Latinos in the Arts

Total Page:16

File Type:pdf, Size:1020Kb

Latinos in the Arts A to Z of Latino Americans Latinos in the Arts Steven Otfinoski ialtfm.indd i 3/23/07 8:14:33 AM Latinos in the Arts Copyright © 2007 by Steven Otfinoski All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Otfinoski, Steven. Latinos in the arts / by Steven Otfinoski. p. cm.—(A to Z of Latino Americans) Includes bibliographical references and index. ISBN 978-0-8160-6394-9 (alk. paper) 1. Hispanic American arts—United States—21st century. 2. Hispanic Americans— United States. I. Title. II. Series. NX512.3.H57083 2007 700.89'68073—dc22 2006016900 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Annie O’Donnell Cover design by Salvatore Luongo Printed in the United States of America VB CGI 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. ialtfm.indd ii 3/23/07 8:14:34 AM Contents ĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎ List of Entries iv Acknowledgments vi Author’s Note vii Introduction ix A-to-Z Entries 1 Bibliography and Recommended Sources 247 Entries by Area of Activity 249 Entries by Year of Birth 255 Entries by Ethnicity or Country of Origin 257 Index 259 ialtfm.indd iii 3/23/07 8:14:34 AM list of entries ĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎ Aguilera, Christina Cisneros, Evelyn Garza, Carmen Lomas Alcaraz, Lalo Climent, Elena Gil de Montes, Roberto Alfonzo, Carlos Colón, Willie Gomez, Thomas Almaraz, Carlos Cruz, Celia Gómez-Peña, Guillermo Almendros, Néstor Cruz, Penélope Gonzalez, Myrtle Anthony, Marc Cugat, Xavier Gonzalez-Gonzalez, Pedro Aranda, Iris Nelia Dawson, Rosario Gormé, Eydie Archuleta, Felipe del Rio, Dolores Gronk Arnaz, Desi Del Toro, Benicio Guerrero, Lalo Arreguín, Alfredo Del Toro, Guillermo Guevara, Susan Arriola, Gus Diaz, Al Guzmán, Luis Azaceta, Luis Cruz Diaz, Cameron Hayek, Salma Baca, Judy Diaz, David Hayworth, Rita Baez, Joan Elizondo, Hector Hernandez, Ester Banderas, Antonio Emilia, María Hernandez, Juano Barela, Patrociño Esparza, Moctesuma Herron, Willie Barretto, Ray Estefan, Gloria Huerta, Salomón Bernal, Louis Carlos Estevez, Emilio Ichaso, Leon Blades, Rubén Feliciano, José Jimenez, Flaco Bojórquez, Charles Fender, Freddy Jiménez, Luis Bratt, Benjamin Fernández, Rudy Juliá, Raúl Brito, María Fernández, Teresita Jurado, Katy Camnitzer, Luis Ferrer, José Lamas, Fernando Carey, Mariah Ferrer, Mel Lamas, Lorenzo Carr, Vikki Ferrer, Miguel Legorreta, Robert Carrillo, Charles M. Ferrer, Rafael Leguizamo, John Carrillo, Leo Fresquís, Pedro Antonio León, Tania Carter, Lynda Gamboa, Harry, Jr. Limón, José Casas, Mel Garcia, Andy Lopez, Alma Castellanos, Carlos Garcia, Jerry Lopez, George Charo García, Rupert López, George iv ialtfm.indd iv 3/23/07 8:14:35 AM List of Entries v Lopez, Jennifer Page, Anita Schifrin, Lalo Lopez, Lourdes Pelli, César Secada, Jon López, Ramón José Peña, Elizabeth Selena Lopez, Trini Perez, Rosie Serrano, Andres Lucero, Michael Phillips, Lou Diamond Shakira Marin, Cheech Portillo, Lourdes Sheen, Charlie Marisol Prinze, Freddie Sheen, Martin Martin, Ricky Prinze, Freddie, Jr. Sierra, Paul Martínez, Agueda Puente, Tito Smits, Jimmy Martínez-Cañas, María Quesada, Joe Tacla, Jorge Mendieta, Ana Quinn, Anthony Tapia, Luis Mesa-Bains, Amalia Quintero, José Torres, Liz Miranda, Carmen Renaldo, Duncan Torres, R aquel Molina, Alfred Rivera, Chita Treviño, Jesse Montalbán, Ricardo Rodriguez, Adam Treviño, Jesús Salvador Montez, Chris Rodriguez, Johnny Trujillo, Irvin L. Montez, Maria Rodriguez, Michelle Underwood, Consuelo Morales, Esai Rodriguez, Paul Jiménez Morell, Abelardo Rodriguez, Robert Valadez, John Moreno, Antonio Rodríguez, Santiago Valdez, Horacio Moreno, Rita Rodríguez-Díaz, Angel Valdez, Luis Moroles, Jesús Roland, Gilbert Valdez, Patssi Muniz, Vik Roman, Phil Valens, Ritchie Nava, Gregory Romero, César Vargas, Alberto Norton, Barry