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Avery Gagliano, Piano
Dorothy Rose Smith Concert Series Avery Gagliano, piano Highland Presbyterian Church 7:00 PM March 3, 2021 Performing Live on Highland’s Steinway & Sons Concert Grand Through the auspices of the Jacobs Music Company Mozart Sonata in F Major, K. 533 I. Allegro II. Andante III. Rondo (Allegretto) Ades Three Mazurkas for Piano, Op. 27 Chopin Sonata No. 2 in B-flat Minor, Op. 35 I. Grave - Doppio movimento II. Scherzo III. March funebre: Lento IV: Finale: Presto Chopin Andante Spianato et Grande Polonaise, Op. 22 Avery Gagliano, First Prize and Best Concerto Prize winner of the 2020 10th National Chopin Piano Competition, is a young artist who captures audiences with her sensitivity, emotional depth, and musical expression. Her success has taken her to stages and concert venues such as the Verbier Festival Academy, Ravinia Festival, Aspen Music Festival, Louis Vuitton Foundation in Paris, Jay Pritzker Pavilion at Chicago’s Millennium Park, WQXR Greene Space, WRTI Performance Studio, and the GRAMMY Salute to Classical Music at Carnegie Hall. As a soloist, Avery has collaborated with several symphonies in the United States including the Aspen Philharmonic Orchestra, Tuscarawas Philharmonic, MostArts Festival Orchestra, Capital City Symphony, National Chamber Ensemble, and most recently, the Oregon Mozart Players. She is also an avid chamber musician and will return as a guest artist with the Jupiter Symphony Chamber Players in 2021. Avery received the Audience Prize at the 2019 Cliburn International Junior Piano Competition, was the first- prize winner of the Aspen Music Festival Concerto Competition and the MostArts Festival Piano Competition, and is a winner of 2019 National YoungArts Competition. -
August Highlights at the Grant Park Music Festival
FOR IMMEDIATE RELEASE Contact: Jill Hurwitz,312.744.9179 [email protected] AUGUST HIGHLIGHTS AT THE GRANT PARK MUSIC FESTIVAL A world premiere by Aaron Jay Kernis, an evening of mariachi, a night of Spanish guitar and Beethoven’s Ninth Symphony on closing weekend of the 2017 season CHICAGO (July 19, 2017) — Summer in Chicago wraps up in August with the final weeks of the 83rd season of the Grant Park Music Festival, led by Artistic Director and Principal Conductor Carlos Kalmar with Chorus Director Christopher Bell and the award-winning Grant Park Orchestra and Chorus at the Jay Pritzker Pavilion in Millennium Park. Highlights of the season include Legacy, a world premiere commission by the Pulitzer Prize- winning American composer, Aaron Jay Kernis on August 11 and 12, and Beethoven’s Symphony No. 9 with the Grant Park Orchestra and Chorus and acclaimed guest soloists on closing weekend, August 18 and 19. All concerts take place on Wednesday and Friday evenings at 6:30 p.m., and Saturday evenings at 7:30 p.m. (Concerts on August 4 and 5 move indoors to the Harris Theater during Lollapolooza). The August program schedule is below and available at www.gpmf.org. Patrons can order One Night Membership Passes for reserved seats, starting at $25, by calling 312.742.7647 or going online at gpmf.org and selecting their own seat down front in the member section of the Jay Pritzker Pavilion. Membership support helps to keep the Grant Park Music Festival free for all. For every Festival concert, there are seats that are free and open to the public in Millennium Park’s Seating Bowl and on the Great Lawn, available on a first-come, first-served basis. -
2018 Barndance Program.Indd
