Vietnam War Statistics ( "No Event in American History Is More Misund
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Theater of Rescue: Cultural Representations of U.S. Evacuation from Vietnam (「救済劇場」:合衆国によるベトナム 撤退の文化表象)
Ayako Sahara Theater of Rescue: Cultural Representations of U.S. Evacuation from Vietnam (「救済劇場」:合衆国によるベトナム 撤退の文化表象) Ayako Sahara* SUMMARY IN JAPANESE: 本論文は、イラク撤退に関して 再び注目を集めたベトナム人「救済」が合衆国の経済的・軍 事的・政治的パワーを維持する役割を果たしてきたと考察し、 ベトナム人救済にまつわる表象言説を批判的に分析する。合 衆国のベトナムからの撤退が、自国と同盟国の扱いをめぐる 「劇場」の役割をいかに果たしたのかを明らかにすることを その主眼としている。ここで「劇場」というのは、撤退が単 一の歴史的出来事であっただけではなく、その出来事を体験 し目撃した人々にとって、歴史と政治が意味をなす舞台とし て機能したことを問うためである。戦争劇場は失敗に終わっ たが、合衆国政府が撤退作戦を通じて、救済劇を立ち上げた ことの意味は大きい。それゆえ、本論文は、従来の救済言説 に立脚せず、撤退にまつわる救済がいかにして立ち上がり、 演じられ、表象されたかを「孤児輸送作戦」、難民輸送と中 央情報局職員フランク・スネップの回想録を取り上げて分析 する。 * 佐原 彩子 Lecturer, Kokushikan University, Tokyo and Dokkyo University, Saitama, Japan. 55 Theater of Rescue: Cultural Representations of U.S. Evacuation from Vietnam It wasn’t until months after the fall of Saigon, and much bloodshed, that America conducted a huge relief effort, airlifting more than 100,000 refugees to safety. Tens of thousands were processed at a military base on Guam, far away from the American mainland. President Bill Clinton used the same base to save the lives of nearly 7,000 Kurds in 1996. But if you mention the Guam Option to anyone in Washington today, you either get a blank stare of historical amnesia or hear that “9/11 changed everything.”1 Recently, with the end of the Iraq War, the memory of the evacuation of Vietnamese refugees at the conclusion of the Vietnam War has reemerged as an exceptional rescue effort. This perception resonates with previous studies that consider the admission of the refugees as “providing safe harbor for the boat people.”2 This rescue narrative has been an integral part of U.S. power, justifying its military and political actions. In response, this paper challenges the perception of the U.S. as rescuing allies. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Ambassador Donald R. Heath, the U.S. Embassy in Saigon and the Franco-Viet Minh War, 1950-1954 by Alexander David Ferguson Thesis for the degree of Doctor of Philosophy August 2018 UNIVERSITY OF SOUTHAMPTON Abstract FACULTY OF HUMANITIES History Doctor of Philosophy AMBASSADOR DONALD R. HEATH, THE U.S. EMBASSY IN SAIGON AND THE FRANCO-VIET MINH WAR, 1950-1954 By Alexander David Ferguson This thesis provides the first scholarly analysis of the U.S. Embassy in Saigon from the American decision to support France’s war against the Viet Minh with military and economic assistance in 1950 to Ngo Dinh Diem’s appointment as prime minister of Vietnam in 1954. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Globalized Humanitarianism
UNIVERSITY OF CALIFORNIA, SAN DIEGO Globalized Humanitarianism: U.S. Imperial Formation in Asia and the Pacific through the Indochinese Refugee Problem A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies by Ayako Sahara Committee in charge: Professor Yen Le Espiritu, Chair Professor Joseph Hankins Professor Adria Imada Professor Jin-Kyung Lee Professor Denise Ferreira da Silva 2012 Copyright Ayako Sahara, 2012 All rights reserved. The dissertation of Ayako Sahara is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION This dissertation is dedicated to my mother. iv TABLE OF CONTENTS SIGNATURE PAGE …………………………………..…………………………….…. iii DEDICATION …...…....................................................................................................... iv TABLE OF CONTENTS ……………………………………………………....................v LIST OF FIGURES …………………………………………………….……………......vi ACKNOWLEDGEMENTS …………………...………… ………….……………….…..vii VITA…………………………..…………………….……………………………….….. ix ABSTRACT OF THE DISSERTATION………………….…….......................................x INTRODUCTION…...……………….………………… …..…………...............................1 CHAPTER ONE: Theater of Rescue: Cultural Representations of US Evacuation from Vietnam…………………….………………………………....….....................................36 CHAPTER TWO: “Saigon Cowboys”: Fighting for Indochinese Refugees and Establishment of Refugee Act of 1980…………………..…..….……………………… -
Air America in South Vietnam III the Collapse by Dr
