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Harry Manx Et Les Blues De Bouddha

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Harry Manx Et Les Blues De Bouddha J472, & BLUES HarryManx et les blues de Bouddha SERGE TRUFFAUT les injustices.nes'y est pas trompé: Mank est un artiste ptit J e tout nouveau, dernier t{AHqY très singulier. oII m'a art|elé i,l I-ralbum confectionnépar rji;{,X y a deuxans de celapour que Harry Manx, le seul trouba- je \arti.cibe à I'enregistrement dour du blues mâtiné de réso- de son album. Il est tellement nancesindiennes, celles du aimable,facile à aiare, que sous.-continentindien et non c'était commesi nousétions de des Etats-Unis,s'appelle Bread uieux amis. Nous aaonsIa And Buddha.Du pain et Boud- mêmesensibi.lité musi.cale. Lui. dha, et non du pain et des jeux. s'habi,llecolnme un Indien, Arrêtons-nousau tife, puisquî moi.je joue cornmeun Indi.en. a valeur symboliqueautant que gentillessei.ncarnée. II me Toujours est-il qu'après coup, biographique. croyaitpas. (rires)" il m'a demandéde fai.re une Il était une fois un Britan- Bon. Questionblues, si I'on tournéeaaec lui. Ce qu'il y a nique, donc un gentleman,né peut dire les chosesainsi, d'ertraordinaire, c'estqu'on sur I'Ile de Man. où les chats Manx en connaissaitl'ortho- joue dans de grandessalles se distinguent de tous les graphe, la grammaire, la syn- contn e le CarnegieHall, à autres par leur petite queue. taxe. Et comme il est un hom- New York, ou The GreatAm.e- l.es hasardsde I'histoire com- me très singulier, un homme rican Music-Hall, à San Fran- me ceux du destin étant ce qui ne veut pas être le clone cisco.Cette association a beau- qu'ils sont. Harry s'est-retrou- de quelqu'und'autre, une co- coupfai,t pour ma notori.étéen vé technicien du son au club pie de Buddy Guy ou d'Eric dehorsdu Canada., EI Mocambo, à Toronto, dans Clapton,il est allé camper Bien. Bread And Buddha. les années70. Pour Muddv dans la campagneindienne. sur étiquette Dog My Cat, \{aters. Willie Dixon ou Ai- En clair, il a étudié pen- s'avèrele plus serein de ses bert Collins, il augmentait ou dant des annéesauprès d'un albums, le plus séduisant, baisspitle volume. C'est se- maître du sitar et autres mais aussi le plus total. Oui, lon. A noter quiil était déjà instruments pour nous total. Parce que cette histoire musicien, guitariste, déjà exotiques. de pain et de Bouddha,c'est bluesman. Au terme de cet apprentis- toutes Sesexpériences, tous Puis, un beau jour, ou plu- sage,il a allié les cordes de la sesvoyages dans les contrées tôt un soir. est arrivé ceci: guitare à celle du sitar. Plus lointaines, toutes ses ren- <Au terme de son show,tohn précisément,il a ajouté des contres,ses aventuresré- Hammond s'estllaint auprès cordes. Il s'est approprié unies et déclinées avec d,upatron parce que.j'aaais deux univers sonoresde pri- conviction,passion et lenteur. mal fait,mon boulat.le crois me abord dissemblablespour Harry Manx, c'est le blues que j'a.oais un !,sx1bu. I'ai mieux se poser en alchimiste. acoustiquetouillé dans toutes d,oncété renaoyé.Le lende- De sorte qu'aujourd'hui,il les musiquesdu monde et main, au réoeil,j'ai iléci.dé possèdeun style unique au... de I'univers. que désormaisje me consacre- monde!Son art n'est pas re- Manx se produira en trio à rai.sà la musi,que.Ce qu'il y a connaissableentre mille mais la Maison du festival,les 18 et d'amusant,c'est que desan- biep entre millions. 19 septembre. néesplus tard, j'ai, conté cette A preuve, Richie Havens. ' ":\::.:' ' anecdoteà John, qui est la Uéternel beatnik choqué par Le Deuoir Christophe Rodrlguez Çellafu*ratien rpéci**e 12septembre a#Jean-PierreZanella Et son quartette DièzeOnze 4115A, rue Saint-Denis 20h30 514-223-3543 l6 septembie SMatt Andersen, : guitare, *"lFr;: voix rriil*.,,,.1.i: Et son quartette MaisonAstral ,::: l 305,rue Sainte-CatherineO. 20h 514-871-1881 ''--: r ':,irr:r::r; ' 17septembre ' t;Yaron Herman, piano Et son trio Aufil desans, le guitariste et chanteurHarry Manx est MaisonAstral devenuMontréalais d'adoption. De ses présences à Bel/eef 305,rue Sainte-CatherineO. 20h Bumen passantpar le Festivalde jazzet autres tournées, 514-871-1881 sonblues empreint de simplicité fait mouche à chaquefois. Poursa première à la nouvelleMaison Veil,Loue is Fire,Humble Me), les < histo- Enmagasin ou en tigne Astral,bastiondujazzetautres musiques, riens> y retrouverontI'empreinte de cettesemaine Harry Manxn'arrive pas les mains vides. RobertJohnson, Blind Jefferson et pour- En studiodepuis plusieurs mois, ilnous quoipas,les évocations d'un SolomonBur- Herb Alpert &LaniHall :Liu e feraentendre les nouveaux accords de ke premièreépoque. JoeHenderson : PorgE& Bess Bread& Buddha(Dog My Cat/SRI),disque Paschiche et donnanttoujours un coup Mike Stern :Big Neighborhood magnifiqueet poignantoù il renoueavec les depouce à lajeunesse, Harry Manxest racinesdu blues. entouréde la chanteuseGeneviève Jodoin Questions,suggestions de disques,commentaires ; TYaversépar unemultitude de ballades Àla'Maison Astrat Écrivez-moià quiracontentlestravers del'expérience 18et 19 septembre rod. chr i s@hotmail. com humaine(Moon Goin Down,Long Black Renseignements:1-888-515-0515 LaPresseSurMonOrdi.ca - Arts et Spectacles - 12 septembre 200... http://lapresse.newspaperdirect.com/epaper/services/OnlinePrin... 