Andy Gonzalez Entre Colegas Download Album Bassist Andy González, Who Brought Bounce to Latin Dance and Jazz, Dies at 69

Total Page:16

File Type:pdf, Size:1020Kb

Andy Gonzalez Entre Colegas Download Album Bassist Andy González, Who Brought Bounce to Latin Dance and Jazz, Dies at 69 andy gonzalez entre colegas download album Bassist Andy González, Who Brought Bounce To Latin Dance And Jazz, Dies At 69. Andy González, a New York bassist who both explored and bridged the worlds of Latin music and jazz, has died. The 69-year-old musician died in New York on Thursday night, from complications of a pre-existing illness, according to family members. Born and bred in the Bronx, Andy González epitomized the fiercely independent Nuyorican attitude through his music — with one foot in Puerto Rican tradition and the other in the cutting-edge jazz of his native New York. González's career stretched back decades, and included gigs or recordings with a who's-who of Latin dance music, including Tito Puente, Eddie Palmieri and Ray Barretto. He also played with trumpeter and Afro-Cuban jazz pioneer Dizzy Gillespie while in his twenties, as he explored the rich history of Afro-Caribbean music through books and records. In the mid-1970s, he and his brother, the trumpet and conga player Jerry González, hosted jam sessions — in the basement of their parents' home in the Bronx — that explored the folkloric roots of the then-popular salsa movement. The result was an influential album, Concepts In Unity, recorded by the participants of those sessions, who called themselves Grupo Folklórico y Experimental Nuevayorquino. Toward the end of that decade, the González brothers were part of another fiery collective known as The Fort Apache Band, which performed sporadically and went on to release two acclaimed albums in the '80s — and continued to release music through the following decades — emphasizing the complex harmonies of jazz with Afro-Caribbean underpinnings. Throughout, Andy was also putting in time with his and Manny Oquendo's popular dance band, Libre. A prolific side man, Andy González released his only solo album, Entre Colegas , in 2016, earning a Grammy nomination for Best Latin Jazz Album. Entre Colegas. Hmm, it looks like we don’t know much about this album. Can you help us out? Add artwork Start the wiki Tag this album. Do you have the artwork for this album? Add artwork. Do you know any background info about this album? Start the wiki. Do you know what kind of music this is? Tag this album. Similar Albums. Radio Mundo. Loading. Moliendo Café. Loading. Que Siga La Rumba. Loading. Lluvia Fue. Loading. Enclave. Loading. Coolantro. Loading. Descarga en California. Loading. Sangria. Loading. Wonderful Discovery. Loading. Como Siempre. Loading. Mujer Hermosa (feat. Juliana montoya) - Single. Loading. Take It Or Leave It - Single. Loading. Radio Mundo. Loading. Moliendo Café. Loading. Que Siga La Rumba. Loading. Lluvia Fue. Loading. Enclave. Loading. Coolantro. Loading. Descarga en California. Loading. Sangria. Loading. Wonderful Discovery. Loading. Como Siempre. Loading. Mujer Hermosa (feat. Juliana montoya) - Single. Loading. Take It Or Leave It - Single. Loading. Scrobble Stats ? What is scrobbling? Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile. Recent Listening Trend. Day Listeners Tuesday 5 January 2021 0 Wednesday 6 January 2021 0 Thursday 7 January 2021 1 Friday 8 January 2021 0 Saturday 9 January 2021 1 Sunday 10 January 2021 1 Monday 11 January 2021 0 Tuesday 12 January 2021 1 Wednesday 13 January 2021 0 Thursday 14 January 2021 0 Friday 15 January 2021 1 Saturday 16 January 2021 0 Sunday 17 January 2021 0 Monday 18 January 2021 0 Tuesday 19 January 2021 0 Wednesday 20 January 2021 1 Thursday 21 January 2021 0 Friday 22 January 2021 0 Saturday 23 January 2021 0 Sunday 24 January 2021 0 Monday 25 January 2021 0 Tuesday 26 January 2021 0 Wednesday 27 January 2021 0 Thursday 28 January 2021 0 Friday 29 January 2021 0 Saturday 30 January 2021 0 Sunday 31 January 2021 0 Monday 1 February 2021 0 Tuesday 2 February 2021 0 Wednesday 3 February 2021 0 Thursday 4 February 2021 1 Friday 5 February 2021 0 Saturday 6 February 2021 0 Sunday 7 February 2021 0 Monday 8 February 2021 0 Tuesday 9 February 2021 0 Wednesday 10 February 2021 0 Thursday 11 February 2021 0 Friday 12 February 2021 0 Saturday 13 February 2021 0 Sunday 14 February 2021 1 Monday 15 February 2021 0 Tuesday 16 February 2021 0 Wednesday 17 February 2021 0 Thursday 18 February 2021 0 Friday 19 February 2021 0 Saturday 20 February 2021 0 Sunday 21 February 2021 0 Monday 22 February 2021 1 Tuesday 23 February 2021 0 Wednesday 24 February 2021 0 Thursday 25 February 2021 0 Friday 26 February 2021 0 Saturday 27 February 2021 0 Sunday 28 February 2021 0 Monday 1 March 2021 0 Tuesday 2 March 2021 0 Wednesday 3 March 2021 0 Thursday 4 March 2021 0 Friday 5 March 2021 0 Saturday 6 March 2021 0 Sunday 7 March 2021 0 Monday 8 March 2021 0 Tuesday 9 March 2021 0 Wednesday 10 March 2021 0 Thursday 11 March 2021 0 Friday 12 March 2021 0 Saturday 13 March 2021 1 Sunday 14 March 2021 0 Monday 15 March 2021 0 Tuesday 16 March 2021 1 Wednesday 17 March 2021 0 Thursday 18 March 2021 0 Friday 19 March 2021 0 Saturday 20 March 2021 0 Sunday 21 March 2021 0 Monday 22 March 2021 0 Tuesday 23 March 2021 0 Wednesday 24 March 2021 0 Thursday 25 March 2021 0 Friday 26 March 2021 0 Saturday 27 March 2021 0 Sunday 28 March 2021 0 Monday 29 March 2021 0 Tuesday 30 March 2021 0 Wednesday 31 March 2021 1 Thursday 1 April 2021 0 Friday 2 April 2021 0 Saturday 3 April 2021 0 Sunday 4 April 2021 0 Monday 5 April 2021 0 Tuesday 6 April 2021 0 Wednesday 7 April 2021 0 Thursday 8 April 2021 0 Friday 9 April 2021 0 Saturday 10 April 2021 0 Sunday 11 April 2021 0 Monday 12 April 2021 0 Tuesday 13 April 2021 0 Wednesday 14 April 2021 0 Thursday 15 April 2021 0 Friday 16 April 2021 0 Saturday 17 April 2021 0 Sunday 18 April 2021 0 Monday 19 April 2021 0 Tuesday 20 April 2021 0 Wednesday 21 April 2021 0 Thursday 22 April 2021 0 Friday 23 April 2021 0 Saturday 24 April 2021 0 Sunday 25 April 2021 0 Monday 26 April 2021 0 Tuesday 27 April 2021 1 Wednesday 28 April 2021 0 Thursday 29 April 2021 0 Friday 30 April 2021 0 Saturday 1 May 2021 0 Sunday 2 May 2021 1 Monday 3 May 2021 0 Tuesday 4 May 2021 0 Wednesday 5 May 2021 0 Thursday 6 May 2021 0 Friday 7 May 2021 0 Saturday 8 May 2021 0 Sunday 9 May 2021 0 Monday 10 May 2021 1 Tuesday 11 May 2021 0 Wednesday 12 May 2021 1 Thursday 13 May 2021 0 Friday 14 May 2021 1 Saturday 15 May 2021 0 Sunday 16 May 2021 0 Monday 17 May 2021 0 Tuesday 18 May 2021 0 Wednesday 19 May 2021 0 Thursday 20 May 2021 0 Friday 21 May 2021 0 Saturday 22 May 2021 0 Sunday 23 May 2021 1 Monday 24 May 2021 0 Tuesday 25 May 2021 0 Wednesday 26 May 2021 0 Thursday 27 May 2021 1 Friday 28 May 2021 0 Saturday 29 May 2021 0 Sunday 30 May 2021 0 Monday 31 May 2021 0 Tuesday 1 June 2021 0 Wednesday 2 June 2021 0 Thursday 3 June 2021 0 Friday 4 June 2021 0 Saturday 5 June 2021 0 Sunday 6 June 2021 0 Monday 7 June 2021 0 Tuesday 8 June 2021 0 Wednesday 9 June 2021 1 Thursday 10 June 2021 0 Friday 11 June 2021 0 Saturday 12 June 2021 0 Sunday 13 June 2021 0 Monday 14 June 2021 0 Tuesday 15 June 2021 0 Wednesday 16 June 2021 0 Thursday 17 June 2021 1 Friday 18 June 2021 0 Saturday 