Air America in South Vietnam III The Collapse by Dr. Joe F. Leeker First published on 11 August 2008, last updated on 24 August 2015 Bell 205 N47004 picking up evacuees on top of the Pittman Building on 29 April 1975 (with kind permission from Philippe Buffon, the photographer, whose website located at http://philippe.buffon.free.fr/images/vietnamexpo/heloco/index.htm has a total of 17 photos depicting the same historic moment) 1) The last weeks: the evacuation of South Vietnamese cities While the second part of the file Air America in South Vietnam ended with a China Airlines C-123K shot down by the Communists in January 75, this third part begins with a photo that shows a very famous scene – an Air America helicopter evacuating people from the rooftop of the Pittman Building at Saigon on 29 April 75 –, taken however from a different angle by French photographer Philippe Buffon. Both moments illustrate the situation that characterized South Vietnam in 1975. As nobody wanted to see the warnings given by all 1 those aircraft downed and shot at,1 the only way left at the end was evacuation. For with so many aircraft of Air America, China Airlines and even ICCS Air Services shot down by Communists after the Cease-fire-agreement of January 1973, with so much fighting in the South that occurred in 1973 and 1974 in spite of the Cease-fire-agreement, nobody should have been surprised when North Vietnam overran the South in March and April 75. Indeed, people who knew the situation in South Vietnam like Major General John E. -
IMMF 13 Bios Photogs.Pdf (188
Index of photographers and artists with lot numbers and short biographies Anderson, Christopher (Canada) - Born in British Columbia 1971). He had been shot in the back of the head. in 1970, Christopher Anderson also lived in Texas and Colorado In Lots 61(d), 63 (d), 66(c), 89 and NYC. He now lives in Paris. Anderson is the recipient of the Robert Capa Gold Medal. He regularly produces in depth photographic projects for the world’s most prestigious publica- Barth, Patrick (UK) Patrick Barth studied photography at tions. Honours for his work also include the Visa d’Or in Newport School of Art & Design. Based in London, he has been Perpignan, France and the Kodak Young Photographer of the working since 1995 as a freelance photographer for publications Year Award. Anderson is a contract photographer for the US such as Stern Magazine, the Independent on Sunday Review, News & World Report and a regular contributor to the New Geographical Magazine and others. The photographs in Iraq York Times Magazine. He is a member of the photographers’ were taken on assignment for The Independent on Sunday collective, VII Agency. Review and Getty Images. Lot 100 Lot 106 Arnold, Bruno (Germany) - Bruno Arnold was born in Bendiksen Jonas (Norway) 26, is a Norwegianp photojournal- Ludwigshafen/Rhine (Germany) in 1927. Journalist since 1947, ist whose work regularly appears in magazines world wide from 1955 he became the correspondent and photographer for including GEO, The Sunday Times Magazine, Newsweek, and illustrated magazines Quick, Revue. He covered conflicts and Mother Jones. In 2003 Jonas received the Infinity Award from revolutions in Hungary and Egypt (1956), Congo (1961-1963), The International Centre of Photography (ICP) in New York, as Vietnam, Cambodia, Laos (1963-1973), Biafra (1969-1070), well as a 1st prize in the Pictures Of the Year International Israel (1967, 1973, 1991, 1961 Eichmann Trial). -
Finals Round
FINALS ROUND 2015 National History Bee National Championships Varsity and JV Finals Round Questions 1. This man hoped to be remembered as "the acutest, astutest, and archest enemy of southern slavery." This man died after collapsing while shouting "No!" about a bill to honor Mexican- American War veterans. This Congressman convinced colleagues to use the funds from James Smithson's trust to create a scientific institution. James Madison appointed this man the first ever U.S. Minister to Russia. He was the first President to serve in Congress after his term of office ended and assumed his highest office thanks to a "corrupt bargain" with Henry Clay. For the point, name this son of a former President who became President in 1825. ANSWER: John Quincy Adams [prompt on Adams; do not accept or prompt on “John Adams”] <MC> {III} 2. The crime of smuggling this commodity out of the country was called "owling." The Duke of Sutherland ordered some "clearances" to expand production of this good. The Cockayne Project attempted to ban the export of this commodity, which was traded by the Merchants of the Staple. This commodity was soaked in stale urine by fullers. The seat of the Speaker of the House of Lords is a sack filled with this good, which was frequently exported to Flanders. For the point, name this commodity which is treated with carding and obtained from sheep. ANSWER: wool [or tweed; prompt on "sheep"; prompt on "cloth" or similar answers] <JB> {III} 3. Because of this event, the height of flimsy structures called insulae was restricted. -
Photos: a Look Back at the Vietnam War on the 35Th Anniversary of the Fall of Saigon - Plog 3/27/2014
