DOCSLIB.ORG

Music Video for WEEK ENDING OCTOBER 10, 1999 P R O G R a M M I N G Billboard Video Monitor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music Video for WEEK ENDING OCTOBER 10, 1999 P R O G R a M M I N G Billboard Video Monitor Music Video FOR WEEK ENDING OCTOBER 10, 1999 P R O G R A M M I N G Billboard Video Monitor. THE MOST-PLAYED CLIPS AS MONITORED BY BROADCAST DATA SYSTEMS NEW ONS" ARE REPORTED BY THE NETWORKS (NOT BY BDS) FOR THE WEEK AHEAD Seagal To Host Video Awards; C MUSIC 55555t ISI OH. 1MUSIC FIRST Disney Seeks Acts For Series 14 hours daily Continuous programming Continuous programming Continuous programming 1899 9th Street NE, 2806 Opryland Dr., 1515 Broadway, NY, NY 10036 1515 Broadway, NY, NY 10036 Washington, D.C. 20018 Nashville, TN 37214 B ILLBOARD MUSIC VIDEO ON THE MOVE: The Box has I Blink 182, All The Small Things 1 Lou Bega, Mambo No. 5 1 Martina McBride, I Love You 2 Mariah Carey, Heartbreaker 1 Eve, Gotta Man 2 Smash Mouth, All Star CONFAB: We're counting down made the following promotions: 2 Dwight Yoakam, Thinking About 3 Britney Spears, (You Drive Me) Crazy 2 a -Tip, Vivrant Thing Leaving 3 Red Hot Chili Peppers, Scar Tissue 3 Brad Paisley, He Didn't Have To Be 4 Backstreet Boys, Larger Than Life moved 3 Jay -Z, Girls' Best Friend 4 Santana Feat. Rob Thomas, Smooth to another exciting Billboard Liz Kiley has up to VP of 4 Mark Wills, She's In Love 5 TLC, Unpretty 4 Mobb Deep, Quiet Storm 5 Lenny Kravitz, American Woman 5 Montgomery Gentry, Lonely & Gone 6 Brandy, U Don't Know Me Music Video Conference and radio and broadcast affiliations; 5 Snoop Dogg, B- Please 7 Jennifer Lopez, Waiting For Tonight 6 Fiona Apple, Fast As You Can 6 Chad Brock, Lightning Does The Work 6 Puff Daddy Feat. R. Kelly, Satisfy You 8 Kid Rock, Cowboy 7 Counting Crows, Hanginaround Awards. International movie star Eric Turpin has been elevated to 7 Reba McEntire, What Do You Say * 8 7 Destiny's Child, Bug A Boo 9 Lou Bega, Mambo No. 5 Robbie Williams, Angels 8 Tim McGraw, Something Like That 10 Limp Bizkit, Rearranged 9 Sugar Ray, Someday Steven Seagal -who is also a VP of affiliate sales and market- 8 Mariah Carey, Heartbreaker 9 Lonestar, Amazed 11 Foo Fighters, Learn To Fly 10 Foo Fighters, Learn To Fly 9 B.G., Bling Bling 10 Sherrie Austin, Never Been Kissed musician -will host the awards ing, Eastern region; and Michael 12 Juvenile, Back That Thang Up 11 Sixpence None The Richer, There She Goes 10 Dr. Dre, Still D.R.E. 11 John Michael Montgomery, Home To You 13 Robbie Williams, Angels 12 Jennifer Lopez, Waiting For Tonight 11 Ideal, Get Gone 12 Brooks & Dunn, Missing You 14 Eminem, Role Model show (see Homefront, page 82). Gannon has been upped to nation- 13 Len, Steal My Sunshine 12 Juvenile, Back That Thang Up 13 Dixie Chicks, Ready To Run 15 Fiona Apple, Fast As You Can Awards show presenters will in- al director of promotion. 16 Santana Feat. Rob Thomas, Smooth 14 Jennifer Lopez, If You Had My Love 13 Brian McKnight, Back At One 14 Clint Black, When I Said I Do 15 Goo Goo Dolls, Black Balloon 14 Deborah Cox, We Can't Be Friends 15 Jessica Andrews, You Go First 17 311, Come Original clude Dave Navarro (Jane's They were, respectively, VP of 18 Eve, Gotta Man 16 Shania Twain, Man! I Feel Like A Woman! 