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Analysis on Symbolism of Malang Mask Dance in Javanese Culture
ANALYSIS ON SYMBOLISM OF MALANG MASK DANCE IN JAVANESE CULTURE Dwi Malinda (Corresponing Author) Departement of Language and Letters, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 813 365 182 51 E-mail: [email protected] Sujito Departement of Language and Letters, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 817 965 77 89 E-mail: [email protected] Maria Cholifa English Educational Department, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 813 345 040 04 E-mail: [email protected] ABSTRACT Malang Mask dance is an example of traditions in Java specially in Malang. It is interesting even to participate. This study has two significances for readers and students of language and literature faculty. Theoretically, the result of the study will give description about the meaning of symbols used in Malang Mask dance and useful information about cultural understanding, especially in Javanese culture. Key Terms: Study, Symbol, Term, Javanese, Malang Mask 82 In our every day life, we make a contact with culture. According to Soekanto (1990:188), culture is complex which includes knowledge, belief, art, morals, law, custom and any other capabilities and habits acquired by man as a member of society. Culture are formed based on the local society and become a custom and tradition in the future. Culture is always related to language. This research is conducted in order to answer the following questions: What are the symbols of Malang Mask dance? What are meannings of those symbolism of Malang Mask dance? What causes of those symbolism used? What functions of those symbolism? REVIEW OF RELATED LITERATURE Language Language is defined as a means of communication in social life. -
Masyarakat Kesenian Di Indonesia
MASYARAKAT KESENIAN DI INDONESIA Muhammad Takari Frida Deliana Harahap Fadlin Torang Naiborhu Arifni Netriroza Heristina Dewi Penerbit: Studia Kultura, Fakultas Sastra, Universitas Sumatera Utara 2008 1 Cetakan pertama, Juni 2008 MASYARAKAT KESENIAN DI INDONESIA Oleh: Muhammad Takari, Frida Deliana, Fadlin, Torang Naiborhu, Arifni Netriroza, dan Heristina Dewi Hak cipta dilindungi undang-undang All right reserved Dilarang memperbanyak buku ini Sebahagian atau seluruhnya Dalam bentuk apapun juga Tanpa izin tertulis dari penerbit Penerbit: Studia Kultura, Fakultas Sastra, Universitas Sumatera Utara ISSN1412-8586 Dicetak di Medan, Indonesia 2 KATA PENGANTAR Terlebih dahulu kami tim penulis buku Masyarakat Kesenian di Indonesia, mengucapkan puji syukur ke hadirat Tuhan Yang Maha Kuasa, karena atas berkah dan karunia-Nya, kami dapat menyelesaikan penulisan buku ini pada tahun 2008. Adapun cita-cita menulis buku ini, telah lama kami canangkan, sekitar tahun 2005 yang lalu. Namun karena sulitnya mengumpulkan materi-materi yang akan diajangkau, yakni begitu ekstensif dan luasnya bahan yang mesti dicapai, juga materi yang dikaji di bidang kesenian meliputi seni-seni: musik, tari, teater baik yang tradisional. Sementara latar belakang keilmuan kami pun, baik di strata satu dan dua, umumnya adalah terkonsentasi di bidang etnomusikologi dan kajian seni pertunjukan yang juga dengan minat utama musik etnik. Hanya seorang saja yang berlatar belakang akademik antropologi tari. Selain itu, tim kami ini ada dua orang yang berlatar belakang pendidikan strata dua antropologi dan sosiologi. Oleh karenanya latar belakang keilmuan ini, sangat mewarnai apa yang kami tulis dalam buku ini. Adapun materi dalam buku ini memuat tentang konsep apa itu masyarakat, kesenian, dan Indonesia—serta terminologi-terminologi yang berkaitan dengannya seperti: kebudayaan, pranata sosial, dan kelompok sosial. -
Page Arapahoe Acres Arapahoe CO