Romero, Frank Vargas, Kathy Novarro, Ramón Ronstadt, Linda Vater, Regina Ochoa, Victor San Juan, Olga Vélez, Lupe Olmos, Edward James Santamaria, Mongo Welch, Raquel Osorio, Pepón Santana, Carlos Zermeño, Andrew Acknowledgments ĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎ he author would like to especially thank the National Museum of Women in the Arts; Wash- Tfollowing people for their invaluable help and ington, D.C. support in putting together this book: Yolanda I would also like to thank the following artists and Retter Vargas, from the University of California– their representatives for providing photographs and Los Angeles (UCLA) Chicano Studies Research information about themselves: Iris Nelia Aranda; Judy Center Library and Archive; Elizabeth Ferrer, Baca; Carlos Castellanos; Elena Climent; Al Diaz; independent curator and writer; Kathleen Adrian Maria Emilia; Robert French; Harry Gamboa, Jr.; Guill- and Joan Stahl, of the Smithsonian American ermo Gómez-Peña; Robert Legorreta; Alma Lopez; Art Museum (SAAM); Dustin Belyeu, director Jesús Moroles; Victor Ochoa; Lourdes Portillo; of Nedra Matteucci Galleries, Santa Fe, New Frank Romero; Jorge Tacla; Irvin L. Trujillo; Con- Mexico; and Dr. Judy Larson, director of the suelo Jiménez Underwood; and Andrew Zermaño. vi ialtfm.indd vi 3/23/07 8:14:36 AM Author’s Note ĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎ n 2003, the U.S. Census Bureau declared Lati- ies such as New York and Los Angeles, while many Inos to be the nation’s largest minority group, upwardly mobile young Latinos have successfully making up 14 percent of the population. Experts integrated themselves into U.S. society. Many have predicted that by the year 2100, one in three younger Latinos were raised without a speaking U.S. residents will be Latino. knowledge of Spanish. Everywhere you look in the United States Another reason why Latino culture may be today Latinos are exercising their newfound overlooked may be the great diversity it encom- power. Economically, the Latino market is esti- passes. Unlike many minorities in this country, mated at more than $636 billion annually. In Latino Americans do not come from one country or politics, Latino Americans are becoming a pow- region but from 18 different nations and the Com- erful voting block. Mexican-American governor monwealth of Puerto Rico, a part of the United Bill Richardson of New Mexico is a leader in the States. While the great majority of Latino Ameri- National Democratic Party. In 2004, the first cans trace their roots to Mexico, Puerto Rico, or Latino senators in 25 years were elected in Florida Cuba, there are significant numbers of them from and Colorado. In May 2005, Democrat Antonio Central and South America and the Caribbean, Villarigosa was elected mayor of the country’s especially the Dominican Republic. second-largest city, Los Angeles (LA), California. Each of these peoples has its own culture and He is the first Latino mayor of LA in 133 years. traditions, although they all, with a few exceptions, Latino culture, arts, and architecture are a domi- share a common language, Spanish, brought by the nant force in the Southwest, southern Florida, and explorers and missionaries of Spain who first “dis- much of California. covered” and colonized these lands. But it is not Yet, a visit to your local library will reveal only a language that they share. surprisingly few books about Latinos. While the The 178 artists in this book represent both per- section devoted to African-American culture, lit- forming artists (actors, musicians, singers, dancers, erature, and issues is a full one, that for Latino comedians) and visual artists (painters, sculptors, Americans is bare in comparison. How can this be filmmakers, photographers, and other fine artists). for the nation’s largest minority? The selection is not exhaustive and is meant