15 DMX, No Love For Me 16 Cledus T Judd, Coronary Life * 19 Ricky Martin, Shake Your Bon -Bon 17 Train, Meet Virginia Addiction, Red Hot Chili Pep- radio affiliations; director of affil- 16 Brandy, U Don't Know Me 17 John Berry, Power Windows 20 Puff Daddy Feat. R. Kelly, Satisfy You 18 Marc Anthony, I Need To Know 18 Barbra StreisandNince Gill, If You Ever Leave Me 17 01' Dirty Bastard, Got Your Money 21 Whitney Houston, My Love Is Your Love 19 Brandy, U Don't Know Me pers) and Meredith Brooks. iate sales and marketing, Eastern 19 Trace Adkins, Don't Lie 18 Whitney Houston, My Love Is Your Love 22 Bush, Chemicals Between Us 20 Chris Gaines, Lost In You 20 Toby Keith, When Love Fades 23 Dr. Dre, Still D.R.E. More celebrity appearances, as region; and national promotions 19 Eric Benet, Spend My Life With You 21 Whitney Houston, My Love Is Your Love 21 Kenny Chesney, She Thinks My Tractor's Sexy' 24 Red Hot Chili Peppers, Around The World 20 TLC, Unpretty 22 Melissa Etheridge, Angels Would Fall 22 Yankee Grey, All Things Considered 25 'N Sync & Gloria Estefan, Music Of My Heart well as the conference's panelists manager. 21 J -Shin, One Night Stand 23 Mariah Carey, Heartbreaker 23 Ty Herndon, Steam 26 Creed, Higher 22 Montell Jordan, Get It On Tonite 24 David Bowie, Thursday's Child and moderators, will be announced Music video director Joseph 24 Shedaisy, This Woman Needs 27 Marc Anthony, I Need To Know 23 Silk, Meeting In My Bedroom Dirty 25 Christina Aguilera, Genie In A Bottle 25 Mindy McCready, All I Want Is Everything 28 01' Bastard Got Your Money in I Red Hot the near future. Kahn has exited Holiday Films to 24 Warren G, Want It All 26 Shania Twain, Come On Over 29 Nine Inch Nails, We're In This Together 26 Chili Peppers, Around The World 25 Sole, 4, 5, 6 27 Derailers, The Right Place 30 Chris Cornell, Can't Change Me 27 TLC, Unpretty Conference regis- start his own produc- 31 Destiny's Child, Bug A Boo 26 Master R Light It Up 28 Chalee Tennison, Handful Of Water 28 Eric Clapton, Blue Eyes Blue 32 Buckcherry, For The Movies 27 Ginuwine, So Anxious 29 Savage Garden, I Knew I Loved You trants automatically will tion company, Super - 29 Jack Ingram, How Many Days 33 Live The Dolphin's Cry 28 Case, Think Of You 30 Cher, All Or Nothing 30 Shana Petrone, Something Real 34 Lil' troy, Wanna Be A Baller be Mega. 31 Brian McKnight, Back At One admitted to the Lanette 29 Rah Digga, Tight 31 George Jones, Choices 35 Train Meet Virginia 32 Everlast, It's awards show. Awards Phillips, who will con- 30 Youngbloodz, U -Way 32 Lila McCann, Crush 36 The Offspring, She's Got Issues What Like 33 Clay Walker, Live, Laugh, Love 37 Enrique Rhythm Divine 33 Sheryl Crow, The Difficult Kind show tickets are avail- E tinue to serve as execu- NEW ONS Ba 34 Charlie Robison, My Hometown 38 Redman & Method Tear It Off 34 Smash Mouth, Then The Moming Comes 35 Oak Ridge Boys, Ain't No Short Way Horne* 39 