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Charitably Chic Lynn Willis
Philadelphia University Spring 2007 development of (PRODUCT) RED, a campaign significantly embraced by the fashion community. Companies working with Focus on . Alumni Focus on . Industry News (PRODUCT) RED donate a large percentage of their profits to the Global Fund to fight Lynn Willis Charitably Chic AIDS. For example, Emporio Armani’s line donates 40 percent of the gross profit By Sara Wetterlin and Chaisley Lussier By Kelsey Rose, Erin Satchell and Holly Ronan margin from its sales and the GAP donates Lynn Willis 50 percent. Additionally, American Express, Trends in fashion come and go, but graduated perhaps the first large company to join the fashions that promote important social from campaign, offers customers its RED card, causes are today’s “it” items. By working where one percent of a user’s purchases Philadelphia with charitable organizations, designers, University in goes toward funding AIDS research and companies and celebrities alike are jumping treatment. Motorola and Apple have also 1994 with on the bandwagon to help promote AIDS a Bachelor created red versions of their electronics and cancer awareness. that benefit the cause. The results from of Science In previous years, Ralph Lauren has the (PRODUCT) RED campaign have been in Fashion offered his time and millions of dollars to significant, with contributions totaling over Design. Willis breast cancer research and treatment, which $1.25 million in May 2006. is senior includes the establishment of health centers Despite the fashion industry’s focus on director for the disease. Now, Lauren has taken image, think about what you can do for of public his philanthropy further by lending his someone else when purchasing clothes relations Polo logo to the breast cancer cause with and other items. -
KEN BLOCK Is on a Roll Is on a Roll Ken Block
PAUL RODRIGUEZ / FRENDS / LYN-Z ADAMS HAWKINS HANG WITH THE STARS, PART lus OLYMPIC HALFPIPE A SLEDDER’S (TRAVIS PASTRANA, P NEW ENERGY DRINK THE MONEY ISSUE JAMES STEWART) GET PAID SHOWDOWN 2 IT’S A SHOCKER! PAGE 8 ESPN.COM/ACTION SPRING 2010 KENKEN BLOCKBLOCK IS ON A RROLLoll NEXT UP: WORLD DOMINATION SPRING 2010 X SPOT 14 THE FAST LIFE 30 PAY? CHECK. Ken Block revolutionized the sneaker Don’t have the board skills to pay the 6 MAJOR GRIND game. Is the DC Shoes exec-turned- bills? You can make an action living Clint Walker and Pat Duffy race car driver about to take over the anyway, like these four tradesmen. rally world, too? 8 ENERGIZE ME BY ALYSSA ROENIGK 34 3BR, 2BA, SHREDDABLE POOL Garth Kaufman Yes, foreclosed properties are bad for NOW ON ESPN.COM/ACTION 9 FLIP THE SCRIPT 20 MOVE AND SHAKE the neighborhood. But they’re rare gems SPRING GEAR GUIDE Brady Dollarhide Big air meets big business! These for resourceful BMXer Dean Dickinson. ’Tis the season for bikinis, boards and bikes. action stars have side hustles that BY CARMEN RENEE THOMPSON 10 FOR LOVE OR THE GAME Elena Hight, Greg Bretz and Louie Vito are about to blow. FMX GOES GLOBAL 36 ON THE FLY: DARIA WERBOWY Freestyle moto was born in the U.S., but riders now want to rule MAKE-OUT LIST 26 HIGHER LEARNING The supermodel shreds deep powder, the world. Harley Clifford and Freeskier Grete Eliassen hits the books hangs with Shaun White and mentors Lyn-Z Adams Hawkins BOBBY BROWN’S BIG BREAK as hard as she charges on the slopes. -
Emerging Consumer Trend in China: “Guochao”
Emerging Consumer Trend in China: “Guochao” Sol Ahn, CFA, Portfolio Manager March 2021 The rise of homegrown Chinese brands seems to be one of the strongest trends in China. “Guochao” has become a buzzword ever since China’s sportswear brand Li Ning’s successful debut at New York fashion week in 2018. Its “Wudao( 悟道)” collection is embedded with traditional Chinese culture, the four big Chinese characters 中國李寧, or China Li Ning in English, are believed to be a symbol of cultural confidence which has its roots in China’s rapid rise over the past few decades. Young Chinese consumers have grown up in a period of strong economic growth and thus are very proud of their country. Their parent’s generation preferred foreign brands and products over local brands with a general perception that foreign products were of better quality. Today, this perception has changed, and many young consumers feel no difference whether it is local or foreign and prefer whichever brand is trendier. Additionally, the escalating tensions between China and the US have accelerated domestic substitution as strengthening patriotism pushes more Chinese people to shop local brands. Lastly, booming e-commerce platforms in China play an essential role in the process. A digital world makes domestic brands’ penetration easier and faster. Key opinion leaders rely on Alibaba’s Taobao platform, Tiktok, and Kuaishou to promote and sell goods through live streaming. Domestic brands are adopting digital trends faster than their foreign competitors. We believe this “Guochao” trend is likely to last as long as domestic brands continue to adapt to consumer preferences and improve their products accordingly. -
