Presidential Address 1987
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Coventry in the Oxford Dictionary of National Biography
Coventry in the Oxford Dictionary of National Biography The Oxford Dictionary of National Biography is the national record of people who have shaped British history, worldwide, from the Romans to the 21st century. The Oxford DNB (ODNB) currently includes the life stories of over 60,000 men and women who died in or before 2017. Over 1,300 of those lives contain references to Coventry, whether of events, offices, institutions, people, places, or sources preserved there. Of these, over 160 men and women in ODNB were either born, baptized, educated, died, or buried there. Many more, of course, spent periods of their life in Coventry and left their mark on the city’s history and its built environment. This survey brings together over 300 lives in ODNB connected with Coventry, ranging over ten centuries, extracted using the advanced search ‘life event’ and ‘full text’ features on the online site (www.oxforddnb.com). The same search functions can be used to explore the biographical histories of other places in the Coventry region: Kenilworth produces references in 229 articles, including 44 key life events; Leamington, 235 and 95; and Nuneaton, 69 and 17, for example. Most public libraries across the UK subscribe to ODNB, which means that the complete dictionary can be accessed for free via a local library. Libraries also offer 'remote access' which makes it possible to log in at any time at home (or anywhere that has internet access). Elsewhere, the ODNB is available online in schools, colleges, universities, and other institutions worldwide. Early benefactors: Godgifu [Godiva] and Leofric The benefactors of Coventry before the Norman conquest, Godgifu [Godiva] (d. -
Source Notes for the Library by Stuart Kells (Text Publishing, Melbourne, 2017)
Source Notes for The Library by Stuart Kells (Text Publishing, Melbourne, 2017) p. 6. ‘My company is gone, so that now I hope to enjoy my selfe and books againe, which are the true pleasures of my life, all else is but vanity and noyse.’: Peter Beal, ‘“My Books are the Great Joy of My Life”. Sir William Boothby, Seventeenth-Century Bibliophile’, in Nicholas Barker (ed.), The Pleasures of Bibliophily, (London & New Castle: British Library/Oak Knoll Press, 2003), p. 285. p. 6. ‘the existence within his dwelling-place of any book not of his own special kind, would impart to him the sort of feeling of uneasy horror which a bee is said to feel when an earwig comes into its cell’: John Hill Burton, The Book-Hunter etc, (Edinburgh & London: William Blackwood & Sons, 1885), p. 21. p. 8. ‘menial and dismal’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 153. p. 8. ‘filled with tears’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 153. p. 8. ‘On that miraculous day, she looked up from reading C. S. Lewis, noticing he had begun to cry. In perfect speech, he told her, “I’m crying because I understand”.’: Elizabeth Hyde Stevens, ‘Borges and $: The parable of the literary master and the coin’, Longreads, June 2016. p. 8: ‘a nightmare version or magnification’: Jorge Luis Borges, ‘Autobiographical Essay’, in The Aleph and Other Stories 1933-1969, (London: Picador, 1973), p. 154. p. 9. -
Beowulf by All Community Translation and Workbook
FOUNDATIONS Advisory Board Robert E. Bjork, Arizona State University Alessandra Bucossi, Università Ca’ Foscari, Venezia Chris Jones, University of Canterbury / Te Whare Wānanga o Waitaha Sharon Kinoshita, University of California, Santa Cruz Matthew Cheung Salisbury, University of Oxford FOR PRIVATE AND NON-COMMERCIAL USE ONLY BEOWULF BY ALL COMMUNITY TRANSLATION AND WORKBOOK Edited by JEAN ABBOTT, ELAINE TREHARNE, and MATEUSZ FAFINSKI British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2021, Arc Humanities Press, Leeds This work is licensed under Creative Commons licence CCBYNCND 4.0. Permission to use brief excerpts from this work in scholarly and educational works is hereby The authors assert their moral right to be identified as the authors of their part of this work. granted provided that the source is acknowledged. Any use of material in this work that is an exception or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/29/EC) or would be determined to be “fair use” under Section 107 of the U.S. Copyright Act September 2010 Page 2 or that satisfies the conditions specified in Section 108 of the U.S. Copy right Act (17 USC §108, as revised by P.L. 94553) does not require the Publisher’s permission. ISBN (hardback): 9781641894708 ISBN (paperback): 9781641894715 eISBN (PDF): 9781641894746 www.arc-humanities.org Printed and bound in the UK (by CPI Group [UK) Ltd), USA (by Bookmasters), and elsewhere using print-on-demand technology. FOR PRIVATE AND NON-COMMERCIAL USE ONLY CONTENTS Preface .................................................................................... -
Anglo-Saxon Poetics in the Linguarum Veterum
University of New Mexico UNM Digital Repository English Language and Literature ETDs Electronic Theses and Dissertations 2-9-2011 Anglo-Saxon Poetics in the Linguarum Veterum Septentrionalium Thesaurus Grammatico-Criticus et Archaelogicus of George Hickes: A Translation, Analysis, and Contextualization Shannon McCabe Follow this and additional works at: https://digitalrepository.unm.edu/engl_etds Recommended Citation McCabe, Shannon. "Anglo-Saxon Poetics in the Linguarum Veterum Septentrionalium Thesaurus Grammatico-Criticus et Archaelogicus of George Hickes: A Translation, Analysis, and Contextualization." (2011). https://digitalrepository.unm.edu/ engl_etds/8 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in English Language and Literature ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i ii ACKNOWLEDGEMENTS First and foremost, I want to thank Dr. Timothy Graham for his unending support and infinite patience over the years. Without you, this would never have come to fruition; you are truly worthy of the title vir doctissimus. If I am anything as a scholar, it is all because of you. To my committee members Dr. Helen Damico, Dr. Anita Obermeier, and Dr. Carl Berkhout. Thanks for allowing me the time to work on this and for being patient with changing circumstances as they arose. I would also like to thank Dr. Leslie Donovan for providing me with the ―gateway drug,‖ namely her ―Legends of Arthur‖ class. It‘s not often we can say that we changed the course of a life for the better, and you definitely have changed mine! To my mother for her support over the years. -
Karen Thomson Catalogue 102 Part I. Anglo-Saxon Books
KAREN THOMSON CATALOGUE 102 PART I. ANGLO-SAXON BOOKS. PART II. JANE AUSTEN FAMILY LETTERS. PART III. BOOKS AND MANUSCRIPTS. PART I. ANGLO-SAXON BOOKS The first book printed using Anglo-Saxon type [1] Aelfric Grammaticus, Abbot of Eynsham A testimonie of antiquitie, shewing the auncient fayth in the Church of England touching the sacrament of the body and bloude of the Lord here publikely preached, and also receaved in the Saxons tyme, above 600. yeares agoe. [Edited by Matthew Parker and John Joscelyn.] Imprinted at London by John Day, dwelling over Aldersgate beneath S. Martyns. Cum privilegio Regiæ Maiestatis. [1566?] (STC 159.5: variant with the royal privilege at the bottom of the title-page, and the inverted e of Maiestatis corrected) £12,000 Small 8vo. A-K8, L8. Fore-margin of the title-page sometime torn away, minor old staining and corners curling but an attractive and large copy, resewn. THE FIRST BOOK PRINTED WITH ANGLO-SAXON TYPE, BOUND IN A TWELFTH-CENTURY VELLUM MANUSCRIPT AND WITH THE CONTEMPORARY INSCRIPTION OF RYCHARD BALLETT ON COLOPHON LEAF, THE NOTE ‘BROUGHTON LIB’ ON FRONT COVER, AND EARLY PEN TRIALS. The manuscript used for binding this copy is appropriate to one of the political purposes of the book. The text is from the fourth chapter of the Acts of the Apostles, and includes the beginning of verse 13: “Videntes autem Petri constantiam, et Joannis, comperto quod homines essent sine litteris, et idiotæ, admirabantur” ‘When they saw the outspokenness of Peter and John, and perceived that they were uneducated and ordinary men, they were astonished’. -
The Legacy of Wiglaf: Saving a Wounded <Em>Beowulf</Em>
The Kentucky Review Volume 6 | Number 2 Article 4 Summer 1986 The Legacy of Wiglaf: Saving a Wounded Beowulf Kevin S. Kiernan University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Kiernan, Kevin S. (1986) "The Legacy of Wiglaf: Saving a Wounded Beowulf," The Kentucky Review: Vol. 6 : No. 2 , Article 4. Available at: https://uknowledge.uky.edu/kentucky-review/vol6/iss2/4 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Legacy of Wiglaf: Saving a Wounded Beowulf* Kevin S. Kiernan To try to dignify my fascination with the Beowulf manuscript, I will liken it to Wiglaf's attempt, at the end of the poem, to help Beowulf fight the fire-drake. As a Beowulf scholar, I fight like a loyal thane to save the poem from fire-damage and other forms of draconic emendation. In other words, I want to revive an Old English Beowulf, the one still surviving in the manuscript. I am depressed by the cosmetics of the mortuary, the neat and tidy but still rather stiff view of Beowulf I think we get in modern editions of the poem. -
Canterbury's A
Canterbury Heritage A to Z An Encomium in honour of Professor Jackie Eales and Professor Peter Vujakovic Contributions edited by S. Sweetinburgh & D. E. Heath 1 Canterbury Heritage A to Z An Encomium in honour of Professor Jackie Eales and Professor Peter Vujakovic Contributions edited by S. Sweetinburgh & D. E. Heath Copyright held by individual contributors Designed by D. E. Heath Centre for Kent History & Heritage, Canterbury Christ Church University, Canterbury CT1 1QU 2020 Contents Encomium 5 A is for St Augustine by Jeremy Law 6 B is for Baobab by Sadie Palmer 8 C is for Cathedral by Cressida Williams 10 D is for Dunstan by Diane Heath 12 E is for Elizabeth Elstob by Jackie Eales 14 E is also for Education and Eales by Lorraine Flisher 16 F is for Folklore and Faery by Jane Lovell 18 G is for Graffiti by Peter Henderson 20 H is for Herbal by Philip Oosterbrink 22 I is for Ivy by Peter Vujakovic 24 J for Jewry by Dean Irwin 26 J is also for Jewel by Lorraine Flisher 28 K is for Knobs and Knockers by Peter Vujakovic 30 L is for Literature by Carolyn Oulton 32 M is for Mission, Moshueshue, McKenzie, and Majaliwa by Ralph Norman 34 N is for Naturalised by Alexander Vujakovic 36 O is for Olfactory by Kate Maclean 38 P is for Pilgrims by Sheila Sweetinburgh 40 P is also for Phytobiography by Chris Young 42 Q is for Queen Eleanor by Louise Wilkinson 44 R is for Riddley Walker by Sonia Overall 46 S is for St Martin’s by Michael Butler 48 T is for Tradescant by Claire Bartram 50 U is for Undercroft by Diane Heath 52 V is for Via Francigena by Caroline Millar 54 V is also for Variety by Chris Young 56 W is for Wotton by Claire Bartram 58 X is for Xylophage by Joe Burman 60 Y is for Yew by Sheila Sweetinburgh 62 Z is for Zyme by Lee Byrne 64 Map of Canterbury (1588) 66 4 Encomium The on-line Christ Church Heritage A to Z celebrated the thirtieth anniversary of the inscription of the Canterbury UNESCO World Heritage Site in 2019. -
The Ormulum in the Seventeenth Century: the Manuscript and Its Early Readers
Neophilologus https://doi.org/10.1007/s11061-017-9547-3 The Ormulum in the Seventeenth Century: The Manuscript and Its Early Readers Kees Dekker1 © The Author(s) 2017. This article is an open access publication Abstract The most recent edition of the Ormulum by Robert Holt (The Ormulum, with the notes and glossary of Dr. R. M. White, OUP, Oxford, 1878) pays little or no attention to its seventeenth-century readers and owners: the philologists Jan van Vliet (1622–1666) and Francis Junius (1591–1677). This study aims to fill this lacuna in the reception history of the Ormulum by analysing the study of the Ormulum in the seventeenth and early eighteenth centuries. The results show a vivid and imaginative approach to the Ormulum by its first active student, Jan van Vliet, who discovered its metrical qualities and studied its lexicon. Despite a declining interest in the Ormulum by later scholars, the activities and ideas of its early readers have been a lasting influence on the reception of this unique text. Keywords Ormulum · Reception history · Lexicon · Jan van Vliet · Francis Junius In 1852, the reverend Robert Meadows White (1798–1865) published the Ormulum in a two-volume edition produced by Oxford University Press.1 A fellow of Magdalen College, Oxford, and a former Rawlinson professor of Anglo-Saxon, White had worked from 1832 to 1852 on his Ormulum edition plus glossary, harvesting admiration but also criticism, both at home and abroad (Carlyle 2009). Immediately after its appearance, during Hilary Term of 1853, White’s successor John Earle offered lectures on the Ormulum ‘as a text-book for the transition period 1 The Ormulum is a collection of homiletic material from Oxford, Bodleian Library, Junius 1, written in Lincolnshire and dating from c. -
The Tudor State Papers in the Yelverton, Cotton and Harleian Manuscript Collections
Gale Primary Sources Start at the source. The Tudor State Papers in The Yelverton, Cotton and Harleian Manuscript Collections Dr Simon Adams University of Strathclyde Various source media, State Papers Online EMPOWER™ RESEARCH The Yelverton, Cotton and Harleian Papers. It was only in the eighteenth century that [1] ‘illustrations of manners’ as opposed to ‘papers of Manuscript Collections state’ were considered worth preserving, and then by The key dates in the establishment of the State Papers private collectors. as a formal archive are the creation of the State Paper Office in 1578 and the appropriation in 1612 of a large Precisely what the State Paper Office contained when section of the Cecil Papers at Salisbury House by Sir Wilson became keeper in 1606 is a mystery. Thomas Wilson, the Jacobean Keeper of the State Walsingham’s papers had been maintained as a Papers. The purpose of the Office appears to have been separate collection in the early 1590s, but when and strictly functional, to provide reference materials for how they entered the State Paper Office is unknown. the formulation of policy, and therefore it was Indeed without Wilson’s enthusiasm, the State Paper concerned solely with the working papers of the Office might well have withered on the vine, because Principal Secretaries of State. What these were can be the crown was only concerned with maintaining the seen in the index to the papers of Sir Francis working archives of its various departments, and Walsingham (Secretary 1573–1590), which divides them showed little interest in preserving the papers of its into ‘books of matters’ (reference books) and bundles leading servants. -
© 2018 Brittany Amiet All Rights Reserved
© 2018 BRITTANY AMIET ALL RIGHTS RESERVED ii ENGLAND, STONEHENGE, AND THE DRUIDS: THE ROLE OF WILLIAM STUKELEY IN THE BEGINNINGS OF ARCHAEOLOGY AND THE RISE OF BRITISH NATIONALISM A Thesis Presented to The Graduate Faculty of the University of Akron In Partial Fulfillment of the Requirements for the Degree Master of History Brittany Amiet May, 2018 iii ENGLAND, STONEHENGE, AND THE DRUIDS: THE ROLE OF WILLIAM STUKELEY IN THE BEGINNINGS OF ARCHAEOLOGY AND THE RISE OF BRITISH NATIONALISM Brittany Amiet Thesis Approved: Accepted: _____________________________ ______________________________ Dr. Michael Graham Dr. John C. Green Chair Dean of the College _____________________________ ______________________________ Dr. Martin Wainwright Dr. Chand Midha Committee Member Dean of the Graduate School _____________________________ ______________________________ Dr. Martha Santos Date Department Chair iv TABLE OF CONTENTS Page CHAPTER I. WHO WERE THE EARLY ANTIQUARIANS? AND WHAT DID THEY SAY ABOUT ENGLAND? ………………………………………………………………… 1 How were Early Antiquarians different from Early Modern Historians? ……….14 John Leland………………………………………………………………………19 William Camden…………………………………………………………………26 John Milton………………………………………………………………………35 Conclusion……………………………………………………………………….46 II. WILLIAM STUKELEY: THE FRAMEWORK FOR NATIONALISM AND THE BEGINNINGS OF ARCHAEOLOGY……………………………………………….48 Conclusion…………………………………………………………………….…85 III. RISE OF ENGLISH FOCUS AND NATIONALISM IN ANTIQUARIANISM…...88 BIBLIOGRAPHY………………………………………………………………………115 v On 20 March 2017, a group of filmmakers from MegalithomaniaUK followed an assembly of modern Druids and captured their Spring Equinox traditions at Stonehenge, performed in front of a gaggle of tourists, who seemed more interested in the demonstration than the original Neolithic builders. To a chorus of drums, the modern Druids marched into the center of the stone circle dressed in a hodgepodge collection of white robes, headdresses, hats, and capes, while a few walking sticks rounded out the image. -
Dr John Barkham1 Seventeenth-Century Antiquary and Numismatist
THROUGH A GLASS DARKLY: DR JOHN BARKHAM1 SEVENTEENTH-CENTURY ANTIQUARY AND NUMISMATIST D.W. DYKES BY the middle of the sixteenth century the creation of cabinets of coins and medals had long been a fashionable pursuit in continental Europe. ‘No Prince, no great Lord’, it could be said, ‘failed to pride himself on his Coins [‘Médailles’] even if he did not know how to interpret them’.2 For some two hundred years and more the collecting of coins – Greek and especially Roman – had increasingly become a necessary expression of Renaissance culture, the fifteenth century seeing the formation of some outstanding cabinets including those of Cosimo de Medici, Pope Paul II (Cardinal Pietro Barbo) and the Emperor Maximilian I.3 Now, by no means restricted to court and nobility, the collecting enthusiasm had percolated through to any gentleman or scholar of humanist pretentions; its spread accompanied and fostered by an ever-growing wealth of numismatic literature which, for reasons that defy ready explanation, reached a sudden spate in the 1550s and was to continue through the seventeenth century. As Francis Haskell put it ‘the care devoted to numismatics in the sixteenth and seventeenth centuries constitutes one of the greatest (but most neglected) achievements of Renaissance scholarship’.4 At the close of the 1550s when the Flemish artist Hubert Goltzius (Fig. 1), having already published an initial collection of superb imperial portraits to great acclaim,5 was gathering material for a further fine series of compendia of Roman coins – both real and imaginary – he claimed to have consulted close on a thousand collections in the Low Countries, France, Germany and Italy.6 Twenty-eight cabinets existed in the French capital alone, the most Acknowledgements. -
Intelex Past Masters Online Database; I Wish I Could Say the Same Thing About All of the Online Products to Which We Subscribe
I N T E L E X P A S T M A S T E R S 2017 TABLE OF CONTENTS Introduction ...................................................................................1 Past Masters Commons ................................................................ 2 New Releases ................................................................................. 4 Collected Works .......................................................................... 34 Women Writers Collection ........................................................ 60 English Letters Collection ..........................................................68 Reference Titles ........................................................................... 78 Index Front Cover: Ernst Cassirer Detail: Francisco Suárez. Museo de la Universidad de Valladolid Detalle del retrato del Padre Francisco Suárez (Siglo XVII) Wilhelm Dilthey, c. 1900. Photography by the Studio (Atelier) Dührkopp (Berlin). Originally from: Deutsches Historisches Museum Unter den Linden 2 10117 Berlin Philosophy Club Argument in a French Pub Detail: “Rev. Thomas Reid,” 1796. Oil on canvas, by Sir Henry Raeburn. National Trust for Scotland, Fyvie Castle, Aberdeenshire, U.K. Portrait of Friedrich Heinrich Jacobi, Oil on canvas, by Johann Friedrich Eich, 1780 Edmund Gustav Albrecht Husserl, c. 1930. Archiv für Kunst und Geschichte, Berlin Friedrich Wilhelm Nietzsche Bernard de Mandeville Chauncey Wright, c. 1870 NLX PAST MASTERS® SERIES INTRODUCTION InteLex Corporation’s Past Masters series encompasses the largest collection of full-text