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The Fall of Sai Gon 30 April 1975
WALL NOTE TWO: THE FALL OF SAI GON 30 APRIL 1975 DANIEL R. ARANT [email protected] DATE OF INFORMATION: 06 MAY 2008 "We must ensure that any major foreign policy commitment has the full support and understanding of the American people....." GEORGE H. W. BUSH, 41st President of the United States. "The American soldiers who fought in the war did so out of a sense of duty to their country, but their country betrayed them by sending them to an unconscionable war." PHILIP CAPUTO, U.S. Marine infantry platoon leader in Viet Nam and author of A Rumor of War. "... the leaders who planned and executed the war did not understand what they were getting into. The values and ideals we stood for were correct, but it was the wrong war in the wrong place - a place we did not know." RICHARD HOLBROOKE, Foreign Service diplomat in Viet Nam. "Those Americans who went to Vietnam fought for freedom, a truly noble cause. This battle was lost not by those brave Americans and South Vietnamese troops who were waging it but by political misjudgments and strategic failure at the highest levels of government." RONALD REAGAN, 40th President of the United States. "The Vietnam War was a political war that imposed restraints on the military that prevented use of power that we had readily available. ... it was very difficult to tell friend from foe, hence the Calley affair." ADM. THOMAS H. MOORER, Chairman of the Joint Chiefs of Staff (1970-1974). "It was a disastrous, insane, imperial invasion of a weirdo Third World country." TIMOTHY LEARY. -
Theater of Rescue: Cultural Representations of U.S. Evacuation from Vietnam (「救済劇場」:合衆国によるベトナム 撤退の文化表象)
Ayako Sahara Theater of Rescue: Cultural Representations of U.S. Evacuation from Vietnam (「救済劇場」:合衆国によるベトナム 撤退の文化表象) Ayako Sahara* SUMMARY IN JAPANESE: 本論文は、イラク撤退に関して 再び注目を集めたベトナム人「救済」が合衆国の経済的・軍 事的・政治的パワーを維持する役割を果たしてきたと考察し、 ベトナム人救済にまつわる表象言説を批判的に分析する。合 衆国のベトナムからの撤退が、自国と同盟国の扱いをめぐる 「劇場」の役割をいかに果たしたのかを明らかにすることを その主眼としている。ここで「劇場」というのは、撤退が単 一の歴史的出来事であっただけではなく、その出来事を体験 し目撃した人々にとって、歴史と政治が意味をなす舞台とし て機能したことを問うためである。戦争劇場は失敗に終わっ たが、合衆国政府が撤退作戦を通じて、救済劇を立ち上げた ことの意味は大きい。それゆえ、本論文は、従来の救済言説 に立脚せず、撤退にまつわる救済がいかにして立ち上がり、 演じられ、表象されたかを「孤児輸送作戦」、難民輸送と中 央情報局職員フランク・スネップの回想録を取り上げて分析 する。 * 佐原 彩子 Lecturer, Kokushikan University, Tokyo and Dokkyo University, Saitama, Japan. 55 Theater of Rescue: Cultural Representations of U.S. Evacuation from Vietnam It wasn’t until months after the fall of Saigon, and much bloodshed, that America conducted a huge relief effort, airlifting more than 100,000 refugees to safety. Tens of thousands were processed at a military base on Guam, far away from the American mainland. President Bill Clinton used the same base to save the lives of nearly 7,000 Kurds in 1996. But if you mention the Guam Option to anyone in Washington today, you either get a blank stare of historical amnesia or hear that “9/11 changed everything.”1 Recently, with the end of the Iraq War, the memory of the evacuation of Vietnamese refugees at the conclusion of the Vietnam War has reemerged as an exceptional rescue effort. This perception resonates with previous studies that consider the admission of the refugees as “providing safe harbor for the boat people.”2 This rescue narrative has been an integral part of U.S. power, justifying its military and political actions. In response, this paper challenges the perception of the U.S. as rescuing allies. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Ambassador Donald R. Heath, the U.S. Embassy in Saigon and the Franco-Viet Minh War, 1950-1954 by Alexander David Ferguson Thesis for the degree of Doctor of Philosophy August 2018 UNIVERSITY OF SOUTHAMPTON Abstract FACULTY OF HUMANITIES History Doctor of Philosophy AMBASSADOR DONALD R. HEATH, THE U.S. EMBASSY IN SAIGON AND THE FRANCO-VIET MINH WAR, 1950-1954 By Alexander David Ferguson This thesis provides the first scholarly analysis of the U.S. Embassy in Saigon from the American decision to support France’s war against the Viet Minh with military and economic assistance in 1950 to Ngo Dinh Diem’s appointment as prime minister of Vietnam in 1954. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Globalized Humanitarianism