19 June 2021 1 Sunday 20 June 2021 0 Monday 21 June 2021 0 Tuesday 22 June 2021 1 Wednesday 23 June 2021 1 Thursday 24 June 2021 0 Friday 25 June 2021 0 Saturday 26 June 2021 0 Sunday 27 June 2021 0 Monday 28 June 2021 0 Tuesday 29 June 2021 1 Wednesday 30 June 2021 0 Thursday 1 July 2021 0 Friday 2 July 2021 0 Saturday 3 July 2021 0 Sunday 4 July 2021 1. External Links. Don't want to see ads? Upgrade Now. Shoutbox. Javascript is required to view shouts on this page. Go directly to shout page. Andy gonzalez entre colegas download album. Dizzy's Club Broadway and 60th Street 5th Floor. 7:30 & 9:30pm nightly. Late Night Session Tues-Sat. Doors Open at 11:15pm. *unless otherwise noted. Reserve by phone 212-258-9595 In person after 6pm. daily at the club. Price Info. In the Spirit of Swing. The mission of Jazz at Lincoln Center is to entertain, enrich and expand a global community for Jazz through performance, education and advocacy. © 2021JAZZ AT LINCOLN CENTER JAZZ AT LINCOLN CENTER IS A 501(C)(3) ORGANIZATION. Andy Gonzalez – Entre Colegas. Nunca es tarde, se dice por ahí. Afortunadamente este dicho aplica, en esta ocasión, para el bajista Andy Gonzalez . Entre Colegas viene a ser su primer disco como solista, el cual aparece para Truth Revolutions Records, el sello de propiedad de los hermanos Curtis, Zaccai y Luques. Entre Colega s, como su nombre lo indica, es una comunión -casi- familiar con los cuales Andy ha trabajado a lo largo de su extensa carrera artística que se extiende casi 50 años, y que cuenta con aproximadamente 800 grabaciones, en donde ha tenido la oportunidad de estar como co- líder, productor, director musical o sideman .
Recommended publications
  • Hybridity and Identity in the Pan-American Jazz Piano Tradition
    Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory.
    [Show full text]
  • MIC Buzz Magazine Article 10402 Reference Table1 Cuba Watch 040517 Cuban Music Is Caribbean Music Not Latin Music 15.Numbers
    Reference Information Table 1 (Updated 5th June 2017) For: Article 10402 | Cuba Watch NB: All content and featured images copyrights 04/05/2017 reserved to MIC Buzz Limited content and image providers and also content and image owners. Title: Cuban Music Is Caribbean Music, Not Latin Music. Item Subject Date and Timeline Name and Topic Nationality Document / information Website references / Origins 1 Danzon Mambo Creator 1938 -- One of his Orestes Lopez Cuban Born n Havana on December 29, 1911 Artist Biography by Max Salazar compositions, was It is known the world over in that it was Orestes Lopez, Arcano's celloist and (Celloist and pianist) broadcast by Arcaño pianist who invented the Danzon Mambo in 1938. Orestes's brother, bassist http://www.allmusic.com/artist/antonio-arcaño- in 1938, was a Israel "Cachao" Lopez, wrote the arrangements which enables Arcano Y Sus mn0001534741/biography Maravillas to enjoy world-wide recognition. Arcano and Cachao are alive. rhythmic danzón Orestes died December 1991 in Havana. And also: entitled ‘Mambo’ In 29 August 1908, Havana, Cuba. As a child López studied several instruments, including piano and cello, and he was briefly with a local symphony orchestra. His Artist Biography by allmusic.com brother, Israel ‘Cachao’ López, also became a musician and influential composer. From the late 20s onwards, López played with charanga bands such as that led by http://www.allmusic.com/artist/orestes-lopez- Miguel Vásquez and he also led and co-led bands. In 1937 he joined Antonio mn0000485432 Arcaño’s band, Sus Maravillas. Playing piano, cello and bass, López also wrote many arrangements in addition to composing some original music.
