Jazzweek Jazz Album Chart Sept
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Harry Manx Et Les Blues De Bouddha
J472, & BLUES HarryManx et les blues de Bouddha SERGE TRUFFAUT les injustices.nes'y est pas trompé: Mank est un artiste ptit J e tout nouveau, dernier t{AHqY très singulier. oII m'a art|elé i,l I-ralbum confectionnépar rji;{,X y a deuxans de celapour que Harry Manx, le seul trouba- je \arti.cibe à I'enregistrement dour du blues mâtiné de réso- de son album. Il est tellement nancesindiennes, celles du aimable,facile à aiare, que sous.-continentindien et non c'était commesi nousétions de des Etats-Unis,s'appelle Bread uieux amis. Nous aaonsIa And Buddha.Du pain et Boud- mêmesensibi.lité musi.cale. Lui. dha, et non du pain et des jeux. s'habi,llecolnme un Indien, Arrêtons-nousau tife, puisquî moi.je joue cornmeun Indi.en. a valeur symboliqueautant que gentillessei.ncarnée. II me Toujours est-il qu'après coup, biographique. croyaitpas. (rires)" il m'a demandéde fai.re une Il était une fois un Britan- Bon. Questionblues, si I'on tournéeaaec lui. Ce qu'il y a nique, donc un gentleman,né peut dire les chosesainsi, d'ertraordinaire, c'estqu'on sur I'Ile de Man. où les chats Manx en connaissaitl'ortho- joue dans de grandessalles se distinguent de tous les graphe, la grammaire, la syn- contn e le CarnegieHall, à autres par leur petite queue. taxe. Et comme il est un hom- New York, ou The GreatAm.e- l.es hasardsde I'histoire com- me très singulier, un homme rican Music-Hall, à San Fran- me ceux du destin étant ce qui ne veut pas être le clone cisco.Cette association a beau- qu'ils sont. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Earshot Jazz Festival in November, P 4
A Mirror and Focus for the Jazz Community Nov 2005 Vol. 21, No. 11 EARSHOT JAZZSeattle, Washington Earshot Jazz Festival in November, P 4 Conversation with Randy Halberstadt, P 21 Ballard Jazz Festival Preview, P 23 Gary McFarland Revived on Film, P 25 PHOTO BY DANIEL SHEEHAN EARSHOT JAZZ A Mirror and Focus for the Jazz Community ROCKRGRL Music Conference Executive Director: John Gilbreath Earshot Jazz Editor: Todd Matthews Th e ROCKRGRL Music Conference Highlights of the 2005 conference Editor-at-Large: Peter Monaghan 2005, a weekend symposium of women include keynote addresses by Patti Smith Contributing Writers: Todd Matthews, working in all aspects of the music indus- and Johnette Napolitano; and a Shop Peter Monaghan, Lloyd Peterson try, will take place November 10-12 at Talk Q&A between Bonnie Raitt and Photography: Robin Laanenen, Daniel the Madison Renaissance Hotel in Seat- Ann Wilson. Th e conference will also Sheehan, Valerie Trucchia tle. Th ree thousand people from around showcase almost 250 female-led perfor- Layout: Karen Caropepe Distribution Coordinator: Jack Gold the world attended the fi rst ROCKRGRL mances in various venues throughout Mailing: Lola Pedrini Music Conference including the legend- downtown Seattle at night, and a variety Program Manager: Karen Caropepe ary Ronnie Spector and Courtney Love. of workshops and sessions. Registra- Icons Ann and Nancy Wilson of Heart tion and information at: www.rockrgrl. Calendar Information: mail to 3429 were honored with the fi rst Woman of com/conference, or email info@rockrgrl. Fremont Place #309, Seattle WA Valor lifetime achievement Award. com. 98103; fax to (206) 547-6286; or email [email protected] Board of Directors: Fred Gilbert EARSHOT JAZZ presents.. -
FIJAZZ2014.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE MIKE STERN ■ BIOGRAFÍA Mike Stern (* 10 de enero de 1953 en Boston) es un guitarrista estadounidense de jazz que ha trabajado con músicos como Miles Davis, Stan Getz, Jaco Pastorius, Joe Henderson, Jim Hall, Pat Martino, Tom Harrell, Arturo Sandoval, Tiger Okoshi, Michael Brecker, Bob Berg, David Sanborn, Steps Ahead y los Brecker Brothers. Graduado en el Berklee College of Music de Boston, se orientó hacia el jazz desde su formación. Se unió a Blood, Sweat & Tears durante una gira en 1977 y participó en tres de sus discos: In Concert, More than Ever y Brand New Day. Desde entonces ha trabajado con multitud de músicos, destacando su colaboración con Miles Davis desde 1981 hasta 1983. Su primer álbum de estudio, Upside Downside, salió al mercado en 1986 en el sello Atlantic Records, y contó con la colaboración de Jaco Pastorius, David Sanborn y Bob Berg. Su segundo trabajo, titulado Time in Place, fue publicado en 1988 e incluye a Peter Erskine en la batería, Jim Beard en el teclado, Jeff Andrews en el bajo, Don Alias en la percusión y Don Grolnick al órgano. A este disco le siguió Jigsaw un año después, cuando formó un grupo con Berg, Dennis Chambers y Lincoln Goines que duró hasta 1992. En 1993 grabó su mejor disco, Standards (And Other Songs), que le valió para ser proclamado como Mejor guitarrista del año por la revista Guitar Player. Recibió dos nominaciones a los premios Grammy en 1994 y 1996 por los discos Is What It Is y Between the Lines. -