UNIVERSITY OF CALIFORNIA, SAN DIEGO Globalized Humanitarianism: U.S. Imperial Formation in Asia and the Pacific through the Indochinese Refugee Problem A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies by Ayako Sahara Committee in charge: Professor Yen Le Espiritu, Chair Professor Joseph Hankins Professor Adria Imada Professor Jin-Kyung Lee Professor Denise Ferreira da Silva 2012 Copyright Ayako Sahara, 2012 All rights reserved. The dissertation of Ayako Sahara is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION This dissertation is dedicated to my mother. iv TABLE OF CONTENTS SIGNATURE PAGE …………………………………..…………………………….…. iii DEDICATION …...…....................................................................................................... iv TABLE OF CONTENTS ……………………………………………………....................v LIST OF FIGURES …………………………………………………….……………......vi ACKNOWLEDGEMENTS …………………...………… ………….……………….…..vii VITA…………………………..…………………….……………………………….….. ix ABSTRACT OF THE DISSERTATION………………….…….......................................x INTRODUCTION…...……………….………………… …..…………...............................1 CHAPTER ONE: Theater of Rescue: Cultural Representations of US Evacuation from Vietnam…………………….………………………………....….....................................36 CHAPTER TWO: “Saigon Cowboys”: Fighting for Indochinese Refugees and Establishment of Refugee Act of 1980…………………..…..….……………………… -
Air America in South Vietnam III the Collapse by Dr
Air America in South Vietnam III The Collapse by Dr. Joe F. Leeker First published on 11 August 2008, last updated on 24 August 2015 Bell 205 N47004 picking up evacuees on top of the Pittman Building on 29 April 1975 (with kind permission from Philippe Buffon, the photographer, whose website located at http://philippe.buffon.free.fr/images/vietnamexpo/heloco/index.htm has a total of 17 photos depicting the same historic moment) 1) The last weeks: the evacuation of South Vietnamese cities While the second part of the file Air America in South Vietnam ended with a China Airlines C-123K shot down by the Communists in January 75, this third part begins with a photo that shows a very famous scene – an Air America helicopter evacuating people from the rooftop of the Pittman Building at Saigon on 29 April 75 –, taken however from a different angle by French photographer Philippe Buffon. Both moments illustrate the situation that characterized South Vietnam in 1975. As nobody wanted to see the warnings given by all 1 those aircraft downed and shot at,1 the only way left at the end was evacuation. For with so many aircraft of Air America, China Airlines and even ICCS Air Services shot down by Communists after the Cease-fire-agreement of January 1973, with so much fighting in the South that occurred in 1973 and 1974 in spite of the Cease-fire-agreement, nobody should have been surprised when North Vietnam overran the South in March and April 75. Indeed, people who knew the situation in South Vietnam like Major General John E. -
IMMF 13 Bios Photogs.Pdf (188
Index of photographers and artists with lot numbers and short biographies Anderson, Christopher (Canada) - Born in British Columbia 1971). He had been shot in the back of the head. in 1970, Christopher Anderson also lived in Texas and Colorado In Lots 61(d), 63 (d), 66(c), 89 and NYC. He now lives in Paris. Anderson is the recipient of the Robert Capa Gold Medal. He regularly produces in depth photographic projects for the world’s most prestigious publica- Barth, Patrick (UK) Patrick Barth studied photography at tions. Honours for his work also include the Visa d’Or in Newport School of Art & Design. Based in London, he has been Perpignan, France and the Kodak Young Photographer of the working since 1995 as a freelance photographer for publications Year Award. Anderson is a contract photographer for the US such as Stern Magazine, the Independent on Sunday Review, News & World Report and a regular contributor to the New Geographical Magazine and others. The photographs in Iraq York Times Magazine. He is a member of the photographers’ were taken on assignment for The Independent on Sunday collective, VII Agency. Review and Getty Images. Lot 100 Lot 106 Arnold, Bruno (Germany) - Bruno Arnold was born in Bendiksen Jonas (Norway) 26, is a Norwegianp photojournal- Ludwigshafen/Rhine (Germany) in 1927. Journalist since 1947, ist whose work regularly appears in magazines world wide from 1955 he became the correspondent and photographer for including GEO, The Sunday Times Magazine, Newsweek, and illustrated magazines Quick, Revue. He covered conflicts and Mother Jones. In 2003 Jonas received the Infinity Award from revolutions in Hungary and Egypt (1956), Congo (1961-1963), The International Centre of Photography (ICP) in New York, as Vietnam, Cambodia, Laos (1963-1973), Biafra (1969-1070), well as a 1st prize in the Pictures Of the Year International Israel (1967, 1973, 1991, 1961 Eichmann Trial). -
Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES IDEOLOGICAL, DYSTOPIC, AND ANTIMYTHOPOEIC FORMATIONS OF MASCULINITY IN THE VIETNAM WAR FILM By ELLIOTT STEGALL A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2014 Elliott Stegall defended this dissertation on October 21, 2014. The members of the supervisory committee were: John Kelsay Professor Directing Dissertation Karen Bearor University Representative Kathleen Erndl Committee Member Leigh Edwards Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGEMENTS I am most grateful for my wife, Amanda, whose love and support has made all of this possible; for my mother, a teacher, who has always been there for me and who appreciates a good conversation; to my late father, a professor of humanities and religion who allowed me full access to his library and record collection; and, of course, to the professors who have given me their insight and time. iii TABLE OF CONTENTS List of Figures................................................................................................................................. v Abstract………………………………………………………………………………………...... vi 1. VIETNAM MOVIES, A NEW MYTHOS OF THE MASCULINE......................................... 1 2. DISPELLING FILMIC MYTHS OF THE VIETNAM WAR……………………………... 24 3. IN DEFENSE OF THE GREEN BERETS ………………………………………………..... -
Vietnam War Statistics ( "No Event in American History Is More Misund
Vietnam War Statistics (http://www.vhfcn.org/stat.html) "No event in American history is more misunderstood than the Vietnam War. It was misreported then, and it is misremembered now. Rarely have so many people been so wrong about so much. Never have the consequences of their misunderstanding been so tragic." [Nixon] The Vietnam War has been the subject of thousands of newspaper and magazine articles, hundreds of books, and scores of movies and television documentaries. The great majority of these efforts have erroneously portrayed many myths about the Vietnam War as being facts. [Nixon] Myth: Most American soldiers were addicted to drugs, guiltridden about their role in the war, and deliberately used cruel and inhumane tactics. The facts are: 91% of Vietnam Veterans say they are glad they served [Westmoreland] 74% said they would serve again even knowing the outcome [Westmoreland] There is no difference in drug usage between Vietnam Veterans and non veterans of the same age group (from a Veterans Administration study) [Westmoreland] Isolated atrocities committed by American soldiers produced torrents of outrage from antiwar critics and the news media while Communist atrocities were so common that they received hardly any attention at all. The United States sought to minimize and prevent attacks on civilians while North Vietnam made attacks on civilians a centerpiece of its strategy. Americans who deliberately killed civilians received prison sentences while Communists who did so received commendations. From 1957 to 1973, the National Liberation Front assassinated 36,725 South Vietnamese and abducted another 58,499. The death squads focused on leaders at the village level and on anyone who improved the lives of the peasants such as medical personnel, social workers, and schoolteachers. -
Finals Round
FINALS ROUND 2015 National History Bee National Championships Varsity and JV Finals Round Questions 1. This man hoped to be remembered as "the acutest, astutest, and archest enemy of southern slavery." This man died after collapsing while shouting "No!" about a bill to honor Mexican- American War veterans. This Congressman convinced colleagues to use the funds from James Smithson's trust to create a scientific institution. James Madison appointed this man the first ever U.S. Minister to Russia. He was the first President to serve in Congress after his term of office ended and assumed his highest office thanks to a "corrupt bargain" with Henry Clay. For the point, name this son of a former President who became President in 1825. ANSWER: John Quincy Adams [prompt on Adams; do not accept or prompt on “John Adams”] <MC> {III} 2. The crime of smuggling this commodity out of the country was called "owling." The Duke of Sutherland ordered some "clearances" to expand production of this good. The Cockayne Project attempted to ban the export of this commodity, which was traded by the Merchants of the Staple. This commodity was soaked in stale urine by fullers. The seat of the Speaker of the House of Lords is a sack filled with this good, which was frequently exported to Flanders. For the point, name this commodity which is treated with carding and obtained from sheep. ANSWER: wool [or tweed; prompt on "sheep"; prompt on "cloth" or similar answers] <JB> {III} 3. Because of this event, the height of flimsy structures called insulae was restricted. -
Photos: a Look Back at the Vietnam War on the 35Th Anniversary of the Fall of Saigon - Plog 3/27/2014
