DOCSLIB.ORG

Fall | Winter 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fall | Winter 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas Fall | Winter 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas VIETNAM VIETNAMWAR AND OTHER STORIES Making a Difference We’re pleased to be addressing opportunity to be lifelong learners in this issue the important topic of and informed citizens. the Vietnam War, the impact of which Our Board of Trustees and staff continues to resonate in today’s society. embarked on a strategic planning We’re hopeful that the content will process recently that includes an online help us remember, learn, and reflect, survey to our stakeholders asking all fundamental goals of Oklahoma them to weigh in on the programs we Humanities’ mission. currently provide. I invite you to go to the This magazine is just one of the home page of our website to participate ANN THOMPSON ways we bring humanities content to the (okhumanities.org). In addition to Executive Director general public. We administer several evaluating our programs, we ask that statewide programs with varying you use your imagination on how formats, but they all have one thing in we might expand our programming. common: they rely on the scholarship Consider the needs of our state, those found in history, literature, philosophy, problems that sharing humanities art history, jurisprudence, and ethics. content might help alleviate. Our grants program to other nonprofits The concerns we have in areas of may help fund programs like museum equality, education, poverty, health care, exhibits, lecture series, film festivals, and justice can seem overwhelming. Our oral history projects, websites, historical organization is just one of many trying first-person portrayals, or teacher to make a difference and the needs institutes. Each year our reading can sometimes seem insurmountable, and discussion program, Let’s Talk but we have seen how our work has About It, Oklahoma, reaches twenty- changed lives. Help us continue to make five communities and up to six prisons. a difference by participating in our Our Smithsonian Institution traveling program survey, checking our online exhibit program, Museum on Main calendar and attending programs in Street, will finish its 2017 five-city your community, and donating. We tour of Oklahoma later this fall. The appreciate your input and enthusiasm common objective of these programs in helping to share the history of our is that Oklahomans have the human experience. ON THE COVER: Soldier of the 25th Infantry Division, c. 1969, by Charles O. Haughey, who was drafted in 1967. After serving a few months as a U.S. Army combat patrol rifleman, a commander learned that Haughey had photography experience. Haughey was reassigned to photograph morale-boosting images for the Army and American newspapers, 1968-1969, and shot close to 2,000 images. Courtesy PBS 2 FALL | WINTER 2017 | VIETNAM OKLAHOMA CONTENTS VIETNAM HUMANITIES FALL | WINTER 2017 | VOL. 10, NO. 2 Culture | Issues | Ideas 7 DOCUMENTING THE VIETNAM WAR A conversation with Lynn Novick. Interview by Carla Walker 12 ORIGINS OF THE VIETNAM WAR A history of foreign intervention. By Mark Atwood Lawrence 15 PRIVATE DOUBTS, PUBLIC RESOLVE, AND PERSONAL AMBITIONS How Vietnam became America’s war. By Fredrik Logevall 22 A DISCONNECTED DIALOGUE American military strategy, 1964-1968. By Gregory Daddis 28 TRIANGLE OF ALLIES Vietnam, China, and the Soviet Union. By Xiao-Bing Li 31 INFOGRAPHIC & TIMELINE Dates and facts. Assembled by Jason A. Higgins 36 DONUT DOLLIES, WACs, AND WAFCs Women’s service in the war. By Heather Marie Stur 41 PROTESTING VIETNAM Student voices in a time of war. By Sarah Eppler Janda 46 ON TRUE WAR STORIES There’s no such thing as a good war story. By Viet Thanh Nguyen 50 VIETNAM REDUX— RETRIEVING TRUTHS, REVISING WAR The pitfalls of American exceptionalism. By Christian G. Appy 56 TELLING STORIES, REMEMBERING WAR Making sense of war. By Mia Martini 60 THE VIETNAM VETERANS