One Dead, Roofs Off and Flooding in Trinidad, Grenada
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Music, Mas, and the Film and Video Segments
Entertainment Services with Special Reference to MUSIC, MAS, AND THE FILM AND VIDEO SEGMENTS Submitted to: MR. HENRY S. GILL Communications Director/Team Leader CARICOM Trade Project Caribbean Regional Negotiating Machinery (RNM) "Windmark", First Avenue, Harts Gap Hastings, Christ Church Barbados Submitted by: MS. ALLISON DEMAS AND DR. RALPH HENRY December 2001 Entertainment Services with Special Reference to Music, Mas, and the Film & Video Segments i Contents EXECUTIVE SUMMARY........................................................................................................VI SECTION I 1.0 INTRODUCTION .......................................................................................................... 1 1.1 Objectives of Study........................................................................................................ 2 1.2 Delimitations and Limitations....................................................................................... 2 1.3 Outline of Study............................................................................................................. 3 1.4 Intellectual Property Rights.......................................................................................... 4 1.5 Industrial Organisation ................................................................................................ 7 1.6 Music........................................................................................................................... 11 1.7 Street Festivals........................................................................................................... -
Así Se Tejió La Fortuna De Zara
4 € POBREZA 14 RESIDUOS 18 1917-2017 ESPECIAL LA CAÍDA DE LA SGAE 62 OCTUBRE 2017 Un 20% de las personas El sureste de la Revolución rusa: Los escándalos de que viven sin casa ni Comunidad de Madrid, el pasado de los corrupción precipitan el hogar son mujeres asolado por los vertidos sueños de futuro fin de un modelo cultural 6 EL IMPERIO INDITEX ASÍ SE TEJIÓ LA FORTUNA DE ZARA La ingeniería fiscal, la deslocalización productiva y la precariedad han sido las claves del éxito de Amancio Ortega, el hombre más rico de Europa “Ustedes, por lo que leo y por lo que hacen, desean el mal” HERMAN MONSTERCH PERIODISTA ESPAÑOL EN EL SALTO APOSTAMOS POR EL PERIODISMO INDEPENDIENTE (aunque algunos no lo entiendan) DA EL SALTO. HAZTE SOCIA ELSALTODIARIO.COM SOCIO/A SOCIO/A SOCIO/A Hazte socio/a a través DIGITAL PAPEL INCONDICIONAL de elsaltodiario.com o (3€/mes) (6€/mes) (10€/mes) rellenando este formulario NOMBRE Y DIRECCIÓN APELLIDOS DE ENVÍO CP LOCALIDAD PROVINCIA TEL. ELIGE TIPO MAIL DNI/NIE PAGO ANUAL DE PAGO PAGO MENSUAL FORMA DE PAGO DOMICILIADO TRANSFERENCIA ES46 - 3035 - 0376 - 1337 - 6000 - 8808 (Caja Laboral) INDICA TU NÚMERO DE CUENTA Envíanos este boletín o haznos Mail: [email protected] - Tel: 91 184 184 7 llegar los datos por teléfono o email. ELSALTODIARIO.COM Plaza Luca de Tena, 13, entreplanta CP 28045 - Madrid Carrera Editorial En octubre queremos vernos ■ El 13 de septiembre lanzamos a las autopistas de la información la web de El Salto. No vamos a engañar a nadie, nos ha costado mucho trabajo. -
Fifty-Eighth National Conference November 5–7, 2015 JW Marriott Indianapolis Indianapolis, Indiana
Fifty-Eighth National Conference November 5–7, 2015 JW Marriott Indianapolis Indianapolis, Indiana ABSTRACTS & PROGRAM NOTES updated October 30, 2015 Abeles, Harold see Ondracek-Peterson, Emily (The End of the Conservatory) Abeles, Harold see Jones, Robert (Sustainability and Academic Citizenship: Collegiality, Collaboration, and Community Engagement) Adams, Greg see Graf, Sharon (Curriculum Reform for Undergraduate Music Major: On the Implementation of CMS Task Force Recommendations) Arnone, Francesca M. see Hudson, Terry Lynn (A Persistent Calling: The Musical Contributions of Mélanie Bonis and Amy Beach) Bailey, John R. see Demsey, Karen (The Search for Musical Identity: Actively Developing Individuality in Undergraduate Performance Students) Baldoria, Charisse The Fusion of Gong and Piano in the Music of Ramon Pagayon Santos Recipient of the National Artist Award, Ramón Pagayon Santos is an icon in Southeast Asian ethnomusicological scholarship and composition. His