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Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference. -
Andy Gonzalez Entre Colegas Download Album Bassist Andy González, Who Brought Bounce to Latin Dance and Jazz, Dies at 69
andy gonzalez entre colegas download album Bassist Andy González, Who Brought Bounce To Latin Dance And Jazz, Dies At 69. Andy González, a New York bassist who both explored and bridged the worlds of Latin music and jazz, has died. The 69-year-old musician died in New York on Thursday night, from complications of a pre-existing illness, according to family members. Born and bred in the Bronx, Andy González epitomized the fiercely independent Nuyorican attitude through his music — with one foot in Puerto Rican tradition and the other in the cutting-edge jazz of his native New York. González's career stretched back decades, and included gigs or recordings with a who's-who of Latin dance music, including Tito Puente, Eddie Palmieri and Ray Barretto. He also played with trumpeter and Afro-Cuban jazz pioneer Dizzy Gillespie while in his twenties, as he explored the rich history of Afro-Caribbean music through books and records. In the mid-1970s, he and his brother, the trumpet and conga player Jerry González, hosted jam sessions — in the basement of their parents' home in the Bronx — that explored the folkloric roots of the then-popular salsa movement. The result was an influential album, Concepts In Unity, recorded by the participants of those sessions, who called themselves Grupo Folklórico y Experimental Nuevayorquino. Toward the end of that decade, the González brothers were part of another fiery collective known as The Fort Apache Band, which performed sporadically and went on to release two acclaimed albums in the '80s — and continued to release music through the following decades — emphasizing the complex harmonies of jazz with Afro-Caribbean underpinnings. -
La Flauta De Carlos Jiménez Suena En Las Noches De Manhattan
La flauta de Carlos Jiménez suena en las noches de Manhattan Por: Jairo Grijalba Ruiz. Exclusivo para Herencia Latina Popayán, Colombia 10 de Noviembre del 2011 [email protected] Tocando su inseparable flauta. (Fotografía tomada en el año 2009, cortesía de Carlos Jiménez). Carátula del más reciente disco de Carlos Jiménez y su „Mambo Dulcet Orchestra‟ “Red Tailed Hawk” (CJMartinete Music Co. NYC, Octubre del 2011), con la participación del maestro Edy Martínez, junto al famoso timbalero neoyorquino Orlando Marín (Orlando Marlin en los créditos), y de dos connotados pianistas de origen cubano, Alfredo Valdés Jr. y Sonny Bravo. En la década del sesenta Martínez y Valdés trabajaron como pianistas del conjunto de Arsenio Rodríguez en la ciudad de Nueva York. (Fotografía cortesía del maestro Carlos Jiménez). La discografía de Carlos Jiménez alcanza ya cuatro volúmenes como líder de sus propias agrupaciones: El 25 de Enero del 2005 Jiménez debutó con su primera producción discográfica de Latin Jazz en asocio con el legendario pianista Hilton Ruiz publicando el CD titulado “Arriving” hecho bajo su sello CJMartinete Music Co. Su composición Tunnel Of Flowers fue incluida en una compilación romántica del día de San Valentín titulada “Vivid Chocolates”. El 14 de Octubre del 2006 Jiménez publicó su segundo disco llamado “El Flautista” una producción de Latin Jazz que contó con la participación de su mentor, maestro y amigo Bobby Porcelli. El 1° de Junio del 2008 Carlos dio a conocer un tercer disco llamado “Thoughts” („Pensamientos‟) con 11 composiciones originales y resultados extraordinarios. Esta fue una elogiada producción con grandes invitados como Rubén Rodríguez en el bajo y Vince Cherico en la batería. -
Proquest Dissertations
ISRAEL LOPEZ "CACHAO": The Godfather of Cuban Bass The History and Development of the Bass in Cuban Popular Music WILLIS MICHAEL JARVIS A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO, CANADA MAY 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre r&terence ISBN: 978-0-494-80661-6 Our file Notre r6f4rence ISBN: 978-0-494-80661-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960