Powerman 5000, When Worlds Collide 35 Chris Cornell, Can't Change Me able to those who aren't tive producer /rep for Pharaohe Monch, Simon Says 36 Bryan White, You're Still Beautiful To Me 40 Jimmle's Chicken Shack, Do Right 36 Ricky Martin, Shake Your Bon -Bon 37 Suzy Bogguss, Goodnight 41 Project Pat, Bailers 37 'N Sync & Gloria Estefan, Music Of My Heart registered for the con- Holiday, is also operat- Will Smith, Will 2K 42 Brian McKnight, Back At One 38 Randy Travis, A Man Ain't Made Of Stone 38 Buckcherry, For The Movies Mary J. Bilge, Deep Inside 43 Jay -Z, Girls' Best Friend 39 Pam Tillie, After A Kiss 39 Blink 182, What's My Age Again? ference. ing in the same capaci- Keils, Caught Out There 44 Snoop Dogg, B- Please 40 Charlie Daniels Band, The Devil Went Down... 40 Live, The Dolphin's Cry Method Man/Redman, Da Rockwilder 45 Staind, Mudshovel A complete list of ty for SuperMega. The 41 Sammy Kershaw, When You Love Someone In A 41 Foo Fighters, Big Me No Question, I Don't Care 46 Christina Aguilera Genie Bottle 42 Redmon & Vale, Squeezin' The Low Outta You 42 Lenny Kravitz, Fly Away awards show nominees new company has Tamar, Get None 47 Fatboy Slim, The Rockefeller Skank 43 Shane Minor, Ordinary Love 48 Methods Of Mayhem, Get Naked 43 Tal Bachman, She's So High Imajin, Flava 44 Jason Sellers, A Matter Of Time 49 Deborah Cox, We Can't Be Friends 44 Kid Rock, Cowboy can be found at Bill- signed directors Kaos, MC Eiht, Thicker Than Water 45 Alison Krauss, Forget About It 50 Tash Feat. Raekwon, Rap Life 45 Ricky Martin, She's All I Ever Had (www. Rey, and GZA, Crash Your Crew 46 Jerry Kilgore, Love Trip 46 Wyclef Jean, New Day board Online Joe Charles ** Indicates MTV Exclusive C.O.G., Luv At First Sight 47 Lee Roy Parnell, She Won't Be Lonely Long 47 Fatboy Slim, The Rockefeller Skank billboard.com). Confer- de Lauzirika. Mean- Drag-On, Spit These Bam 48 Gary Allan, Smoke Rings In The Dark 48 Creed, Higher NEW ONS l8a>- ence registration is also while, Holiday has Jim Crow, Bandits 49 Steve Holy, Don't Make Me Beg 49 Sting, Brand New Day 0, In The Game 50 Alecia Elliott, I'm Diggin' It Will Smith, Will 2K 50 Counting Crows, Round Here available online. signed directors Beelow, Big Body Paul * Indicates Hot Shots Marilyn Manson, Astonishing Panorama Of The Endtimes Rage Against The Machine, Guerrilla Radio NEW ONS Ka For conference regis- Andresen and Renny Stone Temple Pilots Down tration and awards show Harlin. NEW ONS Barenaked Ladles, Get In Line Garth Brooks As Chris Gaines, Right Now by C aria Macy Gray, I Try Macy Gray, I Try Alan Jackson, Pop A Top t tickets, please contact A Band Apart Music Lil' Wayne, Tha Block Is Hot Enrique Iglesias, Rhythm Divine Chris LeDoux, Stampede H ay LFO, Girl On TV Stone Temple Pilots, Down Michele Quigley at Video has signed direc- Lonestar, Smile Fatboy Slim, The Rockefeller Skank Method Man/Redman, Da Rockwilder 212 -536 -5002 or mquigley@ tor Patrick Kiely ..
Load more

Recommended publications
  • Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
    Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim.