compositions are conceived within the frameworks of Philippine and Southeast Asian artistic traditions and feature western and non- western elements, including Philippine indigenous instruments, Javanese gamelan, and the occasional use of western instruments such as the piano. Receiving part of his education in the United States and Germany (M.M from Indiana University, Ph. D. from SUNY Buffalo, studies in atonality and serialism in Darmstadt), his compositional style developed towards the avant-garde and the use of extended techniques. Upon his return to the Philippines, however, he experienced a profound personal and artistic conflict as he recognized the disparity between his contemporary western artistic values and those of postcolonial Southeast Asia. Seeking a spiritual reorientation, he immersed himself in the musics and cultures of Asia, doing fieldwork all over the Philippines, Thailand, and Indonesia, resulting in an enormous body of work. -
Everything Subject to Change. SXSW Showcasing Artists Current As of March 8, 2017
424 (San José COSTA RICA) Lydia Ainsworth (Toronto ON) ANoyd (Bloomfield CT) !!! (Chk Chk Chk) (Brooklyn NY) Airways (Peterborough UK-ENGLAND) AOE (Los Angeles CA) [istandard] Producer Experience (Brooklyn NY) Aj Dávila (San Juan PR) Apache (VEN) (Cara VENEZUELA) #HOODFAME GO YAYO (Fort Worth TX) Jeff Akoh (Abuja NIGERIA) Apache (San Francisco CA) 070 Shake (North Bergen NJ) Federico Albanese (Berlin GERMANY) Ape Drums (Houston TX) 14KT (Ypsilanti MI) Latasha Alcindor (Brooklyn NY) Ben Aqua (Austin TX) 24HRS (Atlanta GA) AlcolirykoZ (Medellín COLOMBIA) Aquilo (London UK-ENGLAND) 2 Chainz (Atlanta GA) Alexandre (Austin TX) Sudan Archives (Los Angeles CA) 3rdCoastMOB (San Antonio TX) Alex Napping (Austin TX) Arco (Granada SPAIN) The 4onthefloor (Minneapolis MN) ALI AKA MIND (Bogotá COLOMBIA) Ariana and the Rose (New York NY) 4x4 (Bogotá COLOMBIA) Alikiba (Dar Es Salaam TANZANIA) Arise Roots (Los Angeles CA) 5FINGERPOSSE (Philadelphia PA) All in the Golden Afternoon (Austin TX) Arkansas Dave (Austin TX) 5ive (Earth TX) Allison Crutchfield and the Fizz (Philadelphia Brad Armstrong (Rhinebeck NY) PA) 808INK (London UK-ENGLAND) Ash Koosha (Iran / London UK-ENGLAND) All Our Exes Live In Texas (Newtown NSW) 9th Wonder (Winston-Salem NC) Ask Carol (Oslo NORWAY) Al Lover (San Francisco CA) A-Town GetDown (Austin TX) Astro 8000 (Philadelphia PA) Annabel Allum (Guildford UK-ENGLAND) A$AP FERG (Harlem NY) A Thousand Horses (Nashville TN) August Alsina (New Orleans LA) A$AP Twelvyy (New York NY) Nicole Atkins (Nashville TN) Altre di B (Bologna ITALY) -
Kalenda and Other Neo-African Dances in the Circum-Caribbean In
J. Gerstin Tangled roots: Kalenda and other neo-African dances in the circum-Caribbean In: New West Indian Guide/ Nieuwe West-Indische Gids 78 (2004), no: 1/2, Leiden, 5-41 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/29/2021 09:58:55PM via free access JULIAN GERSTIN TANGLED ROOTS: KALENDA AND OTHER NEO-AFRICAN DANCES IN THE CIRCUM-CARIBBEAN In this article I investigate the early history of what John Storm Roberts (1972:26, 58) terms "neo-African" dance in the circum-Caribbean. There are several reasons for undertaking this task. First, historical material on early Caribbean dance and music is plentiful but scattered, sketchy, and contradic- tory. Previous collections have usually sorted historical descriptions by the names of dances; that is, all accounts of the widespread dance kalenda are treated together, as are other dances such as bamboula, djouba, and chica. The problem with this approach is that descriptions of "the same" dance can vary greatly. I propose a more analytical sorting by the details of descrip- tions, such as they can be gleaned. I focus on choreography, musical instru- ments, and certain instrumental practices. Based on this approach, I suggest some new twists to the historical picture. Second, Caribbean people today remain greatly interested in researching their roots. In large part, this article arises from my encounter, during eth- nographic work in Martinique, with local interpretations of one of the most famous Caribbean dances, kalenda.1 Martinicans today are familiar with at least three versions of kalenda: (1) from the island's North Atlantic coast, a virtuostic dance for successive soloists (usually male), who match wits with drummers in a form of "agonistic display" (Cyrille & Gerstin 2001; Barton 2002); (2) from the south, a dance for couples who circle one another slowly and gracefully; and (3) a fast and hypereroticized dance performed by tourist troupes, which invented it in the 1950s and 1960s. -