MEMORIAL AT 35 By Gordon O. Taylor IN EVERY ISSUE 2 From the Executive Director 4 Post: Mail | Social Media | Messages 6 The Editor’s Desk 62 Noteworthy: 2016 Annual Report President Lyndon B. Johnson listens to a tape sent by his son-in-law, Captain Charles Robb, who was serving in Vietnam, July 31, 1968. Photo by Jack Kightlinger, courtesy LBJ Library OKLAHOMA HUMANITIES 3 POST Mail | Social Media | Messages Reader Feedback I cannot put down the Spring/Summer “I don’t always agree with what is in 2017 issue of Oklahoma Humanities. the magazine, but at least it makes me Thanks to all for the beauty this brings to think about the things I disagree with. my day. I will keep the Oklahoma poets Sometimes I change my perspective section to read each spring. or position.” —Judy Cawthon, Oklahoma City The Spring/Summer 2017 Oklahoma 2017 Magazine Awards Humanities magazine was fantastic. Poetry allows ideas to be expressed in extraordinary ways that I find appealing. —Kyle Dahlem, via Facebook 2016 Readers' Survey Results Readers tell us that Oklahoma Humanities magazine is making a big impact. An overwhelming number of those surveyed (97%) say they value the magazine as a forum for differing viewpoints. Readers share the content with others (88%) and feel better informed to engage in civic life 2017 Great Plains Journalism Awards (96%). Their written comments positively Finalist | Great Plains Magazine of Your Spring/Summer 2017 Poetry issue inspire us. Following are just a few. Read the Year has gotten me thinking about some of the what others say about Oklahoma Human- poems that are important to me. This one ities, then give us your feedback. 2017 Society of Professional was in a New Year’s card that my grand- —Carla Walker, Editor Journalists Awards father sent to friends in 1935. The poem Oklahoma Pro Chapter is by a good friend of my grandfather’s, a “This is the smartest magazine I get. Western artist named Joe De Yong, who It’s beautiful visually and intellectu- 1st Place | Best PR Publication grew up in Dewey and spent ten years as ally satisfying.” It’s a Mystery | Winter 2016 Charlie Russell’s only student. “I like the way each issue revolves around a specific theme.” 1st Place | General Writing Memories ride out of the night / “I know the writing is well reasoned. “Democracy, the Free Press, And dismount from the back of the I believe the only agenda within the and the Meaning of TRIBE” wind— / Gather in groups in front of pages of Oklahoma Humanities is one Interview with Sebastian Junger my house / When, silently opening of open thought on topics that require By Carla Walker the door, they troop in / Backward attention. It’s called credibility, and st at first—then crowding up close your journal has just that.” 1 Place | PR Publication Cover / With a touch of the hand and a “I always learn something.” Democracy | Fall/Winter 2016 smile / Some that I’ve missed for a “I look forward to each issue because 2nd Place | General Writing day, week or month / —Some from I use the articles as springboards for “The News Today: Seven the big After While, / Stirring my discussions. I am never disappointed Trends in Old and New Media” heart, as a stick does the fire, / Their in what I find within the pages of By Elaine Kamarck & Ashley Gabriele faces picked out in light, / And I’m Oklahoma Humanities.” glad that this group numbers you “The magazine features creative, well- nd old friend, / Among those I see here 2 Place | PR Publication Cover written articles that focus on topics It’s a Mystery | Winter 2016 tonight. © Joe De Yong, 1935 not covered by other Oklahoma Thank you for your wonderful magazines. publications. The photography and CORRECTION: The caption for the image on page —Bill Woodard, Bartlesville illustrations are works of art.” (cont.) 17 of the Spring/Summer 2017 issue should read: In From the Night Herd, Frederic Remington, 1907, SEND YOUR IDEAS, opinions, and suggestions. LET US HEAR FROM YOU. Participate in our 2017 oil on canvas; gift of Albert K. Mitchell, National Email the editor, [email protected], or survey, open for your responses October 1-31 at Cowboy & Western Heritage Museum. We deeply comment via Facebook, Twitter, or Instagram. okhumanities.org. regret the error. 