    [Show full text]
  • Eddie Palmieri
    About the Artists Paul Crewes Rachel Fine EDDIE PALMIERI Born on LUQUES CURTIS Winner of CAMILO ERNESTO Artistic Director Managing Director December 15, 1936, NEA Jazz the 2016 Downbeat Critics MOLINA GAETÁN began Master and 10-time Grammy Choice “Rising Star” Award, studying music at the age of two PRESENTS Award winner Eddie Palmieri is bass player Luques Curtis was with the children’s workshop of hailed as one of the finest born in Hartford and began Los Pleneros de la 21, a pianists of the past 60 years and studying the piano and community-based group celebrated as a bandleader, percussion. He later switched to dedicated to playing folkloric arranger and composer of salsa and Latin jazz. His bass, and while in high school he studied the Afro- Puerto Rican music, where he is now a teacher. At the professional career as a pianist took off with various Caribbean genre with bass greats Andy González age of ten he was named third-prize winner of the bands in the early 1950s, including those of Eddie and Joe Santiago. He earned a full scholarship to Thelonious Monk International Afro- Latin Hand Forrester, Johnny Segui and Tito Rodriguez. In 1961, attend Berklee College of Music in Boston, and he Drum Competition, and he went on to graduate from EDDIE PALMIERI Mr. Palmieri formed his own band, La Perfecta, has since played and/ or toured with Gary Burton, The Juilliard School under the MAP/PATH programs. which featured an unconventional front line of Ralph Peterson and Donald Harrison. Mr. Curtis can Mr.
    [Show full text]
  • Improvisation in Latin Dance Music: History and Style
    City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 1998 Improvisation in Latin Dance Music: History and style Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/318 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] CHAPTER Srx Improvisation in Latin Dance Music: History and Style PETER MANUEL Latin dance music constitutes one of the most dynamic and sophisticated urban popular music traditions in the Americas. Improvisation plays an important role in this set of genres, and its styles are sufficiently distinctive, complex, and internally significant as to merit book-length treatment along the lines of Paul Berliner's volume Thinking in Jazz (1994 ). To date, however, the subject of Latin improvisation has received only marginal and cursory analytical treat­ ment, primarily in recent pedagogical guidebooks and videos. 1 While a single chijpter such as this can hardly do justice to the subject, an attempt will be made here to sketch some aspects of the historical development of Latin im­ provisational styles, to outline the sorts of improvisation occurring in main­ stream contemporary Latin music, and to take a more focused look at improvi­ sational styles of one representative instrument, the piano. An ultimate and only partially realized goal in this study is to hypothesize a unified, coherent aesthetic of Latin improvisation in general.