OMB Approval No. 1024-0018 NPSForm10-900-a United States Department of the Interior National Park Service Section number ——— Page SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 98001249 Date Listed: 11/3/98 Arapahoe Acres Arapahoe CO Property Name County State Multiple Name This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. Signature of the Keeper Date of Action Sections 5 and 7 of the Nomination Form give different numbers of noncontributing resources. The correct resource count is: 122 contributing buildings and 2 noncontributing buildings, and 1 contributing site, for a total resource count of 125: 123 contributing resources and 2 noncontxibuting resources. The correct information was provided t^y Dale Heckendorn of the CO SHPO. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NPS Form 10-900 p—~———___ OMB No. 10024-0018 (Oct. 1990) / f__''^(V'to 22SO United States Department of the Interior National Park Service National Register of Historic Place Registration Form This form is for use in nominating or requesting determination for individual properties and districts. See instruction in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering, the information requested. If an item does not apply to the property being documented, enter N/A" for "not applicable." Tor functions, architectural classification, materials and areas of significance, enter only categories and subcategories from the instructions. -
2. Historical, Cultural and Ethnic Roots1
2. HISTORICAL, CULTURAL AND ETHNIC ROOTS1 General features of ethnic identity evolution history, to develop autonomous state structures, in the eastern part of Europe their lives have mostly been determined by out- side forces with diverse geopolitical interests. Differences may be observed between Eastern The uncertain political situation of past cen- and Western Europe in terms of the ethnogenesis turies gave rise – along the linguistic, cultural of the peoples and the development of their eth- and political fault lines – to several ethnic groups nic identity. In the eastern half of the continent, with uncertain identities, disputed allegiances rather than be tied to the confines of a particular and divergent political interests. Even now, there state, community identity and belonging have exist among the various groups overlaps, differ- tended to emerge from the collective memory of ences and conflicts which arose in earlier periods. a community of linguistic and cultural elements The characteristic features of the groups have not or, on occasion, from the collective memory of a been placed in a clearly definable framework. state that existed in an earlier period (Romsics, In the eastern half of Europe, the various I. 1998). The evolution of the eastern Slavic and ethnic groups are at different stages of devel- Baltic peoples constitutes a particular aspect of opment in terms of their ethnic identity. The this course. We can, therefore, gain insights into Belarusian people, who speak an eastern Slavic the historical foundations of the ethnic identity language, occupy a special place among these of the inhabitants of today’s Belarus – an identity groups. -
Gentarasa 2016 Showcases the Significance of Malay Culture Through Traditional Performances and Poetry in Celebration of Hari Raya Aidilfitri
PEOPLE’S ASSOCIATION 9, King George’s Avenue Singapore 208581 Tel: (65) 6340 5430/5454/432/231 Fax: (65) 6348 5977 Website: www.pa.gov.sg 27 July 2016 GENTARASA 2016 SHOWCASES THE SIGNIFICANCE OF MALAY CULTURE THROUGH TRADITIONAL PERFORMANCES AND POETRY IN CELEBRATION OF HARI RAYA AIDILFITRI 18 Gentarasa performers who have excelled in both academic and cultural pursuits to receive Gentarasa Study Grant 2016 at Gala Show In conjunction with Hari Raya celebrations, Gentarasa 2016 will showcase the Malay community’s heritage, culture and customs through this cultural performance which will feature performers from all walks of life. The cast, comprising 85% local talents from the Community Centres/Clubs (CCs), includes a total of 150 artistes, both Malay and non-Malay performers coming together to promote understanding and appreciation of the Malay culture. This is one of the biggest cast participation in Gentarasa since 2002. William See is one of the 5 non-Malay performers who is very excited in performing dance on stage and will continue to support such programmes in the future. The youngest cast, Md Hasif Afiq Bin Md Ridwan, aged 6, will be involved in the martial arts performance. Md Hasif Afiq is from the Bukit Batok East CC Silat Interest Group and is his first Gentarasa performance. 2 The 100-minute flagship cultural concert by People’s Association (PA) Malay Activity Executive Committees Council (MESRA), entitled “Genggaman Jati, Menyulam Masa – Weaving Self through Time” – will perform to an anticipated 2,500 audience at the Kallang Theatre on Saturday, 30 July 2016 at 2.00pm (Matinee) and at 8.00pm (Gala Show). -