4 FALL | WINTER 2017 | VIETNAM OKLAHOMA HUMANITIES OKLAHOMA Culture | Issues | Ideas EXECUTIVEHUMANITIES DIRECTOR Ann Thompson [email protected] EDITOR Carla Walker [email protected] PROGRAM OFFICER Kelly Burns [email protected] PROGRAM OFFICER CHANGING LIVES Christopher Carroll ONE BOOK AT A TIME [email protected] DEVELOPMENT OFFICER Brandi Davis Let’s Talk About It, Oklahoma (LTAIO), that prepare inmates for the transition [email protected] the beloved reading and discussion from incarceration to release and give ADMINISTRATIVE COORDINATOR program from Oklahoma Humanities them tools to reduce the likelihood of Robyn Arn (OH), has been enriching communities [email protected] reoffending are limited. LTAIO offers and changing lives for 32 years. More usable skills, possibility, and hope. How? Oklahoma Humanities magazine is than a book club, LTAIO programs are published biannually (March and September) Reading and discussing literature can facilitated by humanities scholars who by Oklahoma Humanities (OH), 424 Colcord help us analyze complex circumstances, Dr., Suite E, Oklahoma City, OK 73102, (405) relate layers of meaning, enhancing the understand and empathize with other 235-0280, [email protected]. See pages understanding and appreciation of the 62-63 for information on the OH organization, points of view, and communicate effec- text. board of trustees, grants, and programs. Our tively—benefits that foster personal privacy policy is posted on our website. Local host communities receive Oklahoma Humanities magazine is an growth and employability. a grant from OH to bring in scholars, award-winning collection of culture, issues, and “LTAIO outreach to incarcerated ideas—a rich mix of humanities scholarship, and books are borrowed from the OH insightful narratives, informed opinions, and library.
Load more

Recommended publications
  • RESUME [V6.0].Cwk
    Robert Charles Doyle 1317 Ridge Avenue Steubenville, Ohio 43952 Phone: (740) 282-8156 [email protected] Education Ph. D Bowling Green State University, American Culture Studies, 1987. M. A. Pennsylvania State University, Comparative Literature, 1976. B. A. Pennsylvania State University, Liberal Arts, German, 1967. Present Academic Employment (2001 - present) Professor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2007 to the present. Previous Academic Employment (1974 - 2001) Associate Professor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2001-2007 Instructor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2000-2001. Professeur and Maître de Conferences (Professor and Visiting Associate Professor), American Civilization, Département d’Etudes Anglaises et Nord-Américaines, Université Strasbourg, France, 1995-1998. Instructor (Part-Time), American Civilization, Department of Foreign Languages, Université Robert Schuman, Strasbourg, France, 1996-1997. Professor (Fulbright), American Studies, Englisches Seminar, Westfälische Wilhelms-Universität, Münster, Germany, 1994-1995. Lecturer, American Studies, Department of English, Penn State University, University Park, 1988-1994. Lecturer (Part-Time), American Studies, Division of Continuing Education, Penn State University, University Park and Abington Campus, 1987-1988. Graduate Fellow (Teaching, 1984-86; Non-Service, 1986-1987), American Culture Doctoral Program, Bowling Green State University, Bowling Green, Ohio, 1984-1987. Lecturer (Part-Time), American Studies, Division of Continuing Education, Penn State University, University Park, 1974-1977. Technical Adviser/Consultant Historical and Technical Advisor. Hart’s War. Dir. Gregory Hoblit, with Bruce Willis. MGM/UA (Warhart Productions), 2000-2001. Historical and Applied Research Consultant, Joint Personnel Recovery Agency (USAF), Ft. Belvoir, Virginia, 1998-2000.