Photos: A Look Back at the Vietnam War on the 35th Anniversary of the Fall of Saigon - Plog 3/27/2014 HOME | SPORTS | NEWS Search Plog Home Other Plogs About The Plog Subscribe via RSS Photos: A Look Back at the Vietnam War on the 35th Anniversary of the Fall Tweet ofS hSarreai57gon Posted Apr 30, 2010 Share This Gallery Editor’s Warning: The following photo collection contains some graphic violence and depictions of dead bodies. (AP) Today, April 30th, marks the 35th Anniversary of the fall of Saigon, when communist North Vietnamese forces drove tanks through the former U.S.-backed capital of South Vietnam, smashing through the Presidential Palace gates. The fall of Saigon marked the official end of the Vietnam War and the decadelong U.S. campaign against communism in Southeast Asia. The conflict claimed some 58,000 American lives and an estimated 3 million Vietnamese. The war left divisions that would take years to heal as many former South Vietnamese soldiers were sent to Communist re-education camps and hundreds of thousands of their relatives fled the country. In Vietnam, today is called Liberation Day and the government staged a parade down the former Reunification Boulevard that featured tank replicas and goose- stepping soldiers in white uniforms. Some 50,000 party cadres, army veterans and laborers gathered for the spectacle, many carrying red and gold Vietnamese flags and portraits of Ho Chi Minh, the father of Vietnam’s revolution. In a reminder of how the Communist Party retains a strong grip on the flow of information despite the opening of the economy, foreign journalists were forbidden from conducting interviews along the parade route. -
Fall | Winter 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas
Fall | Winter 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas VIETNAM VIETNAMWAR AND OTHER STORIES Making a Difference We’re pleased to be addressing opportunity to be lifelong learners in this issue the important topic of and informed citizens. the Vietnam War, the impact of which Our Board of Trustees and staff continues to resonate in today’s society. embarked on a strategic planning We’re hopeful that the content will process recently that includes an online help us remember, learn, and reflect, survey to our stakeholders asking all fundamental goals of Oklahoma them to weigh in on the programs we Humanities’ mission. currently provide. I invite you to go to the This magazine is just one of the home page of our website to participate ANN THOMPSON ways we bring humanities content to the (okhumanities.org). In addition to Executive Director general public. We administer several evaluating our programs, we ask that statewide programs with varying you use your imagination on how formats, but they all have one thing in we might expand our programming. common: they rely on the scholarship Consider the needs of our state, those found in history, literature, philosophy, problems that sharing humanities art history, jurisprudence, and ethics. content might help alleviate. Our grants program to other nonprofits The concerns we have in areas of may help fund programs like museum equality, education, poverty, health care, exhibits, lecture series, film festivals, and justice can seem overwhelming. Our oral history projects, websites, historical organization is just one of many trying first-person portrayals, or teacher to make a difference and the needs institutes. -
CR17-Long.Pdf
After the Fall of Saigon America’s War in Vietnam and the Surprising Friendship That Followed By Ngo Vinh Long he Vietnam War or Second Indochina War—known in Vietnam as the Ameri- can War—was one of the most destructive conflicts in history, and ended with Ta triumphant victory for Ho Chi Minh’s Communist forces and the most humiliating military defeat the United States has ever experienced. If a single image represents the historical drama, perhaps it is the one of the Huey helicopter evacuating American personnel and Vietnamese associates from a U.S. embassy building rooftop. Ho’s Communist forces and their southern allies in the National Liberation Front had succeeded in toppling the U.S.-backed southern government of the Republic of Viet- nam, and driving American troops, numbering a half million at the peak of the war, out of the country. The conflict between 1955 and 1975 left more than two million Vietnamese dead, and some 58,000 American troops perished. Outside Vietnam, it is sometimes forgotten that the United States had also been deeply involved in the First Indochina War from 1946 to 1954, and would also become involved in the Third Indochina War from 1979 to 1989. These three wars brought enormous physical, economic, social, and moral dislocation to Vietnam, and caused deep antagonism between the governments of Vietnam and the United States as well as polarization among the Vietnamese themselves. Forty years after the Fall of Saigon it may seem surprising that the United States and Vietnam have not only reconciled but their bilateral relations are thriving in many respects. -
Air America Upholding the Airmen’S Bond