    [Show full text]
  • ANÁLISIS DE FUCK Y SU TRADUCCIÓN AL ESPAÑOL EN JACKIE BROWN Betlem Soler Pardo Universitat De València
    ENTRECULTURAS Número 6. ISSN: 1989-5097. Fecha de publicación: 29-01-2014 TRADUCCIÓN Y DOBLAJE: ANÁLISIS DE FUCK Y SU TRADUCCIÓN AL ESPAÑOL EN JACKIE BROWN Betlem Soler Pardo Universitat de València ABSTRACT Four-letter words are the most obscene and vulgar words in the English language; these refer to parts of the body, bodily functions, human waste, and sex, to cite a few examples. Of all these categories, the one which involves sex is the most obscene of all, and among this group, the most vulgar is fuck (Montagu, 1967; Allan and Burridge, 2006). This paper aims, firstly, to examine a paradigmatic sample of the f-word as it appears in Jackie Brown, a neo noir film directed by Quentin Tarantino; secondly, to carry out research on the categorization of fuck based on the work of McEnery and Xiao (2004); thirdly, to analyse the translation for dubbing of this controversial word into Spanish; and finally, to establish if the presence of fuck in the Spanish version of Jackie Brown has decreased or increased after having carried out the transfer of words. KEYWORDS: audiovisual translation, dubbing, swearwords, the f-word, Jackie Brown, Quentin Tarantino RESUMEN Las llamadas palabras de cuatro letras son consideradas las más obscenas y vulgares de la lengua inglesa, ya que hacen referencia a las partes del cuerpo, a las funciones fisiológicas, al producto de éstas, y al sexo, entre otras. De todas estas categorías, la concerniente al sexo es considerada la más obscena y, entre este grupo, la palabra más vulgar es fuck(Montagu, 1967; Allan and Burridge, 2006).
    [Show full text]
  • MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
    MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe.
    [Show full text]
  • Martell Rose Resume
    M A R T E L L R O S E P R O D U C E R / B I D D E R / F R E E L A N C E E X E C U T I V E P R O D U C E R Orchestrating deals & fielding chaos Commercials 2020 DIRECTORS CLIENT PROD. CO AGENCY JANE QUIAN I.QOO REFRAME I.QOO JOHN MCCABE LUNA GRILL SIMSBURY FILMS GESTALT TODD HEYMAN API DURABLE GOODS SUBJECT MATTER GRADY HALL NUTRISYSTEM (ANTHEM) DURABLE GOODS TOMBRAS MCCOY/MEYER ARIZONA LOTTERY RODEO SHOW OH PARTNERS GRADY HALL NUTRISYSTEM (BRAND) DURABLE GOODS TOMBRAS CHRISTA RENEE BOTOX RODEO SHOW ABELSON TAYLOR TODD HEYMAN BAUSCH & LOMB RODEO SHOW BAM DILLION PADGETTE HEINEKEN CLUTCH CONTENT PUBLICS-MANILLA BEN GORDON METRO HEALTH HOSPITAL CLUTCH CONTENT FREDRICK SWANSTON MARCUS NISPEL BOOST GARTNER SAATCHI & SAATCHI YOSHIKI/JORDAN BLACK YOSHIKI DOCUMENTARY SUPER PRIME YSK ENTERTAINMENT BEN GORDON METHODIST HOSPITAL CLUTCH CONTENT FREDRICK SWANSTON SHELBY DUNCAN WEST CANCER KISS & KILL FREDRICK SWANSTON ANTONY HOFFMAN HEINEKEN SUPER PRIME PUBLICS-MANILLA BENJAMIN MILLEPIED DOM PERIGNON KISS & KILL DOM PERIGNON THOMAS LEISTEN SCHNEIDER AHI #2 CLUTCH CONTENT FREDRICK SWANSTON SCOTTY BERGSTIEN ENDO CULTIVATE MEDIA FCB HEALTH JERRY SIMPSON DIGIORNO PIZZA GARTNER DONER LULU JILL SANDERS ICONOCLAST BETC PARIS THE WILDERNESS IXPAND THE WILDERNESS R/GA BEN GORDON ALWAYS DISCREET GARTNER BOOMAGERS SCOTTY BERGSTEIN NAPOLI LAW CULTIVATE/CLICK3 LEVITT & ASSOC DUSTIN HALL AHI CLUTCH CONTENT FREDRICK SWANSTON MATTY SMITH K-MART CULTIVATE/CLICK3 PALMS HAVAS DEAN BLUMBERG KENDALL OIL INNOCUOUS BAILEY LAUERMAN MARCUS NISPEL NIKE & MTV CLUTCH CONTENT MTV/VIACOM MATTY SMITH PEPSI/NFL INNOCUOUS TRACY LOCKE CHUCHIE HILL CULLMAN HOSPITAL CLUTCH CONTENT FREDRICK SWANSTON MARCUS NISPEL DR.
