Actor Alicia Witt Turns Musician with 'Revisionary History'
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Learn to Lead Activity Guide
LEARN TO LEAD ACTIVITY GUIDE CIVIL AIR PATROL CADET PROGRAMS TEAM LEADERSHIP PROBLEMS MOVIE LEARNING GUIDES GROUP DISCUSSION GUIDES Preface LEARN TO LEAD ACTIVITY GUIDE Do you learn best by reading? By listening to a lecture? By watching someone at work? If you’re like most people, you prefer to learn by doing. That is the idea behind the Learn to Lead Activity Guide. Inside this guide, you will find: • Hands-on, experiential learning opportunities • Case studies, games, movies, and puzzles that test cadets’ ability to solve problems and communicate in a team environment • Recipe-like lesson plans that identify the objective of each activity, explain how to execute the activity, and outline the main teaching points • Lesson plans are easy to understand yet detailed enough for a cadet officer or NCO to lead, under senior member guidance The Activity Guide includes the following: • 24 team leadership problems — Geared to cadets in Phase I of the Cadet Program, each team leadership problem lesson plan is activity- focused and addresses one of the following themes: icebreakers, teamwork fundamentals, problem solving, communication skills, conflict resolution, or leadership styles. Each lesson plan includes step-by-step instructions on how to lead the activity, plus discussion questions for a debriefing phase in which cadets summarize the lessons learned. • 6 movie learning guides — Through an arrangement with TeachWithMovies.com, the Guide includes six movie learning guides that relate to one or more leadership traits of Learn to Lead: character, core values, communication skills, or problem solving. Each guide includes discussion questions for a debriefing phase in which cadets summarize the lessons learned. -
A Wishy-Washy, Sort-Of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-22-2014 12:00 AM A Wishy-Washy, Sort-of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic Amy Gaizauskas The University of Western Ontario Supervisor Christine Sprengler The University of Western Ontario Graduate Program in Art History A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Amy Gaizauskas 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Gaizauskas, Amy, "A Wishy-Washy, Sort-of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic" (2014). Electronic Thesis and Dissertation Repository. 2332. https://ir.lib.uwo.ca/etd/2332 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. A WISHY-WASHY, SORT-OF FEELING: EPISODES IN THE HISTORY OF THE WISHY-WASHY AESTHETIC Thesis Format: Monograph by Amy Gaizauskas Graduate Program in Art History A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Amy Gaizauskas 2014 Abstract Following Sianne Ngai’s Our Aesthetic Categories (2012), this thesis studies the wishy- washy as an aesthetic category. Consisting of three art world and visual culture case studies, this thesis reveals the surprising strength that lies behind the wishy-washy’s weak veneer. -
For Immediate Release ROBERT ELLIS
For Immediate Release ROBERT ELLIS JOINS DEER TICK ON “TOUR ME A NEW ONE” NORTH AMERICAN DATES TO BEGIN OCTOBER 10 NEW ALBUM, THE LIGHTS FROM THE CHEMICAL PLANT, PRODUCED BY JACQUIRE KING, DUE FEBRUARY 11, 2014 ON NEW WEST RECORDS "I want this record to be more about the Paul Simons and the Randy Newmans and the other half of my upbringing, which is very much rooted in pop," Ellis recently told Rolling Stone Nashville, TN – Sept 24, 2013 – Robert Ellis, who Esquire calls “a peculiar but elegant intersection of Bon Iver, George Jones and Jackson Browne,” will join his friends Deer Tick on their upcoming fall tour. Ellis’ long time pedal steel player Will Van Horn will accompany him for this run of dates. Prior to the tour, Ellis will perform at Hardly Strictly Bluegrass in San Francisco’s Golden Gate Park. Ellis just finished his forthcoming album, The Lights From The Chemical Plant, and is excited to unveil the new songs on the road. The record was made with renowned producer Jacquire King (Tom Waits, Modest Mouse, Kings of Leon) at The Casino in East Nashville with studio owner Eric Masse (Brothers Osborne, Mikky Ekko, Caitlin Rose) engineering. The Lights From The Chemical Plant is due February 11, 2014 on New West Records. The songs on the new album, which range from the majestic string-adorned title track to noir pop rock and somber confessionals, both show Ellis’ growth and the various sides of this multidimensional songwriter. Ellis recently told Rolling Stone The Lights From The Chemical Plant is “stylistically ambiguous,” as he is inspired by a wide variety of artists. -