to be There are a number of reasons for this neglect. a cross section of Latino artists, not a definitive For many North Americans, Latinos are the invis- list. That would take a much larger book, if not a ible minority. Socially and culturally, many older series of them. The author has tried to highlight Latinos have largely kept to themselves in large cit- artists who have been pioneers or innovators in vii ialtfm.indd vii 3/23/07 8:14:36 AM viii Latinos in the Arts their field and those who reflect Latino culture and onized their lands in the 16th and 17th centuries. traditions. For many contemporary people, Hispanic smacks While the greatest number of people in this of a colonialism that they would rather forget. book are Mexican, Cuban, or Puerto Rican in Latino does not apply to Spain but rather to the ancestry, Spain is also represented, as is nearly every Latin ancestry of the Spanish language. Of course, South American country and several Central Amer- there are people, including some of the individuals ican nations. At the same time, the author has con- in this book, who reject the term Latino as well. fined himself to artists who were born in the United But, in general, it seems to be the more acceptable States or who settled here permanently after emi- term in today’s world. When speaking specifically grating from a Latin country. Puerto Rican artists of a female artist, the word Latina is used, and who reside in Puerto Rico and not on the mainland Latino is used for a male artist. have not been included. Several Brazilian-born art- Finally, there is Chicano. The word is more ists have been included even though Brazil, settled than a short form of Mexican American. It is also by the Portuguese, is not a Spanish-speaking Latino a political and historic term that became popu- country.
Recommended publications
  • The Literary Lady by Ernest J. Abeytia a Creative Project
    Case 99: The Literary Lady by Ernest J. Abeytia A creative project submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in English Committee Members: Prof. Stefan Kiesbye Dr. Scott Miller 04 May 2018 i Copyright 2018 By Ernest J. Abeytia ii Authorization for Reproduction of Master's Project Permission to reproduce this project in part or in entirety must be obtained from me. 04 May 2018 Ernest J. Abeytia iii Case 99: The Literary Lady By Ernest J. Abeytia ABSTRACT This is a crime fiction novel. It is a confluence of the styles, settings, plot lines, and character development of such luminaries of detective storytelling as Raymond Chandler, Sir Arthur Conan Doyle, and Elmore Leonard, but it is not a hard copy or “cover” of anything they wrote. Bob Derby is a homicide detective in the Gardena, California police department. Gardena is one of 88 cities or towns in the County of Los Angeles. He has made an arrest in, or “cleared,” 98 of 101 homicide cases as the story begins, but he has never actually solved any of them. Somebody else always beats him to it and he then applies the police procedure that closes the case. The murder of Emma Williams is to be no different. iv Table of Contents Critical Introduction ........................................................................................................ vi Bibliography ................................................................................................................... xix Case 99: The Literary Lady ................................................................................................1 v Case 99: The Literary Lady By Ernest J. Abeytia A Critical Introduction The most famous detective in history is a fictional character. When Sir Arthur Conan Doyle sent Sherlock Holmes off a cliff overlooking the Reichenbach Falls in “The Final Problem” (1893), more than 20,000 readers cancelled their subscriptions to The Strand magazine, nearly putting the publication under.