    [Show full text]
  • Summerstage Season Announcement June 3 2021 Press Release
    Capital One City Parks Foundation SummerStage Announces 2021 Season Lineup Free In-Person Shows Return June 17 in Central Park Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis Followed By Summer Of Soul Juneteenth Celebration with Questlove in Marcus Garvey Park This Season will Feature New York-Centric Artists, Including Patti Smith and Her Band; Sun Ra Arkestra; Antibalas; Tito Nieves; Marc Rebillet; Armand Hammer & The Alchemist featuring Moor Mother, Fielded, and KAYANA; Complexions Contemporary Ballet and Parsons Dance; The Dom Salvador Samba Jazz Sestet; Erica Campbell; The Metropolitan Opera & More to be Announced Benefit Concerts Include Machine Gun Kelly, Dawes, Lake Street Dive, Indigo Girls with Ani DiFranco and Blue Note at SummerStage featuring George Clinton, Chris Botti and Galactic SummerStage in Coney Island Returns Featuring Gloria Gaynor, La India, Ginuwine, Funk Flex, A Michael Jackson Tribute & More Charlie Parker Jazz Festival Returns to Harlem this August Tickets will be Required for All Free & Benefit Show Performances NEW YORK, NY - June 3, 2021 – City Parks Foundation is thrilled to return to live, in-person performances this summer with the announcement of the shows planned for the 2021 season of Capital One City Parks Foundation SummerStage, New York City’s largest free outdoor performing arts festival. This year’s festival will showcase renowned artists and rising stars with an important tie to New York City. SummerStage shows will be returning to Rumsey Playfield in Central Park, Marcus Garvey Park in Harlem, Flushing Meadows-Corona Park in Queens, and The Coney Island Amphitheater, presenting distinctly New York genres including hip-hop, Latin, indie rock, contemporary dance, jazz, and global music.
    [Show full text]
  • Eddie Palmieri the Sun of Latin Music Mp3, Flac, Wma
    Eddie Palmieri The Sun Of Latin Music mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin Album: The Sun Of Latin Music Country: US Released: 1990 Style: Salsa, Latin Jazz MP3 version RAR size: 1807 mb FLAC version RAR size: 1212 mb WMA version RAR size: 1647 mb Rating: 4.8 Votes: 509 Other Formats: AAC MPC VOC RA DTS AUD FLAC Tracklist Hide Credits 1 Nada De Ti 6:28 2 Deseo Salvaje 3:34 3 Una Rosa Espanola (Medley) 5:18 4 Nunca Contigo 3:40 Un Dia Bonito 5 14:20 Arranged By – Barry RogersCongas, Percussion – Tommy Lopez, Sr. 6 Mi Cumbia 3:17 Companies, etc. Manufactured By – Musical Productions Inc. Distributed By – Musical Productions Inc. Licensed From – The Note Records & Tapes Inc. Credits Arranged By – Rene Hernandez Bass – Eddie "Gua-Gua" Rivera* Bongos – Tommy Lopez Congas – Eladio Perez Coro – Jimmy Sabater, Willie Torres Engineer – Dave Palmer , Dave Wittman, Ralph Moss French Horn – Peter Gordon Lead Vocals – Lalo Rodriguez Mastered By – Al Brown Piano – Eddie Palmieri Producer – Harvey Averne Saxophone [Baritone], Flute – Mario Rivera , Ronnie Cuber Timbales, Percussion – Nicky Marrero Trombone – Jose Rodriguez* Trombone, Tuba [Tenor] – Barry Rogers Trumpet – Virgil Jones Trumpet [Lead] – Vitin Paz Tuba – Tony Price Violin – Alfredo De La Fe* Notes Ⓒ ⓟ 1990 Musical Productions Inc. Barcode and Other Identifiers Barcode: 0 20831-2319-2 3 4 4 Other: CRC Other versions Category Artist Title (Format) Label Category Country Year Eddie The Sun Of Latin CLP 109XX Coco Records CLP 109XX US 1974 Palmieri Music (LP, Album)
    [Show full text]
  • GRAMMY© AWARD WINNING TRUMPETER Brian Lynch
    GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When youʼre as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: “Spheres Of Influence” “Unsung Heroes Project” The Brian Lynch Big Band Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a straight-ahead jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that sounds good. It doesn't sound like pastiche or shifting styles; it's people with a lot of knowledge." Few musicians embody this 21st century credo as profoundly as the 48-year-old trumpet master.