    [Show full text]
  • Pulp Fiction (Us 1994)
    1 UPDATED PREVIOUS CASE STUDY FOR POSTMODERNISM CHAPTER: PULP FICTION (US 1994) Many have called Pulp Fiction (US 1994) a typically postmodern product, so it seems worth testing it against some of the features argued to characterise postmodernism. • In what sense can it be called postmodern? • Which of its characteristics might this term describe? • Through what other theoretical approaches can it be discussed ? Applying ‘postmodern’ textual criteria to ‘Pulp Fiction’ Intertextuality is evidently in play. The film makes references to gangster, boxing, war, musical, blaxploitation, romance and even arthouse genres (in its homage to the French [modernist] director Jean-Luc Godard). Echoes of Godard a) The name of the production company for the film, ‘A Band Apart’, is (almost) the French title of a film (Bande A Part (France 1964) by Godard (who is reported to have said of the tribute ‘Why doesn’t he just give me the money?’) b) Vincent and Mia’s dance in Jack Rabbit Slim’s is a homage to a similar scene in the Godard film c) Mia/Thurman’s hairstyle and ‘look’ deliberately echoes that of Anna Karina, an actress closely associated with Godard’s life and work, who in turn was echoing the silent star Louise Brooks. The references include possible ones across to other Tarantino films (is Vince the cousin or brother to Vic, ‘Mr Blonde’ Vega in Reservoir Dogs? Or related to Suzanne Vega, the singer, as he says at one point?). They include the stars’ other performances: Harvey Keitel as ‘cleaner-up of murders’ in Abel Ferrara’s The Assassin; Travolta possibly acting here the future of Tony Manero, the dancer from Saturday Night Fever…...the potential references are almost infinite, and certainly partly intended by Tarantino.
    [Show full text]
  • The South According to Quentin Tarantino
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2015 The South According To Quentin Tarantino Michael Henley University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Henley, Michael, "The South According To Quentin Tarantino" (2015). Electronic Theses and Dissertations. 887. https://egrove.olemiss.edu/etd/887 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE SOUTH ACCORDING TO QUENTIN TARANTINO A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of the Center for the Study of Southern Culture The University of Mississippi by MICHAEL LEE HENLEY August 2015 Copyright Michael Lee Henley 2015 ALL RIGHTS RESERVED ABSTRACT This thesis explores the filmmaker Quentin Tarantino’s portrayal of the South and southerners in his films Pulp Fiction (1994), Death Proof (2007), and Django Unchained (2012). In order to do so, it explores and explains Tarantino’s mixture of genres, influences, and filmmaking styles in which he places the South and its inhabitants into current trends in southern studies which aim to examine the South as a place that is defined by cultural reproductions, lacking authenticity, and cultural distinctiveness. Like Godard before him, Tarantino’s movies are commentaries on film history itself. In short, Tarantino’s films actively reimagine the South and southerners in a way that is not nostalgic for a “southern way of life,” nor meant to exploit lower class whites.