    [Show full text]
  • Gobernadora Solicita Más Policías Federales ABREN LA ELECCIÓN DE Claudia Pavlovich COMISARIOS EN CAJEME Señala Que La Can- PÁG
    PÁG. 24 MARTES 09 de octubre de 2018 facebook: medios obson Cd. Obregón, Son., Méx. GENERAL PÁG. 22 PÁG. 23 A REPARTIDOR LE DAN UN LLUVIA DE BALAS AFUERA DE TIRO AL RESISTIR ASALTO SUPERMERCADO: 2 HERIDOS AÑO 3 NO. 850 MARTES 09 OCTUBRE 2018 CD. OBREGÓN, SON., MÉX. COSTO: $5.00 PARA LUCHA CONTRA EL CRIMEN ORGANIZADO PÁG. 04 Gobernadora solicita más policías federales ABREN LA ELECCIÓN DE Claudia Pavlovich COMISARIOS EN CAJEME señala que la can- PÁG. 11 tidad de oficiales federales que hay en el estado no co- rresponde al tipo de delincuencia que se enfrenta, principal- ‘SERGIO’ ACTIVA LA ALERTA mente en Guaymas, AZUL PARA TODO SONORA Hermosillo, Ciudad PÁG. 17 Obregón y Yécora PÁG. 3 NOTA DEL DÍA MÉXICO ASEGURA EL PRIMER ORO EN JUEGOS OLÍMPICOS PÁG. 19 CELINA LEAL LISTA PARA SUS NUPCIAS CON JAVIER SITTEN FRANCISCO ARENAS MIGUEL ÁNGEL VEGA C. MOISÉS CANO medios obson @mediosobson www.mediosobson.com BALDEMAR HERRERA MANUEL GRIJALVA MARTÍN ALBERTO MENDOZA PÁG. 02 MARTES 09 de octubre de 2018 facebook: medios obson twitter: @mediosobson Cd. Obregón, Son., Méx. OPINIÓN DIRECTORIO DÍA TRAS DÍA EL PERIÓDICO CONSEJO DE ADMINISTRACIÓN ARRANCA EL CENSO ORDENADO POR LÓPEZ los ganadores. Dos días más tarde tomarán posesión de sus Jorge M. Armenta Ávalos OBRADOR PARA UBICAR A LOS FUTUROS cargos y al menos en dos Comisarías se prevé que los triunfa- BENEFICIARIOS DE SU RÉGIMEN dores sean triunfadoras, esto es, que sean mujeres, a las que se rrancó ayer el censo anunciado ha visto muy participativas. DIRECTOR EJECUTIVO tiempo atrás por el hoy presidente
    [Show full text]
  • Film Noir Timeline Compiled from Data from the Internet Movie Database—412 Films
    Film Noir Timeline Compiled from data from The Internet Movie Database—412 films. 1927 Underworld 1944 Double Indemnity 1928 Racket, The 1944 Guest in the House 1929 Thunderbolt 1945 Leave Her to Heaven 1931 City Streets 1945 Scarlet Street 1932 Beast of the City, The 1945 Spellbound 1932 I Am a Fugitive from a Chain Gang 1945 Strange Affair of Uncle Harry, The 1934 Midnight 1945 Strange Illusion 1935 Scoundrel, The 1945 Lost Weekend, The 1935 Bordertown 1945 Woman in the Window, The 1935 Glass Key, The 1945 Mildred Pierce 1936 Fury 1945 My Name Is Julia Ross 1937 You Only Live Once 1945 Lady on a Train 1940 Letter, The 1945 Woman in the Window, The 1940 Stranger on the Third Floor 1945 Conflict 1940 City for Conquest 1945 Cornered 1940 City of Chance 1945 Danger Signal 1940 Girl in 313 1945 Detour 1941 Shanghai Gesture, The 1945 Bewitched 1941 Suspicion 1945 Escape in the Fog 1941 Maltese Falcon, The 1945 Fallen Angel 1941 Out of the Fog 1945 Apology for Murder 1941 High Sierra 1945 House on 92nd Street, The 1941 Among the Living 1945 Johnny Angel 1941 I Wake Up Screaming 1946 Shadow of a Woman 1942 Sealed Lips 1946 Shock 1942 Street of Chance 1946 So Dark the Night 1942 This Gun for Hire 1946 Somewhere in the Night 1942 Fingers at the Window 1946 Locket, The 1942 Glass Key, The 1946 Strange Love of Martha Ivers, The 1942 Grand Central Murder 1946 Strange Triangle 1942 Johnny Eager 1946 Stranger, The 1942 Journey Into Fear 1946 Suspense 1943 Shadow of a Doubt 1946 Tomorrow Is Forever 1943 Fallen Sparrow, The 1946 Undercurrent 1944 When
    [Show full text]
  • MASCULINITY AS SPECTACLE REFLECTIONS on MEN and MAINSTREAM CINEMA by STEVE NEALE Downloaded From
    MASCULINITY AS SPECTACLE REFLECTIONS ON MEN AND MAINSTREAM CINEMA BY STEVE NEALE Downloaded from http://screen.oxfordjournals.org/ OVER THE PAST ten years or so, numerous books and articles 1 Laura Mulvey, have appeared discussing the images of women produced and circulated 'Visual Pleasure by the cinematic institution. Motivated politically by the development and Narrative Cinema', Screen of the Women's Movement, and concerned therefore with the political Autumn 1975, vol and ideological implications of the representations of women offered by at Illinois University on July 18, 2014 16 no 3, pp 6-18. the cinema, a number of these books and articles have taken as their basis Laura Mulvey's 'Visual Pleasure and Narrative Cinema', first published in Screen in 1975'. Mulvey's article was highly influential in its linking together of psychoanalytic perspectives on the cinema with a feminist perspective on the ways in which images of women figure within main- stream film. She sought to demonstrate the extent to which the psychic mechanisms cinema has basically involved are profoundly patriarchal, and the extent to which the images of women mainstream film has produced lie at the heart of those mechanisms. Inasmuch as there has been discussion of gender, sexuality, represen- tation and the cinema over the past decade then, that discussion has tended overwhelmingly to centre on the representation of women, and to derive many of its basic tenets from Mulvey^'s article. Only within the Gay Movement have there appeared specific discussions of the represen- tation of men. Most of these, as far as I am aware, have centred on the representations and stereotypes of gay men.