AIR AMERICA UPHOLDING THE AIRMEN’S BOND Ground Crew ...............................................................................................2 The Airmen’s Bond ....................................................................................5 Pre-Flight Checklist ....................................................................................7 Rescue Flights: Expressions of Gratitude ....................................21 Final Flights ...................................................................................................29 Flights Yet Taken .........................................................................................47 Last Flights: In Memorium ...................................................................57 The History of Aviation Collection at The University of Texas at Dallas The Historical Collections Division (HCD) of the Office of Information Management Ser- The symposium, “Air America: Upholding his files and a collection of rare first edition vices is responsible for executing the CIA’s Historical Review Program. This program seeks to the Airmen’s Bond,” comes on the heels of aviation books to UT Austin. In 1978 the mil- identify, collect, and review for possible release to the public significant historical information. a decades-long effort to declassify approxi- lion-item collection of Vice Admiral Charles The mission of HCD is to: mately 10,000 CIA documents on the airline. E. Rosendahl was added to the HAC but fa- • Provide an accurate, objective understanding of the information -
Photography and Visual Representations of the American War in Viet Nam
IAFOR Journal of Arts & Humanities Volume 4 – Special Issue – Winter 2017 Photography and Visual Representations of the American War in Viet Nam Er-Win Tan Senior Lecturer, Department of International and Strategic Studies University of Malaya Ted Engelmann Independent Scholar, Veteran of the American War in Viet Nam (1968-1969), and Freelance Embedded Photographer in Iraq (2008) and Afghanistan (2009) Abstract “A picture says a thousand words”, as the aphorism goes. This certainly applies to the realm of photography. Yet, do photographs speak for themselves, or does the backdrop of photographs matter in underscoring the deeper underlying issues in wartime? As this manuscript shall examine, iconic photographs taken during conflict can have a deeply powerful symbolic impact in seizing the imagination and attention of the public. In so doing, and depending on the context of the conflict being fought, such iconic imagery of war may impact not only on the decision-making process of that conflict, but also be adopted by other observers in the post-conflict to underscore underlying metaphorical themes in warfare. The authors propose to examine this in the form of five particularly iconic photographs from the Viet Nam War (known in Vietnam as “The American War”). Keywords: war, photography, iconic imagery, dissent, public opinion 43 IAFOR Journal of Arts & Humanities Volume 4 – Special Issue – Winter 2017 Introduction “The weight of words, the shock of photos.” (Advertising slogan for MATCH, Paris, 1949) “A picture says a thousand words”, as the aphorism goes. This certainly applies to the realm of photography. Yet, do photographs speak for themselves, or does the backdrop of photographs matter in underscoring the deeper underlying issues in wartime? With the international community set to face the continuation of war in the foreseeable future, it is necessary to ponder how wartime photographs reflect the deeper themes that frame the conduct of warfare in human history. -
Cates, Allen E
Cates, Allen E. This finding aid was produced using ArchivesSpace on October 12, 2017. English (eng) Describing Archives: A Content Standard First revision by Patrizia Nava, CA. 2017-09-20. Special Collections and Archives Division, History of Aviation Collection. 800 West Campbell Road, MC33 Richardson, Texas 75080-3021 [email protected]. URL: http://www.utdallas.edu/library/special-collections/ Cates, Allen E. Table of Contents Summary Information .................................................................................................................................... 3 Biographical Sketch ....................................................................................................................................... 4 Scope and Content ......................................................................................................................................... 4 Series Description .......................................................................................................................................... 5 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 6 Image ID ........................................................................................................................................................