Photos: A Look Back at the Vietnam War on the 35th Anniversary of the Fall of Saigon - Plog 3/27/2014 HOME | SPORTS | NEWS Search Plog Home Other Plogs About The Plog Subscribe via RSS Photos: A Look Back at the Vietnam War on the 35th Anniversary of the Fall Tweet ofS hSarreai57gon Posted Apr 30, 2010 Share This Gallery Editor’s Warning: The following photo collection contains some graphic violence and depictions of dead bodies. (AP) Today, April 30th, marks the 35th Anniversary of the fall of Saigon, when communist North Vietnamese forces drove tanks through the former U.S.-backed capital of South Vietnam, smashing through the Presidential Palace gates. The fall of Saigon marked the official end of the Vietnam War and the decadelong U.S. campaign against communism in Southeast Asia. The conflict claimed some 58,000 American lives and an estimated 3 million Vietnamese. The war left divisions that would take years to heal as many former South Vietnamese soldiers were sent to Communist re-education camps and hundreds of thousands of their relatives fled the country. In Vietnam, today is called Liberation Day and the government staged a parade down the former Reunification Boulevard that featured tank replicas and goose- stepping soldiers in white uniforms. Some 50,000 party cadres, army veterans and laborers gathered for the spectacle, many carrying red and gold Vietnamese flags and portraits of Ho Chi Minh, the father of Vietnam’s revolution. In a reminder of how the Communist Party retains a strong grip on the flow of information despite the opening of the economy, foreign journalists were forbidden from conducting interviews along the parade route. -
Fall | Winter 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas
Fall | Winter 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas VIETNAM VIETNAMWAR AND OTHER STORIES Making a Difference We’re pleased to be addressing opportunity to be lifelong learners in this issue the important topic of and informed citizens. the Vietnam War, the impact of which Our Board of Trustees and staff continues to resonate in today’s society. embarked on a strategic planning We’re hopeful that the content will process recently that includes an online help us remember, learn, and reflect, survey to our stakeholders asking all fundamental goals of Oklahoma them to weigh in on the programs we Humanities’ mission. currently provide. I invite you to go to the This magazine is just one of the home page of our website to participate ANN THOMPSON ways we bring humanities content to the (okhumanities.org). In addition to Executive Director general public. We administer several evaluating our programs, we ask that statewide programs with varying you use your imagination on how formats, but they all have one thing in we might expand our programming. common: they rely on the scholarship Consider the needs of our state, those found in history, literature, philosophy, problems that sharing humanities art history, jurisprudence, and ethics. content might help alleviate. Our grants program to other nonprofits The concerns we have in areas of may help fund programs like museum equality, education, poverty, health care, exhibits, lecture series, film festivals, and justice can seem overwhelming. Our oral history projects, websites, historical organization is just one of many trying first-person portrayals, or teacher to make a difference and the needs institutes. -
A New Face for an Old Fight: Reimagining Vietnam In
A new face for an old fight: Reimagining Vietnam in Vietnamese-American graphic memoirs EARLE, Harriet <http://orcid.org/0000-0001-7354-3733> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/22252/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version EARLE, Harriet (2018). A new face for an old fight: Reimagining Vietnam in Vietnamese-American graphic memoirs. Studies in Comics, 9 (1), 87-105. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk A new face for an old fight: Reimagining Vietnam in Vietnamese-American graphic memoirs1 Harriet E. H. Earle, Sheffield Hallam University Abstract The Vietnam War is arguably one of the most complex and significant conflicts in American history; the place it occupies in the American national story is particularly curious because it is one of the few wars that America did not win. It is also a benchmark of note because it allowed the comics form (which had been in decline since the advent of extreme censorship in the 1940s and 1950s) to be reborn; superheroes took hold of the comics mainstream again, prompted by their popularity with US troops in Asia. Since the 1970s rebirth of the mainstream, representations of Vietnam have branched off in two distinct directions: either bold, nationalistic stories of brave Americans 'saving' the Vietnamese or individualist stories, many of which are memoirs or follow a similar confessional structure.