Government Hill Yesterday and Today Oral History Report
Government Hill Yesterday and Today An oral history of life on Government Hill as told through the people that lived it. Government Hill Yesterday and Today An oral history of life on Government Hill as told through the people that lived it. October 1, 2012 Municipality of Anchorage Community Development Department Planning Division ii Government Hill—Yesterday and Today Government Hill Yesterday and Today Introduction ~ ◘ ◘ ACKNOWLEDGEMENTS . v CIVIC AND COMMERCIAL DEVELOPMENT. 27 ◘ PURPOSE . 1 ◘ GOVERNMENT HILL AND THE PORT OF ANCHORAGE. 29 ◘ INTERVIEW PROCESS . 2 ◘ ALASKA STATEHOOD. 30 ◘ PRESENTING THE INTERVIEWEES. 2 ◘ CIVIL RIGHTS MOVEMENT (1960s). 31 ◘ GEOGRAPHIC AREA . 8 ◘ THE EARTHQUAKE OF ’64 . 32 ◘ THE FIRST PEOPLE . 10 ◘ THE NEXT ERA (1970s to Present) . 35 ◘ NEIGHBORHOOD LEADERS. 35 What We Talked About ~ ◘ CHANGES ON GOVERNMENT HILL. 37 ◘ EXCITING THINGS WE STILL TALK ABOUT . 38 ◘ HOW GOVERNMENT HILL GOT ITS NAME. 11 ◘ CLOSING THOUGHTS . 39 ◘ WHY WAS GOVERNMENT HILL SO SPECIAL? . 11 ◘ IMPORTANT COMMUNITY ELEMENTS . 12 Appendices ~ ◘ NOTABLE PEOPLE OF GOVERNMENT HILL . 15 A: NATIONAL HISTORIC PRESERVATION ACT. 43 ◘ HOUSING ON GOVERNMENT HILL . 16 B: GERLEK’S HISTORY OF GOVERNMENT HILL. 45 ◘ RAILROADERS . 19 C: “NO HOMEBODY”—AUSTRID GARRETT . 47 ◘ GROWING UP ON GOVERNMENT HILL . 21 D: REFERENCES. 49 ◘ MILITARY MOVES TO GOVERNMENT HILL. 24 E: INTERVIEWS . 51 ◘ URBAN RENEWAL . 27 Government Hill—Yesterday and Today iii iv Government Hill—Yesterday and Today ACKNOWLEDGEMENTS The story of life and growing up in Government Hill can only be told Government Hill Community Council: by the people who have lived and worked here, who helped found ◘ Bob French, President Anchorage, Alaska, through their work, personal commitment to the ◘ Stephanie Kesler, Vice President community, and friendship to many. -
Is Top Smooth Jazz Single for 13Th Straight Week
JazzWeek with airplay data powered by jazzweek.com • October 9, 2006 Volume 2, Number 45 • $7.95 On The Charts: #1 Jazz Album – Diana Krall #1 College Jazz – Madeleine Peyroux #1 World Music – Brazilian Girls #1 Smooth Album – Peter White #1 Smooth Single – Peter White Artist/Label Q&A: ILYA LUSHTAK page 10 JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson rank Zappa famously once wrote, “Jazz isn’t dead; it just CONTRIBUTING WRITER/ smells funny.” If Frank were around today, I wonder what PHOTOGRAPHER Fhe’d say about smooth jazz. Tom Mallison On Monday, Oct. 2, the format lost its third station in as many PHOTOGRAPHY months as Dallas’ KOAI switched to the new format du jour, Barry Solof “rhythmic AC.” Outside of its original strongholds, smooth jazz Contributing Editors radio and record sales seem to be heading into oblivion. Keith Zimmerman It’s always been easy for mainstream jazz fans and artists to Kent Zimmerman sneer at smooth jazz artistically – but for many years it has been a Founding Publisher: Tony Gasparre solid performer, having been sold as part of a whole lifestyle. But ADVERTISING: Devon Murphy that whole yuppie/white wine scene seems to has faded, and the Call (866) 453-6401 ext. 3 or format is fading, too. email: [email protected] Even so, Broadcast Architecture, long the 800-lb. gorilla of SUBSCRIPTIONS: the format, is launching a smooth jazz network, including Chica- Free to qualified applicants go morning stalwart Ramsey Lewis. You’ve got to wonder where Premium subscription: $149.00 per year, that will find outlets – the economics don’t seem to be there yet w/ Industry Access: $249.00 per year To subscribe using Visa/MC/Discover/ for it to be profitable as a secondary HD channel for the few hun- AMEX/PayPal go to: dreds with receivers. -
Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Aguiar, Luis; Waldfogel, Joel Working Paper Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists JRC Digital Economy Working Paper, No. 2018-04 Provided in Cooperation with: Joint Research Centre (JRC), European Commission Suggested Citation: Aguiar, Luis; Waldfogel, Joel (2018) : Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists, JRC Digital Economy Working Paper, No. 2018-04, European Commission, Joint Research Centre (JRC), Seville This Version is available at: http://hdl.handle.net/10419/202233 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu JRC Digital Economy Working Paper 2018-04 Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists Luis Aguiar Joel Waldfogel (University of Minnesota and NBER) May 2018 This publication is a Working Paper by the Joint Research Centre, the European Commission’s in- house science service. -
Jim Brickman's
JazzWeek with airplay data powered by jazzweek.com • November 6, 2006 Volume 2, Number 49 • $7.95 Artist Q&A: LES PRIMITIFS DU FUTUR Page 10 On The Charts: #1 Jazz Album – Diana Krall #1 Smooth Album – Boney James #1 College Jazz – Madeleine Peyroux #1 Smooth Single – Boney James #1 World Music – Brazilian Girls JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger pin counts are back to normal this week after some tech- MUSIC EDITOR Tad Hendrickson nical hiccups at Mediaguide. Fall pledge drives also led Sto some reduction in airplay on non-comms last week. CONTRIBUTING WRITER/ PHOTOGRAPHER Tom Mallison any of us look forward each January to IAJE. It’s both PHOTOGRAPHY the largest convention and the largest family reunion Barry Solof Min jazz. Contributing Editors I’d encourage everyone to take a look at the industry track Keith Zimmerman for this year’s 34th convention in this year’s brochure which Kent Zimmerman you can download at http://iaje.org/images/conference/2007/ Founding Publisher: Tony Gasparre brochure.pdf. I believe this year’s track is the most focused ADVERTISING: Devon Murphy and most pertinent of all that I’ve attended. We’ll be sponsor- Call (866) 453-6401 ext. 3 or ing the radio sessions again this year, with other panels pro- email: [email protected] grammed by our friends at JazzTimes, Jazziz, Down Beat, SUBSCRIPTIONS: NARAS, the Jazz Journalists Association, Billboard Maga- Free to qualified applicants Premium subscription: $149.00 per year, zine, and DL Media. w/ Industry Access: $249.00 per year Hats off to IAJE and Jazz Alliance International for a ter- To subscribe using Visa/MC/Discover/ AMEX/PayPal go to: rific job lining up this year’s industry track. -
Students Faculty Mentors Help Students Succeed [Page 24]
Sun Belt Champs 6 A UNIVERSITY OF NORTH TEXAS PUBLICATION FOR ALUMNI AND FRIENDS VOL. 6 0 , N O . 1 | S p r i n g 2 0 1 0 Focusing on students Faculty mentors help students succeed [page 24] Putting UNT on the map [page 14] Brian Waters [page 32] Evolution of a librarian [page 34] northtexan.unt.edu shiningA star UNT’s Emerald Eagle Scholars program UNToutshines most Texas universities in its efforts to close the gaps in student participation and student success. UNT earned a third consecutive Texas Higher Education Star Award — this year for the Emerald Eagle Scholars program. This recognition illustrates UNT’s commitment to opening the doors of opportunity so academically talented yet financially challenged students may earn a college degree in four years. At UNT, more than 36,000 students discover the power of ideas. Ivonne Pereira (’09) is UNT’s first Emerald Eagle Scholar to graduate. With her bachelor’s in international studies, she plans to become a translator and work for the U.S. Department of State, the CIA or maybe Amnesty International. Inside S p r i n g 2 0 1 0 FEATURES 14 Putting UNT on the Map Gretchen M. Bataille helped grow UNT’s reputation during her tenure as president. By Ernestine Bousquet 32 Brian Waters The Kansas City Chiefs’ four-time NFL Pro Bowler is recognized for his generosity Michael Clements Michael and support. By Jill King 34 Evolution of a Librarian Technology-savvy UNT graduates in library or information science have left the card catalog behind and become leaders of the information generation. -
Five Essential Billy Strayhorn Songs