    [Show full text]
  • Manny Oquendo
    Manny Oquendo Manny Oquendo (January 1, 1931 – March 25, 2009) was a percussionist of Puerto Rican ancestry. His main instruments were bongós and timbales. [See: “Timbales Demonstration” (Manny Oquendo) and “The Martillo [Bongo] Pattern” (Manny Oquendo) Oquendo grew up in New York City and began studying percussion in 1945. He worked in the bands of tropical and Latin music ensembles such as Carlos Valero, Luis del Campo, Juan “El Boy” Torres, Luciano “Chano” Pozo, José Budet, Juanito Sanabria, Marcelino Guerra, José Curbelo, and Pupi Campo. In 1950, he became the bongó player for Tito Puente. Following this he played with Tito Rodríquez in 1954 and Vicentico Valdés in 1955. He worked freelance in New York before joining Eddie Palmieri’s Conjunto La Perfecta in 1962, where he helped develop the New York style of the mozambique rhythm. He co-led Conjunto Libre (later simply Libre) with bassist Andy González from 1974 and had a worldwide hit with “Little Sunflower” in 1983. Oquendo’s timbales solos were famous for their tastefully sparse, straight forward “típico” phrasing. The following five measure excerpt is from a timbales solo by Oquendo on “Mambo.” The clave pattern is written above for reference. Notice how the passage begins and ends by coinciding with the strokes of clave. Excerpt from timbales solo by Manny Oquendo, “Mambo” (1974). Incorporation of rumba quinto vocabulary Oquendo’s solos also incorporated the rhythmic language of the folkloric quinto, the lead drum of rumba. The short excerpt below is from a timbales solo by Manny Oquendo on “Cuba Linda” (1975). This is a quinto crossing phrase that groups the regular pulses in sets of three.
    [Show full text]
  • A Conversation with Flautist, Mark Weinstein
    A Conversation with flautist, Mark Weinstein On the Release of Con Alma (Jazzheads, 2007) Interview by Tomas Peña Tom: Congratulations on yet another fine recording! This is our third conversation in two years. On to Con Alma … tell me about your concept going in, and why you chose this particular group of musicians to accompany you on your journey. Mark: My notoriety in the Latin Jazz community is still based on my 1967 trombone recording, Cuban Roots, and the two sequels on flute, Cuban Roots Revisited (2001) and Algo Mas (2005). It is of an avant-garde player of Afro-Cuban folkloric-based jazz. I had also recorded a number of albums of Brazilian jazz, Tudo de Bom (2003) and O Nosso Amor (2005). I decided to make a mainstream Latin jazz album to broaden the presentation of my music and make it more radio friendly. The key was to hire one of my oldest friends in the business, Mark Levine, to perform and co-produce the album. Mark has very deep roots in Latin Jazz and is a great jazz pianist with nothing to prove. I knew any project that he participated in would be deep and musical. Once Mark agreed, we chose a selection of classic material by Dizzy Gillespie, Thelonious Monk, John Coltrane and Wayne Shorter as the core and then added other material to round out the album. TP: That would be Mark Levine’s La Coneja Loca , Santi Debriano’s Santi’s Africaleidoscope and your Broadway Local. MW: With Mark in place, I picked bassist Santi Debriano who played on two of my other records and is both a great soloist and totally comfortable with Latin drumming of all sorts.
    [Show full text]
  • For More Information, Please Contact
    RIVER TO RIVER 2012 FULL PRELIMINARY SCHEDULE: SUNDAY JUNE 17 Bang on a Can Marathon June 17,12PM - June 18,12AM World Financial Center Winter Garden Bang on a Can brings its 25 Year celebration back downtown with its incomparable 12- hour super-mix of boundary-busting music from around the corner and around the globe. What started as a scruffy loft concert in Soho back in 1987, now ranks among the iconic annual concert events in NYC. This year’s edition features rare performances by some of the most innovative musicians of our time side-by-side with some of today’s newest music pioneers. Some highlights include Bang on a Can All-Stars, astonishing cellist Maya Beiser, Pauline Oliveros’ Deep Listening Band, sound pioneer Alvin Lucier, indie guitar sensation Kaki King, jazz genius Matthew Shipp, music by David Longstreth (Dirty Projectors), Thurston Moore (Sonic Youth), Steve Reich, David T Little, Ruby Fulton, Michael Harrison; film by Bill Morrison, and much more. Stay all Day! Presented by River To River Festival, Arts Brookfield and Bang on a Can. MONDAY JUNE 18 Movie Nights on the Elevated Acre presented in association with Tribeca Film Stella Days (2012) June 18, 8PM The Elevated Acre, 55 Water St. A small town cinema in rural Ireland becomes the setting for a dramatic struggle between faith and passion, Rome and Hollywood, and a man and his conscience. Martin Sheen stars as a priest in Stella Days, which encapsulates the dilemma of Ireland in the mid-1950’s – on the cusp of the modern but still clinging to the traditions of the church.
