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Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim. -
Amy Allen Choreographer
Amy Allen Choreographer TELEVISION Jimmy Kimmel Live – Jason Derulo Choreographer ABC America’s Got Talent – Jason Derulo Choreographer NBC Good Morning America – Jason Derulo Choreographer ABC 106th & Park BET Experience – Jason Derulo Choreographer BET 2013 MTV Movie Awards Opening Asst. Choreographer MTV / Chor: Aakomon Jones The Voice – Usher Asst. Choreographer NBC / Chor: Aakomon Jones Dancing With the Stars – 2013 Macy’s Presents Asst. Choreographer ABC / Chor: Aakomon Jones 2012 Kids Choice Awards Asst. Choreographer Nickelodeon / Chor: Aakomon Jones 2011 European Music Awards Choreographer MTV Europe 2011 Halo Awards – Jason Derulo Choreographer TeenNick Ellen Degeneres Show – Jason Derulo Choreographer NBC So You Think You Can Dance – Keri Hilson Asst. Choreographer FOX / Chor: Aakomon Jones 2011 Teen Choice Awards – Jason Asst. Choreographer FOX / Chor: Aakomon Jones Dancing With the Stars – Jason Derulo Asst. Choreographer ABC / Chor: Aakomon Jones Dancing With the Stars – Florence + The Machine Asst. Choreographer ABC / Chor: Paul Kirkland Dancing With the Stars – 2010 Macy’s Presents Asst. Choreographer ABC / Chor: Rich + Tone Talauega So You Think You Can Dance – Usher Co-Choreographer FOX American Idol – Usher Co-Choreographer FOX FEATURE FILM Centerstage 2 Asst. Choreographer Chor: Aakomon Jones Coyote Ugly Asst. Choreographer Shaggy Dog Asst. Choreographer Chor: Hi Hat MUSIC VIDEOS Jason Derulo “Stupid Love” Choreographer Dir: Gil Green Jason Derulo “Marry Me” Choreographer Dir: Hannah Lux Davis Jason Derulo “Talk Dirty To Me” ft. 2Chainz Choreographer Dir: Colin Tilley Jason Derulo “The Other Side” Asst. Choreographer Dir: Colin Tilley Faith Hill “American Heart” Choreographer Dir: Trey Fanjoy Ne-Yo “Let Me Love You” Asst. Choreographer Dir: Christopher Sims Justin Bieber “Boyfriend” Asst. -
The BET HIP-HOP AWARDS '09 Nominees Are in
The BET HIP-HOP AWARDS '09 Nominees Are In ... Kanye West Leads The Pack With Nine Nominations As Hip-Hop's Crowning Night Returns to Atlanta on Saturday, October 10 and Premieres on BET Tuesday, October 27 at 8:00 p.m.* NEW YORK, Sept.16 -- The BET HIP-HOP AWARDS '09 nominations were announced earlier this evening on 106 & PARK, along with the highly respected renowned rapper, actor, screenwriter, film producer and director Ice Cube who will receive this year's "I AM HIP-HOP" Icon Award. Hosted by actor and comedian Mike Epps, the hip-hop event of the year returns to Atlanta's Boisfeuillet Jones Civic Center on Saturday, October 10 to celebrate the biggest names in the game - both on the mic and in the community. The BET HIP-HOP AWARDS '09 will premiere Tuesday, October 27 at 8:00 PM*. (Logo: http://www.newscom.com/cgi-bin/prnh/20070716/BETNETWORKSLOGO ) The Hip-Hop Awards Voting Academy which is comprised of journalists, industry executives, and fans has nominated rapper, producer and style aficionado Kanye West for an impressive nine awards. Jay Z and Lil Wayne follow closely behind with seven nominations, and T.I. rounds things off with six nominations. Additionally, BET has added two new nomination categories to this year's show -- "Made-You-Look Award" (Best Hip Hop Style) which will go to the ultimate trendsetter and "Best Hip-Hop Blog Site," which will go to the online site that consistently keeps hip-hop fans in the know non-stop. ABOUT ICE CUBE Veteran rapper, Ice Cube pioneered the West Coast rap movement back in the late 80's. -
October 14, 1976 I Yol.Xll, No