Cast Bios Alicia Witt
‘CHRISTMAS LIST’ CAST BIOS ALICIA WITT (Isobel) – Starting with her debut in 1984 at the mere age of 7 as Alia in David Lynch’s science fiction classic, “Dune,” Alicia Witt has garnered nearly a three-decade long career as an actor and singer-songwriter. Witt recently received rave reviews for her role as Paula in AMC’s critically acclaimed series “The Walking Dead.” Witt is currently appearing and singing on ABC’s hit drama series “Nashville” as country star Autumn Chase. In 2014, Witt joined the cast of the Emmy® Award-winning FX series “Justified” as Wendy Crowe, the smart and sexy paralegal sister of crime lord Danny Crowe. She made a provocative addition to this critically acclaimed series. Off screen a classically trained pianist and phenomenal singer, Witt is one of those rare talents whose passion as a singer songwriter is also gaining tremendous attention from both the industry and her fans. She recently made her debut as the Grand Ole Opry in Nashville. Witt released her first full-length studio album, “Revisionary History,” in May 2015. The album has garnered comparisons to Elton John, Fiona Apple and Carole King. She has opened for Ben Folds Five, Jimmy Webb, and John Fullbright to name a few. Witt has also performed live as a musical guest on CBS’s “Late Late Show with Craig Ferguson” and “The Queen Latifah Show.” Witt’s many credits include “88 Minutes” alongside Al Pacino, Warner Bros’ hit “Two Weeks Notice” opposite Sandra Bullock and Hugh Grant, “Last Holiday” with Queen Latifah, “Urban Legend,” “The Upside of Anger,” “Mr. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Vita PDF Download
AMOR SCHUMACHER SYNCHRON (Rollen und Ensemble) Auswahl „The Dinner“ Splendid Nana Spier „Superstore“ BSG Frank Muth „Librarians“ Interopa Elke Weidemann „Billions“ Cinephon Reinhard Knapp „Patriots Day“ RC Bernhard Völger „Collateral Beauty“ FFS Marianne Gross „Christmas Office RC Kathrin Fröhlich Party“ „La La Land“ Cinephon Dr. Harald Wolff „House of Lies“ Cinephon Dr. Harald Wolff Wohnort: Berlin „Flikken Maastricht“ Antares Marc Böttcher Geburtsdatum: 14.08.1979 Sprachen: deutsch (Muttersprache), „Paradise“ Studio Funk Olaf Mierau spanisch (Muttersprache), „Homeland“ Cinephon Stephan Hoffmann englisch (fliessend), italienisch (GK) „Istanbul“ Taunusfilm Beate Klöckner Dialekte: hessisch, American English, „Better Call Saul“ BSG Frank Muth British English „Brigade“ SDI Uschi Hugo Akzente: englisch, spanisch, französisch, italienisch, arabisch „Bull“ Cinephon Stefan Ludwig Stimmlage: Alt „New Girl“ Cinephon Martin Schmitz „Bad Batch“ SDI Bernhard Völger Sprachberatung: Spanisch diverse Dialekte „Die irre Heldentour Interopa Christoph Cierpka des Billy Lynn“ „The Strain“ Cinephon Stefan Ludwig „Brotherhood“ Cinephon Wolfgang Ziffer AUSBILDUNG „Veep“ Cinephon Stefan Ludwig „Captain America: FFS Björn Schalla 2009, 2010, 2012 Larry Moss, Susan Civil War“ Batson Masterclass, „I Zombie“ Arena Synchron Gabrielle Pietermann Meisner Technique Mike Bernardin, Berlin „Relentless Justice“ Lautfabrik U.G. Benjamin Plath 2002 - 2006 Berliner Schule für „Longmire” FFS Marianne Gross Schauspiel „ScoobyDoo” SDI Sven Plate 2000 Method Studio London „Vampire -
Underwater Speleology Journal of the Cave Diving Section of the National Speleological Society
Underwater Speleology Journal of the Cave Diving Section of the National Speleological Society INSIDE THIS ISSUE: How Two Movie Guys Do A Cave Shoot Not Able To Breath During A Cave Dive A Message From The Training Director 2018 Winter Workshop Volume 45 Number 1 January/February/March 2018 NSS-CDS BOARD OF DIRECTORS Underwater Speleology Volume 45 Number 1 January/February/March 2018 CHAIRMAN Cheryl Doran (732) 674-6550 [email protected] contents VICE CHAIRMAN TJ Muller [email protected] TREASURER Ken Sallot Featured Articles [email protected] SECRETARY Forrest Wilson [email protected] How Two Movie Guys Do A Cave Shoot DIRECTORS By Gene Page..................................................................................................6 Committees AND VOLUNTEERS Not Able To Breath During A Cave Dive Bob Shulte [email protected] By Forrest Wilson........................................................................................10 PROPERTIES A Message From The Training Director Al Clements [email protected] By Jon Bernot..................................................................................................12 TRAINING CHAIRMAN 2018 Hart Springs Winter Workshop Jon Bernot [email protected] ..........................................................................................................13 Columns From The Chairman ADMINISTRATIVE MANAGER By Cheryl Doran...............................................................................................6 Adam Hughes Instructor -
