | CHICAGO May 16, 2014 Mayor Rahm Emanuel City Hall - 121 N LaSalle St. Chicago, IL 60602 Dear Mayor Emanuel, As co-chairs of the Lucas Cultural Arts Museum Site Selection Task Force, we are delighted to provide you with our report and recommendation for a site for the Lucas Cultural Arts Museum. The response from Chicagoans to this opportunity has been tremendous. After considering more than 50 sites, discussing comments from our public forum and website, reviewing input from more than 300 students, and examining data from myriad sources, we are thrilled to recommend a site we believe not only meets the criteria you set out but also goes beyond to position the Museum as a new jewel in Chicago’s crown of iconic sites. Our recommendation offers to transform existing parking lots into a place where students, families, residents, and visitors from around our region and across the globe can learn together, enjoy nature, and be inspired. Speaking for all Task Force members, we were both honored to be asked to serve on this Task Force and a bit awed by your charge to us. The vision set forth by George Lucas is bold, and the stakes for Chicago are equally high. Chicago has a unique combination of attributes that sets it apart from other cities—a history of cultural vitality and groundbreaking arts, a tradition of achieving goals that once seemed impossible, a legacy of coming together around grand opportunities, and not least of all, a setting unrivaled in its natural and man-made beauty. -
The Turn of the Screw Depaul Opera Theatre
Friday, October 27, 2017 • 7:30 P.M. Sunday, October 29, 2017 • 2:00 P.M. THE TURN OF THE SCREW DEPAUL OPERA THEATRE Hal France, conductor Harry Silverstein, director DePaul Concert Hall 800 West Belden Avenue • Chicago Friday, October 27, 2017 • 7:30 P.M. Sunday, October 29, 2017 • 2:00 P.M. DePaul Concert Hall DEPAUL OPERA THEATRE PRESENTS The Turn of the Screw Music by Benjamin Britten Libretto by Myfanwy Piper From the novel by Henry James World Premiere: September 14, 1954 Teatro La Fenice, Venice Conductor Hal France Director Harry Silverstein Musical Preparation Nicholas Hutchinson CAST The Prologue Sebastian Armendariz The Governess Angela Zúñiga Miles Lauren Jacob Flora Madeline Ehlinger Mrs. Grose Angela De Venuto Quint Sebastian Armendariz Miss Jessel Emily Margevich Ensemble Maria Consamus Chase Gutierrez Miranda Levin Kelby Roth Running Time: 116 minutes. There will be one fifteen minute intermission. DEPAUL OPERA THEATRE • OCTOBER 27 & OCTOBER 29, 2017 ORCHESTRA VIOLIN I BASSOON Rasa Mahmoudian Nicholas Ritter VIOLIN II HORN Ece Dolu Emily Whittaker Viola PERCUSSION Annika Sundberg Mark Linley CELLO PIANO/CELESTA Anna Patterson John-Paul Pendowski DOUBLE BASS HARP Isaac Polinsky Michael Maganuco* PICCOLO/ALTO FLUTE Erin Wallace OBOE/ENGLISH HORN Ian Egeberg CLARINET/BASS CLARINET Alessandro Tenorio-Bucci *Guest DEPAUL OPERA THEATRE • OCTOBER 27 & OCTOBER 29, 2017 SYNOPSIS PROLOGUE The Prologue introduces “a curious story, written in faded ink”, the personal account of a young governess, sent to instruct a boy and a girl in the country long ago…. ACT I The Journey On her journey to Bly, the Governess ponders her position’s uncertainties: the orphaned children, the old housekeeper, and her instructions not to contact her charges’ only relative.