    [Show full text]
  • The Global Visual Memory a Study of the Recognition and Interpretation of Iconic and Historical Photographs
    The Global Visual Memory A Study of the Recognition and Interpretation of Iconic and Historical Photographs Het Mondiaal Visueel Geheugen Een studie naar de herkenning en interpretatie van iconische en historische foto’s (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. H.R.B.M. Kummeling, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 19 juni 2019 des middags te 2.30 uur door Rutger van der Hoeven geboren op 4 juni 1974 te Amsterdam Promotor: Prof. dr. J. Van Eijnatten Table of Contents Abstract 2 Preface 3 Introduction 5 Objectives 8 Visual History 9 Collective Memory 13 Photographs as vehicles of cultural memory 18 Dissertation structure 19 Chapter 1. History, Memory and Photography 21 1.1 Starting Points: Problems in Academic Literature on History, Memory and Photography 21 1.2 The Memory Function of Historical Photographs 28 1.3 Iconic Photographs 35 Chapter 2. The Global Visual Memory: An International Survey 50 2.1 Research Objectives 50 2.2 Selection 53 2.3 Survey Questions 57 2.4 The Photographs 59 Chapter 3. The Global Visual Memory Survey: A Quantitative Analysis 101 3.1 The Dataset 101 3.2 The Global Visual Memory: A Proven Reality 105 3.3 The Recognition of Iconic and Historical Photographs: General Conclusions 110 3.4 Conclusions About Age, Nationality, and Other Demographic Factors 119 3.5 Emotional Impact of Iconic and Historical Photographs 131 3.6 Rating the Importance of Iconic and Historical Photographs 140 3.7 Combined statistics 145 Chapter 4.
    [Show full text]
  • The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
    INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated.
    [Show full text]
  • STUDY GUIDE Prepared by Maren Robinson, Dramaturg
    by Susan Felder directed by William Brown STUDY GUIDE Prepared by Maren Robinson, Dramaturg This Study Guide for Wasteland was prepared by Maren Robinson and edited by Kerri Hunt and Lara Goetsch for TimeLine Theatre, its patrons and educational outreach. Please request permission to use these materials for any subsequent production. © TimeLine Theatre 2012 — STUDY GUIDE — Table of Contents About the Playwright ........................................................................................ 3 About the Play ................................................................................................... 3 The Interview: Susan Felder ............................................................................ 4 Glossary ............................................................................................................ 11 Timeline: The Vietnam War and Surrounding Historical Events ................ 13 The History: Views on Vietnam ...................................................................... 19 The Context: A New Kind of War and a Nation Divided .............................. 23 Prisoners of War and Torture ......................................................................... 23 Voices of Prisoners of War ............................................................................... 24 POW Code of Conduct ..................................................................................... 27 Enlisted vs. Drafted Soldiers .......................................................................... 28 The American
    [Show full text]
  • The Legacy of American Photojournalism in Ken Burns's
    Interfaces Image Texte Language 41 | 2019 Images / Memories The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series Camille Rouquet Electronic version URL: http://journals.openedition.org/interfaces/647 DOI: 10.4000/interfaces.647 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 June 2019 Number of pages: 65-83 ISSN: 1164-6225 Electronic reference Camille Rouquet, “The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series”, Interfaces [Online], 41 | 2019, Online since 21 June 2019, connection on 07 January 2021. URL: http://journals.openedition.org/interfaces/647 ; DOI: https://doi.org/10.4000/interfaces.647 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. THE LEGACY OF AMERICAN PHOTOJOURNALISM IN KEN BURNS’S VIETNAM WAR DOCUMENTARY SERIES Camille Rouquet LARCA/Paris Sciences et Lettres In his review of The Vietnam War, the 18-hour-long documentary series directed by Ken Burns and Lynn Novick released in September 2017, New York Times television critic James Poniewozik wrote: “The Vietnam War” is not Mr. Burns’s most innovative film. Since the war was waged in the TV era, the filmmakers rely less exclusively on the trademark “Ken Burns effect” pans over still images. Since Vietnam was the “living-room war,” played out on the nightly news, this documentary doesn’t show us the fighting with new eyes, the way “The War” did with its unearthed archival World War II footage.