JazzWeek with airplay data powered by jazzweek.com • January 29, 2007 Volume 3, Number 10 • $7.95 Artist Q&A: CHARLES TOLLIVER page 9 On The Charts: #1 Jazz Album – Jimmy Heath Big Band #1 World Music – Lynch/Palmieri #1 College Jazz – Medeski Scofield Martin & #1 Smooth Album – For Luther II Wood #1 Smooth Single – Kirk Whalum JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger he performance of the Charles Tolliver Big Band on the MUSIC EDITOR Tad Hendrickson closing night of IAJE 2007 was nothing short of stun- Tning. Tad Hendrickson caught up with Tolliver a few CONTRIBUTING WRITER/ days after IAJE, and finds out just where he’s been all these PHOTOGRAPHER Tom Mallison years. PHOTOGRAPHY Barry Solof Registration for the 2007 JazzWeek Summit, its sixth (!) Contributing Editors annual incarnation, will open on Feb. 1. Current paid sub- Keith Zimmerman scribers will get an email notice about discounted registration. Kent Zimmerman The Summit will be held at the same locationas last year – the Founding Publisher: Tony Gasparre Rochester Clarion Riverside – side-by-side with the Roches- ADVERTISING: Devon Murphy ter International Jazz Festival. Dates are June 7-9, 2007. Call (866) 453-6401 ext. 3 or There will be performance and sponsorship opportunities email: [email protected] at the Summit; details will follow shortly. SUBSCRIPTIONS: We’re looking for input on panel sessions, too. While there Free to qualified applicants Premium subscription: $149.00 per year, are some basics we wish to cover each year, we also are look- w/ Industry Access: $249.00 per year ing for some “master classes,” too. -
Presidential Documents
Weekly Compilation of Presidential Documents Monday, October 4, 1999 Volume 35ÐNumber 39 Pages 1821±1886 1 Contents Addresses and Remarks Bill SigningsÐContinued See also Bill Signings; Meetings With Foreign Extension of the Airport Improvement Leaders Program Act, statementÐ1857 Arts and Humanities Awards Treasury and General Government DinnerÐ1858 Appropriations Act 2000, statementsÐ1856 PresentationÐ1847 Democratic National Committee dinnerÐ Bill Vetoes 1821 Economy, nationalÐ1825 ``District of Columbia Appropriations Act International Monetary Fund, annual 2000'' meetingÐ1853 MessageÐ1846 Japanese nuclear accidentÐ1879 StatementÐ1845 Louisiana Departure for New OrleansÐ1825 Communications to Congress Dinner for Representative William J. See also Bill Vetoes Jefferson in New OrleansÐ1834 Angola (UNITA), message transmitting report Luncheon for Representative William J. on national emergencyÐ1834 Jefferson in New OrleansÐ1829 Sophie B. Wright Middle School in New Communications to Federal Agencies OrleansÐ1827 Nevada, departure for Las VegasÐ1879 Counter-drug assistance to Colombia, Peru, New York, National Education Summit in Ecuador, and Panama, memorandumÐ1869 PalisadesÐ1865 Delegation of authority under the Radio addressÐ1824 Immigration and Nationality Act, Religious leaders, breakfastÐ1839 memorandumÐ1839 Social Security benefits statementÐ1879 Korean Peninsula Energy Development World Bank, annual meetingÐ1853 Organization funding, memorandumÐ1857 Bill Signings Liberians in the United States, memorandum on measures regardingÐ1834 Continuing resolution, remarksÐ1859 Energy and Water Development Pakistan and India, memorandumÐ1878 Appropriations Act, 2000, statementÐ1859 Refugee admissions, memorandumÐ1878 (Continued on the inside of the back cover.) Editor's Note: The President was in Las Vegas, NV, on October 1, the closing date of this issue. Releases and announcements issued by the Office of the Press Secretary but not received in time for inclusion in this issue will be printed next week. -
Variations on a Theme: Forty Years of Music, Memories, and Mistakes
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Variations on a Theme: Forty years of music, memories, and mistakes Christopher John Stephens University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Stephens, Christopher John, "Variations on a Theme: Forty years of music, memories, and mistakes" (2009). University of New Orleans Theses and Dissertations. 934. https://scholarworks.uno.edu/td/934 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Variations on a Theme: Forty years of music, memories, and mistakes A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In Creative Non-Fiction By Christopher John Stephens B.A., Salem State College, 1988 M.A., Salem State College, 1993 May 2009 DEDICATION For my parents, Jay A. Stephens (July 6, 1928-June 20, 1997) Ruth C.