-v who liked our music a lot and some who new album (and other alternative didn't tike it at ¿ll) and after struggling a.lbums). Their letters tell incredible life with the question of oubeach vs. slories, sharing their eicitement, their compromise among ourselves, we fear, their discoveries, their risks. Being decided to do ourthird album on Red- a small company, they figured I might wood, once again. I am telieved that I'm gettheirletters. And I dol There is the not having to deal with the pressure of joy that must match the disappointment the industry but I'm sad when I think of in nof reaching all the women who don't all the people who don't have (oreven have access to an FM radio or altetnative October 14, 1976 I Yol.Xll, No. 34 know about) any optigns. So they watch concerts or womens' records etc. Alice Coopei whip a woman in one of his Right now Redwood Records is only on shocking displays recently performed on the distributing arm for the records and 4. Continental Walk Converges certainly bad news the Billboard Rock Music Awards. songbooks produced to date. We are not Washington / Crace Hedemann for the Portuguese Undet current conditions "energizing- working class, since it means, atbest, capital" can only be accomplishedby How are we going to get options to going to do any new things fot a while. and Murray Rosenblith But we hope that you will continue to the maintenance of the status quo. How- speedups, cutting real'rvages and people? Some people ate working within 6. -
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas -
June 2014 Section A
® ® Vol. 27, No. 12 · June 2014 Section A COMMUNITY The NEWS & UPDATE By Kenneth D. Colen, Publisher Judges The renovation of the Recreation Cen- ter should begin in July 2014. This will be Voted and a comprehensive program focusing on the lobby areas, fitness area, and ballroom. We have been delayed in obtaining permitta- the Results ble plans from the architect at this point in the process. That has not stopped us from seeking bids based on the 60% plan we do are In ... have. Some of the work we will execute in- house in an effort to expedite completion. By Bob Woods Large components with long lead times World News Writer will be ordered in advance of permitting to ensure that they are available on-site With a cheering audience, the winners when needed. of the fifth annual The World Has Talent After several delays from Duke Energy, show were announced. Taking first place the solar system is now fully connected and a check for $500 was Floyd Gibson, a and operating. deep baritone singer performing his ren- Master the Possibilities dition of “Mack the Knife.” Taking second place in the competition and a check for June represents yet another beginning $250 was Richard O’Brien in his theatri- in the Master the Possibilities academic cal rendition singing, “Fever” as female year. The summer catalog that covers pro- attendees threw articles of clothing onto graming in June, July and August was pub- the stage. Third place and a check for $150 lished May 15. Those of you who reside went to a duet, Steve and Bree McDonald, here will have a copy in this home delivery who performed a comedy rendition sing- of the World News. -
ANÁLISIS DE FUCK Y SU TRADUCCIÓN AL ESPAÑOL EN JACKIE BROWN Betlem Soler Pardo Universitat De València
ENTRECULTURAS Número 6. ISSN: 1989-5097. Fecha de publicación: 29-01-2014 TRADUCCIÓN Y DOBLAJE: ANÁLISIS DE FUCK Y SU TRADUCCIÓN AL ESPAÑOL EN JACKIE BROWN Betlem Soler Pardo Universitat de València ABSTRACT Four-letter words are the most obscene and vulgar words in the English language; these refer to parts of the body, bodily functions, human waste, and sex, to cite a few examples. Of all these categories, the one which involves sex is the most obscene of all, and among this group, the most vulgar is fuck (Montagu, 1967; Allan and Burridge, 2006). This paper aims, firstly, to examine a paradigmatic sample of the f-word as it appears in Jackie Brown, a neo noir film directed by Quentin Tarantino; secondly, to