TOURISM UPDATE Bimonthly Newsletter of the Discover Dominica Authority Issue 42, October 2019
TOURISM UPDATE Bimonthly Newsletter of the Discover Dominica Authority Issue 42, October 2019 1 WELCOME & TABLE OF CONTENTS Dear Partners, On behalf of the destination, I invite you to join in the celebrations of the 41st anniversary of Dominica’s Independence, observed under the theme “Saluting Resilience and Rejuvenation…Two Years On”, the 21st edition of the World Creole Music Festival and the many other activities being organized by private individuals, groups and COLIN PIPER organizations for this festive season. CEO/Director of Tourism We continue to share the undertakings of the Authority. Keeping with Photo Credit: DDA Image Library our commitment towards human resource development within the WELCOME ............................................... 1 industry DDA hosted the “Delivering Quality Service” workshop for DEVELOPING THE TOURISM PRODUCT Craft and Souvenir Vendors, Hair Braiders, Tour Guides, Taxi Service AHLEI Certification Training ................. 2 Providers, Forestry Park Wardens, DASPA Security Officers, Custom New Airport Dispatch Service............... 2 Officers and Immigration Officers; and the American Hotel & Lodging Delivering Quality Service ..................... 3 Educational Institute (AHLEI) Certification Training for current and Trail Hiker’s Logbook & Passport ........ 3 prospective Front Desk Representatives, Guestroom Attendants and Destination preparedness for Restaurant Servers. Destination Management Companies ............................................... 4 As a means of encouraging visitors to hike the various trails in QUALITY ASSURANCE Dominica, DDA has launched a hiker’s logbook in which hikers will be Riverside Hotel Attains Certification .... 5 able to record their hiking experiences and also be rewarded based DESTINATION MARKETING on the number of hikes completed. We are delighted to share good Press and Familiarization Trips ........... 6 news of Hilary Lawrence’s first place award in the senior division of Diaspora Support in New Jersey & the FCCA 2019 Poster Competition. -
Google Faces EU Antitrust Charges
For personal non-commercial use only. Do not edit or alter. Reproductions not permitted. To reprint or license content, please contact our reprints and licensing department at +1 800-843-0008 or www.djreprints.com Greg Ip Retooling The World Economy’s The Tuileries Model Country ARTS | A11 CAPITAL ACCOUNT | A2 ** THURSDAY, APRIL 21, 2016 ~ VOL. XXXIV NO. 57 WSJ.com EUROPE EDITION DJIA 18096.27 À 0.24% S&P 500 2102.40 À 0.08% NIKKEI 16906.54 À 0.19% STOXX 600 350.75 À 0.43% OIL 42.63 À 3.77% GOLD 1253.20 À 0.02% EURO 1.1335 g 0.21% DLR ¥109.46 À 0.23% What’s Google Faces EU Antitrust Charges European Commission a fresh set of antitrust charges In addition, the EU accused stager said at a news confer- markable—and, importantly, News that target the technology com- Google of withholding lucrative ence on Wednesday. She said sustainable—ecosystem, based accuses U.S. company pany’s efforts to promote its revenue-sharing agreements Google’s conduct is “stifling on open-source software and of abusing dominance core moneymaker: online from handset makers and competition and restricting in- open innovation.” He said the Business&Finance search. phone carriers that preload a novation in the wider mobile company will work with the EU of Android software The European Commission, rival search engine on their de- space.” “to demonstrate that Android is the EU’s antitrust agency, said vices. That tactic would effec- While users can always good for competition and good he EU filed antitrust BY NATALIA DROZDIAK Google had abused the domi- tively ensure that Google would download a new search for consumers.” charges against Google, T AND SAM SCHECHNER nance of its Android mobile op- be the only search engine avail- browser and change the de- The details of the case an- saying the firm abused the erating system by requiring able out of the box on the ma- fault, the EU has based its case nounced Wednesday—the EU’s dominance of its Android The European Union on phone makers to pre-install jority of phones, the EU alleged. -