How Fashion Erased the Politics of Streetwear in 2017
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-15-2017 Mask On: How Fashion Erased the Politics of Streetwear in 2017 Frances Sola-Santiago How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/219 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Mask On: How Fashion Erased the Politics of Streetwear in 2017 By Frances Sola-Santiago Hip-hop culture dominated the fashion zeitgeist in 2017. From a Louis Vuitton and Supreme collaboration to Gucci’s support of Harlem designer Dapper Dan’s store reopening, the fashion industry welcomed Black culture into the highest echelons of high fashion. Rapper Cardi B became the darling of New York Fashion Week in September after being rejected by designers throughout most of her career. Marc Jacobs traded the runway for the street, staging a show that included bucket hats, oversized jackets, and loads of corduroy on a large number of models of color. But while the industry appeared to diversify by acknowledging the indomitable force of hip-hop culture, it truly didn’t. The politics of hip-hop and Black culture were left out of the conversation and the players behind-the-scenes remained a homogeneous mass of privileged white Westerners. Nearly every high fashion brand this year capitalized on streetwear— a style of clothing born out of hip-hop culture in marginalized neighborhoods of New York City and Los Angeles, and none recognized the historical, cultural, and political heritage that made streetwear a worldwide phenomenon, symbolizing power and cool. -
Who's Pulling the Strings?
UNITED STATE DUNHILL REVS UP OF MIND THE LABEL’S A BUOYANT NEW SCENT, AMERICAN MARKET WAS ICON, IS SET A KEY TOPIC AT THE PITTI THE DRESS RACE IS ON TO LAUNCH IMMAGINE UOMO TRADE WITH THE OSCAR NOMINEES SET, THE FOCUS MONDAY. SHOW. PAGES 4 AND 5 TURNS TO WHO WILL WEAR WHAT. PAGE 11 PAGE 7 WWDFRIDAY, JANUARY 16, 2015 ■ $3.00 ■ WOMEN’S WEAR DAILY END OF AN ERROR Target Exiting Canada, Court OKs Liquidation “I came hoping to fi nd a path By SHARON EDELSON that would allow us to continue operations in Canada,” Cornell BRIAN CORNELL CONTINUES said during a conference call with to shake things up at Target. retail analysts on Thursday. “My The retailer on Thursday de- strong preference was to develop a cided to end its money-losing plan to fulfi ll that vision. I realized business in Canada and received the solution would not be easy.” permission from a Canadian Cornell said that when he realized court to begin the liquidation the extent to which Target had process, including the appoint- disappointed Canadian consum- ment of Alvarez & Marsal Canada, ers, he decided the problems were under the Companies’ Creditors insurmountable. Target will close Arrangement Act. 133 stores, which will result in a When Cornell joined Target loss of about 17,600 jobs. Corp. as chairman and chief execu- Target’s entry into Canada tive offi cer in August, he promised began in 2011, when it acquired employees and shareholders that 220 Zellers leases from Hudson’s he would take a “good, hard look at Bay Co. -
ANNUAL Report 2011
ANNUAL REPORT REPORT annual 2011 2011 Incorporated in France as a “Société Anonyme” with registered capital of 120,596,816.40 euros 632 012 100 R.C.S. Paris Headquarters: 41 rue Martre 92117 Clichy – France Tel.: +33 1 47 56 70 00 Fax: +33 1 47 56 86 42 Registered office: 14 rue Royale 75008 Paris – France www.loreal.com www.loreal-finance.com YOUR CONTACTS INDIVIDUAL SHAREHOLDERS AND FINANCIAL ANALYSTS AND FINANCIAL MARKET AUTHORITIES INSTITUTIONAL INVESTORS Jean Régis Carof Françoise Lauvin [email protected] Tel.: +33 1 47 56 86 82 [email protected] Carolien Renaud-Feitz [email protected] Investors Relations Department L’Oréal Headquarters From France: toll-free number for 41, rue Martre shareholders: 0 800 666 666 92117 Clichy Cedex – France From outside France: +33 1 40 14 80 50 JOURNALISTS Service Actionnaires L’Oréal Corporate Media Relations BNP Paribas Securities Services Stéphanie Carson Parker Service Emetteurs Tel.: +33 1 47 56 76 71 Grands Moulins de Pantin [email protected] 9, rue du