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CSEASPANORAMA2008 A (Balinese) Tempest Ian Falconer (MA, Asian Studies) starred as Prospero in the Department of Theatre and Dance’s version of the Bard’s lauded comedy, a performance infused with Balinese wayang and gamelan and Larry Reed’s famed shadowcasting. Center for Southeast Asian Studies University of Hawai‘i By Director Barbara Watson Andaya Dear friends and including the highlight of the Prospero, Miranda, Ariel and year, the Balinese shadow-play Caliban were given a new life as colleagues... version of Shakespeare’s The the shadows of human “puppets” In late July 2008, when I re- Tempest. Under the auspices of wearing specially made masks turned from twelve months’ the Department of Theatre and were projected onto a large sabbatical leave, I began to ask Dance, Kirstin invited Larry screen. And the “Southeast myself if my presence as director Reed, founder and artistic Asian” content was not merely was really necessary. So much had director of Shadowlight Produc- visual, for an important feature of CSEAS Panorama (Vol. XII) is published been accomplished in my absence tions and one of the few the production was the music annually by the Center Americans trained in wayang kulit, provided by the University of for Southeast Asian that I really felt quite dispensable! Studies at the or shadow puppetry, to spend a Hawai‘i Balinese Gamelan University of Hawai‘i. I would like to express my deep gratitude to Acting Director semester in Hawai‘i. Larry and Ensemble directed by a second For more information about the program, Kirstin Pauka (Professor, Asian Kirstin worked with students in artist-in-residence, Balinese please visit the Theatre and Dance to produce a puppet master, I Nyoman Center’s website at Theatre), Associate Director Paul www.hawaii.edu/cseas Rausch, and our graduate assis- memorable and innovative Sumandhi. -
Bk Inno 001188.Pdf
LESSON NOTES Basic Bootcamp #1 Self Introductions - Basic Greetings in Indonesian CONTENTS 2 Indonesian 2 English 2 Vocabulary 3 Sample Sentences 3 Vocabulary Phrase Usage 3 Grammar 4 Cultural Insight # 1 COPYRIGHT © 2013 INNOVATIVE LANGUAGE LEARNING. ALL RIGHTS RESERVED. INDONESIAN 1. Edi: Apa kabar. Nama saya Edi. 2. Tuti: Apa kabar. Nama saya Tuti. Senang bertemu dengan anda. 3. Edi: Senang bertemu dengan anda. ENGLISH 1. Edi: Hello. My name's Edi. 2. Tuti: Hello. My name's Tuti. Nice to meet you. 3. Edi: Nice to meet you. VOCABULARY Indonesian English Class to become acquainted with kenal someone Senang bertemu dengan anda. It’s nice to meet you. Nama saya My name is.. phrase apa what pronoun kabar news, word noun nama name noun saya I, me pronoun I NDONES I ANPOD101.COM BAS I C BOOTCAMP #1 - S ELF I NTRODUCTI ONS - BAS I C GREETI NGS I N I NDONES I AN 2 Salam kenalan Glad to meet you. salam greeting, peace Apa kabar? How are you? expression SAMPLE SENTENCES Apa ini? Apa kabar? "What is this?" "Hello? (literally 'What news?')" Apa namanya? Saya tinggal di Amerika. "What is it called?" "I live in America." Salam kenalan Apa kabar hari ini? "Nice to meet you." "How are you today?" VOCABULARY PHRASE USAGE Apa kabar? This phrase is the Indonesian equivalent of "hello." This literally means, "What's the news?" but this is the typical way of saying "hello" in Indonesian. Salam kenalan. This is the Indonesian equivalent of "nice to meet you." Salam means "greeting," while kenalan means "(the making of) an acquaintance," so salam kenalan literally means "greeting you with my acquaintance." GRAMMAR The Focus of this Basic Boot Camp Lesson is Indonesian I NDONES I ANPOD101.COM BAS I C BOOTCAMP #1 - S ELF I NTRODUCTI ONS - BAS I C GREETI NGS I N I NDONES I AN 3 Essentials We use this lesson's phrases for self-introductions: Nama saya.. -
Komodifikasi Tari Piring Minangkabau Di Sumatera Utara Indah Fikria