carry out research on the categorization of fuck based on the work of McEnery and Xiao (2004); thirdly, to analyse the translation for dubbing of this controversial word into Spanish; and finally, to establish if the presence of fuck in the Spanish version of Jackie Brown has decreased or increased after having carried out the transfer of words. KEYWORDS: audiovisual translation, dubbing, swearwords, the f-word, Jackie Brown, Quentin Tarantino RESUMEN Las llamadas palabras de cuatro letras son consideradas las más obscenas y vulgares de la lengua inglesa, ya que hacen referencia a las partes del cuerpo, a las funciones fisiológicas, al producto de éstas, y al sexo, entre otras. De todas estas categorías, la concerniente al sexo es considerada la más obscena y, entre este grupo, la palabra más vulgar es fuck(Montagu, 1967; Allan and Burridge, 2006). -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe. -
Music Video for WEEK ENDING OCTOBER 10, 1999 P R O G R a M M I N G Billboard Video Monitor
Music Video FOR WEEK ENDING OCTOBER 10, 1999 P R O G R A M M I N G Billboard Video Monitor. THE MOST-PLAYED CLIPS AS MONITORED BY BROADCAST DATA SYSTEMS NEW ONS" ARE REPORTED BY THE NETWORKS (NOT BY BDS) FOR THE WEEK AHEAD Seagal To Host Video Awards; C MUSIC 55555t ISI OH. 1MUSIC FIRST Disney Seeks Acts For Series 14 hours daily Continuous programming Continuous programming Continuous programming 1899 9th Street NE, 2806 Opryland Dr., 1515 Broadway, NY, NY 10036 1515 Broadway, NY, NY 10036 Washington, D.C. 20018 Nashville, TN 37214 B ILLBOARD MUSIC VIDEO ON THE MOVE: The Box has I Blink 182, All The Small Things 1 Lou Bega, Mambo No. 5 1 Martina McBride, I Love You 2 Mariah Carey, Heartbreaker 1 Eve, Gotta Man 2 Smash Mouth, All Star CONFAB: We're counting down made the following promotions: 2 Dwight Yoakam, Thinking About 3 Britney Spears, (You Drive Me) Crazy 2 a -Tip, Vivrant Thing Leaving 3 Red Hot Chili Peppers, Scar Tissue 3 Brad Paisley, He Didn't Have To Be 4 Backstreet Boys, Larger Than Life moved 3 Jay -Z, Girls' Best Friend 4 Santana Feat. Rob Thomas, Smooth to another exciting Billboard Liz Kiley has up to VP of 4 Mark Wills, She's In Love 5 TLC, Unpretty 4 Mobb Deep, Quiet Storm 5 Lenny Kravitz, American Woman 5 Montgomery Gentry, Lonely & Gone 6 Brandy, U Don't Know Me Music Video Conference and radio and broadcast affiliations; 5 Snoop Dogg, B- Please 7 Jennifer Lopez, Waiting For Tonight 6 Fiona Apple, Fast As You Can 6 Chad Brock, Lightning Does The Work 6 Puff Daddy Feat. -
Pulp Fiction (Us 1994)
1 UPDATED PREVIOUS CASE STUDY FOR POSTMODERNISM CHAPTER: PULP FICTION (US 1994) Many have called Pulp Fiction (US 1994) a typically postmodern product, so it seems worth testing it against some of the features argued to characterise postmodernism. • In what sense can it be called postmodern? • Which of its characteristics might this term describe? • Through what other theoretical approaches can it be discussed ? Applying ‘postmodern’ textual criteria to ‘Pulp Fiction’ Intertextuality is evidently in play. The film makes references to gangster, boxing, war, musical, blaxploitation, romance and even arthouse genres (in its homage to the French [modernist] director Jean-Luc Godard). Echoes of Godard a) The name of the production company for the film, ‘A Band Apart’, is (almost) the French title of a film (Bande A Part (France 1964) by Godard (who is reported to have said of the tribute ‘Why doesn’t he just give me the money?’) b) Vincent and Mia’s dance in Jack Rabbit Slim’s is a homage to a similar scene in the Godard film c) Mia/Thurman’s hairstyle and ‘look’ deliberately echoes that of Anna Karina, an actress closely associated with Godard’s life and work, who in turn was echoing the silent star Louise Brooks. The references include possible ones across to other Tarantino films (is Vince the cousin or brother to Vic, ‘Mr Blonde’ Vega in Reservoir Dogs? Or related to Suzanne Vega, the singer, as he says at one point?). They include the stars’ other performances: Harvey Keitel as ‘cleaner-up of murders’ in Abel Ferrara’s The Assassin; Travolta possibly acting here the future of Tony Manero, the dancer from Saturday Night Fever…...the potential references are almost infinite, and certainly partly intended by Tarantino. -