    [Show full text]
  • Eddie Palmieri Notes.Indd
    CAL PERFORMANCES PRESENTS Saturday, April , , pm Zellerbach Hall Eddie Palmieri Septet featuring David Sánchez, tenor saxophone with Brian Lynch trumpet Joe Santiago bass Jose Claussell timbales Donald Harrison saxophone Giovanni Hidalgo conga Conrad Herwig trombone Th is performance is made possible, in part, by the National Endowment for the Arts. Cal Performances thanks our Centennial Season Sponsor, Wells Fargo. CAL PERFORMANCES 3 ABOUT THE ARTISTS ABOUT THE ARTISTS Eddie Palmieri’s musical career spans years as back to the piano until this day. I’m a frustrated York City, Mr. Sánchez quickly became a member a bandleader of salsa and Latin jazz orchestras. His percussionist, so I take it out on the piano.” of its swirling jazz scene. He gigged with pianist discography includes more than titles. He has He began his professional career as a pianist in Eddie Palmieri, sometimes sharing the stage with been awarded eight Grammy Awards, including the the early s with Eddie Forrester’s Orchestra. saxophonist Paquito D’Rivera. At the recommen- fi rst presentation in the Best Latin Album category In , he joined Johnny Segui’s band. He spent dation of D’Rivera and trumpeter Claudio Roditi, for his release Th e Sun of Latin Music, and the a year with the Tito Rodriguez Orchestra before who had admired Mr. Sánchez’s performance, Dizzy following year for Unfi nished Masterpiece. Palo Pa’ forming his own band, the legendary “Conjunto Gillespie invited the young saxophonist to join his Rumba won in , Solito in and La Verdad La Perfecta,” in . La Perfecta featured a United Nations Orchestra in .
    [Show full text]
  • Arsenio Rodríguez
    Arsenio Rodríguez Birth name Ignacio Arsenio Travieso Scull Born August 31, 1911 Güira de Macurije, Matanzas Province, Cuba Origin Cuba Died December 31, 1970 (aged 59) Los Angeles, California, United States Genres Son montuno, guaracha, guaguancó, bolero, afro, cha- cha-cha, lamento Occupations musician Instruments tres, tumbadora (conga) Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull, Güira de Macurije, 31 August 1911 – Los Angeles, 31 December 1970)was a Cuban musician, composer and bandleader.He played the tres (Cuban string instrument) in son-based music and tumbadora, or conga, in folkloric rumba. In the 1940s and 50s Rodríguez reorganized the son conjunto (‘son group’) and developed the son montuno, the basic template of modern-day salsa. He claimed to be the true creator of the mambo and was an important as well as a prolific composer who wrote nearly two hundred song lyrics.Early lifeRodríguez was born in Güira de Macurije in Bolondrón, Matanzas Province as the third of fifteen children, fourteen boys and one girl.As a young child, Rodríguez was blinded when a horse (or a mule) kicked him in the head.Rise to FameLater, Rodríguez became a musician, and eventually became one of the most renowned bandleaders on the island earning him the nickname El Ciego Maravilloso (the Marvellous Blind Man). His music emphasized Afro-Cuban rhythm as well as the melodic lead of the tres, which he played. In 1936 he played his own compositions with the Sexteto Boston, led by his cousin Jacinto Scull. The group disbanded in 1937, and he joined the Septeto Bellamar of cornetist José Interián in 1938.
    [Show full text]