Débarcadère 93761 Pantin Cedex – France Corporate Media Relations L’Oréal Headquarters 41, rue Martre 92117 Clichy Cedex – France Published by the Administration and Finance Division and by the Image and Corporate Information Department. This is a free translation into English of the L’Oréal 2011 Annual Report issued in the French language and is provided solely for the convenience of English speaking readers. In case of discrepancy the French version prevail. Photograph credits: Josemar Alves (p.57), Syed Muhammad Anas (p.17, 51), Chung Anh (p.57, 70), David Arky/Tetra Images/GraphicObsession/ Photononstop (p.66), David Arraez (p.57), Leandro Bergamo (p.9, 21, 46, 63), Jean-Christian Bourcart/Interlinks Image (p.17), Anthony Bradshaw/ Getty Images (p.55), Alain Buu (p.11, 79), Stéphane Coutelle/D. -
Innovating a 90'S Streetwear Brand for Today's Fashion Industry
FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY A Thesis submitted to the FAculty of the Graduate School of Arts and Sciences of Georgetown University in partiAl fulfillment of the requirements for the degree of MAsters of Arts in CommunicAtion, Culture And Technology By Dominique HAywood, B.S WAshington, DC May 26, 2020 Copyright 2020 by Dominique HAywood All Rights Reserved ii FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY Dominique HAywood, BS Thesis Advisor: J.R. Osborn, Ph.D ABSTRACT This thesis is a cAse study of how a vintAge fashion brand cAn be innovated through humAn centered design for the current fashion industry. IDEO, global design and innovation company, has clAssified humAn centered design as A method for identifying viAble, feAsible and desirable solutions with the integration of multidisciplinary insights (IDEO). For this thesis, the brand of focus is FUBU, for us by us, a 90’s era streetweAr brand that is a product of New York City hip-hop culture. A succinct proposAl for FUBU’s resurgence in the fashion industry will be designed by first identifying the viAbility of the fashion industry and feAsibility of the brand’s revival. ViAbility will be determined by detAiling the current stAte of the fashion and streetweAr industries. This is to estAblish the opportunities and threAts of new and returning entrants into the industry. FeAsibility will be declAred by reseArching the history and current stAte of the brand, its cultural relevancy, and its strengths and weAknesses. -
Athleisure and Femininity Will Lead Spring '18 Fashion
MintModa: Athleisure and Femininity Will Lead Spring ’18 Fashion sourcingjournalonline.com/mintmoda-athleisure-femininity-spring-18/ 9/7/2017 With New York Fashion Week in full swing, MintModa predicts that athleisure and femininity will lead fashion for the coming spring. “Spring ’18 will reflect current movements toward the casual, the functional, the artisanal and the individual, as well as the current fascination with the prim styles of the romantic past,” said Sharon Graubard, founder and creative director of MintModa. “While it sometimes seems like all of New York City is dressed in either workout clothes or jeans, fashion has a wonderful ability to absorb these Photo credit: MintModa movements into forward-thinking, fresh silhouettes.” While consumers remain focused on wellness, athleisure is expected to take a more fashion-forward aesthetic. 1/2 Standard activewear, including leggings and sweats, will become more stylish and suitable for consumers’ daily activities. Dubbed ‘Glo-Mad,’ this trend involves a mix of body-hugging and loose apparel, like a billowing parka over athletic pants or a tight bodysuit. “We will see featherweight techno fabrics cut into nomadic shapes that wrap and tie around the body,” Graubard said. “Colors here will be deep vegetal tones popped with silver, gold or neon, a palette that takes its cue from the Afro-Futurist art movement.” Femininity will also be redefined for Spring ’18. As gender identities continue to blur in fashion, feminine looks will fall into two main categories—mod and reworked vintage. [Read more on 2018 trend forecasting: Pantone Predicts Wellness, Maximalism to Lead 2018 Home Décor Color Trends] Culling inspiration from the ‘60s, apparel will feature a playful mix of feminine details. -
London Fashion Week Men's Has Been As Surprising As It Has Been Exhausting
