EDDIE PALMIERI AFRO-CARIBBEAN JAZZ QUARTET Friday, May 7 @ 7 PM
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Sharla Feldscher Public Relations, 215-627-0801
FOR IMMEDIATE RELEASE Contact: Feldscher Horwitz Public Relations (FHPR) Sharla Feldscher, 215-285-4868 (cell), [email protected] Hope Horwitz, 215-760-2884 (cell), [email protected] Orrin Evans Presents Philly Meets New York featuring PAUL JOST WITH THE ORRIN EVANS TRIO November 28 to December 19, 2016 Orrin Evans, Vincent Ector, Paul Jost and Alex Claffy Philadelphia, PA (November 25, 2016) – One of America’s great jazz pianists and composers, Orrin Evans takes pride in being a Philadelphian and is proud to showcase talent from his city in New York City. Every Monday at SMOKE Jazz and Supper Club, located at 2751 Broadway, New York, NY, he presents Philly Meets New York. For the next four weeks -- through December 19, his showcase features Paul Jost and the Orrin Evans Trio with drummer Vincent Ector and bassist Alex Claffy. With two sets -- 7 and 9 p.m., there is a music charge of $9 and dining minimum of $38. For reservations and more information, write [email protected] or call 212.864.6662. http://www.smokejazz.com About the artists: Over the course of a career spanning more than 20 years, pianist/composer Orrin Evans has always charted a vigorously individual path. With over 25 albums to his credit, his catalogue of music includes collaborations with a who’s-who of modern jazz. Evans’ newest album is #knowingishalfthebattle, his third release for Smoke Sessions Records. Evans shares his own lessons in life and music on a raw, electrifying session that teams him with a pair of renowned guitarists who are also, not coincidentally, native sons of Evans' own hometown of Philadelphia: Kevin Eubanks and Kurt Rosenwinkel. -
Masters at Work. for Over a Decade, "Little Louie” Vega and Kenny
Masters At Work Their name says it all – Masters At Work. For over a decade, "Little Louie” Vega and Kenny "Dope" Gonzalez have shepherded dance music down new paths with their inventive production style and imaginative feel for different musical forms. The two native New Yorkers have amassed an overwhelming body of work in that time, one that includes hundreds of original productions, remixes and side projects, redefining the way we think of music in clubs. Vega and Gonzalez defiantly mix everything they can find – house, hip-hop, funk, disco, Latin, African and jazz – into a universal groove. And in doing so, MAW has become a cultural mélange unto itself, emblematic of the multicultural society in which we live. Our Time Is Coming is the group's third official album, second under the MAW moniker, and first for Tommy Boy Records. Comprised of wonderful new compositions and a handful of their most popular singles from recent years, it is indicative of the ambitiously eclectic MAW sound: a vibrant dance groove culled from a mesh of Latin rhythms, jazz and soul. Vega and Gonzalez composed, produced and arranged the album's ten songs, using crafty studio work and live instrumentation and help from some regular collaborators (India, Roy Ayers) and a few special guests (Patti Austin, James Ingram, Stephanie Mills). The Beginnings "Little Louie” Vega and Kenny "Dope" Gonzalez officially started their union as Masters At Work in 1990. Vega, a prodigious DJ around New York, met Gonzalez, a producer, through burgeoning house DJ Todd Terry. Gonzalez’s song "Salsa House" was a favorite of Vega, who fell for its Latin-influenced, everything-goes flavor. -
Ronnie Scott's Jazz C
GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 7 z 1 0 z 2 a r J MEMBERSHIP TO e b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n OR CALL: 020 74390747 m e n v o Europe’s Premier Jazz Club in the heart of Soho, London o N R Cover artist: Roberto Fonseca (Mon 27th - Wed 29th Nov) Page 36 Page 01 Artists at a Glance Wed 1st - Thurs 2nd: The Yellowjackets N LD OUT Wed 1st: Late Late Show Special - Too Many Zooz SO o Fri 3rd: Jeff Lorber Fusion v Sat 4th: Ben Sidran e m Sun 5th Lunch Jazz: Jitter Kings b Sun 5th: Dean Brown Band e Mon 6th - Tues 7th: Joe Lovano Classic Quartet r Wed 8th: Ronnie Scott’s Gala Charity Night feat. Curtis Stigers + Special Guests Thurs 9th: Marius Neset Quintet Fri 10th - Sat 11th: Manu Dibango & The Soul Makossa Gang Sun 12th Lunch Jazz: Salena Jones “Jazz Doyenne” Sun 12th: Matthew Stevens Preverbal November and December are the busiest times Mon 13th - Tues 14th: Mark Guiliana Jazz Quartet of the year here at the club, although it has to be Wed 15th - Thurs 16th: Becca Stevens Fri 17th - Sat 18th: Mike Stern / Dave Weckl Band feat. Tom Kennedy & Bob Malach UT said there is no time when we seem to slow down. Sun 19th Lunch Jazz: Jivin’ Miss Daisy feat. Liz Fletcher SOLD O November this year brings our Fundraising night Sun 19th: Jazzmeia Horn Sun 19th: Ezra Collective + Kokoroko + Thris Tian (Venue: Islington Assembly Hall) for the Ronnie Scott’s Charitable Foundation on Mon 20th - Tues 21st: Simon Phillips with Protocol IV November 8th featuring the Curtis Stigers Sinatra Wed 22nd: An Evening of Gershwin feat. -