Session Handout Creole Shake
SESSION HANDOUT CREOLE SHAKE Esther DELOUMEAUX ZINTM Member, New-Caledonia SESSION HANDOUT Presenter Esther Deloumeaux Schedule 5 min: Introduction of the session 5 min: Origins and Basic Steps of Gwo Ka 5 min: Origins and Basic Steps of Bouyon 5 min: Origins and Basic Steps of Zouk 5 min: Origins and Basic Steps of Compas 60 min: Master Class 15 min: Hip moves practice 5 min: Shake it challenge 5 min: Final Creole medley choreography 10 min: Close (Total: 2 hours) Session Objective 1. Learn about Creole Culture and Rhythms. 2. Grasp basic moves and hot choreographies on traditional and modern Creole music. 3. Practice hip movements and be part of a “Shake it faster challenge”. 4. Spice up your Zumba classes with an exotic Creole flavour. 5. Breakdown hips movement for your students while having great fun. History & Background “CREOLE SHAKE” Below is a little history about the four new rhythms you will learn in this session! ZOUK is a fast tempo carnival style of music originating from the Caribbean islands of Guadeloupe and Martinique. French Antilles Kassav popularized this fast style that lost ground in the late 80s.Zouk means festival, well-named because it uses carnival rhythms and contains West African influences. 2 2013 ZUMBA INSTRUCTOR CONVENTION – CREOLE SHAKE BOUYON is a form of popular music of Dominica which became popular in the late 1980s. Bouyon music is a mix of traditional and modern music, and is popular across much of the Caribbean. The best-known band in the genre is Windward Caribbean Kulture (WCK), who originated the style in 1988 by experimenting with a fusion of Cadence-Lypso and Jing ping. -
Art Music by Caribbean Composers: Guadeloupe
BIBLIOGRAPHY Art Music by Caribbean Composers: Guadeloupe Christine Gangelhoff Cathleen LeGrand 1 The College of The Bahamas INTRODUCTION origin—it first appeared in Haiti and is now Guadeloupe retains more than its colonial and popular throughout the Caribbean region. cultural roots from France. It has been an "The first generation of compas musicians Overseas Department of that country since drew heavily on Cuban music, adding a 1946. Part of the French Antilles, the island strong conga beat to a horn section and was visited by Christopher Columbus during Haitian rhythms. This version of compas his first Caribbean voyage. Guadeloupe was reached its peak in the 1960s. Modern settled by the French in 1635 and was compas features the electric guitar and bass, populated by African slaves beginning shortly draws heavily from zouk, is played at a higher thereafter. The local music of Guadeloupe tempo, and features extended synthesizer derives mainly from the traditions of its solos, typically over a harmonic structure that original African and European inhabitants alternates between tonic and subdominant ("Guadeloupe," 2005). harmonies" (Durkoff, 2005). Many of the art-musical styles of Guadeloupe The Festival Internationale Saint-Georges, are derived from the ballroom and couple- held annually since 2009, was created to dance traditions of old, reinvented in a creole celebrate the music of Saint-Georges, to tradition: quadrilles, waltzes, biguines and promote artists of colour and to perform mazurkas (Gerstin, 2007-2011). Two of the classical music written by composers of most influential and consumed popular music African descent. Though the main focus of genres are gwoka and compas. -
Directory of Everything Indie Promo, Labels, Marketing and Media Relations
Directory of Everything Indie Promo, Labels, Marketing and Media Relations Music-makers tap into this list to connect with indie labels, marketing experts and inside publicists. Plus there’s loads of contact info to aid in promoting your career: swag & t-shirt manufacturers, CD/vinyl duplicators, blog sites, social media tools and more. *Please request via email to submit API RECORDS Styles/Specialties: indie-rock, pop, INDIE LABELS material P.O. Box 7041 electronic and many more 1-2-3-4 GO! RECORDS Adam Moseley, Allison Wright Clark, Watchung, NJ 07069 Roster: Vampire Weekend, Sonic Youth, 420 40th Street #5 Emily Sonneborn, A&R Email: [email protected] Queens of the Stone Age, the National, Oakland, CA 94609 Web: apirecords.com Warpaint, the xx, Yo La Tengo and the 510-985-0325 A-F RECORDS New Pornographers Email: [email protected] P.O. Box 71266 APPLESEED RECORDINGS