LONDON FASHION WEEK MEN’S CELEBRATES ITS 5TH ANNIVERSARY Today, 12th June, marks the close of the fifth anniversary of London Fashion Week Men’s. It has been a stellar week, further establishing London as the home of menswear and attracting designers, media, retailers and business leaders from 45 countries. Alongside a show schedule featuring the talent, innovation and heritage that London is known for, this season also saw a number of stand-out events. Things kicked off on Thursday with an intimate celebration at Mark’s Club, co-hosted by Caroline Rush CBE, Elizabeth Saltzman and Tracey Emin CBE, the event also saw Dylan Jones OBE launch his new book: London Sartorial: Men’s Style from Street to Bespoke. Shows, events and presentations took place across the capital, from the brands and partners that are part of London’s past and future menswear history, including 10 Magazine, Barbour International, Belstaff, British GQ & Tom Ford, Burberry, David Furnish x LqD, Dunhill, Hackett, Kent & Curwen, MAN, Mr Porter, Oliver Spencer, Rag&Bone, Stephen Webster, Stella McCartney, TOPMAN Design and Vivienne Westwood. Renowned artist Tracey Emin CBE RA designed a special 5th anniversary logo for LFWM in her signature handwriting; two unique neon works were on display at the home of LFWM, The Store Studios, 180 Strand and a third in a dedicated window at Selfridges, London. The British Fashion Council (BFC) also collaborated with i-D to produce the A-Z of London Menswear, a salute to the vibrant visionaries who make the capital the most exciting place in the world for menswear today. -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Ad Campaign Fact Sheet
AT&T AND ROBERT VERDI ‘SUIT UP’ FOR MERCEDES-BENZ FASHION WEEK MIAMI SWIM AT&T and television personality and tastemaker Robert Verdi are teaming up to offer haute wireless style advice to help get you tech chic this summer. As the exclusive wireless provider of Mercedes-Benz Fashion Week Miami Swim, AT&T will offer wireless subscribers an insider’s view of major fashion events, access to the hottest designer downloads, exclusive trend reports and fashion and beauty tips from the experts — including Verdi, Tracy Reese, Jenni Kayne, Louis Verdad, Costello Tagliapietra and Sephora — that you won’t find anywhere else. For more information, log on to www.att.com/fashion. VERDI’S HI-TECH FASHION DO’S AND DON’TS 1. Fashion is all about balance, especially with accessories. The same rule applies for your cell phone. While a layered necklace or a show stopping cocktail ring may be perfect for a night on the town, too much “bling” on your phone may distract from your otherwise flawless ensemble. Remember, less is always more! 2. While utilizing a belt clip may be convenient for office work or during business travel, ditch the clip everywhere else! Belts are the ultimate accessory for changing the silhouette or vibe of an outfit. Leave the phone in your purse or slip it into an inconspicuous side pocket for a look that kills. 3. Reinvention. Madonna created it. Others have imitated it. But not everyone can pull it off. Without a stylist on speed dial, your dramatic fashion overhauls could leave you looking like a mess. -
Looking Back on Milan Fashion Week Published on Iitaly.Org (
Looking Back on Milan Fashion Week Published on iItaly.org (http://www.iitaly.org) Looking Back on Milan Fashion Week Kayla Pantano (September 27, 2016) A recap of the six-day event, where Italian designers paid homage to heritage while heralding innovation. Milan Fashion Week [2] commenced with a lunch hosted by Prime Minister Matteo Renzi [3], which instilled a further sense of purpose into the leading Italian designers, who were already eager to reveal their cherished designs. Manifesting that same energy, the six-day event closed with a spotlight on emerging designers, whose looks emanated youth and adventure. Overall, key collections debuted in Milan embodied heritage and zeitgeist. A blend of timelessness and trendy vibes, this season was filled with jaw-breaking innovation that drew on history and imagination. The highlights include an abundance of couture performance gear, heaps of floral, and glitter, of course. Day 1 Page 1 of 4 Looking Back on Milan Fashion Week Published on iItaly.org (http://www.iitaly.org) Gucci [4] kicked things off with a fantasy-filled collection rich in colors, fabrics, and prints, featuring embroidery reminiscent of a fairytale and accessories just as whimsical as the clothes, from floppy hats to square and sequined eyewear. Creative director Alessandro Michele [5]’s bohemian aesthetic shifted to favor a more punk look that veered through the eras, which included inspirations from the beloved 1970s, evident in the denim bell-bottoms and slim jackets. Needless to say, the reference point of Peter Dundas [6] at Roberto Cavalli [7] was also the ‘70s. But with a pioneering spirit in mind his mélange of influences, from Buffalo Soldier to Victoriana, takes you all around the globe.