Jurnal Antropologi Sumatera Vol. 16, No.2, Edisi Desember 2018, 59-74 1693-7317 (ISSN Cetak)| 2597-3878 (ISSN Online) Komodifikasi Tari Piring Minangkabau di Sumatera Utara Indah Fikria Aristy1, Ichwan Azhari2, Fikarwin Zuska3 1) Antropologi Sosial, Program Pasca Sarjana Unimed, Indonesia. 2) Antropologi Sosial, Program Pasca Sarjana Unimed, Indonesia. 3) Antropologi Sosial, Program Pasca Sarjana Unimed, Indonesia. Corresponding author: E-mail : [email protected] Abstrak Penelitian ini bertujuan untuk mengetahui proses komodifikasi tari piring di Sumatera Utara. Tari piring merupakan salah satu kesenian yang berakar pada kebudayaan Minangkabau yang telah mengalami komodifikasi sebagai salah satu kesenian pertunjukan tari. Menggunakan metode penelitian kualitatif dengan melakukan teknik Wawancara dan observasi. Hasil penelitian menunjukkan bahwa komodifikasi tari piring terjadi akibat dua hal, yakni komodifikasi secara internal dan komodifikasi eksternal yang meliputi gerak tari piring, pakaian penari, musik pengiring pertunjukan tari piring hingga pada komodifikasi bentuk pertunjukan tari piring. Kesimpulannya komodifikasi tari piring dipengaruhi beberapa hal antara lain kebutuhan penari, permintaan atas pertunjukan dan penyesuaian penciptaan reka gerak tari. Kata Kunci : Komodifikasi, Budaya Minangkabau, Tari Piring Abstract This study aims to determine the process of commodification of plate dance in North Sumatra. Plate dance is one of the arts that has its roots in the Minangkabau culture which has undergone commodification as a dance performance. Using qualitative research methods by conducting interview and observation techniques. The results showed that the commodification of the plate dance occurred due to two things, namely internal commodification and external commodification which includes the movements of the plate dance, the dancer's clothes, the music to accompany the plate dance performance to the commodification of the plate dance performance. -
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Advances in Social Science, Education and Humanities Research, volume 463 Proceedings of the Eighth International Conference on Languages and Arts (ICLA-2019) Inventory, Identification, and Analysis of Randai Performing Arts Elements for the Development of Minangkabau Theatrical Dance Tulus Handra Kadir1 1 Universitas Negeri Padang, Padang, Indonesia, (email), [email protected] ABSTRACT This article describes the inventory, identification and analysis of elements of Randai performing art for the development of the Minangkabau theatrical dance based on Randai in the context of developing the Minangkabau performing arts. The development of contemporary performing arts, Randai and Minangkabau dance are not able to compete with modern performing arts. On the other hand, Randai has elements of performance that can be used in the development of theatrical dance, as a new form of Minangkabau performing art that combines elements of Randai and dance in Minangkabau. It is expected to be able to keep abreast of developments of contemporary performing arts. Development is based on research conducted qualitatively (the first phase of research) and experimentally (the second phase of research). Qualitative research was used to inventory and analyze data of Randai performance who were unable to compete in the realm of contemporary performing arts as well as inventory and analyze data, especially the elements of the performance that will be used in the development of the Minangkabau theatrical dance. Experimental research was used to create innovative dance that refers to the results of the first phase of research. This research uses an interdisciplinary approach (sociology /anthropology of dance and music, theater, choreography/dance composition, as well as the artistic performances). -
1190 Merritt Street (Aka 463 12Th Street) 8
OAHP1403 Official eligibility determination Rev. 9/98 (OAHP use only) Date Initials COLORADO CULTURAL RESOURCE SURVEY Determined Eligible- NR Determined Not Eligible- NR Determined Eligible- SR Architectural Inventory Form Determined Not Eligible- SR Need Data Contributes to eligible NR District Noncontributing to eligible NR District I. IDENTIFICATION 1. Resource number: 5RT.3383 Parcel number(s): 2. Temporary resource no.: N/A 170000033 3. County: Routt 4. City: Steamboat Springs 5. Historic building name: Stukey House 6. Current building name: Fischer / Norris House 7. Building address: 1190 Merritt Street (aka 463 12th Street) 8. Owner name and address: Mark J. Fischer and Mary Elizabeth (Norris) Fischer P. O. Box 772808 Steamboat Springs, CO 80477 National Register field eligibility assessment: Eligible State Register field eligibility assessment: Eligible Local Landmark eligibility field assessment: Eligible Cultural Resource Historians 1607 Dogwood Court, Fort Collins, CO 80525 (970) 493-5270 Architectural Inventory Form 5RT.3383 1190 Merritt Street, Steamboat Springs, CO II. Geographic Information 9. P.M. 6th Township 6N Range 84W NW ¼ of NW ¼ of NE ¼ of SW ¼ of section 8 10. UTM reference (NAD 27) Zone 13; 344304 mE 4483761 mN 11. USGS quad name: Steamboat Springs, Colorado Year: 1969 Map scale: 7.5' 12. Lot(s): Tract 33 Block: N/A Addition: Village Green Addition to Steamboat Springs Year of Addition: 1960 13. Boundary Description and Justification: This legally defined parcel encompasses, but does not exceed, the land historically associated with this property. III. ARCHITECTURAL DESCRIPTION 14. Building plan (footprint, shape): L-Shaped Plan 15. Dimensions in feet: 1085 square feet 16. Number of stories: One 17. -
Belarus Before Voting: the Referendum (Past, Presence and Perspectives)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Policy Documentation Center CENTER FOR POLITICAL EDUCATION Miensk, Republic of Belarus -mail: [email protected] Gutta c a v at lapidem Belarus before Voting: The Referendum (Past, Presence and Perspectives) Introduction: This analysis was prepared from August 25-September 25, 2004 by Andrei Liakhovich, the head of the Minsk-based Center for Political Education (CPE), focusing on the referendum on a possible third term in office for President Alexander Lukashenka, which is scheduled – together with the parliamentary elections – on October 17, 2004. Since September 2003, the Pontis Foundation of Slovakia has been implementing a project in Belarus assisting think-tank and analytical groups mainly through exchange programs.1 As part of this project, Pontis is distributing two analyses before the parliamentary elections (and the referendum) to help increase the flow of analytical information. The views in the analysis are by the CPE. The Pontis Foundation does not necessarily share them. Summary: The democratic opposition could stop President Lukashenka’s bid for a third term only if it were to implement the “Yugoslav variant” in Belarus. However, there are no pre-conditions for such an approach. Most Belarusian voters believe that the elections will be falsified. Despite the fact that there is general disappointment regarding the democrats, the ideas of democracy and European Belarus are still popular among citizens.2 The problem is the lack of (personal) alternatives to Lukashenka, and the fact that Belarusian voters (including the traditional supporters of the democrats) are resigned to the up-coming falsification. -
Historic Residential Suburbs
National Park Service National Register Bulletin U.S. Department of the Interior Clemson Universlti 3 1604 015 469 572 [ 29.9/2:H 62/7 HISTORIC RESIDENTIAL SUBURBS GUIDELINES FOR EVALUATION AND DOCUMENTATION FOR THE NATIONAL REGISTER OF HISTORIC PLACES W»A/> ^ City of Portland T leu MAM- \ta '/• H a [rj«-« : National Register Bulletin HISTORIC RESIDENTIAL SUBURBS GUIDELINES FOR EVALUATION AND DOCUMENTATION FOR THE NATIONAL REGISTER OF HISTORIC PLACES David L. Ames, University of Delaware Linda Flint McClelland, National Park Service September 2002 U.S. Department of the Interior, National Park Service, National Register of Historic Places Above: Monte Vista School (T931), Albuquerque, New Mexico. In keeping with formal Beaux Arts pnnciples of planning, the Spanish Colonial Revival school was designed as an architectural landmark marking the entrance to the Monte Vista and College View neighborhoods. (Photo by Kathleen Breaker, courtesy New Mexico Office of Cultural Affairs) Inside front cover and title page: Plat (c. 1892) and Aerial View (1920), Ladd's Addition, Portland, Oregon. Platted as a streetcar suburb at the beginning of the City Beautiful movement, Ladd's Addition represents one of the earliest documented cases of a garden suburb with a complex, radial plan. (Plat and photograph courtesy Oregon Historical Society, negs. 80838 and 39917) ii National Register Bulletin Foreword America's Historic Suburbs for the made by many nomination preparers body of literature on The National Register of Historic Places," to the understanding of suburbaniza- America's suburbanization is which was circulated for review and tion in the United States. vast and growing, covering many dis- comment in fall of 1998.