Andy Gonzalez Entre Colegas Download Album Bassist Andy González, Who Brought Bounce to Latin Dance and Jazz, Dies at 69
andy gonzalez entre colegas download album Bassist Andy González, Who Brought Bounce To Latin Dance And Jazz, Dies At 69. Andy González, a New York bassist who both explored and bridged the worlds of Latin music and jazz, has died. The 69-year-old musician died in New York on Thursday night, from complications of a pre-existing illness, according to family members. Born and bred in the Bronx, Andy González epitomized the fiercely independent Nuyorican attitude through his music — with one foot in Puerto Rican tradition and the other in the cutting-edge jazz of his native New York. González's career stretched back decades, and included gigs or recordings with a who's-who of Latin dance music, including Tito Puente, Eddie Palmieri and Ray Barretto. He also played with trumpeter and Afro-Cuban jazz pioneer Dizzy Gillespie while in his twenties, as he explored the rich history of Afro-Caribbean music through books and records. In the mid-1970s, he and his brother, the trumpet and conga player Jerry González, hosted jam sessions — in the basement of their parents' home in the Bronx — that explored the folkloric roots of the then-popular salsa movement. The result was an influential album, Concepts In Unity, recorded by the participants of those sessions, who called themselves Grupo Folklórico y Experimental Nuevayorquino. Toward the end of that decade, the González brothers were part of another fiery collective known as The Fort Apache Band, which performed sporadically and went on to release two acclaimed albums in the '80s — and continued to release music through the following decades — emphasizing the complex harmonies of jazz with Afro-Caribbean underpinnings. -
October 8, 2015 Young Lords Exhibit, Christian Scott at Harlem Stage
October 8, 2015 Young Lords exhibit, Christian Scott at Harlem Stage By Ron Scott Christian Scott EMILIE PONS PHOTO The 1960s were heavily colored with shaded overtones of rebellious youth implementing revolutionary tactics against an indifferent government that always seemed to have a smirk of supremacy. In an effort to bring civil and human rights to the forefront of this revolution, the Young Lords, with founder Jose Cha Cha Jimenez, reorganized to become the Young Lords Party in the fall of 1960. Their sense of urgency at the time was Chicago Mayor Richard Daley’s urban renewal plan, which was displacing Puerto Ricans from prime real estate areas such as Lakeview and Lincoln Park. The Young Lords became a militant social activist organization defining Puerto Rican self- determination in the community. Multiple chapters began forming nationwide in Philadelphia, New Jersey, Los Angeles and Puerto Rico. In July 1969, the national headquarters in Chicago sanctioned New York City, where nearly 80 percent of the U.S. Puerto Rican population lived, as the regional chapter. This chapter was formed by Mickey Melendez with Felipe Luciano, chairman; David Perez, minister of defense; Juan Gonzalez, minister of education; Pablo Guzman, minister of information; Juan Fi Ortiz, minister of finance; and Denise Oliver, minister of economic development. “¡Presente! The Young Lords in New York” is now on exhibit at Loisaida through Oct. 10 at 710 E. Ninth St. and Avenue C, the Bronx Museum of the Arts through Oct. 18 at 1040 Grand Concourse and El Museo del Barrio through Oct. 17 at 1230 Fifth Ave. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
MIC Buzz Magazine Article 10402 Reference Table1 Cuba Watch 040517 Cuban Music Is Caribbean Music Not Latin Music 15.Numbers