    [Show full text]
  • Catalogo De Canciones 27/05/2021 21:55:57
    CATALOGO DE CANCIONES 27/05/2021 21:55:57 IDIOMA: Español CODIGO INTERPRETE TITULO ES20456 A.B. QUINTANILLA AMOR PROHIBIDO ES20467 A.B. QUINTANILLA COMO LA FLOR ES9591 ABBA CHIQUITITA (ESPAÑOL) ES10381 ABBA FERNANDO(ESPAÑOL) ES10829 ABBA GRACIAS A LA MUSICA ES10444 ABBA MAMMA MIA (EN ESPAÑOL) ES10486 ABBA MIX ABBA MUSICAL ES2395 ABBA SAN FERNANDO ES11093 ABEL PINOS TANTO AMOR ES11747 ABEL PINTOS & MALU ONCEMIL ES7028 ABIGAIL DESDE EL ACANTILADO ES10394 ABIGAIL GITANO ES3512 ABIGAIL ORO Y PLATA ES10373 ABRAHAM MATEO ESTA NAVIDAD ES LA MAS BELLA ES10554 ABRAHAM MATEO SEÑORITA ES11298 ABRAHAM MATEO WHEN YOU LOVE SOMEBODY ES11735 ABRAHAM MATEO & AUSTIN HABLAME BAJITO MAHONE & 50 CENT ES11806 ABRAHAM MATEO & JENNIFER SE ACABO EL AMOR LOPEZ ES11645 ABRAHAM MATEO FT FARRUKO, LOCO ENAMORADO CHRISTIAN DANIEL ES2874 ACUSTICA AMOR PROHIBIDO ES8201 ADAMO A LO GRANDE ES5109 ADAMO ALINE ES8210 ADAMO CAE LA NIEVE ES8301 ADAMO CANTARE ES1214 ADAMO COMO LAS ROSAS ES1220 ADAMO DULCE PAOLA ES3926 ADAMO ELLA ES8952 ADAMO ELLA ANDA ES1752 ADAMO EN BANDOLERA ES8321 ADAMO ERA UNA LINDA FLOR ES6519 ADAMO ES MI VIDA ES9316 ADAMO INCH ALLAH ES8092 ADAMO LA NOCHE ES2039 ADAMO MI GRAN NOCHE ES7914 ADAMO MI ROOL ES1508 ADAMO MIS MANOS EN TU CINTURA ES2237 ADAMO MUY JUNTOS ES2481 ADAMO PORQUE YO QUIERO ES4366 ADAMO QUE EL TIEMPO SE DETENGA Page 1 CODIGO INTERPRETE TITULO ES9884 ADAMO QUIERO ES1783 ADAMO TU NOMBRE ES5995 ADAMO UN MECHON DE SU CABELLO ES5196 ADAMO UNA LAGRIMA EN LAS NUBES ES8373 ADAMO YO TE OFREZCO ES21118 ADOLESCENTE ORQUESTA EN AQUEL LUGAR ES21175
    [Show full text]
  • 100 Years: a Century of Song 1970S
    100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My
    [Show full text]
  • January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)
    January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949).