    [Show full text]
  • Aa000343.Pdf (12.91Mb)
    COMFORT SHOE New Style! New Comfort! Haband’s LOW 99 PRICE: per pair 29Roomy new box toe and all the Dr. Scholl’s wonderful comfort your feet are used to, now with handsome new “D-Ring” MagicCling™ closure that is so easy to “touch and go.” Soft supple uppers are genuine leather with durable man-made counter, quarter & trim. Easy-on Fully padded foam-backed linings Easy-off throughout, even on collar, tongue & Magic Cling™ strap, cradle & cushion your feet. strap! Get comfort you can count on, with no buckles, laces or ties, just one simple flick of the MagicCling™ strap and you’re set! Order now! Tan Duke Habernickel, Pres. 1600 Pennsylvania Ave. Peckville, PA 18452 White Black Medium & Wide Widths! per pair ORDER 99 Brown FREE Postage! HERE! Imported Walking Shoes 292 for 55.40 3 for 80.75 Haband 1600 Pennsylvania Ave. 1 1 D Widths: 77⁄2 88⁄2 9 Molded heel cup Peckville, Pennsylvania 18452 1 1 NEW! 9 ⁄2 10 10 ⁄2 11 12 13 14 with latex pad COMFORT INSOLE Send ____ shoes. I enclose $_______ EEE Widths: positions foot and 1 1 purchase price plus $6.95 toward 88⁄2 9 9 ⁄2 Perforated sock and insole 1 adds extra layer 10 10 ⁄2 11 12 13 14 for breathability, postage. of cushioning GA residents FREE POSTAGE! NO EXTRA CHARGE for EEE! flexibility & add sales tax EVA heel insert for comfort 7TY–46102 WHAT WHAT HOW shock-absorption Check SIZE? WIDTH? MANY? 02 TAN TPR outsole 09 WHITE for lightweight 04 BROWN comfort 01 BLACK ® Modular System Card # _________________________________________Exp.: ______/_____ for cushioned comfort Mr./Mrs./Ms._____________________________________________________ ©2004 Schering-Plough HealthCare Products, Inc.
    [Show full text]
  • Apocalypse Now, Vietnam and the Rhetoric of Influence Autor(Es): Childs, Jeffrey Publicado Por: Centro De Literatura Portuguesa
    Apocalypse now, Vietnam and the rhetoric of influence Autor(es): Childs, Jeffrey Publicado por: Centro de Literatura Portuguesa URL persistente: URI:http://hdl.handle.net/10316.2/30048 DOI: DOI:http://dx.doi.org/10.14195/2182-8830_1-2_1 Accessed : 30-Sep-2021 22:18:52 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. impactum.uc.pt digitalis.uc.pt Apocalypse Now, Vietnam and the Rhetoric of Influence JEFFREY CHILDS Universidade Aberta | Centro de Estudos Comparatistas, Univ. de Lisboa Abstract Readings of Francis Ford Coppola's Apocalypse Now (1979) often confront the difficulty of having to privilege either its aesthetic context (considering, for instance, its relation to Conrad's Heart of Darkness [1899] or to the history of cinema) or its value as a representation of the Vietnam War.