Celebrating 19 Years of Cancer Awareness PROCEEDS TO BENEFIT CANCER AWARENESS | EDUCATION TREATMENT | RESEARCH THE BEST 7 HOURS OF SUMMER LIVE AUCTION ITEMS 1. White Sox Diamond Skybox for 20 Chicago White Sox vs. Cleveland Indians | Sunday, August 12 | 1:10pm • Luxury Diamond Suite for 20 at Guaranteed Rate Field • Food and beverages included: buffalo chicken wings, roast beef & turkey sandwiches, Caesar salad, hot dogs, peanuts and fresh fruit, along with 3 cases of beer and soda to enjoy during the game. • 2 parking passes. Thank you to 3 Brothers Restaurant, Murphy’s Flooring, Consolidated Electric Distributors (CED) and World Security & Control for underwriting this package. 2. They Always Go in 3’s | Final Tours of Music Icons Package Lynyrd Skynyrd - Friday, August 3 | Joan Baez - Friday, October 5 Elton John - Saturday, October 27 • 4 tickets to Lynyrd Skynrd | Last of the Street Survivors Farewell Tour on Friday, August 3 at Hollywood Casino Amphitheatre in Tinley Park, IL at 6:00 pm. End seats in section 100 with special guests: The Marshall Tucker Band, .38 Special and Jamey Johnson. • 2 rooms at the Fairfield Inn & Suites Chicago Tinley Park. • Bonus item for this package: a sealed original first LP Lynyrd Skynrd record from 1973 containing many of their iconic hits. Plus, a Marshal Tucker and .38 special albums. • 2 tickets to Joan Baez | Fare Thee Well…Tour 2018 at the beautiful Chicago Theater on Friday, October 5 at 8:00 pm. Tickets on the main floor, front row AA behind pit seating, end seats 401 & 403. • A $250 Visa card to use to book your overnight stay at the Chicago Theatre. -
Culturalupdate July 2019 Volume XXVIIII—Issue VII New / News Arts / Museums ♦Pizzeria Portofino, 317 N
CONCIERGE UNLIMITED INTERNATIONAL culturalupdate July 2019 Volume XXVIIII—Issue VII new / news arts / museums ♦Pizzeria Portofino, 317 N. Clark St. Opens 7/6 Sun Salutations Yoga Adler Planetarium The team behind RPM Restaurants is bringing 7/23 Chicago Works: Assaf Evron MCA Chicago a new addition to the Chicago riverfront 7/25 Postcommodity Art Institute of Chicago with Pizzeria Portofino. Instantly you will be transported to the Riviera with hand-stretched through pizzas, vegetable antipasti, and artisan pastas 7/7 Chicago Works: Jessica Campbell MCA Chicago coupled with coastal wines. 7/14 Gregg Bordowitz Art Institute of Chicago ♦Rooh, 736 W. Randolph St. Free Admission to Museums* Art Institute of Chicago All Thursdays after 5 pm The highly anticipated Randolph Row Indian Chicago History Museum All Tuesdays after 12:30 pm restaurant, Rooh, has finally opened! Rooh, DuSable Museum 7/2, 7/9, 7/16, 7/23, 7/30 the San Francisco fine-dining import will feature fancy cocktails, truffled flat-bread Museum of Contemporary Art 7/2, 7/9, 7/16, 7/23, 7/30 and fried chicken. Loyola University Muesum of Art 7/2, 7/9, 7/16, 7/23, 7/30 Swedish American Museum 7/9 *Available to Illinois residents only. Must show valid ID. Contact your CUI Concierge to secure your VIP Reservation we recommend ballet / dance 7/3 SummerDance in the Parks Portage Park ♦Hamilton: The Exhibition 7/18 Bring It! LIVE The Chicago Theatre Whether you spend an hour or an afternoon 7/24 Tchaikovsky Swan Lake Millennium Park - Hamilton: The Exhibition is an adventure 7/30,31 JUBA! Tap and Percussive Dance MCA Chicago of your own making. -
Cover Next Page > Cover Next Page >
cover next page > title: Indian Music and the West : Gerry Farrell author: Farrell, Gerry. publisher: Oxford University Press isbn10 | asin: 0198167172 print isbn13: 9780198167174 ebook isbn13: 9780585163727 language: English subject Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. publication date: 1999 lcc: ML338.F37 1999eb ddc: 780.954 subject: Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. cover next page > < previous page page_i next page > Page i Indian Music and the West < previous page page_i next page > < previous page page_ii next page > Page ii To Jane < previous page page_ii next page > < previous page page_iii next page > Page iii Indian Music and the West Gerry Farrell OXFORD UNIVERSITY PRESS < previous page page_iii next page > < previous page page_iv next page > Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Gerry Farrell 1997 First published 1997 New as paperback edition 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) All rights reserved. -