NAMM 2019 Booth # 14716 ACC North Hall
INTERCOMNAMM 2019 Booth # 14716 ACC North Hall KL-8 Total Keyboard Control The KL-8 is a rackmount keyboard mixing station designed to provide complete con- trol over a professional keyboard setup, both on-stage and in the recording studio. Equipped with four analog inputs, redun- dant USB and MIDI connectivity, the KL-8 can interface with any gear. Isolated out- puts gives you pristine signal to the front of house with monitor and headphone outputs to give you control of your mix. DAN-TX2 & DAN-RX2 Stereo Dante transmit & receive boxes The DAN-RX2 and DAN-TX2 are the latest additions to the Radial DiNET family of high quality Dante-enabled endpoints for networked audio systems. Featuring locking Ethernet connections, rock solid construction, and the abili- ty to be easily rack-mounted, both are well suited for permanent installations or the rigorous demands of pro touring acts. SW8-USB 8-channel auto-switcher and USB interface The SW8-USB provides a simplified and robust solution for performances that utilize redundant playback systems on stage. Dual USB inputs allow you to connect directly to your primary and backup computers, eliminating the need for additional audio interfaces. Should your primary rig fail, the SW8- USB automatically switches over to the backup system, ensuring a seamless performance each and every time. Shipping Spring 2019 SW8-USB Backing track auto switcher The SW8-USB is an all-in-one solution for perfor- mances that employ redundant playback systems for backing tracks, combining two built-in high performance USB interfaces with an auto-switching feature that detects dropouts and effortlessly switch- es to the backup computer in an instant. -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
The Walking Dead
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1080950 Filing date: 09/10/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91217941 Party Plaintiff Robert Kirkman, LLC Correspondence JAMES D WEINBERGER Address FROSS ZELNICK LEHRMAN & ZISSU PC 151 WEST 42ND STREET, 17TH FLOOR NEW YORK, NY 10036 UNITED STATES Primary Email: [email protected] 212-813-5900 Submission Plaintiff's Notice of Reliance Filer's Name James D. Weinberger Filer's email [email protected] Signature /s/ James D. Weinberger Date 09/10/2020 Attachments F3676523.PDF(42071 bytes ) F3678658.PDF(2906955 bytes ) F3678659.PDF(5795279 bytes ) F3678660.PDF(4906991 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD ROBERT KIRKMAN, LLC, Cons. Opp. and Canc. Nos. 91217941 (parent), 91217992, 91218267, 91222005, Opposer, 91222719, 91227277, 91233571, 91233806, 91240356, 92068261 and 92068613 -against- PHILLIP THEODOROU and ANNA THEODOROU, Applicants. ROBERT KIRKMAN, LLC, Opposer, -against- STEVEN THEODOROU and PHILLIP THEODOROU, Applicants. OPPOSER’S NOTICE OF RELIANCE ON INTERNET DOCUMENTS Opposer Robert Kirkman, LLC (“Opposer”) hereby makes of record and notifies Applicant- Registrant of its reliance on the following internet documents submitted pursuant to Rule 2.122(e) of the Trademark Rules of Practice, 37 C.F.R. § 2.122(e), TBMP § 704.08(b), and Fed. R. Evid. 401, and authenticated pursuant to Fed. -
Sunday Morning Grid 5/1/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 5/1/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Boss Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Rescue Red Bull Signature Series (Taped) Å Hockey: Blues at Stars 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) NBA Basketball First Round: Teams TBA. (N) Basketball 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Prerace NASCAR Racing Sprint Cup Series: GEICO 500. (N) 13 MyNet Paid Program A History of Violence (R) 18 KSCI Paid Hormones Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Landscapes Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Martha Pépin Baking Simply Ming 28 KCET Wunderkind 1001 Nights Bug Bites Space Edisons Biz Kid$ Celtic Thunder Legacy (TVG) Å Soulful Symphony 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Azul República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Formula One Racing Russian Grand Prix. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.