1 of 1 12/09/09 11:13 AM Harry Manx - Zen et blues - MONTRÉAL - VOIR.CA http://www.voir.ca/publishing/article.aspx?zone=1&section=6&a... aLouer Bienvenue sur Voir Guide Restos Petites annonces ouvrir session Emplois FAQ devenez membre Montréal Musique Recherche ACCUEIL SOCIÉTÉ MUSIQUE CINÉMA SCÈNE ARTS VISUELS LIVRES RESTOS MODE DE VIE ÉVASION BLOGUES MEMBRES CONCOURS SPECTACLES GUIDE DISQUES ARTISTES SALLES ARCHIVES Harry Manx Harry Manx Ma cote: Jazz · Blues · World 18 et 19 sept 2009 à 20h écrire une [+] agrandir Astral (L') critique 305-307, rue Ste-Catherine O., Mtl du spectacle ! Harry Manx partager spectacles, nouvelles, photos, disques, Zen et blues blogues, critiques des membres… Page de l'artiste >> Stanley Péan ARTICLE - 17 septembre 2009 Fidèle au rythme de production qu'il maintient depuis son émergence sur la scène, Harry Manx, le plus zen des bluesmen occidentaux, est de retour avec un neuvième album en neuf ans: Bread and Buddha. Dès le premier abord, je remarque quelque chose de très zen chez Harry Manx, quelque chose qui évoque Shawn Philips. Un sourire engageant sur les lèvres, le bonhomme s'excuse de ne pouvoir répondre à mes questions dans la langue de Molière. "Je pourrais toujours faire un effort, mais ça me prendrait pas mal plus de temps", précise-t-il, ironique. Et qui pourrait dire lequel de nous deux est le plus pressé par le temps? Peut-être ces douze années passées au pays de Gandhi ont-elles appris à Harry Manx quelque chose sur notre rapport au temps qui échappe encore à la plupart des Occidentaux. Mais sans doute faut-il rappeler à quel point cet auteur- compositeur-interprète est un être d'exception: né sur une île au large de la Grande-Bretagne, Manx a vécu à Toronto, en Europe, au Japon et en Inde, avant de finalement s'établir en [+] agrandir Colombie-Britannique avec sa femme brésilienne; et ce n'est qu'à l'âge de 46 ans qu'il émerge sur la scène musicale Harry Manx: "Il y a des points communs entre la spiritualité profonde du blues, canadienne, avec en bandoulière son exotique mohan veena, né de la misère des esclaves une manière de guitare-sitar à 20 cordes, qui confère à ses américains, et les musiques disques leur son si particulier. "Rien ne me prédestinait à faire traditionnelles de l'Inde." du blues, avoue-t-il candidement. J'ai commencé à tâter de la guitare après avoir bossé comme roadie pour des bluesmen de passage à Toronto, juste pour voir si j'en étais capable." Harry Manx nous a habitués à des titres qui évoquent volontiers le métissage culturel dont il est le fier représentant; on pense à Road Ragas ou Mantras for Madmen. Et même si Bread and Buddha (joli calembour!) apparaît comme le moins exotique des albums de Harry Manx, la fusion entre les blues du terroir et les musiques traditionnelles indiennes demeure la marque de commerce du bluesman. "La musique indienne fait partie de mon approche, colore tout ce que je fais. Ce n'est peut-être pas le mariage le plus évident", concède celui qui a tout de même utilisé sa mohan veena sur Love Is the Fire, une chanson pop-rock qui à l'origine était une sorte d'hymne sur l'amour divin écrite par un ami indien. "Mais il est vrai que, comme vous dites, il y a des points communs entre la spiritualité profonde du blues, né de la misère des esclaves américains, et les musiques traditionnelles de l'Inde." À propos de la scène, où il se sent en réelle communion avec ses fans, Harry Manx reconnaît volontiers ceci: "il y a une magie spéciale qui intervient entre les auditeurs et moi pendant un concert. [...] Mon but, c'est d'entraîner le public plus loin au coeur de la musique." Et au coeur de lui-même, aurait-on envie d'ajouter, tellement la musique de Manx nous semble propice autant au voyage intérieur qu'à la dérive en territoire exotique. Ce en quoi ce nouveau titre, Bread and Buddha, qui renvoie autant aux nourritures terrestres que spirituelles, nous semble tellement bien trouvé. 1 of 2 17/09/09 10:35 PM LeSoleilSurMonOrdi.ca - Le Soleil - 12 septembre 2009 - Page #97 http://lesoleil.newspaperdirect.com/epaper/services/OnlinePrin... 1 of 1 12/09/09 11:10 AM wt2 Al;ts èt'Épectâôlès -*|'|{Tffiw|wxryx lli.tjii:::*iii.ii...+iÈ,.ii,,?,tiifriii;i.j;]]iTii Jhi fait quelquechose que je ne faisais jamais: je me suis as- sis avecles chansons,j'ai oublié le mode what's tæxt.
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