Reference Information Table 1 (Updated 5th June 2017) For: Article 10402 | Cuba Watch NB: All content and featured images copyrights 04/05/2017 reserved to MIC Buzz Limited content and image providers and also content and image owners. Title: Cuban Music Is Caribbean Music, Not Latin Music. Item Subject Date and Timeline Name and Topic Nationality Document / information Website references / Origins 1 Danzon Mambo Creator 1938 -- One of his Orestes Lopez Cuban Born n Havana on December 29, 1911 Artist Biography by Max Salazar compositions, was It is known the world over in that it was Orestes Lopez, Arcano's celloist and (Celloist and pianist) broadcast by Arcaño pianist who invented the Danzon Mambo in 1938. Orestes's brother, bassist http://www.allmusic.com/artist/antonio-arcaño- in 1938, was a Israel "Cachao" Lopez, wrote the arrangements which enables Arcano Y Sus mn0001534741/biography Maravillas to enjoy world-wide recognition. Arcano and Cachao are alive. rhythmic danzón Orestes died December 1991 in Havana. And also: entitled ‘Mambo’ In 29 August 1908, Havana, Cuba. As a child López studied several instruments, including piano and cello, and he was briefly with a local symphony orchestra. His Artist Biography by allmusic.com brother, Israel ‘Cachao’ López, also became a musician and influential composer. From the late 20s onwards, López played with charanga bands such as that led by http://www.allmusic.com/artist/orestes-lopez- Miguel Vásquez and he also led and co-led bands. In 1937 he joined Antonio mn0000485432 Arcaño’s band, Sus Maravillas. Playing piano, cello and bass, López also wrote many arrangements in addition to composing some original music. -
A Phenomenal Woman
Lighting The Road To The Future Data Zone XULA Students Volunteer Page 6 “The People’s Paper” March 3 - March 9, 2018 52nd Year Volume 44 www.ladatanews.com A Data News Weekly Exclusive LEDISI A Phenomenal Woman Page 2 Fashion 42 Tribes Try a Big Chief John Shirt Dress “Twin” Ohillia Page 7 Page 5 Page 2 March 3 - March 9, 2018 Cover Story www.ladatanews.com The DefinitionLEDISI of a Phenomenal Woman New Orleans native Ledisi is a 12 time Grammy Nominee who has in her two decades career won legions of fans that include Stevie Wonder, the late great Prince and Michelle and Barack Obama where she performed at the White House eight times during his Presidency. By Edwin Buggage what true beauty is . Ledisi is the Essence of Phenom- she prepares to perform a Nina Simone Retrospective Data News Weekly Editor enal womanhood, with 12 Grammy nominations, her with the New Orleans Jazz Orchestra . talent is limitless, and her style, grace, and beauty are I have known and followed Ledisi’s career for many The True Essence of Beauty impeccable . Over her two decades career, Ledisi has years; seeing her grind and now with her ninth studio The late great Maya Angelou wrote a poem called come to redefine the industry with her brand of girl album “Let Love Rule” climbing the charts she has Phenomenal Woman about embracing and defining power as she embodies the spirit of many greats who come a long way and shining as bright as her lumi- beauty beyond the eye, but the depth of the soul is have come before her . -
Ithaca College Alumni Big Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-26-2008 Concert: Ithaca College Alumni Big Band Ithaca College Alumni Big Band Steve Brown Ray Brown Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Alumni Big Band; Brown, Steve; and Brown, Ray, "Concert: Ithaca College Alumni Big Band" (2008). All Concert & Recital Programs. 6670. https://digitalcommons.ithaca.edu/music_programs/6670 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE ALUMNI BIG BAND Steve Brown and Ray Brown, musical directors Ford Hall Saturday, April 26, 2008 8:15 p.m. PROGRAM Straightahead City Ray Brow Bossa Barbara Steve Brown Arr. Ray Brown Sweet Angel Steve Brown Lyrics: Tish Rabe Two Birds, On~ Stone Steve Brown Embraceable You/Quasimodo Gershwin/Parker Arr. Ray Brown The Telephone Song Menescal/Boscoli/Gimbel .. Arr. Ray BrowU Bittersweet Willie Maiden Trans. Ray Brown The Best of Everything Tony Bennett Arr. Steve Brown Our Love Is Here To Stay George Gershwin Air. Ray Brown INTERMISSION Del Sasser Sam Jones Arr. Ray Brown PickYours·elf Up Fields/Kem Arr. Neal Hefti Trans. Tony DeSare Kayak Kenny Wheeler Arr. Ray Brown Barbara Horace Silver Arr. Ray Brown I Could Write A Book Rodgers/Hart Arr. Ray Brown The Thumb Wes Montgomery Arr. Ray Brown The Ballad of Thelonious Monk Jimmy Rowles Arr. -
The Annenberg Center Presents Eddie Palmieri Afro-Caribbean Jazz Quartet, May 7