    [Show full text]
  • Proquest Dissertations
    Love and Cinema- Cinephilia, Style, and the Films of Quentin Tarantino by Matthew Harris A (thesis) submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario Tuesday, January 4 2011, Matthew Harris Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-79566-8 Our file Notre reference ISBN: 978-0-494-79566-8 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Quentın Tarantıno Filmlerinde Şiddet Ve Mizah Laughing To
    Dağılan Beyin Parçalarına Gülmek: Quentın Tarantıno Filmlerinde Şiddet ve Mizah Levent Yılmazok1 Öz Quentin Tarantino filmlerindeki şiddet ile mizah ilişkisini incelemeyi amaçlayan bu makale üç bölümden oluşmaktadır. İlk bölümde sinemada şiddet ve şiddetin seyirci ile ilişkisi ele alınmakta, izleyen bölüm mizah ve sinemada mizahın şiddetle ilişkisine odaklanmaktadır. Son bölümde ise Tarantino filmlerinin genel nitelikleri karakterler, anlatım özellikleri ve diyalogları üzerinden incelenip şiddet ve mizahla ilişkisi ortaya konmaktadır. Bunu yaparken mizaha ilişkin uyuşmazlık kuramından, absürt ve kara mizah kavramlarından yararlanılmaktadır. Anahtar Kelimeler: Quentin Tarantino, Şiddet, Absürt, Kara Mizah, Uyuşmazlık Kuramı. Laughing To The Diffusing Brain Parts: Violence And Humor In Quentin Tarantino Films Abstract This article, which consists of three sections, aims to explore the correlation of violence with humor in Quentin Tarantino movies. In the first section, violence in cinema and the attitude of the audience towards violence are handled. The following section focuses on humor and its correlation with the violence in cinema. The last section examines the features that are peculiar to Tarantino films through the characters, narrative styles and dialogues used and preferred by the director and the relationship between humor and violence is presented. The incongruity theory and the concepts of absurd and black humor are benefitted to reach the conclusion. Keywords: Quentin Tarantino, Violence, Absurd, Black Humor, Incongruity Theory.
    [Show full text]
  • Profanity and Blasphemy in the Subtitling of English Into
    Quaderns. Revista de Traducció 27, 2020 125-141 Profanity and blasphemy in the subtitling of English into European Spanish: four case studies based on a selection of Tarantino’s films José Javier Ávila-Cabrera Universidad Complutense de Madrid. Departamento de Estudios Ingleses: Lingüística y Literatura 28040 Madrid [email protected] ORCID: 0000-0001-5338-3584 Abstract The combination of profanity and blasphemy can be said to be one of the most delicate taboo categories to deal with on the screen. It is in the context of audiovisual translation (AVT) where professionals have to make challenging decisions when transferring these elements. Thus, should audiovisual translators be faithful to the source text or is it legitimate that they tone down the load of profanity and blasphemy? This paper describes the subtitling into European Spanish of a corpus composed of some of Tarantino’s films on the grounds of profane and blas- phemous phrases which could provoke a strong reaction from the audience. Among the main goals of this paper are: scrutinising (1) if the religious phrases under analysis are transferred faithfully; and (2) whether or not cases of blasphemy in the target text have been encountered. In a nutshell, this study aims to explore the treatment of profanity and blasphemy in the subti- tles produced for the Spanish audience. Keywords: blasphemy and profanity; interlingual subtitling; Descriptive Translation Studies; faithfulness; self-censorship Resum. Profanitat i blasfèmia en la subtitulació de l’anglès al castellà europeu: quatre estudis de cas basats en una selecció de les pel·lícules de Tarantino La combinació de la profanitat i la blasfèmia es pot dir que és una de les categories de tabús més delicades per tractar a la pantalla.