    [Show full text]
  • Engaged Observers: Documentary Photography Since the Sixties
    OBJECT LIST Engaged Observers: Documentary Photography since the Sixties At the J. Paul Getty Museum, the Getty Center June 29–November 14, 2010 1. Leonard Freed (American, 1929 - 2006) 5. Leonard Freed (American, 1929 - 2006) Demonstration, New York City, 1963 Georgia, 1965 Gelatin silver print Gelatin silver print Image: 25.9 x 35.4 cm (10 3/16 x 13 15/16 Image: 38.3 x 25.6 cm (15 1/16 x 10 1/16 in.) in.) Gift of Brigitte and Elke Susannah Freed. The Gift of Brigitte and Elke Susannah Freed. The J. Paul Getty Museum, Los Angeles, J. Paul Getty Museum, Los Angeles, 2008.59.3 2008.59.9 2. Leonard Freed (American, 1929 - 2006) 6. Leonard Freed (American, 1929 - 2006) March on Washington, Washington, D.C., Political Meeting, Harlem, 1963 August 28, 1963 Gelatin silver print Gelatin silver print Image: 33.2 x 25.2 cm (13 1/16 x 9 15/16 Image: 37.8 x 25.4 cm (14 7/8 x 10 in.) in.) Gift of Brigitte and Elke Susannah Freed. The The J. Paul Getty Museum, Los Angeles, J. Paul Getty Museum, Los Angeles, 2008.62.3 2008.59.4 7. Leonard Freed (American, 1929 - 2006) 3. Leonard Freed (American, 1929 - 2006) New York City, 1963 Johns Island, South Carolina, 1964 Gelatin silver print Gelatin silver print Image: 33.2 x 25.2 cm (13 1/16 x 9 15/16 Image: 25.7 x 34.9 cm (10 1/8 x 13 3/4 in.) in.) Gift of Brigitte and Elke Susannah Freed.
    [Show full text]
  • Forty-Two Years and the Frequent Wind: Vietnamese Refugees in America
    FORTY-TWO YEARS AND THE FREQUENT WIND: VIETNAMESE REFUGEES IN AMERICA Photography by Nick Ut Exhibition Curator: Randy Miller Irene Carlson Gallery of Photography August 28 through October 13, 2017 A reception for Mr. Ut will take place in the Irene Carlson Gallery of Photography, 5:00 – 6:00 p.m. Thursday, September 21, 2017 Nick Ut Irene Carlson Gallery of Photography FORTY-TWO YEARS AND THE FREQUENT WIND: August 28 – October 13, 2017 VIETNAMESE REFUGEES IN AMERICA About Nick Ut… The second youngest of 11 siblings, Huỳnh Công (Nick) Út, was born March 29, 1951, in the village of Long An in Vietnam’s Mekong Delta. He admired his older brother, Huynh Thanh My, who was a photographer for Associated Press, and who was reportedly obsessed with taking a picture that would stop the war. Huynh was hired by the AP and was on assignment in 1965 when he and a group of soldiers he was with were overrun by Viet Cong rebels who killed everyone. Three months after his brother’s funeral, Ut asked his brother’s editor, Horst Faas, for a job. Faas was reluctant to hire the 15-year-old, suggesting he go to school, go home. “AP is my home now,” Ut replied. Faas ultimately relented, hiring him to process film, make prints, and keep the facility clean. But Ut wanted to do more, and soon began photographing around the streets of Saigon. "Then, all of a sudden, in 1968, [the Tet Offensive] breaks out," recalls Hal Buell, former AP photography director. "Nick had a scooter by then.
    [Show full text]
  • Conrad and Coppola: Different Centres of Darkness
    E. N. DORALL Conrad and Coppola: Different Centres of Darkness (From Southeast Asian Review of English, 1980. in Kimbrough, Robert, ed. Heart of Darkness: Norton Critical Edition. New York: Norton & Company, 1988.) When a great artist in one medium produces a work based on a masterpiece in the same or another medium, we can expect interesting results. Not only will the new work be assessed as to its merits and validity as a separate creation, but the older work will also inevitably be reassessed as to its own durability, or relevance to the new age. I am not here concerned with mere adaptations, however complex and exciting they may be, such as operas like Othello, Falstaff and Beatrice et Benedict, or plays like The Innocents and The Picture of Dorian Gray. What I am discussing is a thorough reworking of the original material so that a new, independent work emerges; what happens, for example, in the many Elizabethan and Jacobean plays based on Roman, Italian and English stories, or in plays like Eurydice, Antigone and The Family Reunion, which reinterpret the ancient Greek myths in modern terms. In the cinema, in many ways the least adventurous of the creative arts, we have been inundated by adaptations, some so remote from the original works as to be, indeed, new works in their own right, but so devoid of any merit that one cannot begin to discuss them seriously. But from time to time an intelligent and independent film has been fashioned from the original material. At the moment I can recall only the various film treatments of Hemingway's To Have and Have Not.