THOMAS MARVEL Director of Photography 2821 3Rd Street Santa Monica, CA 90405
THOMAS MARVEL Director of Photography 2821 3rd Street Santa Monica, CA 90405 1986- Hamilton College, Clinton NY, Bachelor of Arts 1987- Grotowski Studio Theatre, Wroclaw, Poland 1987-1989 Production Assistant 1989-1994 Studio Lighting Technician 1994-1998 Chief Lighting Technician 1998- Present, Director of Photography 2015 NARRATIVE “The Nice Guys” Camera Operator, Directed by Shane Black, DP Philippe Rousselot COMMERCIALS Harbin Beer, “Shaq and Friends” directed by Gil Green MUSIC VIDEOS Mary J. Blige “Doubt” directed by Ethan Lader 2014 COMMERCIALS Sandals Foundation, “Soles of Youth” directed by Gil Green Mexico CPTM Tourismo, “Vivirlo para Creerlo” directed by Michael Abt Diners Club, “Club Miles” directed by Alejandro Dube Novo Nordisk, “Rev Run Diabetes Awareness” directed by Ron Jacobs Novo Nordisk , “Debbie Allen Diabetes Awareness” directed by Ron Jacobs Domino’s Pizza, “Must Try” directed by Francisco Pugliese MUSIC VIDEOS Wisin ft. Pitbull, “Control” directed by Carlos Perez Ricardo Arjona, “Apnea” directed by Carlos Perez 2013 NARRATIVE “The Veil” feature film directed by Brent Ryan Green COMMERCIALS Park Hyatt, “Anthem” directed by Josh Hayward Nissan, “Skylar Gray” directed by Declan Whitbeloom 1 Pepsi, “Wally Lopez” directed by Gil Green Sanofi Pasteur, “Dana Torres PSA” directed by Ron Jacobs YouTube, “Comedy Week Promo with Arnold Schwarzenneger” directed by Nick Ryan Tigo, “Verdades” directed by Roberto Mancia Valspar Paint, “Tori and Dean” directed by Natalie Barandes WalMart, “Gain” directed by Francisco Pugliese -
1 Direct: 310-993-1790
Direct: 310-993-1790 www.zoebattles.com [email protected] REEL IMDb M U S I C V I D E O S Costume Designer / Key Stylist Director 311 “First Straw” Scott Winig Airbourne “No Way but the Hard Way” Steve Jocz Against Me “I Was a Teenage Anarchist” Marc Klasfeld Apocalyptica “I'm Not Jesus” ft. Corey Taylor Tony Pettrosian Bad Azz “Wrong Idea” ft. Snoop Dogg Jeremy Rall Biffy Clyro “Bubbles” Marc Klasfeld Bloodhound Gang “Foxtrot Uniform Charlie Kilo” Marc Klasfeld By Chance “Baby, it’s on” Lionel C. Martin C-Murder “Back to Life” Dave Meyers Crazy Loop “Joanna (Shut up)” Marc Klasfeld Dave Matthews Band “Tripping Billies” Ken Fox Ee-De “Let’s Get to It” R. Malcom Jones Hozier “From Eden” Henry Chen & Ssong Yang Jay Chou “Double Blade” Alexi Tan Jay Z “Legacy” The Bullitts Jermaine Dupri “It’s Nothin’” ft. DaBrat & R.O.C. Darren Grant Kirk Franklin “Brighter Day” co-stylist: Arnelle Simpson Bille Woodruff Lil Bow Wow “Bounce Wit Me” ft. Jermaine Dupri, Jagged Edge & Da Brat Dave Myers Lil’ Bow Wow “My Baby” ft. Jagged Edge (Jagged Edge-LA) Fats Cats Lil’ Bow Wow “The Don the Dutch” ft. Jagged Edge (Jagged Edge-LA) Fats Cats Liz Primo “State of Amazing” Evan Winter Master P “Oohwee” Terry Heller & Danny Passman Master P “Pockets Gone’ Stay Fat/Golds in They Mouth” co-stylist: Arnelle Simpson Christopher Morrison Mil “Ride Out” ft. Lil’ Wayne, Juvenile, Slim, Beanie Segal & Baby Sylvain White Public Announcement “A Man Ain’t Supposed to Cry” Christopher Erskin Rachelle Ferrell “With Open Arms” Pam Robinson Run the Jewels “Crown” Peter Martin Ruff Endz “No More” Bille Woodruff Seven Mary Three “Wait” John Stockwell Stone Sour “St Marie” Marc Klasfeld Travie McCoy “Billionaire” ft.