Authentic Assertions, Commercial Concessions: Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960 by Christina D. Abreu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in The University of Michigan 2012 Doctoral Committee: Associate Professor Jesse Hoffnung-Garskof Associate Professor Richard Turits Associate Professor Yeidy Rivero Associate Professor Anthony P. Mora © Christina D. Abreu 2012 For my parents. ii Acknowledgments Not a single word of this dissertation would have made it to paper without the support of an incredible community of teachers, mentors, colleagues, and friends at the University of Michigan. I am forever grateful to my dissertation committee: Jesse Hoffnung-Garskof, Richard Turits, Yeidy Rivero, and Anthony Mora. Jesse, your careful and critical reading of my chapters challenged me to think more critically and to write with more precision and clarity. From very early on, you treated me as a peer and have always helped put things – from preliminary exams and research plans to the ups and downs of the job market – in perspective. Your advice and example has made me a better writer and a better historian, and for that I thank you. Richard, your confidence in my work has been a constant source of encouragement. Thank you for helping me to realize that I had something important to say. Yeidy, your willingness to join my dissertation committee before you even arrived on campus says a great deal about your intellectual generosity. ¡Mil Gracias! Anthony, watching you in the classroom and interact with students offered me an opportunity to see a great teacher in action. -
Arvell Shaw & the Louis Armstrong Legacy Band
Free to choose Free to dream Free to remember Free to discover 1994 SEASON Free to choose Free to dream Free to remember Free to discover MIKKI SHEPARD/LEONARD GOINES Authors, MIKKI SHEPARD & LEONARD GOINES except where noted Executive Producers Editor, ruDE-LAURE DENIS Program Booklet Design, LOIS PYANOWSKI 1 994 BETTY CARTER: JAZZ AHEAD "95 SEASON The Majestic Thea ter Sat, April 9 - 8:00pm L ~ AND THE Dear Friend: Su n, Apri l 10- 3:00pm r'\ """) MAJESTIC ATA \J I THEATER FLYIN' WEST J In living life, the choices you make, the dreams you dream and the GLANCE (New York Premiere): The Majestic Theater history you remember all join together to make you who you are. 65 1 is a producer and presenter of Tu es, April 19 - 7:00pm arts, education and humanities Wed-Sat, Apri l 20-23- 8:00pm programs which reflect and cele Sat-Sun , April 23-24 - 3:00pm It is the fusion of those choices, dreams and memories that resonate in brate YOU - and your cultural our minds as we look forward to future seasons and programming that iCELEBRACION! heritages and traditions. Home is Downtown Brooklyn's award-win continues to reflect the different faces of you. WILLIE COLON. RAY BARRETIO & HIS ORCHESTRA ning Majestic Theater. Once one of Opera Hou se the borough's great Legitimate the Saturday, April 30- 8:00pm aters and later a popular movie Come and share in all the excitement at 651 this season - from the house, the Majestic is now one of tumultuous Dance of choreographer Donald Byrd; the humor and insight SOUL SISTERS: Brooklyn's finest centers for the of Pearl Cleage's Theater celebrating black women pioneers in America's MARTHA BOWERS performing arts. -
Tito Rodríguez (January 4, 1923 – February 28, 1973) Was a Popular 1950S and 1960S Puerto Rican Singer and Bandleader
Tito Rodríguez Tito Rodríguez (January 4, 1923 – February 28, 1973) was a popular 1950s and 1960s Puerto Rican singer and bandleader. He is known by many fans as “El Inolvidable” (The Unforgettable One), a moniker based on his most popular interpretation, a song written by Cuban composer Julio Gutiérrez. Rodríguez (birth name: Pablo Rodríguez Lozada ) was born in Santurce, Puerto Rico, to a Puerto Rican father from San Sebastian. He worked in Dominican Republic as land developer. Not as formally posted being Dominican and mother from Holguin Cuba, became interested in music as a child. He was always surrounded by musical toys, such as guitars, pianos and trumpets. His older brother, Johnny Rodríguez was a popular song composer and bandleader, who inspired the younger Rodríguez to become a musician. In 1936, 13-year-old Rodríguez joined the