    [Show full text]
  • Kill Bill the Complete Guide
    Kill Bill The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Thu, 17 Oct 2013 11:45:46 UTC Contents Articles Overview 1 Kill Bill films 1 Characters 4 List of Kill Bill characters 4 Beatrix Kiddo 12 Bill 15 Deadly Viper Assassination Squad 17 Earl McGraw 19 Edgar McGraw 21 Hattori Hanzo 22 Music 30 Kill Bill Vol. 1 Original Soundtrack 30 Kill Bill Vol. 2 Original Soundtrack 33 Related Topics 36 Quentin Tarantino 36 Uma Thurman 49 References Article Sources and Contributors 59 Image Sources, Licenses and Contributors 62 Article Licenses License 63 1 Overview Kill Bill films Kill Bill Series Kill Bill Logo Directed by Quentin Tarantino Produced by Lawrence Bender Written by Quentin Tarantino Starring Uma Thurman David Carradine Lucy Liu Michael Madsen Daryl Hannah Sonny Chiba Vivica A. Fox Gordon Liu Julie Dreyfus Cinematography Robert Richardson Editing by Sally Menke Studio A Band Apart Productions Distributed by Miramax Films Release date(s) October 10, 2003 and April 16, 2004 Budget $55 million Kill Bill is an American action/thriller film written and directed by Quentin Tarantino. Kill Bill was originally scheduled for a single theatrical release, but with a running time of over four hours, it was separated into two movies: Kill Bill Volume 1, released in late 2003, and Kill Bill Volume 2, released in early 2004. A third installment was planned for the year 2014, but in a 2012 interview from Tarantino, concerning Kill Bill: Vol. 3, he remarked, "We'll see, probably not though." Kill Bill: Volume 1 Kill Bill: Volume 1 was released in theaters on October 10, 2003.
    [Show full text]
  • Master Class with Roger Avary: Selected Filmography
    Master Class with Roger Avary: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films Discussed or Mentioned during the Master Class The Rules of Attraction. Dir. Roger Avary, 2002, U.S.A. and Germany. 101mins. Production Co.: Kingsgate Films / Roger Avary Filmproduktion GmbH. American Psycho. Dir. Mary Harron, 2000, 102 mins. U.S.A. Production Co.: Am Psycho Productions / Edward R. Pressman Films / Lions Gate Films / Muse Productions / P.P.S. Films / Quadra Entertainment / Universal Pictures. Reservoir Dogs. Dir. Quentin Tarantino, 1992, U.S.A. 99 mins. Production Co.: Live Entertainment / Dog Eat Dog Productions Inc. Cube 2: Hypercube. Dir. Andrzj Sekula, 2002, Canada. 95 mins. Production Co.: Ghost Logic / Lions Gate Films. Apocalypse Now. Dir. Francis Ford Coppola, 1979, 153 mins. Production Co.: Zoetrope Studios. All That Heaven Allows. Dir. Douglas Sirk, 1955, U.S.A. 89 mins. Production Co.: Universal International. Killing Zoe. Dir. Roger Avary, 1993, France and U.S.A. 96 mins. Production Co.: Davis-Films / Live Entertainment / PFG Entertainment. True Romance. Dir. Tony Scott, 1993, U.S.A. 120 mins. Production Co.: Morgan Creek Productions / Davis-Films / August Entertainment.
    [Show full text]
  • Universal Pictures International the Weinstein Company Matt Moss Sara Serlen +33 493 99 07 53 646-862-3812 [email protected] [email protected]
    Press Contacts : International Press Contact: Domestic Press Contact: Universal Pictures International The Weinstein Company Matt Moss Sara Serlen +33 493 99 07 53 646-862-3812 [email protected] [email protected] INGLOURIOUS BASTERDS Written and Directed by Quentin Tarantino Produced by Lawrence Bender Executive Producers Erica Steinberg Lloyd Phillips Executive Producers Bob Weinstein Harvey Weinstein Co-Producers Henning Molfenter Carl L. Woebcken Christoph Fisser Associate Producer Pilar Savone Director of Photography Robert Richardson, ASC Production Designer David Wasco Costume Designer Anna B. Sheppard Special Makeup Effects by Gregory Nicotero and Howard Berger Visual Effects Designer John Dykstra Casting by Johanna Ray & Jenny Jue (US), Simone Bär (GER), Olivier Carbone (FR) Edited by Sally Menke, A.C.E. The Weinstein Company and Universal Pictures Present A Band Apart A Zehnte Babelsberg Film GmbH Production A Film by Quentin Tarantino 2 INGLOURIOUS BASTERDS Synopsis In the first year of the German occupation of France, Shosanna Dreyfus (Melanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema. Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as “the basterds,” Raine's squad joins German actress and undercover agent Bridget von Hammersmark (Diane Kruger) on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own...
    [Show full text]