    [Show full text]
  • TV/Series Lost: (Re)Garder L'île
    TV/Series Lost: (re)garder l’île Guillaume Dulong To cite this version: Guillaume Dulong. TV/Series Lost: (re)garder l’île. TV/Series, GRIC - Groupe de recherche Identités et Cultures, 2016, 10.4000/tvseries.4371. hal-02901641 HAL Id: hal-02901641 https: //hal-u-bordeaux-montaigne.archives-ouvertes.fr/hal-02901641 Submitted on 17 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. TV/Series Hors séries 1 | 2016 Lost: (re)garder l'île The Leftovers, the Lost fever Double frénésie en séries pour Damon Lindelof Guillaume Dulong Édition électronique URL : http://journals.openedition.org/tvseries/4371 DOI : 10.4000/tvseries.4371 ISSN : 2266-0909 Éditeur GRIC - Groupe de recherche Identités et Cultures Référence électronique Guillaume Dulong, « The Leftovers, the Lost fever », TV/Series [En ligne], Hors séries 1 | 2016, mis en ligne le 30 juin 2020, consulté le 02 juillet 2020. URL : http://journals.openedition.org/tvseries/4371 ; DOI : https://doi.org/10.4000/tvseries.4371 Ce document a été généré automatiquement le 2 juillet 2020. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.
    [Show full text]
  • CAPÍTULO 1 MARCO REFERENCIAL 1.1 Antecedentes De La Telenovela
    CAPÍTULO 1 MARCO REFERENCIAL “‘Gutierritos’ despertó el interés masivo y también la interrogante: ¿acaso las telenovelas sólo sirven para provocar el llanto del auditorio” Mauricio Peña. 1.1 Antecedentes de la Telenovela Molina y Carvajal (1999:2), en su artículo “Trayectoria de la telenovela Latinoamericana” nos señalan que el género telenovela tuvo sus antecedentes en 1790 en Francia e Inglaterra con las representaciones populares, tomadas de las formas y modos de los espectáculos de ferias, donde el tema a escenificar dependía de la literatura oral de la región, en los que destacan cuentos de miedo, misterio y relatos de terror. A mediados del siglo XIX, nació un nuevo medio de comunicación dirigido a las masas, el folletín, el cual, sirve de modelo para la realización de telenovelas. Villanueva, M., en su artículo “El melodrama, la telenovela en América y su nacimiento en México” (2000:1), apunta que: “este género literario de origen francés, se inició con la publicación en el diario Le siècle de la traducción —como pliego suelto— de El lazarillo de Tormes. Los principales exponentes de esta forma narrativa fueron, entre otros, Eugene Sue, Dumas (padre), Dickens y Balzac. Las historias rebosaban intriga, romance y suspenso, lo que atrapaba el interés de los lectores, que las seguían diariamente para conocer el final” Lataban (1995:8) en su Tesis Consumo de telenovelas por estudiantes de universidades privadas señala que dentro de sus fases, encontramos la función ideológica, la cual presentaba una novela donde “triunfaban el sentido común, los buenos pensamientos, el orden y la moral”, dejando atrás la constante vigilancia de la sociedad y convirtiéndose en una fantasía de ésta.
    [Show full text]
  • Tiene Guardia Nacional Nuevo Cuartel En Zapopan
    Llega a la tv abierta un programa Enrique Guzmán ofrecerá un concierto en línea en de gran calidad y talento musical: vivo y en directo desde el “Noches en vela” con Aranza >14 Centro Cultural Teatro I >* $5$5 PESOS Viernes 17 de julio de 2020 DIARIOIMAGEN AñoAño XIIIX No. 3912 México [email protected] / [email protected] El dato La Universidad De las instituciones mejor valoradas por la ciudadanía Autónoma del Estado de México lleva a Tiene Guardia Nacional nuevo cabo la remodelación del Laboratorio de Calidad del Agua del Instituto Interamericano de Tecnología cuartel en Zapopan; Jalisco y Ciencias del Agua (IITCA), anunció el rector Alfredo Barrera Baca. La inversión con delitos a la baja: Durazo es cercana a los 12 millones de pesos >2 La nueva corporación representa al proyecto de seguridad de TH`VY[YHZJLUKLUJPHLUSVZ[PLTWVZTVKLYUVZKL4t_PJVHÄYTH HOY ESCRIBEN Por José Luis Montañez dencia en los tiempos moder- administrativa, presupuestal y Ramón Zurita Sahagún >4 nos de nuestro país. Recordó operativa”, lo cual reconoció, Durante la inauguración del que el pasado 30 de junio se no ha sido nada fácil, pues han Armando Ríos Ruiz >4 presidente de México, Andrés celebró el primer aniversario tenido que constituir unani- Manuel López Obrador a unas de la Guardia Nacional “Ya midad en la aprobación de Roberto Vizcaíno >5 instalaciones de la Guardia es un año de la vida operati- la creación de la institución. Víctor Sánchez Baños >6 Nacional en Zapopan, Jalisco; va de esta institución y han Teniendo como parámetro que el secretario de Seguridad y sido 12 intensos y fructíferos a las corporaciones similares Eleazar Flores >6 Protección Ciudadana Alfonso meses, gracias a ello, hoy la que existen en otros países, Durazo, dijo que la institución Guardia Nacional goza ya su consolidación les EL PRESIDENTE ANDRÉS MANUEL Francisco Rodríguez >11 representa al proyecto de de existencia constitucional ha llevado décadas, López Obrador inauguró instalaciones de Sócrates A.
