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Candidates Views Differ on Eastern's Community Impact by ROB STROU,P Economic Boosuo Charleston
Eastern Illinois University The Keep March 1997 3-28-1997 Daily Eastern News: March 28, 1997 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1997_mar Recommended Citation Eastern Illinois University, "Daily Eastern News: March 28, 1997" (1997). March. 15. http://thekeep.eiu.edu/den_1997_mar/15 This is brought to you for free and open access by the 1997 at The Keep. It has been accepted for inclusion in March by an authorized administrator of The Keep. For more information, please contact [email protected]. a high o/65° To the D top Base~= Tennessee to tak£onthe FRIDAY Eastern lttinois University first-place Charleston; Ill. &1920 Blue Raiders March 28, 1997 Vot 82, No. 124 "Slow Dance on th_e Killing 2 sections, 16 pages Ground" showing throughout PAGE the week 12 SECTION B "Tell the truth and don't be afraid" -~-. - ' ~ o- -----.-, -- - ~ - - Candidates views differ on Eastern's community impact By ROB STROU,P economic boosuo Charleston. Student Government editor Cougill said Eastern is a valuable asset to Charleston, but ·Incumbent Dan Cougill and unfortunately the university does challenger Henry Bough dis not pay any property taxes. agreed on the kind of economic Charleston should concentrate impact Eastern and its students on expanding its business park, have on the community. Cougill said. This will provide the Cougill and Bough debated property taxes the city needs to Thursday night at a forum held in pay for its public schools, Cougill Lumpkin Hall sponsored ~y said. SARAH WONG/Associate photo editor Student Government. Neither Cougill nor Bough Mayor Dan Cougill thinks about his answer while Henry Bough, Charleston mayoral candidate, answers at 'This (the university) is the life thought raising the bar-entry age question about how to improve Charleston businesses Thursday night in the Lumpkin Auditorium. -
COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim. -
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
Harry Manx Et Les Blues De Bouddha
J472, & BLUES HarryManx et les blues de Bouddha SERGE TRUFFAUT les injustices.nes'y est pas trompé: Mank est un artiste ptit J e tout nouveau, dernier t{AHqY très singulier. oII m'a art|elé i,l I-ralbum confectionnépar rji;{,X y a deuxans de celapour que Harry Manx, le seul trouba- je \arti.cibe à I'enregistrement dour du blues mâtiné de réso- de son album. Il est tellement nancesindiennes, celles du aimable,facile à aiare, que sous.-continentindien et non c'était commesi nousétions de des Etats-Unis,s'appelle Bread uieux amis. Nous aaonsIa And Buddha.Du pain et Boud- mêmesensibi.lité musi.cale. Lui. dha, et non du pain et des jeux. s'habi,llecolnme un Indien, Arrêtons-nousau tife, puisquî moi.je joue cornmeun Indi.en. a valeur symboliqueautant que gentillessei.ncarnée. II me Toujours est-il qu'après coup, biographique. croyaitpas. (rires)" il m'a demandéde fai.re une Il était une fois un Britan- Bon. Questionblues, si I'on tournéeaaec lui. Ce qu'il y a nique, donc un gentleman,né peut dire les chosesainsi, d'ertraordinaire, c'estqu'on sur I'Ile de Man. où les chats Manx en connaissaitl'ortho- joue dans de grandessalles se distinguent de tous les graphe, la grammaire, la syn- contn e le CarnegieHall, à autres par leur petite queue. taxe. Et comme il est un hom- New York, ou The GreatAm.e- l.es hasardsde I'histoire com- me très singulier, un homme rican Music-Hall, à San Fran- me ceux du destin étant ce qui ne veut pas être le clone cisco.Cette association a beau- qu'ils sont. -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
ANÁLISIS DE FUCK Y SU TRADUCCIÓN AL ESPAÑOL EN JACKIE BROWN Betlem Soler Pardo Universitat De València
ENTRECULTURAS Número 6. ISSN: 1989-5097. Fecha de publicación: 29-01-2014 TRADUCCIÓN Y DOBLAJE: ANÁLISIS DE FUCK Y SU TRADUCCIÓN AL ESPAÑOL EN JACKIE BROWN Betlem Soler Pardo Universitat de València ABSTRACT Four-letter words are the most obscene and vulgar words in the English language; these refer to parts of the body, bodily functions, human waste, and sex, to cite a few examples. Of all these categories, the one which involves sex is the most obscene of all, and among this group, the most vulgar is fuck (Montagu, 1967; Allan and Burridge, 2006). This paper aims, firstly, to examine a paradigmatic sample of the f-word as it appears in Jackie Brown, a neo noir film directed by Quentin Tarantino; secondly, to carry out research on the categorization of fuck based on the work of McEnery and Xiao (2004); thirdly, to analyse the translation for dubbing of this controversial word into Spanish; and finally, to establish if the presence of fuck in the Spanish version of Jackie Brown has decreased or increased after having carried out the transfer of words. KEYWORDS: audiovisual translation, dubbing, swearwords, the f-word, Jackie Brown, Quentin Tarantino RESUMEN Las llamadas palabras de cuatro letras son consideradas las más obscenas y vulgares de la lengua inglesa, ya que hacen referencia a las partes del cuerpo, a las funciones fisiológicas, al producto de éstas, y al sexo, entre otras. De todas estas categorías, la concerniente al sexo es considerada la más obscena y, entre este grupo, la palabra más vulgar es fuck(Montagu, 1967; Allan and Burridge, 2006). -
Hive Minds: Local Beekeepers Continue To
Harkening back to 1776 Page 14 VOL. XIX, NUMBERHive 27 • JULY 27, 2018 WWW.PLEASANTONWEEKLY.COM minds Local beekeepers continue to protect pollinators in face of national crisis Page 12 5 NEWS Tri-Valley grows as economic powerhouse 5 NEWS Zone 7 talks $8B state water bond measure 11 OPINION Looking back on another fun-filled fair REAL PEOPLE. REAL FUN. There is a reason we use our residents as our photo models. We want you to see real people at real communities enjoying the life they choose. Whether it’s joining friends in a card game, taking a stroll around the grounds, stepping on the bus for an excursion or getting together to share a meal, our residents find everything they need right here. Experience the Parkview difference. Call or go online now. Real friends share a secret an Eskaton community eskaton.org/parkview The Parkview managed by Assisted Living and Memory Care 925-398-3933 License #015601283 eskaton.org Nominate 2018 Tri-Valley Heroes Seeking nominations for the following categories: Arts & Culture Innovation Community Spirit Rising Star Courage Role Model Environmental Stewardship Lifetime Achievement The annual award program For more information and to fill out the nomination form, recognizing local unsung heroes visit PleasantonWeekly.com. Page 2 • July 27, 2018 • Pleasanton Weekly AROUND PLEASANTON BY JEB BING Golf anyone? Scott Raty is now available weekdays cott Raty will retire Aug. 15 chamber needed to be more fo- as president and CEO of the cused on advancing public policy so SPleasanton Chamber of Com- that the city’s economy would keep merce, leaving behind a legacy of growing. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Known Nursery Rhymes Residencies Fruit Eaten Remembered World
13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe.