DAR WILLIAMS Friday, August 19, 2005
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Rendez-Vous (A Collaborative Quintet of Talented Austin Musicians)
Rendez-Vous (A collaborative quintet of talented Austin musicians) Julie Slim (vocal) is a locally based Lebanese American multilingual jazz vocalist known for her vocal versatility, singing in various languages such as English, French, Arabic, Spanish, Italian, Turkish, Farsi, and Greek. Founder and leader of Rendez-Vous, she transports her audience to a different time and place with her warm vocals and interpretations of American, Spanish, French and Arabic standards from the 1920’s to 1960’s, set in a variety of Latin and jazz rhythms. She performs around Austin and the surrounding areas and has performed internationally in the Bahamas and Istanbul, Turkey. Julie has also been featured with Ann Hampton Callaway in Austin Theatre Cabaret at the Scottish Rite Cathedral, and is proud to be a member of the Austin Jazz Workshop, educating elementary children about jazz music and composers. Focused on world music, Julie also collaborates with several world music bands in Austin, such as 1001 Nights Orchestra, Atlas Maior, Indimaj and UT Middle Eastern Ensemble, Bereket and Oliver Rajamani & the Mondsee Orchestra. Her Arabic band, Layalina, was featured at Copa in a world music showcase at SXSW in 2010 and the premier Formula 1 Austin event, Fanfest in 2012. In addition to two previously released CD’s with Rendez-Vous, Julie has recently released her latest full-length CD, “Promenade Sentimentale,” a sensual journey through the many faces of love. Julie is also an accomplished actress with credits in The Muhlenberg Summer Repertory Theatre (The Mikado, Kismet, Tales From The Arabian Nights), The State Theatre (Man of La Mancha), The Paramount Theatre with Austin Musical Theatre (Fiddler on the Roof), and The Dougherty Arts Center (Deep in the Heart of Texas) for which she was nominated for a B Iben Payne Award in 1996. -
Areless COUNTRY Ng Montell Messina Moves Into Top 5 on YOUR DESK NOW
AUGUST 4, 2000 ISSUE 2316 SEMasariy f 4%4. 0Q THE MOST TRUSTED NAME IN RADIO Double your pleasure. Americana At Double your Koz. GAVIN Summit 2000 MUSIC TOP 40 Madonna Faces Music MAINSTREAM AIC Brickman Finds "Love" RHYTHM CROSSOVER 98° And Rising _ ALTERNATIVE Rage Agrees To esti areless COUNTRY ng Montell Messina Moves Into Top 5 ON YOUR DESK NOW. Impacting Adult NEWS 1 Radio on Monday! Napster Wins Stay Of Execution MP3, EMI Settle Dispute From Dave's hit album: The Dance Produced by Montell Jordan and Schappell Crawford for Mo'$wang Productions Home of the Seminar in Radio ® Management: W.F. Leopold Management, Inc. From the Publishers of Music Week, MBI and fono davekoz.com lest Kor Entertainment, Inc. ©2000 Capitol Records, Inc. E D 9 hollywoodandvine.com A United Business Media Publication Y E O www.americanradiohistory.com "Country Grammar" New This Week Already On: #1 at Crossover Radio WBTS/Atlanta WIOQ, KHKS, WDRQ, KZZP/Phoenix KRBE, KHTS, KDWB, #1 at Rhythmic Top40 Radio KSLZ, WFLZ, WAKS, WBBO/Monmouth KKRZ, WKFS, KCHZ, Album over 210,000 this week WXLK/Roanoke Sales WXSS, WNOU, KFMS, WZEE/Madison Album Certified Just certified 2x Platinum KUMX, WEZB, WRVW, WQZQ, WKSE, KHFI, WLDI, WPXY, WKGS, Oyer 1100 spins at Top40 radio #1 Video at KJYO and many more #2 Callout America 1111111jj SMASH "FEELS SO GOOD" On , KHKS, WDRQ, WXKS, KRBE, WHYI, TS, KZZP, KSLZ, WXYV, WFLZ, WKFS, KDND, KMXV, WXSS, WNOU, WXXL, KFMS, WEZB, WKZL, WQZQ, WKSE, WKSL, WLDI, WPXY, WDJX, KJYO, WFLY, KQMQ, WBHT, WXKB and many more.. -
John Fremgen - 1
John Fremgen - 1 -- JOHN M. FREMGEN Office Address MRH 4.164 1 University Station Austin, TX 78712 (512)232-2082 [email protected] EDUCATION Institution Degree Year University of Southern M.M., Jazz Studies 1993 California Millikin University B.M, Commercial Music 1991 Private student of Chicago Symphony Principal bassist Harold Seigel (1985-87) PROFESSIONAL EXPERIENCE Teaching University of Texas at Austin, Associate Professor, Division of Jazz and Music Industry 2009-present University of Texas at Austin, Assistant Professor, Division of Jazz and Music Industry 2003-2009 University of Texas at Austin, Lecturer, Division of Jazz, Theory and Composition 1995-2002 Millikin University, Adjunct Instructor 1994-95 University of Southern California, Adjunct Instructor 1994 University of Southern California, Teaching Assistant 1991-93 Millikin University String Project, Private Double Bass Instructor, Decatur, Illinois1988-91 COURSES TAUGHT University of Texas at Austin • Individual Instruction • Jazz Theory I & II • Jazz Improvisation • Intermediate Jazz Improvisation • History of Jazz John Fremgen - 2 -- • Jazz Appreciation • Jazz Piano Techniques • AIME and Jazz Ensemble Millikin University • Beginning Jazz Improvisation • Intermediate Jazz improvisation • Jazz Appreciation • Applied Jazz/Classical Bass • Jazz Combos University of Southern California (as an adjunct) • Private Jazz Bass • Jazz Combos University of Southern California (as a TA) • Jazz Ragtime and Blues • Jazz Guitar Trio Class RECORDINGS-AS A LEADER/PRIMARY BANDMEMBER Finished production on upcoming solo release for Viewpoint Records (scheduled for release in fall, 2008) American Scream, PJ Olsson (CBS Records), 2008 Beautifully Insane, PJ Olsson (Columbia Records), 2007 The Ironwood Sessions PJ Olsson (CBS Records/Download only), 2007 Step Inside Love: A Jazzy Tribute To The Beatles Featured artist on this ESC Records (Germany) release. -
Dar Williams Has Always Followed Her Muse. When She Was up in Somerville, Massachusetts in the Early Nineties, Knowing That
Dar Williams has always followed her muse. When she was up in Somerville, Massachusetts in the early nineties, knowing that she wanted to pursue music or theater, she worked backstage at the Opera Company of Boston and wrote plays on the side. But she was in Boston, and the muse led her into the myriad open mics and tip jar gigs of booming folk revival. She opened a trunk of old songs and started writing new ones. She went to three or four open mics or song circles a week and recorded two cassettes. Yes, cassettes. When she felt like the noise of Boston was getting to be too much, the muse led her to the cornfields and college towns of Western Massachusetts where she sat on her futon and wrote the songs that would become The Honesty Room, her first CD, which she recorded in the basements and back woods studios of Amherst. She hoped the songs she was writing, with titles like When I Was a Boy, You’re Aging Well, and The Great Unknown, would lead her into an idiosyncratic part-time music career. Little did she know that the coffeehouse scene and the beginnings of internet communities were building to a crescendo and eager to receive her warm, witty songs. By the end of 1994, when The Honesty Room came out, she had rock-solid management, the best booking agency in the country for singer-songwriters, and a career-making slot at the Newport Folk Festival. She also signed with Razor & Tie records and penned the material for her next album, Mortal City. -
HOLIDAY BAZAAR HERLAND RECEIVES ACLU Herland Will Be Hosting the First Ever HERLAND HOLIDAY BAZAAR the Weekend of Fri
November, 1997 HOLIDAY BAZAAR HERLAND RECEIVES ACLU Herland will be hosting the first ever HERLAND HOLIDAY BAZAAR the weekend of Fri. Dec 5th through Sun. Dec. 7th ONLY. HUMAN RIGHTS AWARD Herland volunteers will be selling a Herland Sister Resources has been chosen to receive the fabulous variety of unusual and unique American Civil Liberties Union of Oklahoma Human Rights gifts ... feminist, gay, lesbian, bi and goddess Award. Herland was chosen because ofitS work to eliminate the t-shirts, jewelry, candles, artwork, music, oppression of women. In particular, Herland provides a safe books and much, much more!!! meeting place for women, a bookstore, food pantry, newsletter, The event will be held the weekend of and a legal defense fund. Friday, December 5th through Sunday, De The ACLU made a point to note the Herland Legal Defense cember 7th. The doors open Friday at 1 PM Fund's assistance in the Fox vs. Fox court case that has helped and are open until 10 PM that night with pave the way for lesbian and gay parents throughout the state of entertainment starting at 7 PM Saturday Oklahoma. Margy Dillon, Chairwoman ·of the Board, says "We doors open at 10 AM and again don't close are thrilled to accept this honor. Herland has been at work in the until lOpm. We have more entertainment that night at 7 PM. community for 15 years and it is wonderful to be recognized in this Entertainment for the Friday and Saturday nights of the bazaar way." will be announced in the December issue of The 1997 Bill of Rights Day Awards Banquet will take place the Voice. -
2017-2018 Magazine
THEHOLLAND HALL SCHOOL Holland Hall THE HOLLAND HALL SCHOOL MAGAZINE MAGAZINE 2017 – 2018 2017 – 2018 3 From the Head of School 4 SPECIAL: Classes of 2017 & 2018 14 CAMPUS VIEW: A Look at School Activities 26 FEATURE: Why is Holland Hall So Expensive? 30 SPOTLIGHT: Focus on School Stories 40 Advancement News 48 Alumni Matters 60 LANDMARKS: Transitions & Announcements 2017 – 2018 1 2017-18 BOARD OF TRUSTEES Welcome from the Head of School. J.W. Craft Chair Dear Holland Hall Families, Friends, and Alumni, Courtney Knoblock Vice Chair Volatility. Uncertainty. Complexity. Ambiguity. VUCA, for short. Stephen J. Brady While the theme at the most recent meeting of the National Association of Independent Schools Treasurer was more uplifting, it’s notable that the organization’s president and several senior leaders made Amy Fogleman Koontz specific reference to these general conditions. We’re living in a time of remarkable volatility, Secretary uncertainty, complexity, and ambiguity. It’s hard to imagine that changing anytime soon—new Scott Asbjornson normal comes to mind. Robin J. Ballenger ’63 Accepting this truth and resisting the ever-present temptation for nostalgia about any non-VUCA Kenneth D. Busby ’85 time in the life of Holland Hall, what are we doing to ensure our students are ready to lead in this Past Alumni Association kind of environment? President 1998-2002 Tammie L. Maloney Roger B. Collins We have to keep doing what we have always done: investing in great teachers devoted to developing great leaders. Small Past Board Chair 2006-2009 EMERITUS BOARD Past Board Chair 2013-2017 classes foster close relationships where the knowledge of how to lead is passed from one generation to the next. -
Ari Poutiainen a Fingering Strategy for Jazz Violin Improvisation
ARI POUTIAINEN STRINGPROVISATION A FINGERING STRATEGY FOR JAZZ VIOLIN IMPROVISATION ACTA MUSICOLOGICA FENNICA 28 Among the key issues of left-hand violin technique are fingering, shifting, and position playing. This doctoral study presents a unique fingering strategy, Stringprovisation, that focuses on these technical matters. The strategy is targeted to formulaic modern jazz improvisation and is communicated through applications of idiomatic musical patterns. The strategy excludes the use of open strings and relies instead on so-called schematic fingering. This advanced fingering approach reflects well the tactile and kinesthetic aspects of violin playing, and idiomatic patterns can be effectively performed with it in all keys and violin positions. The study is divided into two parts. Part I consists of a comprehensive investigation of schematic fingering approaches in relevant pedagogical string instrument literature. Part II presents the fingering strategy with an extensive collection of musical examples. This strategy draws from the author’s wide experience in and knowledge of jazz violin performance and pedagogy. The strategy appears to provide a significant alternative fingering approach with which modern jazz can be effectively improvised across the entire violin fingerboard. Ari Poutiainen is an original contemporary jazz violinist, violist, composer, and arranger. He is known for his use of rare, hybrid 5-string violas in addition to violin, his main instrument. He has performed across Europe, led various small groups and string ensembles, composed scores for films, contemporary dance and theatre performances, and appears on approximately 50 CDs. As a pedagogue, Poutiainen has specialized in bowed string instrument improvisation, having taught the subject at different levels and institutions for several years. -
HERLAND HOLIDAY R
December, 1997 HERLAND HOLIDAY CD TO FEATURE OKLAHOMA WOMEN SINGER/SONGWRITERS At the November Board meeting, Her land decided to produce EVENTS a recording featuring local women singer/songwriters. This re cording is a way for Herland to showcase the achievements of the very talented women singer/songwriters in Oklahoma City. At HOLIDAY this early date the list of performers to be featured already includes Miss Brown to You (Mary Reynolds, Louise Goldberg, BAZAAR Elyse Angelo and Terri Hoersch), Peggy Johnson, Donna D., and Wanda D. and others are still being added. The recording will be DECEMBER 5 -7 produced by Studiogirl, a local womet1-owned and operated studio. Do your holiday shopping at We are inviting individuals to be "CP underwriters"to cover Herland ! Herland will be will be production costs ofthe recording . With ~1 minimum contribution open extra hours and will have of $50, a "CD underwriter" will receive an autographed copy of special holiday gift items during the CD, complimentary admission to the r~lease party and any CD the Holiday Bazaar, December 5 -7. Herland will open at 3 PM benefit performances. The names of"CD underwriters" will also on Friday and remain open until 10 PM. On Saturday, Herland be listed in the Voice and on the CD liner notes. will open at 10 AM and stay open until 10 PM. Friday evening We need at least 70 "CD undern riters" to produce this will include holiday snacks and festive music. Saturday at 7:30 recording. Give yourself (and your favorite performer) a holiday PM we'll have a holiday potluck so come and bring a disk to gift by becoming a CD underwriter. -
Table of Contents Pagan Songs and Chants Listed Alphabetically By
Vella Rose’s Pagan Song Book August 2014 Edition This is collection of songs and chants has been created for educational purposes for pagan communities. I did my best to include the name of the artists who created the music and where the songs have been recorded (please forgive me for any errors). This is a work in progress, started over 12 years ago, a labor of love, that has no end. There are and have been many wonderful artists who have created music for our community. Please honor them by acknowledging them if you include their songs in your rituals or song circles. Many of the songs are available on the web, some additional resources are included in Appendix A to help you find them. Blessings and thanks to all. NOTE: Page numbers only works to 170 – then something went wrong and I can’t figure it out, sorry. Table of Contents Pagan Songs and Chants Listed Alphabetically By Title p. 2 - 160 Appendix A – Additional Resources p. 161 Appendix B – Song lists from select albums p. 163 Appendix C – Songs and Chants for Moons and Sabbats Appendix D – Songs and Chants for Winter and Yule Appendix E – Songs for Goddesses Index – Alphabetical listings by First Lines (verses and chorus) 1 Vella Rose’s Pagan Song Book August 2014 Alphabetical Listing of Songs by Title A Circle is Cast By Anna Dempska, Recorded on “A Circle is Cast” by Libana (1988). A circle is cast, again, and again, and again, and again. (repeats) ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** Air Flies to the Fire Recorded on “Good Where We Been” by Shemmaho. -
Quarantunes Jam 06 13 20
Quarantunes Jam 2020 ! Quarantunes Jam #1 - !1 Across the Great Divide 4# Ain’t No Mountain High Enough 5# Angel From Montgomery 6# Big Yellow Taxi 7# Calypso Freedom (Freedom Coming) 8# Can’t Let Go 9# Carolina In My Mind 10# A Change is Gonna Come 12# Catch the Wind 14# Close To You 15# Don’t Come Home Drinkin’ With Lovin’ On Your Mind 17# Don’t Stop Believin’ 18# From Me to You 19# The Gambler 20# Georgia on my Mind 22# Grandpa Was a Carpenter 23# Green Green Rocky Road 24# Hard Times (Come Again No More) 25# I Can’t Help But Wonder 26# I Wanna Hold Your Hand 27# If You Want To Sing Out, Sing Out 28# Imagine 29# Iowa 30# If I Had a Hammer 32# Landslide 33# Lean on Me 34# Leavin’ on a Jetplane 36# Let it Be 37# Losing My Religion 38# Me and Bobby McGee 40# Oh Had I A Golden Thread 42# Quarantunes Jam #1 - !2 On the Road Again 43# Please Don’t Bury Me 44# Somewhere Over the Rainbow / What a Wonderful World 46# Somos El Barco 48# St. Louis Blues 49# Stand By Me 50# Stand Far From Me 51# Summer’s End 52# Swing Low, Sweet Chariot 53# This Little Light of Mine 53# Three Little Birds 54# Wagonwheel 55# What Becomes of the Brokenhearted? 56# Wildflowers (Dolly Parton) 57# Wildflowers (Tom Petty) 58# Wish You Were Here 59# Woke Up This Morning 60# Yellow Submarine / Virus Quarantine 61# You Ain’t Goin’ Nowhere 62 Quarantunes Jam #1 - !3 Across the Great Divide Kate Wolf - Gold in California (1984) ! ! ! ! ! ! Standard time - Each chord = 4 beats, except * = 2 beats - Standard strum Intro: G G* C* G G Em Em C C G Em C* D7* G G G G* C* G Verse -
HONEST JOHN • Births & Deaths
rH coast MUSIC Formerly MUSIC CITY TEXAS ' BRADLEY JAYE #1/90 FEBRUARY WILLIAMS The Gulf Coast Playboys HONEST JOHN • Births & Deaths REVIEWS Johnnie Allan • Ray Campi Rosie & Flores 'Rockabilly Music & Its Makers' • Aldus Roger Eddie 'Lalo'Torres • World Accordion Anthology Townes Van Zandt LARGE SELECTION OF VINTAGE CLOTHING i THE LAST c o MUSIC CITY TEXAS m n MUSIC AWARDS ! UNDERTHESUN O POLL PARTY A Vintage Emporium tu n Champ Hood & The Threadgill's Troubadors < H Jimmie Dale Gilmore • Ray Wylie Hubbard Asylum Street Spankers • Los Pinkys > Christina Marrs & The Jubilettes c8 Don Walser • Scott Walls • Jesse Taylor 5341 BURNET RD 73 nm Gary Prlmich • Rod Moag • Ponty Bone > AUSTIN, O Kevin Smith • Randy Glines LLi 73 TEXAS 78756 K3 Ana Egge, Linda Lozano & Kim Miller (512) 453-8128 in and special guests LU 8? Steue Clark • Larry Monroe • Griff Luneberg l/"l 5 d6 c >- V/Ì MONDAY =) r\ February 17th CQ 5 O m THREADGILL'S i/i 2 WORLD HEADQUARTERS _i o < 7 3 Barton Springs & Riverside LU > 6.30-J0pm, no cover —flm.Lt.Lc.d.n. &a"ad. Sa-u.tfLt.tn. S ty le £ GJ Dedicated to the memory of Martha Taylor Fain 4 0 S- 7 O S HOUSEWARES, FURNITURE 8c KITSCH > % Vcm/Wedw'y jevnuAKy Mondays at gate's, 9pm Tuesdays at Jovita’s, 8pm (except 4th) Saturday 1st, groken Spoke, 9pm Jriday 21st, glanco's, Houston RETR9VOGUC Saturday 22nd, Jlag Hall, gurlington, nearetemple & RELICS Thursday 29th, Jrench Cegation, 9.30am 2024 South Lamar Boulevard • Phone No 442-4446 gR9MÇ9MÇ yOU THE g EST 9JO GOlAJOTRy JVIUS9C jUITÄKS KUT MAKES MUSIC! 5 5 3 5 BURHET RD. -
Teaching Turtle Island Quartet Music: Selected String Orchestra Pieces for High School and College Musicians Sally Hernandez
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Teaching Turtle Island Quartet Music: Selected String Orchestra Pieces for High School and College Musicians Sally Hernandez Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC TEACHING TURTLE ISLAND QUARTET MUSIC: SELECTED STRING ORCHESTRA PIECES FOR HIGH SCHOOL AND COLLEGE MUSICIANS By SALLY HERNANDEZ A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Sally Hernandez defended this treatise on October 30, 2013. The members of the supervisory committee were: Pamela Ryan Professor Directing Treatise John Geringer University Representative Bruce Holzman Committee Member Melanie Punter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To José Hernández, my dance partner in life iii ACKNOWLEDGMENTS The author would like to express gratitude to the members of the Turtle Island Quartet, past and present, for creating such wonderful and daring music and for taking time out of their busy schedules to assist with this paper. The author is grateful to Nick Geist for his technical expertise with the musical excerpts and music librarian, Misti Shaw, for her help with diacritical markings and footnotes. Thank you to those who gave me continual love and support, my family and friends, especially my mother, sister, and husband. I am appreciative of my friends, Kristin Geist and Rebecca Rhoads, for enduring encouragement and to the members of the “ABD Club” who helped ensure my future ineligibility into the club.