NEW S FOR IMMEDIATE RELEASE: April 27, 2021 The Annenberg Center Presents Eddie Palmieri Afro-Caribbean Jazz Quartet, May 7 (Philadelphia – April 27, 2021) — The Annenberg Center for the Performing Arts presents legendary pianist and bandleader Eddie Palmieri and his Afro-Caribbean Jazz Quartet streamed live, on Friday, May 7 at 7 PM. Visit AnnenbergCenter.org for more information. Renowned NEA Jazz Master Eddie Palmieri is at the top of his game. A beloved patriarch of Latin jazz, he has amassed nine Grammy® Awards while remaining on the cutting edge of Afro-Caribbean music since the early 1960s. Known for his bold charisma and innovative drive, Palmieri returns to the Annenberg Center stage with Luques Curtis on bass, Louis Fouché on alto saxophone, and Camilo Molina on drums. ABOUT THE ARTISTS Eddie Palmieri (Leader/Piano) Known as one of the finest pianists of the past 60 years, Eddie Palmieri is a bandleader, arranger and composer of salsa and Latin jazz. His playing skillfully fuses the rhythm of his Puerto Rican heritage with the complexity of his jazz influences including Thelonious Monk, Herbie Hancock, McCoy Tyner and his older brother, Charlie Palmieri. Palmieri’s parents emigrated from Ponce, Puerto Rico to New York City in 1926. Born in Spanish Harlem and raised in the Bronx, Palmieri learned to play the piano at an early age and at 13, he joined his uncle’s orchestra playing timbales. His professional career as a pianist took off with various bands in the early 1950s including Eddie Forrester, Johnny Segui and the popular Tito Rodríguez Orchestra. -
Eddie Palmieri
About the Artists Paul Crewes Rachel Fine EDDIE PALMIERI Born on LUQUES CURTIS Winner of CAMILO ERNESTO Artistic Director Managing Director December 15, 1936, NEA Jazz the 2016 Downbeat Critics MOLINA GAETÁN began Master and 10-time Grammy Choice “Rising Star” Award, studying music at the age of two PRESENTS Award winner Eddie Palmieri is bass player Luques Curtis was with the children’s workshop of hailed as one of the finest born in Hartford and began Los Pleneros de la 21, a pianists of the past 60 years and studying the piano and community-based group celebrated as a bandleader, percussion. He later switched to dedicated to playing folkloric arranger and composer of salsa and Latin jazz. His bass, and while in high school he studied the Afro- Puerto Rican music, where he is now a teacher. At the professional career as a pianist took off with various Caribbean genre with bass greats Andy González age of ten he was named third-prize winner of the bands in the early 1950s, including those of Eddie and Joe Santiago. He earned a full scholarship to Thelonious Monk International Afro- Latin Hand Forrester, Johnny Segui and Tito Rodriguez. In 1961, attend Berklee College of Music in Boston, and he Drum Competition, and he went on to graduate from EDDIE PALMIERI Mr. Palmieri formed his own band, La Perfecta, has since played and/ or toured with Gary Burton, The Juilliard School under the MAP/PATH programs. which featured an unconventional front line of Ralph Peterson and Donald Harrison. Mr. Curtis can Mr. -
Improvisation in Latin Dance Music: History and Style
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 1998 Improvisation in Latin Dance Music: History and style Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/318 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] CHAPTER Srx Improvisation in Latin Dance Music: History and Style PETER MANUEL Latin dance music constitutes one of the most dynamic and sophisticated urban popular music traditions in the Americas. Improvisation plays an important role in this set of genres, and its styles are sufficiently distinctive, complex, and internally significant as to merit book-length treatment along the lines of Paul Berliner's volume Thinking in Jazz (1994 ). To date, however, the subject of Latin improvisation has received only marginal and cursory analytical treat ment, primarily in recent pedagogical guidebooks and videos. 1 While a single chijpter such as this can hardly do justice to the subject, an attempt will be made here to sketch some aspects of the historical development of Latin im provisational styles, to outline the sorts of improvisation occurring in main stream contemporary Latin music, and to take a more focused look at improvi sational styles of one representative instrument, the piano. An ultimate and only partially realized goal in this study is to hypothesize a unified, coherent aesthetic of Latin improvisation in general.