Lab 2019: in the Room
Lab 2019: In the Room Sunday, August 18th Victory Gardens Biograph, 2433 N. Lincoln Avenue 10:00-10:30am REGISTRATION AND ORIENTATION 10:30-1:00pm INTRODUCTIONS, ICE BREAKERS, AND SETTING GOOD INTENTIONS LUNCH BREAK 2:00-2:45pm THROUGHLINE PROJECT INTRODUCTION BREAK 3:00-3:30pm YOUR ROOM Lavina Jadhwani, Freelance Director 3:30-5:30pm FINDING THE NEXUS OF BEST WORK/BEST ROOM Laura Fisher, Not in Our House/Chicago Theatre Standards TRAVEL BREAK 7:00-8:00pm The Infinite Wrench Created by the Neo-Futurists The Neo-Futurist Theater, 5153 N. Ashland Avenue 8:30-10:00pm DINNER Reza’s, 5255 N. Clark Street Lab 2019: In the Room Monday, August 19th The Design Museum of Chicago, 72 E. Randolph Street 10:00-10:30am CHECK-IN AND QUESTIONS 10:30-11:45am SETTING THE STAGE Hallie Rosen, Chicago Architecture Center BREAK 12:00-1:00pm DOWNTOWN THEATRE HISTORY Melanie Wang, Dept. of Cultural Affairs and Special Events Mitchell J. Ward, Free Tours by Foot LUNCH AND TRAVEL BREAK/OPTIONAL CONTINUED TOUR The Second City, 230 W. North Avenue 2:00-5:00pm SATIRE AND THE SECOND CITY Rachael Mason, The Second City BREAK 5:00-6:00pm COMEDY TODAY & THE MAINSTAGE PROCESS Anthony LeBlanc, Jesse Swanson, Mick Napier, and others TBD, The Second City FREE NIGHT Lab 2019: In the Room Tuesday, August 20th Reva and David Logan Center for the Arts, 915 E. 60th Street 10:00-10:15am CHECK-IN AND QUESTIONS 10:15-11:15am THE BEND IN THE ROAD Lydia Milman-Schmidt, Parent-Artist Advocacy League Cassie Calderone, Love, Your Doula BREAK 11:30-12:30pm DIRECTING VIRTUALLY Alice Bever, Chang Nai Wen, Monty Cole, and Evan Tsitias, Freelance Directors and International Lab Affiliates LUNCH BREAK 1:30-2:30pm ROOM FOR ART IN ACADEMIA Tiffany Trent, Logan Center for the Arts BREAK 3:00-5:00pm CREATING A TRANS AFFIRMING WORKPLACE Carolyn Leach, Chicago House TransWorks 5:00-6:00pm PEER-LED SESSION TRAVEL AND DINNER BREAK 8:00pm THE BEST OF SECOND CITY Directed by Jonald Reyes UP Comedy Club, 230 W. -
Folk Songs CLASS-II
Folk Songs CLASS-II 6 Notes FOLK SONGS A folk song is a song that is traditionally sung by the common people of a region and forms part of their culture. Indian folk music is diverse because of India's vast cultural diversity. It has many forms. The term folk music was originated in the 19th century, but is often applied to music older than that. The glimpse of rural world can be seen in the folk music of the villages. They are not only the medium of entertainment among the rural masses but also a reflection of the rural society. In this lesson we shall learn about the characteristics of folk songs and music and also about the various folk songs of India. OBJECTIVES After studying this lesson, you will be able to: • define folk songs; • list the characteristics of folk songs and folk music; • list some famous forms of folk song of our country; and • describe the importance of folk song in our culture. OBE-Bharatiya Jnana Parampara 65 Folk Songs CLASS-II 6.1 MEANING OF FOLK SONGS AND MUSIC Music has always been an important aspect in the lives of Indian Notes people. India's rich cultural diversity has greatly contributed to various forms of folk music. Almost every region in India has its own folk music, which reflects local cultures and way of life. Folk songs are important to music because they give a short history of the people involved in the music. Folk songs often pass important information from generation to generation as well. -
2012 Appropriation Ordinance 10.27.11.Xlsx