Distribution: ADA Web: 1234gorecords.com Pittsburgh, PA 15213 P.O. Box 2593 *not actively accepting demos Email: [email protected] West Chester, PA 19380 Additional location: Web: a-frecords.com 610-701-5755 300 ENTERTAINMENT *Currently accepting demos Email: [email protected] 2035 Hyperion Ave. 112 Madison Ave Web: appleseedmusic.com Los Angeles, CA 90027 New York, NY 10016 ACTIVATE ENTERTAINMENT 213-341-4823 Email: [email protected] 5062 Lankershim Bl. #174 ARCTIC SIREN PRODUCTIONS Web: 300ent.com N. Hollywood CA 91601pr 4105 Turnagain Blvd., Ste. L BIELER BROS. RECORDS Notable Artists: Young Thug, Shy Glizzy, 818-505-0669 Anchorage, AK 99517 4100 N. Powerline Rd., Ste. U-5 Famous Dex, Anna of the North Email: [email protected] 907-245-7311 Pompano Beach, FL Contact: Jay Arthur Email: [email protected] 954-979-4781 4AD RECORDS Genres: Pop, Hip-Hop, R&B/Soul, Rock, Web: arcticsiren.com Email: [email protected] 17-19 Alma Rd. -
Flyer Brochure English Version
Gregory Rabess NEW HITTet SINGLE Kalbas AVAILABLE ON ALL MAJOR DIGITAL PLATFORMS Gregory Rabess - Tet Kalbas Gregory Rabess-Wochla is pleased to release a new single to coincide with Emancipation Celebrations 2021 in Dominica. The single entitled Tèt Kalbas (Calabash Head) speaks to the issue of identity, the crushing and reshaping of cultural and spiritual identity as part of the enslavement of African people here in the Caribbean and elsewhere during the period of plantation slavery and colonial rule; the ‘mental slavery’ which Bob Marley referenced in Redemption Song, a condition perpetuated by the colonial education system and much evident today in terms of the negation of African culture, spirituality and identity, the black skin white mask syndrome so well articulated by Frantz Fanon. This strategy of reshaping identity was also applied to indigenous people, indeed all colonized peoples, as part of European colonial expansionism in the Americas, Africa and Asia. In Dominica’s creole culture tèt kalbas refers to a stupid, empty- headed, brainless person. The song Tèt kalbas recounts the poisoning of the mind carried out by the beke (white man) using the calabash analogy in which the beke removed the brain matter of the enslaved or colonial subjects as may be the case and replaced it kaka kalbas, the pulp of the calabash, a poisonous material. This ‘poisoning’ of the mind spanned various generations during plantation slavery and in the post-Emancipation period and continued in more modern times via colonial education and via western media particularly US television in the era of globalization. Today, many people suffer the effects of that poisoning of the mind. -
MUSIC and IDENTITY POLITICS in TERRE-DE-BAS, GUADELOUPE by Ryan Durkopp B.A. Music, University of Pittsburgh, 2005 Submitted To
MUSIC AND IDENTITY POLITICS IN TERRE-DE-BAS, GUADELOUPE by Ryan Durkopp B.A. Music, University of Pittsburgh, 2005 Submitted to the Graduate Faculty of Music in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Ryan Durkopp It was defended on April 14, 2009 and approved by Dr. Bell Yung, Professor, Music Department Dr. Adriana Helbig, Assistant Professor, Music Department Thesis Director: Dr. Andrew Weintraub, Associate Professor, Music Department ii Copyright © by Ryan Durkopp 2009 iii MUSIC AND IDENTITY POLITICS IN TERRE-DE-BAS, GUADELOUPE Ryan Durkopp M.A. University of Pittsburgh, 2009 This thesis explores the ways that music and language in Guadeloupe subvert ideologies of French nationalism in the negotiation of a multi-layered identity. Guadeloupe is a department of France, yet offers a case study that clearly runs counter to Herderian ideas of isomorphic identities—that French people live in France, speak French, and “have” French culture. The negotiation of a multi-layered identity is in part based on the fact that music (compas, zouk, and gwo-ka) and language (Guadeloupean Creole) are championed as non- French cultural artifacts, carrying symbolic weight that affirmins more localized aspects of cultural and political identity. Matters are complicated as Guadeloupeans assert a pan-Caribbean identity through common language, orthography, musical traditions, and a shared perception of sameness. Despite the wide range of cultural practices of members in the region, Guadeloupeans are able to conceptualize a community based upon cultural indexes such as music consumption and language use.