    [Show full text]
  • John Valadez Interviewed by Karen Mary Davalos on November 19 and 21, and December 3, 7, and 12, 2007
    CSRC ORAL HISTORIES SERIES NO. 10, DECEMBER 2013 JOHN VALADEZ INTERVIEWED BY KAREN MARY DAVALOS ON NOVEMBER 19 AND 21, AND DECEMBER 3, 7, AND 12, 2007 John Valadez is a painter and muralist. A graduate of East Los Angeles College and California State University, Long Beach, he is the recipient of many grants, commissions, and awards, including those from the Joan Mitchell Foundation, the California Arts Commission, and the Fondation d’Art de la Napoule, France. His work has appeared in exhibitions nationwide and is in the permanent collection of major museums; among them are National Museum of American Art at the Smithsonian, Bass Museum of Art in Miami Beach, Museum of Contemporary Art San Diego, Mexican Museum in Chicago, and Los Angeles County Museum of Art. Valadez lives and works in Los Angeles. Karen Mary Davalos is chair and professor of Chicana/o studies at Loyola Marymount University in Los Angeles. Her research interests encompass representational practices, including art exhibition and collection; vernacular performance; spirituality; feminist scholarship and epistemologies; and oral history. Among her publications are Yolanda M. López (UCLA Chicano Studies Research Center Press, 2008); “The Mexican Museum of San Francisco: A Brief History with an Interpretive Analysis,” in The Mexican Museum of San Francisco Papers, 1971–2006 (UCLA Chicano Studies Research Center Press, 2010); and Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora (University of New Mexico Press, 2001). This interview was conducted as part of the L.A. Xicano project. Preferred citation: John Valadez, interview with Karen Mary Davalos, November 19 and 21, and December 3, 7, and 12, 2007, Los Angeles, California.
    [Show full text]
  • Following Hit Trail
    August 4, 1962 50 Cents B1ILLE31:1A11:11111 IN/R..11910 WEEK Music -Phonograph Merchandising Radio -Tv Programming Coin Machine Operating Teen -Angle Albums MUSICBILLBOARD WEEK PAGE ONE RECORDS PAGE ONE RECORD Following Hit Trail SINGLES ALBUMS Blazed by Singles The slight pickup in LP sales which started in mid -July continued last week, sparked mainly by hit LP's with pop * NATIONAL BREAKOUTS * NATIONAL BREAKOUTS artists and a number of movie sound tracks. Though this was true in most markets there were a number of areas where LP SHE'S NOT YOU, ElvisPresley, RCA Victor MONO sales were still sluggish. Where LP business ranged from good 8041 to strong it was the fast sales pace of the hit items, especially ROSES ARE RED, Bobby Vinton, Epic LN 24020 the newer LP's, that created most of thetraffic.Hit LP's appear to be jumping to the top of charts at a much faster rate than they used to, and grabbing sales immediate?), upon STEREO release instead of after a month or two on the market. More and more the LP business, according to dealers,is following * REGIONAL BREAKOUTS No Breakouts This Week. the hit trend of the singles record market, perhaps because so These new records, not yet on BMW's Hot 100, have many of the new albums are teen -oriented. been reported getting strong sales action by dealers Meanwhile, singles business continued to flow its happy in major market(s)listedinparenthesis. way, with dealers and rackers reporting that this summer's 45 * NEW ACTION LP'S sales are the best in the last three summers.
    [Show full text]