group of Ladislao (El Maestro Ladí) Martínez, “Conjunto de Industrias Nativas”, as a singer and when he was 16 years old he participated in a recording with the renowned Cuarteto Mayarí. In 1940, Rodríguez emigrated to New York City shortly after his parents, José and Severina, died. He went to live with his brother Johnny, who had been living there since 1935. Musical career In New York, Rodríguez found a job as a singer and bongó player for the orchestra of Eric Madriguera. In 1941, he recorded “Amor Guajiro“, “Acércate Más” (Come Closer) and “Se Fue la Comparsa“. In 1942, Rodríguez joined the band of Xavier Cugat, and recorded “Bin, Bam, Bum” and “Ensalada de Congas” (Conga Salad). Rodríguez joined and served in the U.S. -
EDDIE PALMIERI NEA Jazz Master (2013)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. EDDIE PALMIERI NEA Jazz Master (2013) Interviewee: Eddie Palmieri (December 15, 1936 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: July 8, 2012 Depository: Archives Center, National Music of American History Description: Transcript, 50 pp. [BEGINNING OF DISK 1, TRACK 1] Brown: Today is July 8, 2012, and this is the Smithsonian Jazz Oral History Interview with NEA Jazz Master, arranger-pianist-composer-cultural hero-cultural icon, and definitely an inspiration to all musicians everywhere, Eddie Palmieri, in the Omni Berkshire in New York City. Good afternoon, Mr. Palmieri. Palmieri: Good afternoon, Anthony, and good afternoon, Ken. Brown: This interview is being conducted by Anthony Brown and Ken Kimery. And we just want to begin by saying thank you, Mr. Palmieri... Palmieri: Thank YOU, gentlemen. Brown: ...for all the music, all the inspiration, all the joy you have brought to everyone who’s had the opportunity and the privilege of hearing your music, and particularly if they’ve had the chance to dance to it—that especially. Palmieri: [LAUGHS] Brown: I’d like to start from the beginning. If you could start with giving your full birth-name, birth-place, and birth-date. th Palmieri: Well, Edward Palmieri. I was born in 60 East 112 Street in Manhattan, known as For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 the barrio, and at about 5 or 6 years old... That was 1936. -
A South Bronx Latin Music Tale
Singerv(9a).qxd 6/29/04 4:39 PM Page 176 CENTRO Journal Volume7 xv1 Number 1 spring 2004 A South Bronx Latin Music Tale ROBERTA L. SINGER AND ELENA MARTÍNEZ ABSTRACT When the story of Latin popular music (salsa) is told in popular and scholarly writings, the South Bronx is consistently overlooked despite the critical role it played in the development of that music. From the late 1940s through the early 1970s Hunts Point, Longwood, and Mott Haven were thriving Puerto Rican communities where an explosion of musical activity and creativity was taking place. This article examines the confluence of people and places that created an environment for the growth of Latin music in the South Bronx. While highlighting the sites that provided a locus for performers to adapt and reinterpret predominantly Afro-Cuban music forms and styles to express their urban South Bronx reality, the work reveals the symbiotic relationship between music, place and community; issues of identity are an underlying theme but are not the central focus of the work. [Key words: Salsa, Bronx, palce, Latin Music, mambo, New York City] Latin Music & Hip Hop Trail in Harlem & the Bronx. Courtesy of City Lore. Reprinted, by permission, from Roberta Singer and Elena Martínez. [ 177 ] Singerv(9a).qxd 6/29/04 4:39 PM Page 178 Puerto Rican Settlement in the Bronx The history of Puerto Rican migration to New York can be found in numerous sources and need not be repeated here (Dietz 1994; Fitzpatrick 1971; History Task Force 1979; Sánchez Korrol 1983). Most histories tend to focus on the early pioneer settlements in Brooklyn and later in El Barrio, even overlooking the continuing growth of Puerto Rican communities in Brooklyn in the post-WWII period. -
Cocinando Suave: Ensayos De Salsa En Puerto Rico
AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 1 26/02/15 16:45 AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 2 26/02/15 16:45 Cocinando suave: ensayos de salsa en Puerto Rico Compilador: César Colón Montijo Serie Pensamiento Social Caracas, Venezuela 2015 AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 3 26/02/15 16:45 © Compilador: César Colón Montijo © Fundación Editorial El perro y la rana, 2015 Centro Simón Bolívar Torre Norte, piso 21, El Silencio, Caracas - Venezuela / 1010 Teléfonos: 0212-7688300 / 7688399 Correos electrónicos: [email protected] [email protected] Páginas web: www.elperroylarana.gob.ve www.mincultura.gob.ve/mppc/ Diseño de la colección Dileny Jiménez Hernán Rivera Corrección Érika Palomino Diagramación y diseño de portada Hernán Rivera Edición Lenin Brea Foto de portada José Rodríguez Hecho el Depósito de Ley Depósito legal lf4022015641226 ISBN 978-980-14-2950-0 Impreso en la República Bolivariana de Venezuela AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 4 26/02/15 16:45 La Colección Alfredo Maneiro, Política y sociedad, publica obras puntuales, urgentes, necesarias, capaces de desentrañar el significado de los procesos sociales que dictaminan el curso del mundo actual. Venezuela integra ese mundo en formación, de allí la importancia del pensamiento, la investigación, la crítica, la reflexión, y por ende, de las soluciones surgidas del análisis y la comprensión de nuestra realidad. Firmes propósitos animan a esta colección: por una parte, rendir homenaje a la figura de Alfredo Maneiro, uno de los principales protagonistas de los movimientos sociales y políticos que tuvieron lugar en Venezuela durante los duros y conflictivos años sesenta, y por la otra, difundir ediciones de libros en los cuales se abordan temas medulares de nuestro tiempo. -
Jazz Fundamentals Chapter 12 Afro-Cuban Jazz
Jazz Fundamentals Academy for Lifelong Learning Cape Cod Community College Greg Polanik Spring 2015 Chapter 12 Afro-Cuban Jazz Music Links Mozart effect Cachao con Paquito De Rivera https://www.youtube.com/watch?v=nlGUdl5IkEI The Crave Jelly Roll Morton https://www.youtube.com/watch?v=MkGjDbKauVo has Habanera Rhythm, Spanish Tinge Spanish Tinge Lesson 0:50 through 2:40 https://www.youtube.com/watch?v=yamyVmkNS0U clave 2-3 & 3-2 clave https://www.youtube.com/watch?v=lsTfm1xIvPA 6 claves http://www.formedia.ca/rhythms/midi/clvson32.mid percussion instruments http://www.formedia.ca/rhythms/instrum.html bass tumbao https://www.youtube.com/watch?v=IA8vrsGr1-U Afrocuba de Mantanzas https://www.youtube.com/watch?v=s-u_qUI10d4 traditional cuban drumming Que Viva La Rumba https://www.youtube.com/watch?v=0BvrLJoU3AA Aberikula en la Habana https://www.youtube.com/watch?v=ZPid2ZZibqA 1 Jazz Fundamentals Academy for Lifelong Learning Cape Cod Community College Greg Polanik Spring 2015 Son Cubano María Teresa Vera Arrolla Cubano record homework https://www.youtube.com/watch?v=kTKG9-KOJuY (nice photos) Eso No Es Ná record class https://www.youtube.com/watch?v=bK8Iaof0Rag https://www.youtube.com/watch?v=g_A3pY74M_g&list=PLfhxz7F46bfG8lehCmacQe9xRThRWDiAs He Perdido Contigo https://www.youtube.com/watch?v=wVmsNG6Vm4g&list=RDwVmsNG6Vm4g#t=0 Lágrimas Negras https://www.youtube.com/watch?v=FtoxH8FxXL8&index=5&list=RDwVmsNG6Vm4g Trío Matamoros Son De La Loma record homework https://www.youtube.com/watch?v=LfdwBDo2jqA El Que Siembra Su Maiz https://www.youtube.com/watch?v=zV5QRjmfqcI -
Latinos in the Arts
A to Z of Latino Americans Latinos in the Arts Steven Otfinoski ialtfm.indd i 3/23/07 8:14:33 AM Latinos in the Arts Copyright © 2007 by Steven Otfinoski All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Otfinoski, Steven. Latinos in the arts / by Steven Otfinoski. p. cm.—(A to Z of Latino Americans) Includes bibliographical references and index. ISBN 978-0-8160-6394-9 (alk. paper) 1. Hispanic American arts—United States—21st century. 2. Hispanic Americans— United States. I. Title. II. Series. NX512.3.H57083 2007 700.89'68073—dc22 2006016900 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Annie O’Donnell Cover design by Salvatore Luongo Printed in the United States of America VB CGI 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. ialtfm.indd ii 3/23/07 8:14:34 AM Contents ĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎ List of Entries iv Acknowledgments vi Author’s Note