2012 Budget Appropriations 3 4 Table of Contents Districtwide 8 Humboldt Park……………...…....………….…… 88 Districtwide Summary 9 Kedvale Park……………...…....………….…….. 90 Communications……………….....….……...….… 10 Kelly (Edward J.) Park……………...…....……91 Community Recreation ……………..……………. 11 Kennicott Park……………...…....………….…… 92 Facilities Management - Specialty Trades……………… 29 Kenwood Community Park……………...…. 93 Grant Park Music Festival………...……….…...… 32 La Follette Park……………...…....………….…… 94 Human Resources…………..…….…………....….. 33 Lake Meadows Park ……………...…....………96 Natural Resources……………….……….……..….. 34 Lakeshore……………...…....………….…….. 97 Park Services - Permit Enforcement 38 Le Claire-Hearst Community Center……… 98 Madero School Park……………...…....……… 99 Central Region 40 McGuane Park……………...…....………….…… 100 Central Region Parks 41 McKinley Park……………………………....…… 103 Central Region – Summary ...……...……................. 43 Moore Park……………...…....………….…….. 105 Central Region – Administration……….................... 44 National Teachers Academy……………...… 106 Altgeld Park………………………………………… 46 Northerly Island……………...…....………….… 108 Anderson Playground Park……….……...………….. 47 Orr Park………………………………..…..…..… 109 Archer Park……...................................................... 48 Piotrowski Park……………...…....………….… 110 Armour Square Park……........................................... 49 Pulaski Park……………...…....………….…….. 113 Augusta Playground……........................................... 50 Seward Park ……………...…....………….…….. 114 Austin Town Hall……............................................... -
THE BALLET Corps De Ballet of Metropolitan, Chicago and San Francisco Draw up Schedules of Minimum Pay and Conditions of Employment
A~MA Official Organ of the AMERICAN GUILD OF MUSICAL ARTISTS, INC. 576 Fifth Avenue, New York, N. Y. Telephone: LOngacre 3-6223 Branch of the ASSOCIATED ACTORS AND ARTISTES OF AMERICA FEBRUARY~APRIL, 1939 VOLUME IV, Nos. 2, 3, 4 Representatives HolJywood Office: San Francisco: Chicago; ERNEST CHARLBS, Asst. Exec. Seq. VIC CONNORS-THBODOlUl HALE LEO CURLEY 6331 HollyWood Boulevard 220 Bush Street 162 East Ohio Street Officers: Board of Governors: ',LAWltBNCl!• TIBBETT • • ZLATKO BALOKOVIC ERNST LERT ': President WALTER DAMlt9sCH RUTH BRETON LAURITZ MELCHIOR RUDOLPH .GANZ JASCHA HEI~~ FlIANK CHAPMAN JAMES MELTON '1st Vice.PresMent RICHARD CROOKS EzlO PINZA HOWARD HANSON RICHARD BO'Nl'lLU MISCHA ELMAN ERNEST HUTCHESON 2nd Vi&e.~Jitlenl EVA GAUTHIER SERGE KOUSSllVIT?..KY' MARG CHARLES HACKETT Jrd esitli:nJ LEHMANN EDWARD HARRIs FlIAN" .SHERIDAN, ELISABtrR H()llPF'm ;;JOHN MCCORMACK 4th' Tliie"President JULIUS 'HUEHN DANIBL HARRIS EDWIN HUGHES Jth Vice·President JOS!; ITUIlDI Q MARro Fl!.EDERICK JAGBL MAlUIK WINDHBD( r ding Secretary EFlUIM ZrMBALIST PlIAnt( LA FoRGE TrealNl'er • LEO PtsCHBR Edited by L. T. CARR ExecNtitle Secretary Editorial Advisory Committee: .Hll'NlI!t JAl'l'E EDWARD HAl!.l!.IS, Chairman ~, CfIfI1Htil RICHARD BONELLI LEO PlSCHlIR GUILD • • • N THIS issue is reported the signing of agreements be I tween AGMA and NBC Artists Service and Columbia authority of an Artists' union in regula Concerts Corporation, the two largest managers of musical and the policies pursued in the concert a~ts in this country. The contracts are the full and final has implications of the grave~t importance, 'not ft)1~fthe symbol of the new order which began in American musical artists directly m~naged by the .~;chains, but £ot~al1milsicaf Hfe with the formation of AGMA and the beginning of its artists. -
Pennsylvania Avenue Cultural Landscape Inventory
National Park Service Cultural Landscapes Inventory Pennsylvania Avenue, NW-White House to the Capitol National Mall and Memorial Parks-L’Enfant Plan Reservations May 10, 2016 Pennsylvania Avenue, NW-White House to the Capitol National Mall and Memorial Parks-L’Enfant Plan Reservations Table of Contents Inventory Unit Summary & Site Plan ............................................................................................ Page 3 Concurrence Status ...................................................................................................................... Page 10 Geographic Information & Location Map ................................................................................... Page 11 Management Information ............................................................................................................. Page 12 National Register Information ..................................................................................................... Page 13 Chronology & Physical History ................................................................................................... Page 24 Analysis & Evaluation of Integrity .............................................................................................. Page 67 Condition Assessment .................................................................................................................. Page 92 Treatment .................................................................................................................................... -
Chicago Theatre Standards
Chicago Theatre Standards December 2017 This document is authored by representatives of Chicago theatre companies, artists, and administrators who volunteered their time, experience and expertise over the course of two years. It has been tested over the course of a year by 20 Chicago theatres and vetted by a variety of industry and legal professionals. A list of contributing institutions and individuals can be found at notinourhouse.org. Rev 12-11-17 1 Table of Contents Declaration of Purpose ................................................................................................................................................ 3 History ............................................................................................................................................................................................ 4 Mission Statement ...................................................................................................................................................................... 4 Who is the Chicago Theatre Standards for? ....................................................................................................................... 4 Disclaimer ..................................................................................................................................................................................... 5 How to Use This Document ......................................................................................................................................... 6 Definitions -
Vividh Bharati's Role in 'Unifying' the Indian Nation
Vividh Bharati’s 5932/011116 vIvIdh BhaRatI's Role IN 'UNIfyINg' the INdIaN NatIoN Jawhar Sircar RKMIC, 29th January 2014 I. FREEDOM AT MIDNIGHT: 1. When we look back at the last six or seven decades, we see with amazement how India has emerged from a country that was tormented by internal convulsions and external threats to be now ranked among the top countries of the world. The entire picture has changed so dramatically, especially in the last two decades since we opened up our economy that India is now growing rapidly enough to be noticed. Though it has finally been afflicted by the world-wide economic contagion and is passing through a rather low, the world takes note: which it did not, earlier. The 21st century belongs to Asia and it is beyond doubt that China and India would be playing a major role, notwithstanding temporary hiccups along the way. 2. The question is how did this India, that is now proud of her high seat in the assembly of nations of the world, emerge as a cohesive nation that is finally solidly bonded. Let us take ourselves back to the stroke of the midnight hour, on the night of 14th/15th August 1947, when this nation was born: a memorable period that happens but once in a nation’s life-time. It was the most challenging of times, as not only was it a bleeding baby that had been severed from its sibling, but it was in the midst of violence, confusion and rioting. One was reminded of Churchill’s scathing remarks that "in a few years, no trace will remain" for "anarchy will lead to internecine warfare".