    [Show full text]
  • Media Images of War 3(1) 7–41 © the Author(S) 2010 Reprints and Permission: Sagepub
    MWC Article Media, War & Conflict Media images of war 3(1) 7–41 © The Author(s) 2010 Reprints and permission: sagepub. co.uk/journalsPermissions.nav DOI: 10.1177/1750635210356813 Michael Griffin http://mwc.sagepub.com Macalester College, Saint Paul, MN, USA Abstract Photographic images of war have been used to accentuate and lend authority to war reporting since the early 20th century, with depictions in 1930s picture magazines of the Spanish Civil War prompting unprecedented expectations for frontline visual coverage. By the 1960s, Vietnam War coverage came to be associated with personal, independent and uncensored reporting and image making, seen as a journalistic ideal by some, and an obstacle to successful government conduct of the war by others. This article considers the idealized ‘myth’ of Vietnam War coverage and how it has influenced print and television photojournalism of American conflicts, skewing expectations of wartime media performance and fostering a consistent pattern of US Government/media collaboration. Upon analysis, pictorial coverage of US wars by the American media not only fails to live up to the myth of Vietnam but tends to be compliant and nationalist. It fails to reflect popular ideals of independent and critical photojournalism, or even the willingness to depict the realities of war. Keywords documentary, Gulf War, Iraq War, journalism, news, photography, photojournalism, television, television news, Vietnam War, visual communication, visual culture, war, war photography Media representations of war are of interest to media scholars for many reasons. First, as reports or images associated with extreme conflict and matters of life and death, they tend to draw intense public attention, and potentially influence public opinion.
    [Show full text]
  • Vietnam: Tet Offensive Resource Packet
    Virginians at War Vietnam: Tet Offensive Resource Packet Contains: Glossary, Timeline, Images, Discussion Questions, Additional Resources Program Description: Virginians at War: The Tet Offensive explores the experience of Virginians that fought during the critical Tet Offensive in 1968, a turning point of the Vietnam War. Launched by the North Vietnamese Army on 30 January, the coordinated attack against thirteen different provincial capitals throughout South Vietnam took Americans and South Vietnamese by surprise. The result was a costly, long campaign that ended in a hard –fought military victory for the United States and South Vietnamese. However, the outcome of the campaign had a significantly negative impact on support for the war in the United States, from which the nation would not fully recover. Copyright: Virginia War Memorial Foundation, 2006 Length: 18:59 Streaming link: https://vimeo.com/367038067 Featured Speakers: MSG Lonnie S. Ashton, Montross SPC Orthea Harcum, Richmond MSG Lauren P. Bands, Colonial Heights LT Hugh D. Keogh, Midlothian COL Robert C. Barrett, Jr., Colonial Heights SGT Prentis Lee, Clifton LT COL Frank S. Blair, Richmond SP/4 Powhatan “Red Cloud” Owen, Charles City MSG Charles M. Carter, Warsaw SGM Douglass I. Randolph, Charlotte Court House SGT Earl E. Cousins, Ashland MAJ John A. Rawls, M.D., Mechanicsville CPT James H. Dement, Jr., Richmond 1st LT Cathie Lynn Solomonson, R.N., Woodbridge 1st LT Daniel G. Doyle, Richmond 1st LT James F. Walker, Roanoke LT COL John D. Edgerton, Williamsburg For a transcript of this program and more information on the Vietnam War, please visit vawarmemorial.org/learn/resources/vietnam.
    [Show full text]